Archive for June, 2010

Hey, Ken May and the SC Arts Commission – Welcome to Our World

Saturday, June 12th, 2010

I’ve been receiving the following letter by e-mail at Carolina Arts – from some who think I’m going to contact my representatives to ask them to override these vetoes and by some who want to make sure I see this for comment.

Here’s the letter from Ken May, Executive Director of the SC Arts Commission, one person who won’t be losing his job and won’t see a pay cut according to his statement. He may live and operate in a shell and serve no one, but it sounds like he’ll go on.

June 10, 2010

The governor has vetoed the bulk of the Arts Commission’s budget, effectively crippling the agency if the legislature does not override the veto. This cut eliminates all state funds for grants, programs and services, and more than 70 percent of our personnel. The cut also eliminates federal stimulus funds earmarked for grants to local arts organizations. The vetoed funds support arts curriculum and artist residencies in our schools; plays, concerts, dance performances and exhibitions in our communities; and thousands of jobs statewide. These targeted cuts (veto #32 Statewide Arts Services, $1,212,733 and veto #105, ARRA funds, $250,000) will destroy the agency’s ability to fulfill its mission, leaving it with little more than an administrative shell lacking the resources to support the arts industry that benefits all the people of our state. If this concerns you, there are a variety of ways to reach your state legislators this week before the legislature reconvenes on Tuesday, June 15, 2010.

Ken May

Executive Director

How do I feel about this plea to the art community to ask the SC Legislators to override the Governor’s veto? First, I was never sent this letter directly so I can only figure that the Arts Commission doesn’t see me as a friend they can call on, which I guess matches my feelings about them. I know any request for a helping hand by me to them would fall flat. Second, since I can receive no funding from the Arts Commission or any of the people they distribute money to – I don’t see this as a problem which effects me. Yes, some non-profits who receive funding from the Arts Commission have taken out ads in our paper, but we give them a 25% discount on our prices and they get an ad in our paper. We earn every penny of that advertising money. And, just because they receive some funding from the Arts Commission doesn’t mean the money they put towards advertising came from the Arts Commission. I know of no arts organization or artist who solely exist off of the funding they receive from the SC Arts Commission. So, the loss of their funding is just a part of any individual’s or groups’ funding picture. Third, although I still support public tax dollars going towards funding the arts I have learned from watching the SC Arts Commission that the money doesn’t always go to the most deserving, most qualified or groups that represent the overall art community in SC. Fourth, Ken May is wrong when he says, “…lacking the resources to support the arts industry that benefits all the people of our state.” The Arts Commission doesn’t support all the arts industry and not all the people of this state benefit from the arts – many are not even interested in them.

In this case I feel the plea is a little suspect. Is it a plea to save the funding of the Arts Commission staff or money which would go to the artists and art groups of this State? If this cut goes through and the agency is so handicapped as Ken May states – how will they go on? What purpose will they serve other than one for themselves? If there is no money left for funding grants, programs and the staff is reduced by 70% – why doesn’t May state that without this funding he and the rest of the staff will just resign and leave the budget they use up – for the art community?

The art community I know has been suffering for years without help from the Arts Commission – long before the economy went sour. And, not all help requires funding – so that is why I titled this entry – welcome to our world. We’ve been doing without, cutting back – watching a shrinking future, just like many others in the art community, but we’ve been doing it without benefits – like retirement, health insurance, dental plans, paid vacation days, etc. And, we’ve been doing it without taxpayer dollars.

Artists and art groups should operate like regular businesses – within their budgets – budgets that reflect earned revenues. And, all who are involved in producing art which the public can benefit from, should be eligible to apply for public funding. Operating on the hopes that there will always be more funding is like living a dream. It’s time for some to wake up and face the world the rest of us live in. This just might be that day, but I’m not holding my breath.

Yes, a lot of good artists and good arts groups will lose some funding if this cut goes through, but a lot of good artists and good art groups have been going without a lot longer – and, will still go without whatever happens with the budget. Plus, it’s hard to defend restoring funding to the Arts Commission in light of what other cuts are being made in this State. It may seem like a drop in the bucket to some but to some individuals who may lose health services, food allotments, housing, etc. – it’s very important. What’s more important?

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Center for Visual Arts in Greensboro, NC, Offers Summer Pottery Sale – June 11 – 13, 2010

Thursday, June 10th, 2010

When I was in Greensboro, NC, last weekend I spotted a sign for this event at Edward McKay, one of my favorite places to visit when in Greensboro, but it seems that their prices for used CDs DVDs and other used items has really increased. Some deals still exist, but some items you can buy new at Wal-Mart for less then they want – resulting in big profits for them. Oh well – all good things don’t last forever.

So when I returned home to my computer I looked up this event, but didn’t find much more info than the bare bones offered here.

Here’s what I know:

The Center for Visual Arts in Greensboro, NC, is offering a Summer Pottery Sale. All the pottery for sale was donated by local artists of all ages and 100% of the proceeds of this sale will support the CVA Pottery Program & Clay Outreach Programs.

Sale hours are: Friday, June 11, 10am-7pm; Saturday, June 12, 10am-5pm; and Sunday, June 13, 2-5pm.

The Center for Visual Artists is a comprehensive art education center that strives to promote the advancement and development of visual art through education, exhibition opportunities and community outreach. Its purpose is exclusively educational and charitable. The CVA is a funded affiliate of the United Arts Council in Greensboro.

The CVA Gallery is located on the 2nd floor of the Greensboro Cultural Center, 200 North Davie Street in Greensboro, NC.

For further information call 336/333-7475, 336/333-7485 or visit (www.greensboroart.org).

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Cameron Art Museum in Wilmington, NC, Features Clay Artists and Teachers

Thursday, June 10th, 2010

Here is another press release we received at Carolina Arts about a pottery event taking place in the Carolinas. Keep them coming.

Artists and Teachers is an exhibition that brings together ceramic work by 7 local art teachers. The exhibition is organized by Hiroshi Sueyoshi and will be on view at the Clay Studio in the Pancoe Art Education Center at the Cameron Art Museum in Wilmington, NC, from June 3 through August 29, 2010.

The exhibition consists of ceramic work by Arron Wilcox and Vicky Smith of UNC-Wilmington, Geoff Calabrese of Cape Fear Community College, Alan Boyd of Laney High School, Joseph Cunliffe of Ashley High School, Hope Hunt of Haggard High School and Sara Scott of New Hanover High School.

The Cameron Art Museum presents 6-8 changing exhibitions annually; ongoing family and children’s programs; a unique program of tours for Alzheimer’s patients and their caretakers; interdisciplinary programs (lectures, music, films, literature, dance); and ongoing workshops and classes in ceramics at the Clay Studio with resident master artist Hiroshi Sueyoshi.

A native of Tokyo, Sueyoshi arrived in the US in 1971 to help build Humble Mill Pottery in Asheboro, NC. Sueyoshi has taught at numerous institutions including Cape Fear Community College. His works are primarily made using the Japanese techniques of neriage and nerikomi. Sueyoshi has exhibited his award winning work in exhibitions across America. His work is in private, corporate, and institutional collections including the Renwick Gallery. Sueyoshi is a graduate of Tokyo Aeronautical College and the Ochanomizu Design School.

The Cameron Art Museum is located at 3201 South 17th Street in Wilmington. This project received support from the North Carolina Arts Council, a division of the NC Department of Cultural Resources.

For more information about the museum call 910/395-5999 or visit (www.cameronartmuseum.com).

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I Made it to the 2nd Annual Cousins In Clay Event in Seagrove, NC

Tuesday, June 8th, 2010

As I said in a previous posting, I was hoping that my delivery schedule would put me in the right place at the right time to become a second timer by attending the 2nd Annual, expanded, “Cousins In Clay” event that was taking place on June 5 & 6, 2010, at two locations – Bulldog Pottery and Johnston and Gentithes Art Pottery in Seagrove, NC. Here’s a link to the official website.


Works by Bruce Gholson & Samantha Henneke

This event featured works by Bruce Gholson & Samantha Henneke (Bulldog Pottery), Fred Johnston & Carol Gentithes (Johnston and Gentithes Art Pottery) and special guests Michael Kline, Val Cushing and Allison McGowan. The “cousins” is a kinship based on shared appreciation for the pursuit of excellence within the diverse language of clay. Many also share a connection with Alfred University in New York.

As it turns out, I made my final deliveries early Friday morning in Seagrove – on the run. Those who saw me or my car – saw only a blurrrrr. I had some things to do in Greensboro, NC, and the list got longer and longer and the plan was to get back to Seagrove Saturday morning. But, as usual, the best laid plans never turn out the way you think they will. In my final decision of the day it was a choice of attending Greensboro’s First Friday art walk and the NC Arts Council’s Fellowship exhibit at the Green Hill Center for NC Art and choice #2.

It’s too complicated to go into why I ended up selecting choice #2, but the folks in the Greensboro visual art community will figure it out – eventually, but I decided to go with my friend Will Ravenel to out first Grasshopper game (baseball) of the season. And, it was a great game. The Grasshopers won, but I later learned they beat the only other team in their division – below them in the standings. I felt a little guilty about not choosing art, but after a week of driving over 2,000 miles in rain and storms around the Carolinas – from the mountains to the sea – I think I made the right choice for me and by Saturday morning I was back working the visual arts.

I got to Seagrove a little later than I had hoped, but my first stop was at Whynot Pottery to touch base with Meredith Heywood about the upcoming exhibit, Clay and Blogs: Telling a Story, which will be at the Campbell House Gallery in Southern Pines, NC, Oct. 1 – 31, 2010. Carolina Arts is, hopefully for them, just one of the media sponsors for the exhibit. The exhibit will feature works by 50 potters from around the world, who also represent 45 blogs (several blogs are written by couples).

While I was there I got to be witness to a motorcycle traveler who was doing a trek from Why, AZ, to Whynot, NC. There’s always something interesting going on in Seagrove. The traveler’s first comment upon finishing his trek was – “It’s hot out there!”

Soon I was cruising down the driveway of Bulldog Pottery and when I arrived there were a lot of cars scattered around the front of the gallery area. A good sign.


A view of works by Val Cushing

I gravitated right off to the eight tables filled with pottery by Val Cushing, Michael Kline and Bruce Gholson & Samantha Henneke. What a sight – rows and rows of incredible pottery. I had already gone through the DTs at Whynot Pottery just standing next to work fresh out of the kiln. I hate this recession/depression! I knew there were to be no purchases this trip, but my mind was running the numbers and they were not adding up in my favor. Darn. So, I settled into plan B – enjoying good conversation – something that comes easy to me – at least the conversation part.

As usual, Bulldog Pottery attracted a lot of interesting people to have conversations with. I talked with the potters, visitors and even got to talk shop with a fellow publisher, Rhonda McCanless, who has started the newsletter, In the Grove, covering events in the Seagrove area. Yes, Rhonda is related to Will McCanless another of the Seagrove Potters.

Although she is just starting, and I’ve been doing this for 23 years – we still had a lot in common and were dealing with the same problems – trying to make a profit, getting people to inform you of activities in a timely fashion so you can inform the public, and  what it’s like to be a publisher – as well as an over-glorified paperboy, but in her case papergal. So here we were, both gathering info that would soon be offered to the public.

And to illustrate the info problem, we had both just learned that there was a third event taking place in Seagrove at this time at Chris Luther Pottery – as well as at Donna Craven Pottery near Asheboro. It’s hard to keep up with everything.


The best image – a view of pots and customers

There were people there from New York, Virgina, and Columbia, SC. An hour before I had determined when I had to leave ( I have a four hour drive home) I learned that a SC potter, Peter Lenzo was on the way, but several hours away – so we would be passing each other on the road. They asked if I knew him and I was proud to say yes and tell them we have several of Lenzo’s head jugs in our collection. I wish I could have stayed to chat with him there. But, there is always something else to do – somewhere else to be, plus I was getting tired of watching other people buy pottery.

I don’t know how the rest of Saturday went and I haven’t heard anything about Sunday, but I would say the 2nd annual Cousins in Clay event was a hit. I did not get to spend any time at Johnston and Gentithes Art Pottery on Saturday, but on Friday morning I did have a good conversation with Fred Johnston when I was delivering papers. I’m sure you’ll be able to read some details at the Around and About with Bulldog Pottery blog by the time I post this.

I hope next year is a better year for us and I’m not just a looker at this event.

And, Finally I’m sorry about the lack of photos of the artists – I tend to talk to people instead of taking their pictures.

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Checking Out the 2010 Piccolo Spoleto Outdoor Art Exhibit in Marion Square Park in Charleston, SC

Monday, June 7th, 2010

So far it’s been a pretty wet delivery (of Carolina Arts) cycle for me this month – everywhere I have gone has been rained on or is raining cats and dogs and I swear I saw some cows falling out of the sky in Clemson, SC, the other day.

Nothing was different on my trip up South Carolina’s northern coast toward Calabash, NC, and back again through Mt. Pleasant and Charleston, SC – rain – high humidity – more rain.


File photo from 2008 – look, it’s Francis Marion looking over this show.

After I finished my deliveries in Charleston and North Charleston I planned to visit the 2010 Piccolo Spoleto Outdoor Art Exhibition in Marion Square in downtown Charleston. I was thinking that it must have been a heck of a week for them with all the wet weather we’ve been having and I wanted to see how things were going. I hoped they had been keeping dry.

Each day when I got home I checked out Amelia (“Mimi”) Whaley’s blog from the 2010 Piccolo Spoleto Outdoor Art Exhibition – she has posted more pictures of winning entries from this show and the artists who made these works. Visit this link to see a great Memorial Day event that took place in front of her camera.


File photo from 2008

Unfortunately, as I reached Georgetown, SC, at about 1:30am on Thursday morning heading back toward the Charleston area I got a view of a heck of a lighting show in the sky over Charleston. It was like watching a major nighttime battle. By the time I got to Mt. Pleasant the storm had moved out to sea. But when I finally got to Marion Square Park around 9am, after finishing my deliveries around Charleston, North Charleston and out to a few of the barrier islands – I could tell it had been a rough night for the tents in the park. One tent was blown over leaving a photographer’s art exposed to the elements. It was a sad scene, but I later read that the frames and photos survived – works would have to be re-matted and re-framed and a new tent was on the way – so life would go on in the park for this photographer. I had hoped to talk with Vickie Ellis, one of the show’s coordinators, but she was a little busy dealing with the storm’s aftermath.

The daily threat of rain, thunder storms, heavy winds, steamy temps, and who knows what else Mother Nature will throw at these hearty artists is only one of the challenges these people endure. It seemed that by the conservations I was having with some of the artists – the economy was taking a toll on this year’s event as well. Yet, as we talked on that Thursday morning – there was still hope and two more weekends to go.

As I mentioned in a previous posting on this show, one of the benefits to all involved – artists and visitors alike is that this is an annual gathering. I liken it to going shopping in a Mall during Christmas – you run into all kinds of folks you haven’t seen in a year – since the last outdoor show and some folks you haven’t seen in years. Many are long time veterans of this event, some were first timers or short timers, and a few artists roaming the park were artists who had long ago given up their park days for downtown galleries. I think a few were walking down memory lane. At one time or another – many of Charleston’s now famous artists sat in the park, and some still do.


File photo from 2008

I enjoy the fact that some of the artists are from different areas around the state – Greenville, Columbia, Myrtle Beach, Florence, Beaufort – giving me an opportunity to hear how things are going in other communities for these visual artists.

I couldn’t stay long – I still had lots of deliveries to make.

What they all need and hope for is more people who are willing to spend their money on art. There are still lots of people out there that are spending lots of money on fancy meals, sporting events, high tech gadgets, etc., but it seems less people are spending there money on art. All these other things will fade with time – some faster than others (I’m talking about the high tech gadgets), but a purchase of art can deliver enjoyment for years – generations.

I hope to get back to the park now that my deliveries are finished, but I just wanted to post this to remind folks – this adventure in art continues in Marion Square Park daily through the end of the festivals. So you still have lots of time to go find a treasure and put a smile on an artist’s face. It doesn’t take much to do that these days.

Maybe I’ll bump into you there?

One last thing. When I was dropping papers off at the Charleston Visitor Center I noticed they now had both sets of rest rooms open. As Martha Stewart says – “That’s a good thing”.

And, in a second look at the 2010 Piccolo Spoleto Festival Juried Art Exhibition, I noticed that the tags on the works told where the artists were from and most were from the Lowcountry area of SC, but one entrant listed his residence as Savannah, GA. How these people who live outside of South Carolina keep getting in a show for SC artists only – I do not know. You think the person typing up the tags would have raised an alarm, but there is probably some exception that was made – a weak part of most juried shows with some entry restrictions. Why have them if you’re not going to stick to them? It’s bad enough when artists get relatives to allow them to use their addresses to get into restricted shows.

What you gonna do?

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Burroughs-Chapin Art Museum in Myrtle Beach, SC, Offers 7th Annual Gullah Culture Celebration: Free Family Day on June 12, 2010

Saturday, June 5th, 2010

Here’s some info about another event you can enjoy which came to us at Carolina Arts. Excuse the shortening of the Museum’s name – it’s always a mouth full in any title.

Nothing embodies the history and culture of the Lowcountry more than Gullah traditions, and the Franklin G. Burroughs-Simeon B. Chapin Art Museum in Myrtle Beach, SC, will highlight them in A Gullah Culture Celebration, a Free Family Day to be held from 11 a.m. to 3 p.m. Saturday, June 12, 2010.

Gullah is the name given to descendants of former slaves of West African descent who settled in the coastal regions of South Carolina, Georgia and Florida, and their cultural traditions. The term is often used interchangeably with the name Geechee.
A Gullah Culture Celebration includes music, art, dance and, of course, food – both to sample and for purchase to enjoy later at home. All activities at the event, other than purchased items, are free.

Setting the mood for the day will be an African market with the Egbe Killimanjaro group. Other tasty treats will be available from Ultimate Eating in Beaufort, SC, whose owner Jesse Gantt is co-author of The Gullah Cookbook. Inside, on the Tea Porch, visitors can sample watermelon tea and sweet potato pone. (Watermelon tea is made from the recipe included in The Gullah Cookbook, written by Veronica Davis Gerald and Jesse Gantt. The cookbook is for sale in the Museum Shop.)

In the tent guests can enjoy listening to the gospel sounds of Billy Shepherd and the Celebration Gospel Ensemble, the Plantation Singers, and Carl Winters “The Kalimba King”. Later in the tent, Georgetown, SC, entertainers Egbe Killimanjaro will dance and drum along with Master Drummer Gene Golden.

At various locations within the Museum, a wealth of entertaining and educational activities will be available for visitors of all ages. See a demonstration on carving a walking cane, learn about Mancala, an African board game, and see how hammocks are made. There will also be sweetgrass basket making, storytelling with Adrene Harper, and noted Georgetown artist Zenobia Washington will lead a doll-making workshop.

Dr. Corrie Claiborne, Claflin University, will present her lecture From Sweetgrass to Housetop: Continuities in the cultures of the South Carolina Lowcountry and Gee’s Bend, Alabama. Later, Dr. Claiborne will give a docent tour of the exhibit A Survey of Gee’s Bend Quilts, on view at the Museum through Oct. 3, 2010.


Quilt by Mary Lee Bend

For the small fry, there will be face painting, along with workshops to learn to make Gee’s Bend-inspired wall hangings, church fans and a Gee’s Bend quilt square. Kids can also help paint a Gee’s Bend-inspired mural. Art Museum Education staffers Lori Seckinger and Arielle Fatuova will lead the workshops.

The Franklin G. Burroughs-Simeon B. Chapin Art Museum is a wholly nonprofit institution located across from Springmaid Pier at 3100 South Ocean Boulevard in Myrtle Beach.  Hours are Tuesday through Saturday, 10 a.m. to 4 p.m. and Sundays, 1 p.m. to 4 p.m.  Admission is free, but donations are welcomed.  Components of Museum programs are funded in part by support from the City of Myrtle Beach, the Horry County Council and the South Carolina Arts Commission, which receives support from the National Endowment for the Arts.

For further information call the Museum at 843/238-2510 or visit (www.MyrtleBeachArtMuseum.org).

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Columbia Museum of Art in Columbia, SC, Offers Tapestry Symposium on June 11, 2010

Thursday, June 3rd, 2010

Here’s a press release we received at Carolina Arts about a symposium taking place at the Columbia Museum of Art.

In conjunction with the exquisite exhibition, Imperial Splendor: Renaissance Tapestries from Vienna, the Columbia Museum of Art presents a symposium, Tapestries: Then and Now, focusing on the history, manufacture, variety and splendor of tapestries as an art form on Friday, June 11, 2010, from 9:30 a.m. until 4:30 p.m. A distinguished group of speakers, including a tapestry conservator from the Metropolitan Museum of Art, addresses a wide range of topics. Subject matter, use and display, the role of the artist in tapestry design, the revival of tapestry production in the early 20th century, weaving techniques and the conservation of these delicate works of art will be discussed by the scholars.

Tickets are $25 / $20 for members / $5 students and can be purchased online at (www.columbiamuseum.org).

“This is the first time the museum has undertaken a full-day symposium on a topic related to a museum exhibition and I think that the subject of tapestries is a perfect place to start, said chief curator and curator of European art Dr. Todd Herman. “The use, production and beauty of tapestries are little known today even though they were the leading indicators of wealth, power and prestige in the Renaissance and Baroque periods. While tapestries have been eclipsed by paintings and sculpture as the most valued art objects from these periods, tapestries were far more costly and highly regarded as indicators of position and power. This symposium will not only introduce the audience to the important role tapestries played in the Renaissance, but also discusses the revival of tapestry design at the beginning of the 20th century by such major artists as Pablo Picasso, Fernand Léger, Anni Albers and Alexander Calder.”

Speaker Schedule (This is a framework – schedule subject to change.) A question and answer session will follow each lecture.

9:00 a.m. -  Check-in and coffee

9:30 a.m. -  Todd Herman, Ph.D., Chief Curator and Curator of European Art, Columbia Museum of Art Introduction – Imperial Splendor: Renaissance Tapestries from Vienna.

10:00 a.m. – Ward Briggs, Ph.D., Professor (retired), Department of Classics, The University of South Carolina – Romulus and Remus: Origins of an Original Legend.

11:00 a.m. -Carlton Hughes, Ph.D., Assistant Professor of Art History, University of South Carolina History – Metaphor, Narrative: Storytelling in the Romulus and Remus Tapestries.

12:00 p.m. – Dirk Holger, tapestry artist and historian – The Art of Tapestry: Style Development through 2,000 Years.

1:00 p.m. - Lunch on Your Own

2:30 p.m. –  Olha Yarema-Wynar, Assistant Conservator, Department of Textile Conservation, The Metropolitan Museum of Art – Lessons from the Rose Tapestry: Conservation Techniques from the Metropolitan Museum of Art.

3:30 p.m. -Virginia Gardner Troy, Ph.D., Associate Professor of Art History, Berry College (Georgia) – Weaving Modern Art: The Marie Cuttoli Tapestries and the Pictorial Weavings of Anni Albers 1920-1960.

The symposium is made possible through a grant from the Samuel H. Kress Foundation, with additional funding provided by Family Medicine Centers of South Carolina.

Imperial Splendor marks the first time these centuries-old tapestries have traveled to the United States. Each of these eight exquisite tapestries, intricately crafted, measures from 11- to 12-feet high and from 12- to 18-feet long. The palace-sized tapestries came to the Kunsthistorisches Museum from the collections of King Matthias (Holy Roman Emperor 1612-1619) and King Francis I (1708-1765).

In addition, speaker Dick Holger leads a gallery talk entitled How Were They Made? on Saturday, June 12, 2010, from 11:00 a.m. until noon. Weaving demonstrations by Tommye Scanlin and Pat Williams begin at noon. Both are free with admission or membership.

For further information call the Museum at 803/799-2810 or visit (www.columbiamuseum.org).

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Caldwell Arts Council in Lenoir, NC, Features Works by Carl Moser and Tim Larson

Wednesday, June 2nd, 2010

Yes, yes, yes – another press release about an exhibit which came in after our deadlines. For those areas which we don’t cover in the printed version of Carolina Arts, the deadline to be included on our website version of the paper is the 25th of the month. This one missed that. I’m including it to use it as an example to those who are late (as if they are reading this) that fairly soon we will not give them a second or even third chance at our readers. Perhaps sometime in the future we will be “live” – feeding info out as info comes in, but we’re not there yet and it could be some time before that happens.

Here’s the press release:

The Caldwell Arts Council in Lenoir, NC, is pleased to announce their June gallery exhibit entitled, Nature’s Call, showcasing the preeminent work of master photographer Carl Moser (Hickory NC) and the naturally-inspired masterpieces of watercolor painter Tim Larson (Hickory NC).  This exhibit will open on June 4 and continues through June 25, 2010.


Work by Carl Moser

For over 50 years, Moser has captivated viewers with his inspiring photographs that feature the unparalleled characteristics of Nature and man’s intrinsic place within it. His work makes audiences recall a simpler time, whereby man lived in harmony with his environment, and creates a sentimental longing for that kind of primeval unity once again. Moser’s photographs are also a reflection of his deep adoration and genuine love for heartland of American and its people, and the exceptional qualities in his pictures reveal this honest view toward nature.

The subtle elements of light, color, and atmosphere, generate the exceptional aesthetic principles of composition, color harmony, and expression in Moser’s work.  His style is reminiscent of Classical Romantic painters, and its principles are a restoration of the timeless and poetically beautiful traits of the Romantic Age.  Moser sees the artistic value in many natural scenes that other people miss. With his camera, he records the small details in nature that seem unimportant and uses those fine points like cool shade, placid air and playful sunlight, to produce his masterpieces. Moser’s photographs have been featured in museums and collections that include: The Kodak Collection, The Smithsonian, National Geographic, and The Mint Museum, among many others.


Work by Tim Larson

Tim Larson has invested many years in recreating experiences or scenes in nature using a paintbrush. Nature inspires him and prompts him to reproduce his encounters with it in a visual manner. He is enchanted with the natural world and all of its creatures, especially birds and waterfowls. In each of his watercolor paintings, he strives to duplicate the various plumages, feather textures, and shapes of birds. Larson endeavors to achieve details in a few brushstrokes and to capture a certain light or particular element in each work.

The innumerable shades and tints of color of bird are simultaneously fascinating and challenging to Larson. Because of the vast number of bird species, he cannot conceive of ever exhausting subjects to paint. For Larson, art grants him a creative energy that allows him to unwind and to escape from a world driven by technology for at least a little while in his day-to-day life. He is currently experimenting with new mediums, such as oil and pastels, and hope to have new artworks in these mediums completed within the next year.

For further information call 828/754-2486 or visit their website at (www.caldwellarts.com).

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North Carolina Museum of Natural Sciences in Raleigh, NC, Features Pottery by Ben Owen III

Tuesday, June 1st, 2010

In our continuing effort to bring our readers news about pottery exhibits and events taking place in the Carolinas we offer this press release we received at Carolina Arts about an exhibit in Raleigh featuring works by Ben Owen III, one of the potters of Seagrove, NC.

Here it is:

The North Carolina Museum of Natural Sciences’ Nature Art Gallery is proud to offer an exhibit and sale of work by Ben Owen III, one of the world’s most celebrated potters. Earth, Water & Fire: Works in Clay by Ben Owen III will open on June 4 and continue through Aug. 1, 2010. This exhibit offers a great opportunity to purchase a thing of beauty and lasting value made by the hands of a preeminent North Carolina artisan, made from North Carolina clay and fired in the North Carolina pottery tradition.

As a third generation potter from Seagrove, NC, Owen’s roots run deep. Since the age of 13, he has been selling pots from “Old Plank Road Pottery” where his father and grandfather established the family business. Throughout high school he produced works using the traditions and glazes of his grandfather, who was influenced by the Asian pottery traditions he admired in museum collections. In the early 1990s he pursued a formal education in ceramics at the School of Art, East Carolina University, earning a Bachelor of Fine Arts degree.

Like his grandfather, Owen’s work displays both traditional and Asian influences. His aesthetic continually evolved as he attended workshops and conferences through the US and across the globe, including a workshop in Japan in 1995. He also traveled to China, Europe, Australia and New Zealand synthesizing elements of each culture. Owen says each pot is a model for the next as he describes the continual evolution of his work. Yet each creation exhibits an abiding respect for the traditions of his forefathers that shaped him as a young potter.

Though most North Carolinians are familiar with Ben Owen, few are aware that his reputation has spread so far beyond the state and country. His work has been commissioned for Ronald Reagan, Elizabeth Taylor, Perry Como, Bob Hope, Tom Selleck and Arnold Palmer. Most recently, the University of North Carolina commissioned him to create a piece for musician James Taylor as a lifetime achievement award.

Owen has exhibited his work continually since 1993 in both group and solo shows in North Carolina at the Mint Museum, Charlotte;  Blue Spiral Gallery, Asheville; Cameron Art Museum, Wilmington; North Carolina Art and History Museums, Raleigh; Gallery of Art and Design, NCSU, Raleigh; and Art Museums in Hickory, Greenville and Fayetteville and of course, the North Carolina Pottery Center in Seagrove. Venues outside our state include the Chrysler Museum, Norfolk; Alfred University, New York; the Berman Gallery, Atlanta; and in Tokoname, Japan.

Owen’s work has been collected by several museums including the Boston Museum of Fine Arts and the Dallas Museum of Art. Other public collections include the North Carolina Governor’s Mansion, Raleigh; the Umstead Hotel, Cary, NC; plus Ritz-Carlton Hotels of Boston, Tokyo and White Plains, NY; Boston Commons and the Federal Reserve, Charlotte. He has received numerous awards including North Carolina Living Treasure in 2004 and has been featured on Good Morning America, PBS, Japan-TV, Korean-TV and several TV shows in China.

For further information call the Museum Store at 919/733-7450, ext. 369 or visit (www.naturalsciences.org/museum-store/nature-art-gallery).

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