Archive for June, 2009

Have Your Visual Art Events Broadcast On Public Radio In WNC & UpState SC

Monday, June 8th, 2009

I just received an e-mail from Rose Mueller, who has put her pottery career on hold while doing some volunteer broadcasting work for NC public radio. She is working on presenting art news spots for WNCW. This is sort of like the Arts Daily spots on SCETV – Radio.

This is another form of free publicity open to artists and art organizations in their area of coverage. Plus they also host an events calendar you can post info on. Of course they would also like for you to become an underwriter of the station – that means paid advertising in non-profit talk, but the Artbreak announcements and the calendar listings are free. You can’t blame them for asking. We all need support to come from somewhere. So here’s the e-mail.

WNCW, 88.7 FM-Spindale, NC, a listener supported public radio station is calling for artists to submit info for Artbreak, a free broadcast service to help support the ARTS. This is a FREE public broadcasting service. We reach Western North Carolina, the South Carolina Upstate, Eastern Tennessee, and parts of Georgia and Virginia. We also stream on the internet to the world…sometimes we get letters from listeners in Japan, Australia, Russia and other countries!

Artbreak announcements specifically cover visual arts, dance, theatre, film and literary events open to the public. These announcements are broadcast on Monday through Friday every two hours between 9:30am and 3:30pm. If you have a special opening or event in these categories, please submit a press release at least two weeks in advance in the following way ONLY:

- Send a SHORT news release (40 words or less) to (artbreak@wncw.org). Keep it    short or it will not be broadcast.

- Include: Sponsoring organization; what the event is; when and where it is.

- Most important of all, include a contact phone number or web address.

Also, feel free to post your events on our website. It’s easy to do:

- Go to (www.wncw.org).

- At the top of the home page, click Events.

- Scroll down the page to the gray box on the left that says “submit event” and click, then follow the prompts.

WNCW is a listener supported public radio station and provides Artbreak as a free broadcast service to help support the ARTS. We are happy to include you without charge. However, by becoming a WNCW underwriter, you reach over 80,000 potential patrons while supporting WNCW. Help Keep us on the air. To find out more about becoming an underwriter, go to (www.wncw.org). On the right side of our home page, click: “become a WNCW supporter”.

For further info contact Rose Mueller, e-mail at (artbreak@wncw.org).

So there you go – another opportunity for free publicity for your art exhibits, art festivals, gallery exhibits, etc.

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Another Pottery Exhibit Not In Seagrove, At Cone 10 Studios In Charleston, SC

Thursday, June 4th, 2009

In what is beginning to look like a continuing series – the “Pottery Exhibits Not in Seagrove, NC, Series”, we have an exhibit in Charleston, SC, called Mentor: Honoring the Historical Relationship Between Master and Apprentice, featuring the works of nine mentors and their students. Unfortunately, this exhibit is only up through June 7, 2009. I should have gotten to this show long before I did, but the good thing is – Cone 10 Studios features the works of the nine artists, who are playing the role of student for this exhibit, on a regular basis. When you do a monthly paper, there is not much time in-between one issue and the next.

I read in some material at the gallery that, “Mentor first appears in Greek mythology as the guardian of Odysseus’ son, Telemachus, during the Trojan War. Athena, Odysseus’ wife, later disguises herself as Mentor to advise and guide Telemachus on how to proceed in life. Thus, began the pairing of an experienced counselor and trusted friend with an unseasoned novice.”

The nine combinations of mentor/student are: Joan Byrd/Susan Gregory; Susan Filley/Pana Wilder; McKenzie Smith/Caroline Cercone; Nina Liu/Arthur McDonald; Robert Westervelt/Betsey Carter; Michael Welliver/Anne John; Juanita May/Chip Burr; Setsuya Kotani/Fiorenzo Berardozzi; and the super mentor/student team – Sid Luck/Jason Luck – father/son.

And, guess what? Sid Luck is from Seagrove, NC. I can’t make this stuff up folks.

The exhibit was co-curated by Fiorenzo Berardozzi and Caroline Cercone.


Caroline Cercone

“The Master/Apprentice or the Mentor/Student relationship has spanned thousands of years, and is a cross-cultural affair,” said Fiorenzo Berardozzi. “These relationships have created a global exchange of philosophical ideas for the world of ceramics, and they are constantly evolving.”

“We wanted to recognize the significance of the mentor in both the continuity of Art History, and the artist’s personal history,” said Caroline Cercone. “Artists emerge and evolve out of cultural and individual circumstances. The link between the history of the larger art community and the individual artist is often the mentor.”


Arthur McDonald

The exhibit features 60 works by the nine mentor/student teams and the works run from traditional pottery objects like tea pots to contemporary wall sculptures made of mixed media. In some cases you might ask yourself if the student ever looked at what the mentor was doing, but imitation is not always the way this relationship develops. While with others you can see the relationship in style and technique. You might find yourself asking – how does a painter mentor a potter? You may even find a new meaning for the word mentor.

If you get a chance to see this show before it is over – that’s great, but if the timing is not on your side, you should visit the gallery and see the works of the nine student/artists, who may already be or will soon be mentors themselves – as the cycle continues.

P.S. When this gallery first opened with the name Cone 10 Studios, for the life of me I had to wonder from where that name came. Did it mean there were 10 artists working in some kind of collective – like bees working in a honeycomb or something, but now that I’ve been following several pottery blogs I’ve learned the the word Cone followed by a number means a certain degree of heat reached in firing pottery in a kiln. I’m still not sure if the number 10 is super hot, but the gallery’s name now makes more sense to me and perhaps to others who may have also wondered.

These blogs – they can be very educational if you keep up with them.

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A Look At An Exhibit by Peter Scala At Charleston County Public Library

Wednesday, June 3rd, 2009

Back in the day, let’s say the mid to late 1980′s, a review of the visual art offerings during Spoleto Festival USA and Piccolo Spoleto Festival would not be complete without mention of the annual exhibit of Francesco Licciardi’s works. Even after his death, his wife would still outfit some space in the downtown area of Charleston – wall to wall – up only during the festivals. Licciardi was our taste of old world modern art.

This year, festival goers looking for visual art offerings will find a taste of that old world or better yet, worldly art, at the Saul Alexander Foundation Gallery at the Main Branch of the Charleston County Public Library on Calhoun Street in downtown Charleston. The exhibit Fantasy, features works by local artist, Peter Scala, on view through June 30, 2009.


Having Fun

Scala declares himself a self taught surrealist painter, who was influenced by Pablo Picasso and Joan Miró. He was raised in Greenwich Village, in New York City, where his father, Victor Scala was a cubist artist. His father shared studio space with the abstract expressionist, Franz Klein. Peter also credits his early interest in art with classes spent with Margot A. Gregor. Between 1981 and 2002, Peter Scala traveled, lived and painted in some of the world’s most exotic locals in Africa and Asia including Zanzibar, Tanzania, Djibouti, Sri Lanka, Bangladesh, Angola, and Calcutta, India. Now he calls North Charleston, SC, home.

So here’s a warning. If you’re looking for typical scenes of the Lowcountry – you won’t find them in this exhibit. Although, Scala does have a pretty interesting painting of “South of Broad” in this exhibit.


South of Broad Street

I suggest you start your viewing of this exhibit by checking out a sample of some of Scala’s daily sketches from his journal. These are simple images which could later be incorporated into finished paintings. He likes to get his creative juices flowing with a morning sketch. The first pattern you might pick up on is that Scala likes to add images of animals – birds and cats – and sometimes some “what’s that?” creatures. At times you have to look hard, but the animals are there most of the time. And, once you start looking for these animals who knows what you’ll discover that you didn’t see at first glance.

If you’re looking for something different – this show delivers.

Scala’s work can also be viewed at the Lowcountry Artists Gallery in Charleston and the Portfolio Gallery in Columbia, SC.

While at the library there was also an unannounced exhibit, at least unannounced to us at Carolina Arts in the library’s lobby. This happens a lot during the Festivals – exhibits come out of the woodwork. This exhibition of 15 photographs on five text panels is entitled, A People of the Land – Lowcountry Portraits, featuring works by Vennie Deas Moore and will be on view through June 15, 2009. It’s a Traveling Exhibition from the McKissick Museum at the University of South Carolina in Columbia, SC.

This statement about the exhibit was offered: “This exhibit captures the multigenerational families who live in this coastal region and are stewards of place. Over the past two decades, they have witnessed the rapidly diminishing environment where they live and work.”

There are five panels representing five regions including: Highway 17, McClellanville, Georgetown-Tidewaters, Santee Delta, and Sandy Island – all areas on South Carolina’s coast.

I’m sure these images were part of a larger exhibition at one time – at least I hope there were more images, as it is hard to really get a sense of anything when only three photos represent each of the five regions. But while you’re going to see Peter Scala’s exhibit – why not check-out this show?

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