Archive for October, 2010

6th Annual Western North Carolina Pottery Festival Takes Place in Dillsboro, NC – Nov. 6, 2010

Saturday, October 16th, 2010

Here’s a little bit we know about a pottery festival taking place in Western North Carolina this fall.

The Sixth Annual Western North Carolina Pottery Festival is set for Saturday, Nov. 6, 2010, from 10am – 4pm, in Dillsboro, NC.

This juried festival showcases more than 40 master potters demonstrating a variety of techniques. Come see why it’s become one of the top arts events in the mountains, with an average attendance of several thousand people.

Hours are 10am to 4pm, rain or shine. Admission is $3 per person and includes a ticket for a day-long raffle. Kids under 12 admitted free!

The fun actually begins a day earlier with the WNC Clay Olympics and the firing of a wood-fired kiln. The kiln is opened Saturday at 2pm.

For festival info, call Tree House Pottery at 828/631-5100 or visit (http://www.wncpotteryfestival.com/).

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Grand Opening of Mint Museum Uptown Draws Record Attendance in Charlotte, NC

Friday, October 15th, 2010

The opening of the new Mint Museum Uptown was a big deal, not only to the Charlotte community, but to the entire Carolina visual art community. And the folks in Charlotte came out in a big way.

Here’s the scoop:

The Mint Museum welcomed a record-breaking 17,000 visitors to its new facility in uptown Charlotte, NC, during its grand opening weekend on Oct. 1-3, 2010. The debut of the Mint Museum Uptown was accompanied by a 24-Hour Grand Opening celebration, featuring free admission, live entertainment, and art activities for all ages.

“The enthusiastic support and overwhelmingly positive feedback we received from members and guests made our opening weekend a tremendously rewarding experience to me and to the entire staff, who worked tirelessly to make this event such a success,” said Executive Director Dr. Kathleen V. Jameson. “Even more satisfying was observing the galleries full of diverse audiences experiencing the Mint’s collections in new ways, and seeing a subsequent spike in memberships over the weekend.”


Photo by Ron Tencati

The 24-Hour Grand Opening celebration kicked off on Oct. 1, with a ribbon-cutting ceremony at 5pm, followed by a variety of activities for all ages during the next 24 hours. Friday evening events included an inaugural First Friday celebration and a Takeover Friday party, featuring music and dancing into the wee hours. Saturday activities included a Pecha Kucha Night Charlotte, museum tours, films, artist demonstrations, a poetry slam, and art-making activities for children and families in the Lewis Family Gallery. Special partnerships with Komen Charlotte Race for the Cure and the Charlotte Area Bicycle Alliance allowed hundreds of people to walk, run, and bike to the Museum during opening weekend.


Photo by Ron Tencati

“After years of planning and fine-tuning the educational components of the new Mint, we were thrilled to see children and families diving into the interactive art stations in the Lewis Family Gallery,” said Director of Education Cheryl Palmer. “The excitement exhibited by our young patrons reinforces our belief that arts education is a critical need in the community.”

During the week preceding the grand opening, the Mint Museum Uptown held several “soft openings” for approximately 1,500 supporters, members, and community partners. Net sales from the Museum Shop during opening weekend totaled more than $10,000.

Designed by noted architectural firm Machado and Silvetti Associates of Boston, the Mint Museum Uptown was the final attraction to open in the Levine Center for the Arts, located in the heart of Charlotte’s business district. Housing the internationally-renowned Mint Museum of Craft + Design, as well as American and contemporary art and select works from the European art collection, the 145,000-square-foot facility includes two full floors of galleries, each featuring 12,000 square feet of permanent collection space and 6,000 square feet of changing exhibition space. A dramatic multi-story atrium, named for the late Robert Haywood Morrison in honor of his foundation’s generous gift to the Museum, serves as a central hub of activity and features a 60- by 60-foot glass curtain wall offering spectacular views of the urban landscape. The building also includes a café, the Lewis Family Gallery, painting and ceramics studios, classrooms, a 240-seat auditorium, a Special Events Pavilion with outdoor terrace, and an expanded street-level Museum Shop featuring crafts of the Carolinas and showcasing merchandise that complements both the permanent collection and special exhibitions.


Photo by Ron Tencati

Following the opening of the Mint Museum Uptown, the Mint Museum Randolph, located in the historic Eastover neighborhood, will reinstall its galleries dedicated to the art of the ancient Americas, decorative arts, and historic costume, among others.

The Mint Museum is a unique gathering place for people to experience art through significant and varied collections, engaging exhibitions and innovative educational programs. Established in 1936 as the first art museum in North Carolina, the Mint Museum Randolph is housed in what was the first branch of the United States Mint and exhibits collections of art of the ancient Americas, decorative arts, and historic costume, among others. The Mint Museum is funded, in part, with operating support from the Arts & Science Council of Charlotte-Mecklenburg, Inc.; the North Carolina Arts Council, a division of the Department of Cultural Resources; the City of Charlotte; and its members.

For further information contact Elizabeth Isenhour, Marketing & Public Relations Manager by calling 704/337-2009 or visit (www.mintmuseum.org).

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You Can Participate in Looking For a Mate: A Public Art Project by Susan Lenz

Wednesday, October 13th, 2010

Who of us doesn’t have a “mate less” sock or two in their dresser drawers? I know I’ve got several, but they’re kind of plain socks. I mostly wear white socks with my tennis shoes, but I might have some more interesting socks I haven’t worn in years that are shoved way in the back of another drawer. How about you?

Susan Lenz, a Columbia, SC, based fiber artists is working on a public art project entitled, “Looking For a Mate”, which will be a community based art quilt made up of “mate less” socks. She’s asking people to donate their “mate less” socks to her project.

Here’s the details:

“Looking For a Mate”, a community based art quilt*, will take place during the 25th annual fall Vista Lights art crawl on the evening of Thursday, Nov. 18 and the afternoon of Saturday, Nov. 20, 2010, in the Congaree Vista arts district of Columbia, SC.  The public is invited to bring their “mate less” socks to River Runner, 905 Gervais Street, as donations to the project.

Fiber artist Susan Lenz will be hand stitching these “found objects” onto recycled acrylic felt in order to create a unique art quilt. The felt was formerly packaging material for canoes and kayaks being shipped by distributors to retail shops like River Runner. This humorous project was developed as a fun way to inform the public about art quilts. Participation in the construction and stitching will be encouraged.

Lenz created a “prototype” art quilt that will be on view as a finished example. It includes lots of simple straight stitches, cross stitches, and blanket stitches in bright, colorful threads. She will complete the public assisted “Looking for a Mate” art quilt over the winter. This new art quilt will be on display during Artista Vista, April 28 – 30, 2011, and will become the property of the Congaree Vista Guild, sponsors of the project.

Lenz will also accept any donated “mate less” socks in her studio at Gallery 80808/Vista Studios, 808 Lady Street in Columbia. Both Susan Lenz and River Runner owner Guy Jones encourage others to use post consumer materials in artistic ways.

*art quilt…must be predominantly fabric or fabric-like material and must be composed of at least two full and distinct layers – a face layer and a backing layer. The face and backing layers must be held together by hand- or machine-made functional quilting stitches or other elements that pierce all layers and are distributed throughout the surface of the work.

For further details visit Lenz’s blog, Art in Stitches, at this link (http://www.artbysusanlenz.blogspot.com/).

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I went to see the Clay and Blogs: Telling a Story Exhibit in Southern Pines, NC

Sunday, October 10th, 2010

As a final act of my October delivery of Carolina Arts, I detoured from my normal pathway home and visited the Arts Council of Moore County’s Campbell House Galleries in Southern Pines, NC, to see the exhibit, Clay and Blogs: Telling a Story, on view through Oct. 29, 2010.

You can read about this exhibit at this link to a previous posting.

It’s been some time since I have been to the Campbell House Galleries – about 7 or 8 years. It was one of those areas of the Carolinas we had to drop from our area of coverage for the printed paper and delivery of the paper – due to a lack of support.  So in this case – out of coverage – out of mind.

Carolina Arts was a media sponsor of this exhibit, so it just seemed natural that I would go see what we were promoting – even if I didn’t already want to see the exhibit. After all, how many times do you get to view pottery works by 50 potters from throughout the Carolinas, the US, and around the world. My guess is not often in a few hours drive from Bonneau, SC, and in this case I just had to make a 50 mile detour.

The trip to the Galleries was a little fuzzy at times, but before long familiar roadways and landmarks became clear. Not that much had changed. Many of the art galleries where I used to drop off papers were still there. And, the Arts Council has good signage out to mark the way to its facility.

So here I was viewing this exhibit on the Monday after the opening. As always, delivery of the paper comes first.

I have to admit that I didn’t get to enjoy the exhibit as if I was going there on a cultural adventure one afternoon. After four days of 12 to 16 hours of driving a car around the Carolinas at night – a final stop to view an exhibit is hardly what I would call a leisurely visit. I felt rushed by my own internal clock counting the seconds away before I finally reached home to crash. And, at this point I was still a good 3 to 4 hours away from that moment.

But, like a butterfly in a field of flowers I fluttered from one group of pottery to the next amazed at how much more interesting the next group of pottery could be – as if I’ve never seen a display of pottery before. The display was excellent and the diversity in styles, forms, and techniques was never-ending. I think I went through the entire display at least twice – a few times discovering new wonders overlooked at first glance.

I would had done anything to have had eight hours of sleep and to be there with Heywood, the show’s organizer and curator, to explain all or at least to answer my endless list of questions that were popping up.

If only I had the life that some people think I do as editor and publisher of a visual arts newspaper – seeing all the shows, attending all the openings, drinking till late hours of the night discussing issues with artists, and hob-knobing with art administrators. But, then who could get any work done doing that – I’d have to work at a state arts agency for that kind of life, but I jest. They must do some work sometime.

I took some pictures, but they’re not very good and they’re not like being there in front of the actual works. All they can do is give you a glimpse at what the exhibit looked like. I don’t even want to single any works out as it would be fruitless to highlight any while it is the group as a whole that makes this exhibit so wonderful. It’s the connections all these potters have to each other through their informal blogging network – spread throughout the world. They are all brothers and sisters in clay and blogs.

In the words of Meredith Heywood of Whynot Pottery in Seagrove, NC, “It is hoped that the exhibit will give a glimpse into the unique community of 50 working potters who are separated by distance, but brought together through the common language of clay and the written word in a digital world. These potters share their lives, skills, thoughts, triumphs and defeats through an on-line medium called a blog or web log.”

If you like pottery – go see this show, If you want to see how small the world can really be with today’s technology – go see this show and check out the blog book on display with the exhibit. If you just want to go see a well organized visual art exhibit – here’s a good choice. And, if you’ve got the time – Southern Pines can be interesting to discover too.

Oh, and I almost forgot. If you want to add some unique additions to your pottery collection – you’d better hurry – there were already a lot of red dots on tags – the Monday after the opening.

You can make your own connection with these bloggers by visiting Heywood’s blog at (http://whynotpotteryblog.blogspot.com/). At the top of her blog page is a link to the other 50 blogs. Of course, after this month, that link might not be there, but the blogging will go on and on.

How can you take the recommendation of someone who represents a media sponsor of an exhibit? All I can tell you is – the resources of Carolina Arts are limited – very limited – we can’t just do this for anything like some publications do to be a good community partner. We’re very selective.

For further information call the Arts Council of Moore County at  910/692-4356 or visit (www.mooreart.org).

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Carolina’s Got Art! Exhibit at the Atherton Mill in Charlotte, NC – On View and Announces Winners

Saturday, October 9th, 2010

We’ve received some news about the BIG juried show of both North and South Carolina taking place in Charlotte this month and a spin-off show. Winners have been announced and selections have been made from works – not selected for the show – a salon des refusès exhibit which will open at Elder Gallery in Charlotte.

Here’s the press release we received:


Vessel No. 320 by Lee Sipe of Columbia SC

Approximately 1400 visitors attended opening festivities that surrounded the second annual Carolina’s Got Art! exhibition at Atherton Mill in Charlotte, NC, on Oct. 1, 2010. Visitors were treated to music by the Renaissance Singers of Charlotte, as well as the Allan Greenburg trio. The exhibition continues through Oct. 30, 2010.

The exhibition was selected by New York art critic, Mario Naves, who reviewed 1800 total entries. Naves commented that “I was very impressed with the progressive nature of the work that was submitted and must admit that it was a grueling experience to narrow the entries to 136 pieces.”


4 Quarters by Gregory Siler of Elk Park, NC

Carolina’s Got Art! founder, Larry Elder, was exuberant with the response from the local artists as well as the general public who attended the opening events. “I feel that the show represents a great cross-section of the incredible work being created across both states” says Elder. “The staggering attendance numbers far exceeded our expectations, as have the art sales.”

The following artists were presented awards during the public opening on Oct. 1st:
The $2,500 Best in Show award was presented to Lee Sipe from Columbia, SC; $2,000 First Place award to Ashlynn Browning of Raleigh, NC; $1,500 Second Place was presented to Lindsay Brown of Pendleton, SC; and $1,000 Third Place award went to Greg Siler of Raleigh, NC.


Twitter Stack by Douglas Gray of Florence, SC

Six $500 Honorable Mention gift certificates were presented to the following: Doug Gray of Florence, SC; Daniel Allegrucci of Charlotte, NC; Justin Webb of Elk Park, NC; Sondra Dorn of Asheville, NC; Betty Recoulley of High Point, NC; and Lois deMontegre of Huntersville, NC.

Throughout 2011 a subset of Carolina’s Got Art! will travel to several locations across North and South Carolina. Hosting sites will be announced early in November, 2010.

Carolina’s Got Art! is sponsored by Elder Gallery in Charlotte with Edens & Avant of Columbia (SC), owners of the Historic Atherton Mill, and Temple Media of Charlotte.

The show is open to the public, Mon., Thur., & Fri., 11am-4pm and Sat., 11am-3pm.


Explosion 8 by Daniel Allegrucci of Charlotte, NC

During the first two weeks of September, our 2010 Juror, Mario Naves, worked diligently to select 135 pieces from among 1800 entries for the Carolina’s Got Art! show. There was such tremendous work submitted that we added a second show, the Carolina’s Got Art! Salon Exhibition, which will be on view at Elder Gallery, just blocks from the Atherton Mill location, from Oct. 15 through Nov. 30, 2010. Included in the show are 44 pieces from artists across both Carolinas representing a variety of mediums.

An online catalogue is posted on FaceBook (http://www.facebook.com/carolinasgotart), as well as the event’s website at (http://www.carolinasgotart.com/).

To see a list of artists and works selected for Carolina’s Got Art!, the Carolina’s Got Art! Traveling Exhibit, and the Carolina’s Got Art! Salon Exhibition, visit this link (http://www.carolinasgotart.com/home/selected-work/).

For further info call 704/370-6337 or visit (http://www.elderart.com/).

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Opportunity is Knocking for Artists Who Want an Exhibit in Charleston, SC in 2011

Friday, October 8th, 2010

I did an entry about this opportunity a few weeks ago and I’ve received a note that the folks at the Charleston County Public Library’s Main Branch in downtown Charleston, SC, have not yet received many applications to show at the Saul Alexander Foundation Gallery – so far.

The deadline for applications is Oct. 15, 2010. Here is a link to the information you need to apply (http://www.ccpl.org/content.asp?id=108084&action=detail&catID=5367&parentID=5368).

If you didn’t see that first notice – here’s the link to it (http://carolinaarts.com/wordpress/2010/08/28/saul-alexander-foundation-gallery-in-charleston-sc-calls-for-exhibit-proposals/).

This is an opportunity open to all artists living in South Carolina who can meet the requirements of the application process.

What are you waiting for?

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5th Annual Spruce Pine Potters Market Takes Place on Oct. 9 & 10, 2010, in Spruce Pine, NC

Wednesday, October 6th, 2010

This weekend you can go see the changing colors of the leaves in Western North Carolina and do some early holiday shopping at the 5th Annual Spruce Pine Potters Market. The show features a super lineup of potters from that area and you’ll be knocked out by the work offered, but be warned – get there early and shop till you drop.

Here’s the info:

The 5th Annual Spruce Pine Potters Market will be held on Oct. 9 & 10, 2010, from 10am-5pm, in the Cross Street Building, 31 Cross Street in Spruce Pine, NC.


Cynthia Bringle                            Mike Henshaw

The visitor to the small mountain counties of Mitchell and Yancey, NC, could be forgiven for being unaware that the area is home to scores of America’s outstanding potters and ceramic artists. But the annual Spruce Pine Potters Market, coming up on the 9th and 10th of October, aims to remedy that situation by providing an opportunity to meet and get to know some of these clay artists “up close and personal”.

This invitational show features over thirty of the area’s best potters each year on a rotating basis, in an attractive display space at the peak of autumn leaf season. The event offers visitors and pottery collectors an outstanding opportunity to spend quality time meeting and engaging some very talented clay artists in a comfortable setting that includes unusually creative food vendors as well. Plan to spend a day (or two) mingling with this very special community of gifted and original potters.


Courtney Martin                           Jenny Lou Sherburne

The Potters Market is held in the Cross Street Building, a vintage textile mill recently converted into a spacious multi-use facility. Food, refreshments and the work of thirty invited clay artists should provide something of interest for the entire family. The annual downtown Spruce Pine Heritage Festival on Saturday is another bonus for young and old visitors alike.

Each year the Spruce Pine Potters Market invites one artist to participate who has not been in the show before, perhaps someone newer to the area or to clay.  This artist receives the honorary title of “Emerging Artist” and this year that person is Lisa Gluckin. She creates beautifully layered, handbuilt pieces using earthernware clay and colored terra sigilatta for her palette.

The clay artists range in age from their twenties through eighties and specialize in every aspect of ceramic work, from dinnerware to tile to figurative sculpture. Many of these potters are internationally known and have traveled the world in pursuit of their passion.

Participating potters included in this show are: Stan Andersen, Will Baker, Cynthia Bringle, Melisa Cadell, Naomi Dalglish, Claudia Dunaway, Jon Ellenbogen, Susan Feagin, Lisa Gluckin, Becky Gray, Mike Henshaw, Michael Hunt, Shawn Ireland, Lisa Joerling-Burns, Nick Joerling, Michael Kline, Ty & Julie Larson, Suze Lindsay, Courtney Martin, Kent McLaughlin, Shane Mickey, Jane Peiser, Mark Peters, Becky Plummer, David Ross, Ken Sedberry, Jenny Lou Sherburne, Gay Smith, Tom Spleth, Liz Summerfield, Joy Tanner, and Jerilyn Virden.

There may be a few others, but getting list right is always a challenge.

For more information and travel directions to the show visit (www.sprucepinepottersmarket.com) or call 828/688-3386 with any questions.

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A Return to Congaree National Park – SC’s Only National Park

Tuesday, October 5th, 2010

Earlier this year, my son Andrew and I went to have a Spring adventure at Congaree National Park, SC’s only National Park, on the Congaree River about 15 miles south of Columbia, SC, just off Hwy. 48. I had been there before many, many years ago, and I wanted to show Andrew some of the big trees found in the park. He had been thinking about become a National Park Ranger.

As it turned out, most of the park’s boardwalk was under water and we couldn’t get to see the really big trees, although we did see some pretty big ones. We did this first trip in early February on a day when it was about 65 degrees. A few weeks later on Feb. 13, 2010, we received 8 inches of snow. It was a very strange, but wet winter.

You can read about that last trip at this link.

When I heard on the radio that the Columbia area hadn’t had any rain in over 50 days, I figured it might be a good time to return, hoping the pathways to the big trees would be high and dry.

This time instead of traveling back roads to get to the park we drove to I-26 and went to Columbia where we picked up I-77 and then got off at the Bluff Road exit onto Hwy. 48 to travel the 15 miles south to the park.

When we got to the park there were a lot more cars in the parking lot than there were last February and there were already a good number of folks on the elevated boardwalks. We headed to the low boardwalk where we could not get to when it was under water. For some reason we were headed toward the River Trail which would go across Cedar Creek to Wise Lake and then on to the bank of the Congaree River – a five mile hike there and five miles back.

The park was dry as a bone, which was unusual since about ten times a year floodwaters from the Congaree River cover nearly 80 percent of the park. Everywhere we walked you could see low areas that normally would have been wet. Cedar Creek was still flowing, but not by much. So water wasn’t going to prevent us from going anywhere this time.

You might say our timing was perfect since within the few days after our trip the rain has come down like there will be no tomorrow and I bet the park is filling up with water again.

I think we were suffering from what former Reserve Board Chairman, Alan Greenspan called “irrational exuberance” in our ability to knock out 10 miles as if it was just a morning stroll. But we were both in much better shape than we were in February due to exercise and a change in diet, but by the time we reached within a mile of the river we knew it might have been a foolish goal. The sun was high in the sky and the tree canopy was thinning out, but we were determined to reach the river.


Andrew checking out Wise Lake


Another view of Wise Lake

Along the way we ran into a couple of wild pigs who ran when they heard us coming. We also heard some grunts off the trail which gave us thoughts of wild boars with huge tusks, but we never saw any – all we saw were places where the pigs or hogs had been rooting around, but those areas were pretty dry, so I figured it was some time ago when they were doing that. I’m sure they were looking for wetter areas – closer to Wise Lake and Cedar Creek.


A scene along the trail

The trouble when to get to the end of a trail or a hike is that you usually have just as far to go back to where you started and at the edge of the river it seemed a long way back. The only highlight was that we were seeing some pretty interesting sights along the way. We had discovered some seeds along the trail that looked like brown lima beans and then later found the dried pod from which they came, but with the diversity of trees it was hard determining which tree they came from. So we had to get back to the Visitors Center to find out exactly what they were and what tree they came from. It was good to have a mission to complete to drive us back on our return march.


This is proof that we did reach the river

About half way back on that return march I was beginning to have thoughts about the Batan Death March during WWII. Not that I’m comparing this little march to that horrible event, but I felt like I was lifting one foot after another just in the hopes that someday I was going to get to someplace I could rest. But I was being forced to march on just to show my 23 year-old son I could. I’m enjoying the last of my 50′s as my wife Linda put it, but still dumb enough to want to show the kid the old man can still do stuff. Maybe when you get to be 60 you stop all that stuff?


One of the regular sized trees along the River Trail

In fact, the vision I was having was of one of the benches placed along the main boardwalk. There was really no good place to sit along the trail after you left the main boardwalk, and somehow along the way I had picked up a small stone in one of my boots. How that happens I never know, but it always seems to happen.

As we started to see signs that we were getting closer to the main boardwalk our death march changed back to a hike again. But we still had more ground and boardwalk to cover as we wanted to still see the big Loblolly Pine, which meant traveling another trail, something we should have done first, but…

On this trip we didn’t hear many birds, a few woodpeckers knocking in the distance, but overall it was pretty quiet. Other than the pigs, we didn’t see much wildlife and it wasn’t until we were back within 20 feet from the Visitor Center when we saw our first snake – down under the elevated boardwalk. And, we wouldn’t have seen it if some other hikers hadn’t pointed it out to us. Go figure. Back on the trail toward the river the trail was getting overgrown and there was a lot of clutter on the trail – just where you would expect to see snakes or wild boars charging down the path. But I can tell you on the way back, I didn’t think of anything other than that next step and the one after that. I wasn’t doing much sight seeing anymore, I was in survival mode.

When we finally reached the main boardwalk and found that bench I was dreaming about and after I removed the boulder from my boot, we headed toward that big Loblolly Pine.

When we got there we found out that we were probably 50 yards away from it on our last trip, but the ground was covered by three feet of water, but it was one big tree – or so we thought. After we took a few photos we headed back to the Visitor Center.


Here I am next to this very big Loblolly Pine

Boy, walking into the air-conditioned Visitor Center was quite a climate change. The day had started out OK, but by mid-day it was 90 + degrees and the humidity was high.

We stumped the first two park attendants with our find on the trail, but we were in luck since a biologist had just finished doing a lecture and he identified what we had found as dried up fruit of the Paw Paw tree, which happens to be the largest edible fruit indigenous to our continent. I bet you didn’t know that. And, it turns out that Andrew had guessed which tree it was coming from by which trees were always near where we found the seeds on the trail.


What the Paw Paw fruit looks like normally

I later learned the answer to another question we developed while walking the trails while reading a handout I picked up at the Visitor Center as we were leaving about the purpose of the Bald Cypress knees – as to what function they serve and it turns out scientists don’t really know for sure. There are a lot of theories but no final answers. Mother Nature is a clever one.

Unfortunately while we were talking with these folks about the Paw Paw trees we also learned that the Loblolly Pine we saw was no longer the National Champion. It was replaced by a tree a mile and a half away down a different trail. Something to shoot for on the next trip.

The Congaree National Park’s National Champion is a Loblolly Pine, Pinus taeda, which has a circumference of 176 inches (that’s almost 15 ft.), a height of 167 feet, and a spread of 71 feet,

To search the list of the 2010 National Register of Big Trees check this link (http://www.americanforest.org/resources/bigtrees/).

But these are the National Champion trees in the Carolinas:
NC – European Buckthorn, Cinnamon Clethra, Devils-walkingstick, Rocky Mountain Douglas-fir, Clammy Locust, Paper-mulberry, Longleaf Pine, Table mountain Pine, Catawba Rhododendron, Rosebay Rhododendron (seems NC & SC are fighting over this one), and Red Spruce.
SC – Hercules-club, Sand Hickory, Florida Maple, Laurel Oak, Scarlet Oak, Loblolly Pine, Sand Pine, Possumhaw, Japanese Privet, Rosebay Rhododendron (I’m sure ours is bigger), Sweetgum, Florida Torreya, and Swamp Tupelo.

The Congaree National Park is open 24/7 and it’s free admission, no charge for parking and they have very nice rest rooms.

You can learn a lot more about the Park at (www.nps.gov/cong/). You can also become a member of the Friends of the Congaree Swamp by visiting (www.friendsofcongaree.org), and if you want to plan a trip there, you can call the Harry Hampton Visitor Center at 803/776-4396 to check on water levels or temporary closures and other visitor and safety info. They can also tell you what number the bug meter is set on.

There were very few bugs when we were there, probably due to the lack of rain, but we ran into plenty of spiders and spider webs on the trails off the main boardwalk.

The Congaree National Park is a good day trip opportunity. It took us four hours of travel there and back and we spent six hours in the park. We got gas and a late lunch in Columbia off I-77.

Check it out for yourself.

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I Went to See PERSONAL GROUNDS by Susan Lenz at the City Gallery at Waterfront Park in Charleston, SC

Sunday, October 3rd, 2010

On a rainy day when they were talking about the streets of Charleston flooding from the tropical storm passing up the eastern coast of the US – I decided to go see Susan Lenz’s exhibit, PERSONAL GROUNDS, at the City Gallery at Waterfront Park in downtown Charleston – a place right next to the water, but one of the highest points in Charleston. I know this because I shared a space a half block away when Hurricane Hugo came a calling to Charleston in 1989. I thought I was going to lose everything, but when I finally was able to go check it out, the place was high and dry. That area is actually built on the foundations of the old wall that once surrounded Charles Towne. Comparing elevations in downtown Charleston – that was like being on a mountain top. So I wasn’t worried about flooding – except when I tried to leave Charleston, but no flood came while I was there.

Lenz is a business owner and artist from Columbia, SC. This was quite an honor for her to be the lead visual art exhibition to be offered during Charleston’s annual MOJA Arts Festival. The Festival is a celebration of African-American and Caribbean arts. Why her show was being offered at that time – I don’t have a clue, but I’m glad it was.

I’ve known Lenz for some time now, she is a supporter of Carolina Arts and one of the hardest working visual artists in South Carolina. It’s hard to imagine where she finds all the time to do what she does, but that hard work is beginning to pay off for her in big ways. Her works are being featured throughout South Carolina and across the country.

The exhibition is comprised of portraits of people as they are today or at least when Lenz photographed them, with stitched lettering stating a decision they made in their life that had an impact on their lives. Some might seem like normal decisions, some are the kind none of us want to make, and some are just personal choices made at the crossroads of life. The idea is that all through life we have to make decisions and most of us live with them – I know some people who don’t or never will. That’s the way some people are.

The portraits are not identified except for the self portrait of Lenz, but I knew who some of the people are and that added something different to those portraits as it told me something I might not have known about that person. It didn’t take anything away from the portraits of the people I didn’t know – it just added a different twist.

Each portrait was also decorated with objects, often related in some way or another to the decision these folks made.

While viewing each portrait and reading the decisions, I kept thinking – glad I haven’t had to make that decision or it was – been there, made that one.

There is a group of hanging banners in the center of the gallery space that go from the ceiling to the floor which contain what I felt were the kinds of daily decisions we make which determine what kind of person we’re going to be – are we going to be lured to the dark side or will we be strong with the force kind of stuff.

Lenz just doesn’t point out the obvious on decision making, she also offers visitors to the exhibit a chance at hope or to change your luck, fate, destiny, etc. For $15 you can buy a key. On one wall there are hundreds of keys with a word or phrase attached to the key like – Happiness, Health, Wealth, as in key to happiness, key to health and key to wealth. So, for $15 you can buy a key to what you want in life. Not a bad deal.

If you know Lenz’s work, you know she is a collector of objects – objects which end up in her works or objects that become her works, but one thing is true, Lenz doesn’t often offer a view of one object when she can offer that same object in a hundred different views as shown in two displays of doors with items usually associated with doors and some not attached to the doors. In fact, during the upcoming Vista Lights event taking place in Columbia, SC, on Nov. 18, 2010, from 5-10pm, Lenz is asking people to bring her “mateless” socks for a public art project she is working on called Looking For A Mate that will be finished later and be presented during Columbia’s Artista Vista event in the Spring of 2011.

On this rainy Wednesday morning I was the only person visiting the exhibit while I was there, but I felt like I was sharing life with all these people in the portraits – at least they were sharing with me. I don’t know most of them and most of them don’t know me, but we share the decision making process and the results of those decisions. There is no decision we make that doesn’t affect someone else – we are not alone on this big blue ball. The question we live with most of the time is did we make the right decision and who’s to know? Like I said before – most of us live with our decisions – some don’t.

The exhibition ends at the City Gallery at Waterfront Park on Oct. 10, 2010, but I’m sure this exhibit will be showing around the Carolinas and beyond for some time. I know it’s scheduled to be on view at the Waterworks Visual Arts Center in Salisbury, NC, from Feb. 19 through May 14, 2011.

I didn’t bother taking photos as I knew Lenz had posted many images of the exhibit after she installed it on her blog and you can see them at this link. The ones we do offer here are what we received when we got the press release about this exhibit.

Go see this exhibit and see how many decision you’ve made in common with these folks. If you can’t see it in Charleston keep an eye and an ear out for it in a gallery space near you.

While I was in Charleston I also went over to Nina Liu and Friends Gallery, at 24 State Street, to see some other works Lenz has in a group exhibit, The Angel Show, featuring works by artists who use angels as subject matter in their work on a regular basis. The exhibition which includes works by Phillip Chan, Jeff Kopish, Janet Kozachek, Susie Miller Simon, Eric Longo, Susan Lenz, Aggie Zed, and Michael Farrar, will be on view through Nov. 30, 2010.

These works are also multi-media works, but are mainly images of angels from cemeteries. The two shows worked well together.

Make a decision to go see PERSONAL GROUNDS.

Susan Lenz is also part of Vista Studios at 808 Lady Street, in Columbia, SC, where you can see more of her work and perhaps sometime catch her working in her studio. Vista Studios will be celebrating their 20 year anniversary during this year’s Vista Lights by offering a historical exhibit  in Gallery 80808 at the studios featuring works by current and former studio members. The exhibit kicks off on Nov. 18, 2010, at 5pm.

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