Archive for January, 2011

SC Arts Commission Wins 2011 Top Award for Fiction Writing and the Year is Just Beginning

Wednesday, January 12th, 2011

When it comes to writing fiction, I know of no one better than the folks at the SC Arts Commission, who have just released their strategic plan for the arts for the next ten years.

On Jan. 4, 2011, The Post & Courier newspaper in Charleston, SC, published a guest editorial (signed by West Fraser and Barbara Nwokike) entitled, Plan for a better S.C. through the arts. I say these two people signed this letter, because I doubt they had any part in writing it and I hope they don’t believe much of it. My guess is as SC Arts Commission commissioners – they were obligated to sign their names to it. This it the kind of “writing your own history” the staff of the Art Commission produces.

You can find the A Long-Range Plan for the Arts in South Carolina, 2011- 2020, starting at this link (http://www.southcarolinaarts.com/plan/index.shtml) and then follow the links and see how far you get before you get sick to your stomach.

I challenge you to find one measurable goal. These folks are masters at producing the most broad-based, specifically vague goals. But no worry, they don’t spend any time analyzing their progress in reaching those goals or even bothering to see if they reached any of those goals before they move on to the next ten year cycle. Not so funny thing – most of the goals are the same each ten year cycle – they’re just reworded. But, I’ll be amazed if the SC Arts Commission even exists (as we know it) before this ten year cycle is over – if not gone all together before the end of our next Governor’s four year term.

I know I’m still waiting for them to reach a few goals they made 10 and 20 years ago.

I attended two of the regional Canvas of the People events, which is only part of the Long Range Plan process – apparently a minor part, and I see no sign of the major goals the people attending those meetings were looking for. They wanted more funding from the Arts Commission, SC Government, and the public and private sectors. They wanted more help and opportunities from the Arts Commission.

What they’re going to get is fiction writing and an entrenched state agency where most of the employees are hanging on for retirement.

The best thing that could happen in this state as far as the art community goes is for legislators to close this agency down, take the average of the last ten years of the budget of the Arts Commission (less the massive overhead of the Arts Commission) and divide that money up between the 46 counties in SC based on population. That would give the art community the same money they have been given each year and will save the state millions. Let county leaders put that money where they think it can best be used (in the arts) instead of central government bureaucrats deciding where it should go and how it should be used. The county leaders have to answer to the people more than protected bureaucrats do. Let SC’s art communities reflect their true nature – not New York City.

And, if someone asks – “Where will all the expert guidance the Arts Commission provides come from?”  – let the counties demand partnerships between leading businesses and the art groups in those counties in order to get funding. Besides, the only people who would ask such a question are those who are on the gravy train already and their noses are a little brown. The art groups will learn more useful practices in their relationship with successful businesses.

I’m not wasting anymore time on this subject – I can find better fiction, less frustrating fiction, at my local public library – which deserves more funding from SC than the SC Arts Commission does. The libraries in this state earn every penny they get – over and over again.

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The Ritz-Carlton, Charlotte Opens Ben Owen Pottery Gallery in Uptown Charlotte, NC – Jan. 12, 201

Tuesday, January 11th, 2011

When I first receive this press release I was blown away – what a major plus for Ben Owen III and Seagrove pottery in general that The Ritz-Carlton, Charlotte would put this gallery inside their hotel. But, I would soon learn that The Ritz-Carlton, Charlotte has made art a major ongoing focus of the hotel – which you’ll learn more about later. For now, here the info about this new gallery in Uptown Charlotte.

The Ritz-Carlton, Charlotte (NC) will unveil its exclusive new Ben Owen Pottery Gallery on Jan. 12, 2011, presenting custom pottery pieces from renowned North Carolina artist Ben Owen. The new retail setting will be open to the public daily and has been created to feature the work of an acclaimed contemporary potter whose pieces already highlight the hotel’s extensive contemporary art collection.

Seventy of Ben Owen’s original pieces are currently on display throughout The Ritz-Carlton, Charlotte, and the opening of his first gallery in the city will open up new access to hotel guests and local residents wishing to purchase his work.

The Ben Owen Pottery Gallery at The Ritz-Carlton, Charlotte will offer 75-100 one-of-a-kind pieces of Ben Owen pottery art, with prices beginning at $45. Works will range from pots, vases, jars, bowls and platters to major showpieces and spectacular larger works of art. All items are hand-created by Ben Owen, who also will make special appearances at The Ritz-Carlton, Charlotte for 2011 art weekends and art demonstrations.

“We are honored to be working with an artist of Ben Owen’s stature,” said David Rothwell, General Manager, The Ritz-Carlton, Charlotte. “Many of our guests have commented on his work in our hotel public areas, and we are delighted to now make it available on a retail basis. We look forward to welcoming Mr. Owen to special art events at the hotel as well.”

Born and raised in the legendary Seagrove, NC pottery tradition, Ben Owen III learned his art from his grandfather, Ben Owen, Sr., the long-time master potter at North Carolina’s Jugtown Pottery. Like his grandfather and other Seagrove potters, young Ben Owen has made a special study of Asian ceramics, finding that the Seagrove tradition has a special affinity for Chinese, Japanese, and Korean forms and glazing techniques. Owen incorporates these influences into vibrant glazed pieces which offer simplicity, strikingly smooth shapes and brilliant colors yielding to earth tones. Owen’s works are owned by some of the world’s most high-profile collectors, with his large installations also seen in Ritz-Carlton hotels and select private residences worldwide.

The Ritz-Carlton, Charlotte is home to several hundred pieces of fine art presented in striking locations throughout the hotel, from the first-floor Lobby and second-floor meeting spaces to guest rooms, corridors and the penthouse Spa & Wellness Center. The hotel’s commitment to supporting local art and artists is visible as pieces and artists from the Carolinas are given special prominence in this curated collection.

The Ritz-Carlton, Charlotte is located at 201 East Trade Street, in Uptown Charlotte, NC. The Ben Owen Pottery Gallery will be open daily from 9am to 6pm.

For further information call the hotel at (704/547-2244) or visit (http://www.ritzcarlton.com/en/Properties/Charlotte/Default.htm).

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Florence Regional Arts Alliance in Florence, SC, Features Works by Patz and Mike Fowle

Monday, January 10th, 2011

The Florence Regional Arts Alliance in Florence, SC, is presenting the exhibit, The Whimiscal World According to Fowle, featuring works by Patz and Mike Fowle, in the 412 Gallery, on view through Jan. 27, 2011.


Dali’s Dilemma by Patz Fowle, handbuilt stoneware with glaze

Primarily self-taught, Patz Fowle is an award-winning ceramic artist, innovative teaching artist, and published author. Fowle specializes in creating handbuilt anthropomorphic ceramic sculpture and her work is recognized for its distinctive, thought-provoking, witty style.

Fowle’s sculptures and original techniques are acknowledged by the American Ceramic Society and her ceramic sculpture is part of the permanent collection at the American Museum of Ceramic Art. Her work has been chronicled in numerous books on the ceramic arts, reference books on contemporary sculpture, nationally distributed art text books, and featured in a documentary on a PBS series on South Carolina Educational Television.

Considered a ground-breaking method for handbuilding in clay in 1970, Fowle’s significant contributions to the ceramic arts have become an American tradition. Through the years, she has taught the Patz Fowle Ceramic Technique nationally and internationally in hopes that this exciting art form will continue to inspire creativity in the ceramic arts for many, many generations to come.


New Blue Shirt by Mike Fowle, assembled metal

Mike Fowle, Patz’s husband, is a self-taught contemporary visual artist. He mainly focuses on creating sculptures. He creates sculptures by using metal, clay, wood, and other materials that he finds suitable to create a piece of fine art. Whenever he begins creating a sculpture, (Mike) Fowle is able to envision the final product of his piece from the reassembled recycled materials and objects he has discovered. When not working on a sculpture, Fowle likes to test his talents by oil painting.

For the last thirty years, (Mike) Fowle has been working with his wife in various art-related ventures. However, he states that he only began creating “his own artwork” about three years ago. He has created about a dozen pieces.

Gallery 412, is located at the Florence Regional Arts Alliance, at 412 South Dargan Street in Florence. Gallery hours are Mon.-Fri., 1:30-4:30pm.

For further information call the Alliance at 843/665-2787 or visit (http://www.florencescarts.org/).

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Some Friends of Carolina Arts Help Spread the Word About Our New Online Newspaper

Monday, January 10th, 2011

Now, this is what I’m talking about! A couple of our good friends of Carolina Arts have done just what I’ve asked our followers to do in spreading the word about our new online version of our newspaper. There may be more, I just came across these two.

Thank you.

Nightswimming by Doug McAbee at (http://hermitshead.blogspot.com/2011/01/new-carolina-arts.html).

Whynot Pottery Blog by Meredith Heywood at (http://whynotpotteryblog.blogspot.com/2011/01/carolina-arts-unleashed.html).

One more thing – It’s snowing in Bonneau – again!

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Wake Forest University in Winston-Salem, NC, Features Works by Edward Rice

Saturday, January 8th, 2011

Here’s an exhibit that just didn’t make it to us in time for our Jan. 2011 edition of Carolina Arts. I hate it when that happens, especially when I know it didn’t have to happen, but such is life and all I can do it bring it to you this way. I’ll probably still include it in our Feb. issue, but the show ends Feb. 6, and that isn’t too fair to the artist. The following press release was put together – considerably expanded from what I was sent.

Wake Forest University in Winston-Salem, NC, will present the exhibit, Edward Rice Paintings, curated by Paul Bright, on view in the Hanes Art Gallery, located in the Scales Fine Arts Center. The exhibit will be on view from Jan. 20 through Feb. 6, 2011. Rice will give an artist’s talk on Jan 20, starting at 1pm in Room 9 at the Scale Fine Arts Center and a reception will be held from 4-6pm.


Dormer, Noon, 2010, oil on canvas,  48” x 48”

This exhibit features the precisely rendered paintings of architectural subjects for which the artist is known in the Southeastern US. The paint handling, scale and specificity of detail in these works give them a tremendous presence, but they are also about the limits of realism and painterly mimesis. Rice’s work in this selection comprises painting that span a range of approaches, including the non-objective. All of them project a strong sense of the hieratic; symmetrical, formal and often regally aloof.

Edward Rice, b.1953 is a past recipient of a South Carolina Arts Commission Artist Fellowship and a National Endowment for the Arts / Southern Arts Federation Regional Fellowship. His paintings have been included in exhibitions at Babcock Galleries, New York, Gerald Peters Gallery, Santa Fe, Heath Gallery, Atlanta, among others. His work is included in the collections of the Gibbes Museum of Art, the Columbia Museum of Art, the South Carolina State Museum, the Greenville County Museum of Art, the Georgia Museum of Art, the Morris Museum of Art and the Ogden Museum of Southern Art.

“The architectural paintings of Edward Rice are carefully rendered evocations of place, born of close familiarity and intense study,” says David Houston, Chief Curator, The Ogden Museum of Southern Art, New Orleans, LA. “Informed by the continued absorption of outside influences, yet following his own self motivated path, Rice’s work matured during the reemergence of a vigorous school of American realist painting. Although the development of the new realism made the critical climate more receptive to realist painting, Rice’s anachronistic realism was largely untouched by the conceptual element of late modern art; it also lacked the irony, revivalism and media consciousness associated with Postmodernism.”

The hours at the Hanes Art Gallery are: Mon.-Fri., 10am-5pm and Sat. & Sun., 1-5pm, except during university holidays.

For further information call Paul Bright at 336/758-5585 or e-mail at (brightpb@wfu.edu). To see more of Edward Rice’s works visit (http://www.edwardriceart.com/).

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What A Holiday Rush

Wednesday, January 5th, 2011

Since before Thanksgiving, Linda and I have been on the run – first in launching the Carolina Clay Resource Directory and then converting our printed version of Carolina Arts into an online only edition – almost over night. Our brains are filled with new information about online publishing, PDF’s, social networking, new ad rates, compiling e-mail lists and what seems like a million other things.

And, somehow we have gotten through most of it all without killing each other. I for one am no fan of change and this has been a holiday season of 24/7 of change. Yet, many things stay the same. Like the difficulties of extracting information from people, getting final approvals, and playing phone tag – over and over again. Did I forget to say it was all taking place during the big three holiday season.

Now, we’re working on the February issue and processing info that came in after deadline for our blogs. It’s like being a dairy farmer – the cows always have to be milked.

And now, the reactions by readers and supporters are trickling in from people who themselves are recovering from the holidays and crawling through their own stacked up e-mail. There’s a certain holiday hangover people go through. But, from what we’ve heard – all the scrambling was worth the favorable comments we’re getting. Of course the people we’ve yet to hear from are those who are not in love with the internet and are still unsure of why they can’t find a Jan. 2011 copy of Carolina Arts. It might take a while to hear from them – if we ever do.

We’re getting some good suggestions, some we hope to do and some that will have to go on the to do list – as we learn more, and a few that will have to wait for good reasons, but we’re considering them all.

I know one thing – we hit an all time record for visitors to Carolina Arts News on New Years Day and 99% of those visitors came from the front page link on the new website page. So we know a lot of folks couldn’t wait to see the new paper.

And, a lot of folks are excited about having all areas of the Carolinas included in the paper. Some were blown away by the 23 pages of gallery listings, but I assured them that was nothing – maybe half of what’s out there. There’s lots of info mining to do yet.

That’s all good, but we can’t emphasize enough how important it is for people to spread the word around about the new Carolina Arts. We’re asking our loyal followers to send e-mails out to their friends to view it, post a link on their Facebook page about it, twitter about it, and in some cases – just call someone and spread some old time gossip about the new Carolina Arts.

We’ll keep working on the next issue, we’re asking you to help spread the word, and if you’ve got an exhibit coming up in February – let us have the details – before Jan. 24 – that’s 2011.

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Morris Whiteside Galleries on Hilton Head Island, SC, Extends Jonathan Green Show of Small Works

Monday, January 3rd, 2011

Since March 2006, Morris Whiteside Galleries on Hilton Head Island, SC, has been one of our biggest supporters, without asking too much in return. But that’s going to change with our new online version of Carolina Arts.

The gallery doesn’t usually host the kind of exhibits we have normally featured in our paper – with a set beginning and ending date, but that was a requirement of our printed version of the paper. That’s all changed now.

In our first issue of the new online Carolina Arts (Jan. 2011) you will find their full-page ad on Page 2. We moved it up to Page 2 from being on the back cover – as there is really no back cover any more.

The ad features a show of small works by Jonathan Green, a show that started in December.

For a long time Green was an artist who was born and raised in South Carolina, but lived in Florida. When his works were being exhibited somewhere in South Carolina, he would come, but then return to Florida. A few years ago he decided to return to SC and moved to the Charleston area. Now, he is a fixture of the Carolina art community in a big way.

Besides being a very active member of the art community, Green donated works help raise needed funds for organizations like the Harvey B. Gantt Center for African-American Arts + Culture in Charlotte, NC, or the Avery Research Center For African American History and Culture at the College of Charleston in Charleston, SC.

A few years back Green’s paintings were used as the basis for the project, “Off the Wall & Onto the Stage, Dancing the Art of Jonathan Green” produced by the Columbia City Ballet of Columbia, SC. And, in 2010, Green was given the Elizabeth O’Neill Verner Governor’s Awards for the Arts, SC’s highest art award, for Lifetime Achievement.

But, if you’re not up on Green’s history, here’s some info to get you up to speed.

Jonathan Green, painter and printmaker, was born and raised in the small Gullah community of Gardens Corner located near the South Carolina Sea Islands. Green’s early life was greatly influenced by his grandmother who relied heavily on oral traditions to instill in him the values and traditions of his African and African-American heritage. The customs and mores internalized by Green stressed the importance of the work ethic and a commitment to community values with a respect for the dignity and integrity of others. He is one of the first known artists of Gullah heritage to receive formal training at a professional art school, The Art Institute of Chicago, graduating with a Bachelor of Fine Arts Degree in 1982.

While his appeal and perspective are truly modern and cosmopolitan, Green looks to the familiar images of his ancestral home for the subjects of his paintings. In his art Green draws upon his own intimate personal experiences, steeped in the traditions of family, community and life in the Southern United States. Each of his paintings is a testament to the motivating power of place, capturing the continuity of the past combined with the energy, exuberance and creativity of the present.

As a result of his tremendous and prolific talent, Green’s work has been embraced by collectors and critics throughout the world. His paintings can be found in major museum collections in California, Florida, New York, North Carolina, Oregon, Pennsylvania, South Carolina, Vermont, Japan, Germany and Sierra Leone. In 1996, Green received an honorary doctorate from the University of South Carolina, the same year a book, Gullah Images: The Art of Jonathan Green, reproducing a large number of his pieces, was published.

For further information about Jonathan Green and the works being offered at Morris Whiteside Galleries, call 843/842-4433 or visit (www.morris-whiteside.com).

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Carolina Arts is Up and Running in 2011

Saturday, January 1st, 2011

You may or may not have heard that Carolina Arts has gone to an online version of the paper only. Our January issue is online now at (www.carolinaarts.com). Just click on the image of the paper’s cover and you can view the paper – page by page or download the entire paper as a PDF file to view it all together.

Believe me, downloading the entire PDF file to your desktop may take some time, but it is worth it in the end. Different browsers offer different challenges. If you have an iPhone or an iPad – putting the PDF file in iBooks works great.

Some people may have problems on older computers or older systems, but we’ll be working on making viewing the paper as easy as possible. Like I’ve said before, Linda and I are learning new things as we go. Change it our current motto.

We hope you will enjoy this new version of our paper. It is the largest we have ever produced – 49 pages – filled with articles about exhibits, color ads, color images of artworks, and pages and pages of gallery listings from throughout the Carolinas.

If you would like to be part of the February issue make sure you  contact us before Jan. 24 by 5pm.

When you’re finished checking it out – e-mail your friends or post the news on Facebook. And, don’t forget to thank our supporters in any way you can. Thanks.

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