Archive for the ‘Sculpture in the Carolinas’ Category

A Trip to See Several Exhibits in the Pee Dee Area of South Carolina in July 2014 – Part II

Wednesday, July 23rd, 2014

On a day when it was thundering and lightening around the lake here in Bonneau, SC, I decided to head over to the Pee Dee area of South Carolina, to see a few exhibits on view in Florence, SC, and Lake City, SC, just an hour’s drive north on Hwy. 52. If the computer had to be unplugged, why not go somewhere else where the weather is not so angry.

Part I, about my visit to the Jones-Carter Gallery in Lake City, SC, (home to the ArtFields event) can be seen at this link.

In Part II of this installment, I’m going to cover a subject I’ve talked about several times in the last few years, and that’s the growing arts district in downtown Florence, SC. It had been almost a year since my last trip to see an exhibit at the Art Trail Gallery and I was looking forward to seeing all the changes that had taken place during that time frame. I’ve also been waiting for almost six months to get a close look at the public art that was being installed in this district.

Downtown Florence, like many cities across America has a lot to work with as far as vacant buildings that can be rehabbed and buildings that will need to come down to make new open spaces and in the last 3-4 years I’ve been going there you could see signs of a makeover taking place.

So when I got to Florence after leaving Lake City, SC, I parked across from where the old Art Trail Gallery was on S. Dargan Street – where I knew Big Bleu Birdnanna, a towering sculpture by Mike and Patz Fowle was standing – the first piece of outdoor work to be placed in the new arts district by REdiscovering Downtown Florence, a division of the Florence Downtown Development Corporation.

I’ve seen photos of the big bird, but I wanted to see it myself before I reported about it. Once I got out of the car I could really see that a lot of work has been done since I was last in this area.

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Patz Fowle working on design of sculpture

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Installation

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Big Bleu Birdnanna today

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Another view

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Impressive sign for sculpture – any guess as to who made this?

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Many artists wish the sign for their sculpture ID sign was this good

After taking a few photos of Big Bleu Birdnanna, I followed a walkway to another open space that would lead me to the Art Trail Gallery on West Evans Street, but before I got there I discovered another open space which was totally changed since I was last in Florence. It was called the James Allen Plaza. I’m not sure who James Allen was but I’m sure he was someone important to downtown Florence or someone who gave them money to do this space. And, here I found the handiwork of Bob Doster, the man of metal, from Lancaster, SC. I’m telling you – his work is going to be everywhere someday.

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Sign for James Allen Plaza

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Here we see that Bob Doster has been here – it’s no surprise

Three of the pieces were influenced by students from local schools, including the Swallowtail Butterflies and Yellow Jasmine designed by Williams Middle School students. Doster works with a lot of school children all over the state helping them make sculptures.

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“Swallowtail Butterflies,” by Bob Doster with the help of Dredan Brown, Caroline Ham, Lyle Detalo, Marquise Brewer, Ryan Byrd, Hannah Culpeper, Rocye Anderson, and Haven Rector

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“Yellow Jasmine,” by Bob Doster with the help of Henry Frierson, Jazmyn Rowell, Caleb Farrell, Ciona Gray, Lilly Huiet, Hannah Rose Carter, and Ezra Smolen-Morton

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Unknown title, by Bob Doster, with the help of Lauren Bynum, Lelley Pierce, and Hannah Gandy, from unknown school

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Rendition of the City of Florence Seal, by Bob Doster

Here’s a little pitch for REdiscovering Downtown Florence:

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REdiscovering Downtown membership is similar to memberships other downtown groups have, but focuses just on public art rather than business promotion.

Arts and culture is a very important component of the downtown revitalization process and creating public art will make the area more inviting and encourage both locals and tourists to REdiscover the historic heart of our community.

With your support, public art will be purchased each year and be placed in downtown courtyards and all the streetscape of Evans and Dargan streets. The city of Florence is providing matching dollars for this project utilizing funds from the fees collected from Sundays alcohol sales. This means that every dollar you donate will leverage public funds to help grow art downtown.

For further info and to become a member visit (http://www.florencedowntown.com/arts-culture/rediscover/).

The rest of the time before the reception started for the exhibit at the Art Trail Gallery was spent walking around W. Evans Street and S. Dargan taking photos of some of the buildings which now hold new businesses and some that will soon hold new businesses – in Florence’s new arts district.

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Another open space on W. Evans Street

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Businesses on S. Dargan Street, near W. Evans Street

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More signs of change – building coming down near Irby and W. Evans Street

I understand the new Florence County Museum will be opening sometime in October of this year, and that will add another big cornerstone in that arts district.

Things are happening in South Carolina’s Pee Dee area.

My Grande Tour of the Pee Dee Area of South Carolina – May 18, 2013

Friday, May 31st, 2013

Sorry for the delay – our June 2013 issue got in the way.

May 18, 2013, was one of those Saturdays where I could accomplish a number of things in one sweep of the Pee Dee area of SC. First up was a visit to downtown Lake City, SC, a month after the big ArtFields event to see what was going on as well as a visit to Moore Farms Botanical Garden, just outside of Lake City, which was having May Days – a tour of the Garden, a plant sale and a BBQ lunch.

Next was a trip to Venters Landing, just outside of Johnsonville, SC, about 20 miles east of Lake City where the town was celebrating its 100th anniversary with a dedication of a statue by Alex Palkovich (Florence, SC) of General Francis Marion – the Swamp Fox.

My final stop was the new location of the Art Trail Gallery in Florence, SC, to see how that area – a new developing arts district in SC, was coming along. I hadn’t been there in some time.

Lake City A Month Later

If the goal of millionaire philanthropist Darla Moore is to remake Lake City into a destination for art lovers or whatever – she still has a lot of work ahead of her to get the town on board. I drove down Main Street twice, once at 9:30am and again at 4pm. And, as Dickens might say – this city was as dead as Jacob Marley. Both times, there were many more empty parking spaces than those with cars in them. Hardly anyone was walking the streets that just a month ago were filled with visitors. It looked like some event was going to happen at The Bean Market and on The Green, but later by 4pm – no one was in sight.

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Lake City is still working on banker’s hours – Mon.-Fri. which isn’t going to work if they want people to come there when most have time to go visiting – on the weekend. This is a chicken comes first before the egg moment. Lake City merchants will have to open their doors on the weekend giving tourists a reason to come. Only the retired have time to travel mid-week.

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I expected that this would be the case. The transformation of Lake City won’t happen overnight, but I hate to see them not take advantage of the buzz the ArtFields event generated. Of course that buzz had a bit of buzz-kill attached to it with the unfortunate news that they had to suspend the original People’s Choice winner and taking an agonizing week to name the new winner. But my trip wasn’t wasted. I learned from a flyer on the door of the Jones-Carter building that on June 21, 2013, the new Jones-Carter Gallery will present agriART, featuring an exhibit of works by Joshua Vaughan, Mark Conrardy, (both participated in ArtFields) and an installation by Vassiliki Falkehag, which will be on view through Aug. 26, 2013. I hope there will be Saturday hours and maybe even some on Sunday in the future, but for now it’s a Mon.-Fri. facility.

It’s been some time since I’ve seen or heard of anything from Vassiliki Falkehag who did an installation with tobacco seeds and plants – many years ago.

Moore Farms Botanical Garden

I’m an adventurous traveler, and I’ve done a lot of it in the past 30 years. Sometimes I’m very prepared and sometimes I just wing it. I wish I had prepared to find Moore Farms Botanical Garden. This was not one of my better efforts at finding someplace that I had never been to before. And, I’ll admit that most of my problems were my own fault. Firstly I did not check the location on Google Maps before I left home and secondly not knowing how to use my iPhone better, and being a man – not wanting to ask for directions.

In my defense I wasn’t getting much help from Lake City, which I would described as sign-challenged. One of the complaints I heard from many people attending ArtFields was how hard it was to find locations. And although Moore Farms Botanical Garden is a few miles outside of Lake City, I would expect that there would be signs helping visitors locate it, but I learned about that later. Not much was open in Lake City, but I eventually went to the Lake City Post Office and got the directions I needed.

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Grass and steel sculpture by Herb Parker

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Moore Farms Botanical Garden was the location of one of the invited installations presented during ArtFields so I assumed that it would be one of the attractions drawing folks to Lake City, but I’m not sure. When I got there one of the first things I asked was what their normal hours were and the person responded they are only open four times a year for special occasions like ArtFields and May Days, which was today. That’s too bad, as it would definitely be a draw to Lake City, but I later heard one of the staff tell someone that if they got together ten folks for a tour – they would open for them. This was a little hard to understand. If they will open for a group of ten, why not stay open, promote the place and perhaps see hundreds of folks during a weekend?

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Tourism is a bitch – be careful what you wish for, but if you want it you have to cater to it.

Moore Farms Botanical Garden is a great place, but the main problem might be that it is also one of Darla Moore’s homes. Not many people want to live inside an attraction. But you can learn more about what they offer to the public and how to book a tour for 10 on their website (http://www.moorefarmsbg.org/). I’ll let some photos do the rest of my talking.

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A side view of The Greenhouse – not where they grow plants, but a green building

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This is on the roof of The Green House

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Honoring the Swamp Fox in Johnsonville, SC

I did do my homework on Johnsonville, as I had never been there before and didn’t want to end up in Myrtle Beach, SC, before I realized I missed it or end up in the middle of some swamp – like the British.

I first learned about this statue of Francis Marion back in Jan. 2011, during one of my visits to the Art Trail Gallery in Florence, SC, in a conversation with Alex Palkovich, the sculptor who shared space with the gallery and still does today in their new location. He told me a story about a small town in SC doing a big thing by honoring General Francis Marion with a statue at the site where he received his commission to lead the Williamsburgh Militia during the Revolutionary War at what was then called Witherspoon’s Ferry on the Lynches River.

You can read my first post about this project at this link.

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But today (May 18, 2013) was the long awaited dedication day. It was the main reason I was on this tour. You see, I really like Francis Marion, he’s a true American hero of the Revolutionary War – a war South Carolina should pay more attention to than one that didn’t turn out so well.

That’s Yankee talk to most here in the South, but as I’ve stated before, my ancestors didn’t have a stake in that war – they were too busy running from their English or Prussian overlords.

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Revolutionary War encampment

Besides, I had received an official invite to attend this event by Johnsonville Mayor Steve Dukes, who had come across my blog post about Palkovich and the Francis Marion statue. He was looking for someone outside of the Pee Dee to come to the event without much luck. You see, the media and most folks in the bigger cities in SC don’t care about much that isn’t going on it their cities. I was already planning on going so I was an easy invite.

May 18, 2013 was also the 100th anniversary of Johnsonville, so like many other small towns it was going to be a big event – to scale. Plus many of the folks who still live in the area are kin to the men who followed Marion through the swamps of the region giving the British nightmares.

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A project like this had a lot of help from a lot of groups and organizations so there were a lot of folks to thank and politicians on hand to give speeches on a hot day. Unfortunately or fortunately, part of the festivities included free helicopter rides which kept flying over the area about every 5 minutes and a train went by – just 100 yards away – so we didn’t have to hear much of what was being said by the politicians. Most people there, like me, wanted to see the Swamp Fox.

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Alex Palkovich with some of the re-enactors

The New Art Trail Gallery

From Johnsonville I headed to Florence, SC, on Hwy. 51 through another area I’ve never been to – going through Pamplico, SC. I’ve seen that name on highway signs many a time, but never had a reason to go there. It looked like a nice small southern town.

Florence is a town I’ve been to a lot. It’s just two hours away and I’ve passed through it or near it many a time going into North Carolina to deliver papers. Over the last two or three years I’ve been traveling to the Art Trail Gallery to see shows by regional artists. During the last year they moved to a new location which I had not been to, but that would end on this day. Unfortunately, they were getting ready to display a new exhibit,Photolicious, which is on view now through June 15, 2013. Many of the works were stacked up on the floor, so I did get to see most of what would be that exhibit. There are a lot of talented photographers in the Pee Dee.

This new space on West Evans Street is smaller than their first location on Dargan Street, but it’s still in an area which will be the growing arts district in Florence. Francis Marion University has a performing arts center in the area, a new Florence Museum is being built, and many buildings in the area are being redone, but walking on West Evans I smelled East Bay Street in Charleston, SC. It had that same old musty smell that East Bay had 35-40 years ago. Now it’s one of the hottest spots in Charleston. But, it’s going to take awhile before that smell disappears on West Evans. Some might say it’s the smell of revitalization.

But you could see work going on all over the area. A new  small park was there and people were working on another small landscaped area – dressing up the area. I took a few pictures.

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Some people ask me, “What’s with all this attention you’ve been giving the Pee Dee?” I’m sure the folks in the Pee Dee see it another way – more like what took someone so long to notice us, but in SC, traditionally there are only three cities – Charleston, Columbia, and Greenville/Spartanburg (which are two distinctly different cities). Not much else matters to most others who live in SC. But there’s a lot more to SC than meets most people’s eyes and ears.

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Soon to be the new Florence Museum

To me, the Pee Dee is the next growth area for the arts in South Carolina. It’s got a long way to go, but a lot of good folks are working hard to make it a place – you should go see. They’re hungry for respect and the recognition they haven’t been given for generations. And, it’s kind of in my backyard. Over the last 26 years I’ve seen lots of the other three areas of the State – my eye is looking for new areas to discover and promote.

So, keep an eye on Carolina Arts and we’ll let you know how things are going in the Pee Dee, and with luck it won’t be as hard as the British looking for the old Swamp Fox.

A Trip to Columbia, SC, the Famously Hot City, to See Some Art and Attend a High Noon Event

Thursday, June 28th, 2012

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Last Saturday (June 23, 2012), before I was knee deep in our July 2012 issue of Carolina Arts I headed to Columbia, SC, to catch up on a few things going on there. I wanted to attend one of the Nigh Noon series that City Art was offering – Mary Gilkerson was giving a demo on how to start a painting. I wanted to see the exhibit, Abstract Art in South Carolina: 1949-2012, which offers the first inclusive look at the evolution and influences of abstract painting and sculpture in South Carolina, on view at the SC State Museum through Aug. 26, 2012. And, for me, no trip to Columbia is complete without a stop at One Eared Cow Glass to see what the cowboys, Tom Lockart and Mark Woodham, are up to.

Hitting the road these days is less painful. I filled up the car in Moncks Corner, SC, with $2.91 a gallon gas – thanks to my BiLo Fuel Perks card. Any day under $3 is a good day. I saw on the Weather Channel the other day that Greenville, SC, has the cheapest gas in the nation at $2.69. Our car, a Honda Civic Hybrid, is getting between 42 – 44mpg these days, but we still like lower gas prices.

As usual, I arrived at City Art in Columbia’s Congaree Vista area within two hours of leaving home. A short trip compared to my paper delivery driving days where I would spend 16 -18 hours a day in the car. Thank you Al Gore for inventing the Internet – ha, ha.

I checked out the exhibit of works by Michael Fowler which were still on display, before the big SC Watermedia Society exhibit comes to City Art (beginning July 7). I like abstract works and Fowler offers some good ones. Unfortunately, this day also confirmed that my pocket camera just wasn’t cutting it. I have been disappointed in how it acts in low-light situations. And, on this day I was running a test with my new iPhone’s camera – which after inspection showed it did much better, but it’s going to take some practice getting used to using it – especially keeping my fingers out of the way. In good daylight – the pocket camera is OK.

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Here’s a photo I took with my camera

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Here’s the same painting off the City Art website

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A view of a few more paintings

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a few more

While at City Art I also checked out some of their other art offerings, but I never got upstairs. I also went downstairs and looked over the art supplies. Not being an artist, I’ve never had much need for art supplies. There was a time when Linda and I did some silkscreening of T-shirts and a few Spoleto Posters with some friends. But this was in relationship to the photography we once did. And, back in the day when we had to physically layout the pages of the paper we used some spray adhesive. When I got to tubes of oil paints I instantly started trying to add up how much the paint might cost an artist like Brian Rutenberg who puts gallons of paint on his paintings – sometimes sticking an inch or two off the canvas. That’s got to cost a pretty penny. I’d learn some tricks about stretching out paint at Mary Gilkerson’s demo.

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A view of some of Harriet Goode’s tall women – from a previous exhibit at City Art

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A colorful painting by Jo Dean Bauknight with a lot of texture

So, close to noon I headed back upstairs and people were beginning to flow in for the demo. At first ten, then twenty, and thirty to eventually forty people and about a handful of staff from City Art. Gilkerson, being an art professor at Columbia College in Columbia came well prepared for this demo – no winging it here, and as I’m sure she’s used to after all her years of teaching – the hour moved on a steady path and I was amazed at how much material she covered with her ten point system in such a short period of time. And it wasn’t all lecture – there was plenty of show and tell, opportunity for questions, and at the end – opportunity to try out some of the materials – on the spot. The show and tell is good for people like me who need people to draw a picture for them to understand a concept sometimes. Words alone don’t always bring up the clearest picture for me.

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High Noon with Mary Gilkerson

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A view of the whole group

The bonus of this kind of learning event taking place at City Art is the staff being able to add info about materials, brands, and availability of items mentioned. (Which is no surprise – I’m sure they are offering these events in hope that what people learn will lead to sales of products and early reports were that this was the case.) Just like Carolina Arts, City Art is doing what they are doing because they like the arts, but they are in business too. Gilkerson was handing out info about upcoming workshops. She’s also hoping for some return on her efforts.

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Folks trying out materials from the demo and collecting sample goodies

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Pushing paint with painting knives – easier to clean

Gilkerson, being an active painter has her habits, but she was flexible to offer alternative ways of doing things. But, at the same time she made her pitch to work safe (some toxic materials are involved in painting) and working green. She explained that she knew artists who have gotten sick and a few who died due to their careless handling of some of these materials.

I have no intention of becoming a painter, but I learned a few things while listening. The number one point was – cheap materials usually result in cheap results, but in some cases – cheap is useful. Gilkerson finds suitable brushes at dollar stores for prepping canvases, but when laying paint on the canvas – the best is best. She also advised that sometimes you have to do bad work to learn from it – just don’t show off your learning experiences. That’s a trick of a real pro.

I remember back in my photography days learning that a National Geographic photographer might shoot 1,000 images for every one that is used in the magazine. This makes it look like they only take fantastic images – they just don’t show you all the misses. It’s a good practice for any artist. I see too much work not ready for public viewing.

From what I saw, I liked this High Noon series and it seemed others there did too. I understand that City Art already has programs scheduled for every Saturday at High Noon through the fall. I don’t think they expected the reaction to their offerings to be so good right off the bat. But, the art community always needs to remember that education and involvement is the key to success and development. It can’t always be about begging for funding.

And, here’s where I ask the usual question. Why couldn’t programs like this get funding from public resources? Not that anyone’s asking – I’m just saying… What makes programs that are hosted by non-profits more worthy – when many times they are not and many times they are not free? The business part of the arts community understands our role in the arts and many of the non-profits look to us for help, but it makes no sense to me why it’s an absolute that for-profits can never share in public funding. Isn’t the point of public funding to help people do good things they would not be able to afford otherwise – for the benefit of the public. And what business couldn’t do better things without a little help? It’s funny that the government doesn’t seem to have any problem helping out big farm operations, oil companies, and other big corporations with public funding – why not in the arts?

I feel a headache coming on – so on to the SC State Museum where there is something better to talk about. Regular readers know I like my abstract art and the show at the State Museum was like Christmas in July, although it was still June. To me there is nothing better than wall to wall abstracts and this exhibit offered many treats from artists who are already some of my favorites and some by folks I had not seen much of before this visit.

Thanks to Paul Matheny, the curator of art at the State Museum, I can offer you great shots of the gallery space. I handled the individual works – as best I could between camera and iPhone, but the lighting is always better for viewing than for taking photos at the Museum.

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For anyone who loves abstract works as I do this show is a must see. I mean it – you have until Aug. 26 to see this show and then you’ll probably never see such an assemblage again – in my lifetime. And, for those who say – I don’t get it – when they view abstracts – this is also an opportunity to give abstracts a chance to see if you’ll ever like abstracts. Because after viewing this show – if you still don’t see the beauty in these works – you probably never will and you can cross them off your bucket list. I didn’t get them at first – many a year ago. One day looking at works by Eva Carter and William Halsey – the lightblub in my head went off.

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The exhibit seems to be organized by area of influence or around universities. You have the Charleston/College of Charleston group; Columbia/University of South Carolina group; Rock Hill/Winthrop University group; Upstate/Clemson University group and so on.

You have works by artists who were born as far back as 1897 with Faith Murry being the oldest and Hollis Brown Thornton the youngest born in 1976. In this exhibit – being in your 50′s and 60′s might still make you a young upstart.

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A slightly fuzzy photo of a work by Eva Carter

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A work by William “Bill” Buggel

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A work by Brian Rutenberg

It’s hard enough being an abstract artist today, but I can only imagine how hard it was for some of these folks who were working in the 50′s and 60′s in South Carolina. No problem if you were in New York City, but in SC – folks like to be able to tell what they are looking at – an old house, marsh scene, mountain stream or people. Many of these artists had to make their living by teaching art and trying to convert a few students – over to the dark side when they could. And, the exhibit probably has a number of teacher/student groupings – if not even a third generation of influence. Others had to show and sell their works – out of state.

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A work by Gene Speer

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A work by Marge Moody

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A work by Tom Flowers

Sculpture was represented with some excellent works, but the majority of the works are paintings – large paintings. Not many would fit in my car for a ride home – not that I’m saying I’d try something like that, but I wouldn’t mind seeing a lot of these works on my walls – if I had walls big enough to hold any of these works.

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A work by John Acorn who will have an exhibit at 701 Center for Contemporary Art in July

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A close in detail of that same work by John Acorn

After seeing all this great work, I still felt like I wanted more. This was a pretty big exhibition in one of our state’s largest galleries, but I would have liked to see more works by some of these artists and more works by others not included. In fact I told several folks at the State Museum that I can hardly wait for the follow-up exhibit, Abstract Works in South Carolina: Today, which I don’t think is being planned any time soon – too bad.

The Museum produced a very nice catalogue for this exhibition and SCETV produced an informative video which plays just outside the entrance to the exhibit. Don’t leave without viewing it. I suggest the State Museum place a few chairs out there for us older folks.

Thank you Paul Matheny for organizing this exhibition.

Like I said before – no trip to Columbia is complete without a visit to One Eared Cow Glass and I used my iPhone to show some new works from the cowboys – Tom Lockart and Mark Woodham. They’re working on a special display for this year’s SC State Fair – which is going to be BIG. We’ll have details about that later.

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A group of works at One Eared Cow Glass

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All these images are from the iPhone

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My favorite photo from the day’s trip – love that iPhone

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Not sure what these are – might be for the State Fair exhibit

I didn’t stay there long – probably because they were not working their magic – turning melted sand into art, but while there, Lockart said I was brave to come to Columbia on one of the first hot days of summer. I mean for the city that calls itself Famously Hot! I didn’t think it was that hot. I don’t think I spent more than ten minutes going from my car to a well cooled space, but when I left it was 98 degrees and by the time I got back to Bonneau – two hours later, but still the hot part of the day – it was only 91 degrees – so I guess they are hot there, but not too hot to view art or learn something about the arts.

So you folks in the Upstate with $2.69 gas – you have no excuse not to travel to Columbia and you won’t melt and by the time you get back to the Upstate – it will feel so much nicer. For the folks on the coast – stop in Columbia on your way to the mountains – you’re driving right by anyway. Beside there’s cheap gas in the Upstate – go get yourself some.

5th National Outdoor Sculpture Competition & Exhibition on View in North Charleston, SC

Saturday, June 26th, 2010

I went into North Charleston, SC, to turn our July 2010 issue of Carolina Arts into the printer, so I decided to go over to the North Charleston Riverfront Park at The Navy Yard at Noisette (former Charleston Naval Base), even though the temps were in the mid-90’s. It was a little overcast so I figured it would be a good day to photograph the 11 sculptures that were part of the 5th National Outdoor Sculpture Competition & Exhibition, on view through Mar. 2011. The exhibit and competition is organized and presented by the City of North Charleston Cultural Arts Department. The competition was juried by Stuart Horodner, Artistic Director of the Atlanta Contemporary Art Center. The exhibit features eleven sculptures by eleven artists from seven states.

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Two Headed Ass (steel) by George Long

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Mass Murder Machine (steel, iron, and aluminum) by Doug Barton

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Prism Arc SC (painted steel) by Carl Billingsly

When I arrived at the parking area it was almost full, which was a surprise considering the heat, but it was lunchtime so maybe folks were enjoying their lunch in the park, but as it turned out all the cars were there for either the aftermath or preparations for filming of the Lifetime drama, Army Wives. They do filming all over the former naval base and shipyard.

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Cube (corten steel) by Dana Gingras

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Fools Buoy (steel and concrete) by Roger Halligan

It’s been a year since I was in this park and a lot has changed. The landscaping is further developed giving the park a not so new feeling – which is a good thing. There are some new additions – a covered picnic area and a children’s playground next to it. There were also some new additions to the memorial to the Charleston Naval Yard – which I think is finally finished. It also looks like a new restaurant is in the works, which will be good – especially if you can get drinks there.

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La Fleur da Vie (steel) by Teresa Howachyn

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Boat Nest, Elevation of Divergence (steel) by Corrina Mensoff

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End of Time (recycled metal) by Jim Shultz

There was a nice breeze at the park and it wasn’t until I finished and returned to my car that I felt hot – really hot without the breeze.

I hope you enjoy the photos. It seems that this year’s primary color is – rusted brown.

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Between Hope and Despair (steel and stone) by Philip Smith

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Ball Joint (cast iron and bronze) by Kristy Summers

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Inside the Vee (steel and recycled materials) by Bob Turan

The results of the competition are as follows: Division I – Best in Show went to Two Headed Ass (steel) by George Long of Roswell, GA; and 2nd Place went to Mass Murder Machine (steel, iron, and aluminum) by Doug Barton of Athens, GA. Honorable Mention awards were given to: Prism Arc SC (painted steel) by Carl Billingsly of Ayden, NC; Fools Buoy (steel and concrete) by Roger Halligan of Chattanooga, TN; and Ball Joint (cast iron and bronze) by Kristy Summers of Carbondale, IL. Other works in this division include: Cube (corten steel) by Dana Gingras of Moorseville, NC;Boat Nest, Elevation of Divergence (steel) by Corrina Mensoff of Atlanta, GA; Between Hope and Despair (steel and stone) by Philip Smith of Columbia, MD; La Fleur da Vie (steel) by Teresa Howachyn (TEKLA) of Black Mountain, NC; and Inside the Vee (steel and recycled materials) by Bob Turan of Earlton, NY. Division II – End of Time (recycled metal) by Jim Shultz of North Charleston, SC.

I’ve also included some wide views of the park and a few images of the shipyard memorial, which includes a lot of art also.

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You can see last year’s entry about this exhibit at this link.

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For further information contact the City of North Charleston Cultural Arts Department at 843/740-5854 or visit (www.northcharleston.org).

Friends of Berlin Committee & Sculpture in the South Unveil Sculpture of Mayor Berlin G. Myers in Summerville, SC

Friday, June 25th, 2010

We received this short press release at Carolina Arts.

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The Friends of Berlin Committee & Sculpture in the South would like to invite the citizens of Summerville, SC, to the public unveiling of “Honorable Mayor Berlin G. Myers” Portrait Sculpture by Garland Weeks on Monday, June 28, 2010, at 7pm, at the Summerville Municipal Complex, 200 South Main Street in Summerville.

In honor of Mayor Berlin G. Myers lifetime of dedicated service to the Town of Summerville and it’s citizens.

We’d love to see you and your family there!

For more information contact Janet Meyer at by e-mail at (askus@sculptureinthesouth.com) or call 843/851-7800.