Archive for the ‘Sculpture in the Carolinas’ Category

Caldwell Arts Council in Lenoir, NC, Presents 25th Annual Sculpture Celebration – Sept. 11, 2010

Thursday, August 12th, 2010

Over the last couple of years I have presented several entries about sculpture exhibits, festivals, etc., – I just posted info about the 2010 Salisbury Sculpture Show, but this time I’m bringing news about a big event taking place in a community that is big on sculptures. It has been determined in a study that Lenoir, NC, has the “largest collection of public sculpture per capita in the United States”. If you can prove that statement wrong – let me know. I’ve seen a copy of the study, done in 2006, and it has some interesting numbers about cities in the US who have a thing for public sculpture.

First it showed that the city of Charlotte, NC (pop. 500,000+) and Lenoir, NC (pop. 16,700+) in 2006 had the same amount of public sculptures – 49. Not bad for a city the size of Lenoir to keep up with the banking capital of the South. Savannah, GA, (pop. 131,500+) has 57. And, Grand Rapids, MI (pop. 197,800+), a city I just drove past a few weeks ago, had 97.

Who has the most? That might be an easy guess, but Philadelphia, PA (pop. 1,517,500+) was at the top of the list with 725, followed by New York City, perhaps most people’s first guess (pop. 8,008,270+) has a mere 697. Murrells Inlet, SC, (pop. 5,510+) came fourth on the list, but that was because of Brookgreen Gardens, which is not a city and you have to pay admission to see most of their sculptures, but it’s still a great place to go for sculpture viewing.

The biggest surprise on the list was Gettysburg, PA, (pop. 7,480+) which boasts it has 431 public sculptures. I wonder what that’s all about. Could it be the national historic battlefield where the Yankees took the steam out of the Rebels during that war of Northern aggression? Maybe, but I bet there are more sculptures honoring Southerners from that battle. And, here again I would guess that most of the sculptures are on federal lands and not in city limits. But, like I said above – anyone who wants to dispute the above claim by Lenoir – let me know.

Anyway, Lenoir has so many sculptures you better watch your step so you don’t walk into any or trip over any when there. And, during the Sculpture Celebration – those numbers will easily double. So, if you’re into sculpture – Lenoir is where you should be on Sept. 11, 2010.

Here’s a press release about the Sculpture Celebration and the collection of sculptures in Lenoir:

The Caldwell Arts Council in Lenoir, NC, in partnership with Tri State Sculptors Association, announces the annual Sculpture Celebration, the longest-running sculpture event in the southeast, which will be presented on Saturday, Sept. 11, 2010, from 9am – 4pm at the J.E. Broyhill Park in Lenoir, NC.

Celebrating its 25th year, the Sculpture Celebration will feature sculptural artwork by artists from the eastern US in competition for cash prizes totaling more than $10,000. For this day, over 150 sculptures – realistic and abstract, traditional and contemporary, movable and stationary, indoor and outdoor – will adorn the 7+ acres of the J.E. Broyhill Park.

Beginning at 9am on Sept. 11, visitors may stroll through the park and enjoy three-dimensional art and live music by Sylvio Martinat’s Swing Band from 10am to noon, and the Harris Brothers from 1 to 3pm; savor hot dogs, hamburgers, ice cream, Blue Moose coffee drinks, pizza by the slice and other treats from local vendors throughout the day while children create sculptures from recycled items with assistance from members of Foothills Art Gallery. Admission to the event is free.

On Friday evening, Sept. 10, 2010, the Caldwell Arts Council will host The Blue Jeans Preview Party where sculptors, patrons, artists and competition judge Dr. Lawrence Wheeler, Director of the North Carolina Art Museum, will gather for dinner and live music followed by a presentation by the judge. The event is open to all but will require tickets purchased in advance from the Caldwell Arts Council: Tickets are $15 per person.

Registration is open to any 3-D artist up to the day of the event, and each sculptor may present up to three sculptures. For detailed information and artist pre-registration, a prospectus is available by request from the CAC or online at (www.caldwellarts.com). Cost to register the day of the event is $60; however, significant discounts are available for early registration.

The sculpture celebration started with a simple idea and a pig weather vane, which now adorns the roof of the Caldwell Arts Council at the corner of College Avenue and Norwood Street in Lenoir. Since then, Caldwell County’s love affair with sculpture has become a near obsession as evidenced by Caldwell County being home to the “largest collection of public sculpture per capita in the United States” as announced in 2006, by the NC Secretary of Cultural Resources Libba Evans.


Special Delivery by Stefan Bonitz

The pig was the first in the Caldwell Arts Council’s collection of nearly 80 publicly-displayed sculptures, most of which are outdoors for anyone to enjoy at any time of day. The Sculpture Celebration which began in 1985 has been a constant driving force in building up the area’s collection as well as creating a sculptor-friendly environment. It started small but now attracts artists and visitors from across the country.

“It’s a great show for experienced artists, but also great for the first-time experience,” Caldwell Arts Council Executive Director Lee Carol Giduz said.

According to the Caldwell Arts Council, the event’s origins date back to the early 1980s when Dr. Henry Michaux, a Lenoir native and sculpture professor at the University of South Carolina, conceived the exhibit with Sam Sturgis, a long-time director with the City of Lenoir Parks and Recreation Department. The goal was to host an event that would both celebrate sculpture and heighten the awareness about the J. E. Broyhill Park.

Bill Brown, Jr., a local artist, consulted with Michaux and Sturgis for the event. These early visionaries successfully created a partnership between the City of Lenoir, which funded the event, and the Broyhill Family Foundation, whose private donations were originally used to purchase selected works. Over the years, the list of purchase sponsors has grown to include corporations as well as individuals.


West Wind Sentinel by Mike Roig

Since the beginning of the Sculpture Celebration in 1985, the Caldwell Arts Council has purchased the 77 sculptures that may be seen around the county on street corners, in parks, public offices, schools, libraries and other public properties. Some are easy to find, standing tall along a school entrance or along a busy highway. Others are hidden treasures, part of a community-wide scavenger hunt yielding discoveries at every turn. For the adventurous looking for an outing: a map for a self-guided walking tour of sculptures in the downtown Lenoir area is available at the Caldwell Arts Council, area businesses, and the Caldwell County Chamber of Commerce.

During Lenoir’s downtown revitalization, streetscape improvements were made to include brick planters with pads for both permanent and temporary displays. A drive downtown offers bold designs, vivid colors and eye-catching pieces decorating the sidewalks. The public sculptures are provided by Tucker’s Streetscape Gallery in partnership with the City of Lenoir. The deal has been so successful, artists can hardly keep up.


Internet by Bill Stronach

“We can barely keep sculptures in our downtown,” Lenoir artist and entrepreneur Keith Willis said. “We get them in there, and we sell them.” The original idea was to display the sculptures on a six-month rotation in the downtown area. However, as each piece sells, the sculptures are replaced as buyers claim them so the streetscape changes constantly. “I think it’s one of the biggest things we have going for us,” Willis said. “I think the arts – visual and performing – when it comes down to it, is one of the key components of our revitalization efforts.”

Those efforts are thriving thanks to organizations like the Caldwell Arts Council and events such as the Sculpture Celebration, says Caldwell County native and artist Charlie Frye. He has watched both the sculpture event and the arts community grow tremendously over the years. The last five have been especially successful, he said – so successful that Frye has invested in his own art gallery on Main Street in downtown Lenoir. He hopes to see more local artists join him. “Art, in general, in Lenoir and Caldwell County, is really becoming one of our forefront attractions and amenities to offer to someone from out of town,” he said, adding that many local residents are just discovering the wealth of visual and performing arts here. “We have art on so many different levels in this town. This is not a place you can easily say ‘there’s nothing cultural around here’ like you can in some small towns. You have to try hard not to see the public sculpture.”

The Tri State Sculptors Education Association was formed in 1978 by a group of sculptors from Virginia, North Carolina, and South Carolina to promote public awareness and appreciation of sculpture in the region and to exchange ideas and information among its members. For further info about this group visit (http://www.tristatesculptors.org/).

For further information check our NC Institutional Gallery listings, call the Council at 828/754-2486 or visit (www.caldwellarts.com).

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There is a Lot More to See in Salisbury, NC, Since My Travels There in the Late 1990s

Sunday, August 8th, 2010

Back in the day – 1997 to be exact, when at the time our paper called South Carolina Arts jumped the border and started coverage of the visual arts in North Carolina, thus becoming Carolina Arts – I delivered papers in Salisbury, NC. At that time, it was mostly just to the old Waterworks Visual Arts Center on Water Street – there didn’t seem to be much else there.

In the last year, my delivery trail has taken me from Davidson, NC, off I-77 across Hwy. 73 to I-85 at Concord, NC, to head north toward Lexington, NC, to Hwy 64, again crossings overland to Hwy. 220 to Asheboro, NC, and then to Seagrove, NC – the center of pottery in North Carolina. That’s a geographical description, not a slight to any other pottery areas in NC.

That’s a bit of traveling with no stops in-between and when I’m doing deliveries of the paper I feel a bit like the white rabbit in Alice and Wonderland – I’m always running late or the clock is ticking. But, each time I passed by Salisbury – I wondered. I knew things had changed there, the Waterworks Visual Arts Center had a new facility, new art galleries had opened, and the city seemed more active in promoting the arts.

So, I did some map research on Google and made plans to stop there on one of my trips and drop off some copies of the paper to see if we could generate any interest from the visual art community there to become part of the Carolina Arts family – the printed version – as we include all areas of the Carolinas that send us info by our deadlines on our website version of the paper.

It’s a little hard to get a good view of things at 5 or 6am in the morning, but I could tell big changes had taken part in Salisbury as far as the visual art community went. The gallery Pottery 101 would have been enough to bring me back. The gallery was all windows on two sides, well lit, and I could see all those wonderful pots inside (sorry about the smudges on the windows). When I’m traveling at night galleries that are well lit with lots of windows get my attention. So, I was hoping some folks there would respond to the papers left on their doorsteps.

Annette Ragone Hall of Rail Walk Studios & Gallery was the first to make contact. She wanted to know all about the paper and what it would take for us to come there on a regular basis. We talked, e-mailed, and once she got the drift – she went to work talking with others, started advertising her studio and website (www.AnnetteRagoneHall.com) and I learned more about the city each time I went there. Others also made contact.

Come September, a group of galleries and artist’s studios will start advertising the Second Saturday Art Crawl (http://www.rowanartcrawl.com/) with the help of the Rowan Arts Council. The next event takes place Aug. 14, 2010.

Every second Saturday of the month, from 1pm to 6pm, in Salisbury and Spencer, NC, more than 25 professional artists, studios and galleries offer visitors new art, special events, and activities. Spend the day and see great art, talk to the artists, watch demonstrations, hear live music, and dine at local restaurants, many which are offering special discounts. Maps and free trolley rides are available at galleries and at the Rowan Arts Council office. The 2nd Saturday in Salisbury and Spencer Art Studio & Gallery Crawl is sponsored by the Rowan Arts Council. For more info call 704/638-9887.

I’ve not run into many places that share their art walk or crawl with other galleries and art studios in another city. There must be a lot of love between Spencer and Salisbury. I’m thinking of a few neighboring cities in the Carolinas where that just wouldn’t be possible. You know who you are.

Now, while I was doing some research on the 25th Annual Sculpture Celebration in Lenoir, NC, I discovered that the City of Salisbury hosts a yearly sculpture exhibition themselves, the 2010 Salisbury Sculpture Show, which runs from Apr. 1 through Dec. 31, 2010.


The Burning by Paris Alexander

Nineteen multi-media sculptures by artists from 8 states are on display throughout the downtown Salisbury area. Each piece was placed to best compliment its location within the historic downtown area. A walking tour of the locations, starting at the Visitors Center is a delight to students of art and history alike as well as visitors to Salisbury who are looking for a little culture.


A Toy For Sisyphus by Ralph Berger

So here’s a dual opportunity to plan a trip to Salisbury on one of the 2nd Saturdays, but you can really go anytime and see the sculpture show and visit some of the galleries and maybe even catch a few artists in their studios – by chance.

I did some research on the internet to see what I could find out about this sculpture show and they have a website (www.salisburysculpture.com). Here’s some info I found there.


Fibonacci’s Hidden Gold by Stephen J. Chilingirian

Judging for the 2010 Salisbury Sculpture Show was conducted in late April by Jeff York. York is the Public Arts Administrator for the Town of Chapel Hill, NC, and the former Director of Public Art and Community Design for the NC Arts Council. York exclaims, “I was honored to be asked to judge the Salisbury Sculpture Show and discover “what’s outside” in downtown Salisbury. The variety of sculptural forms and materials represented in the show offers something for everyone to enjoy. I really liked the way the works were scattered around the downtown, some very noticeable on street corners and others in more intimate spaces waiting to be found. Together they make for a great way for people to discover all that Salisbury has to offer.” York notes that the cultural experience of the local event reflects that of a well-established sculptural exhibit. “For only its second year in existence, the quality of the artists’ entries speaks to a more mature venue. There are many outdoor shows around from which the artist can choose to exhibit and this show attracted artists from around the state and beyond.” York adds that in judging the show, art award selections are naturally subjective and concludes, “I hope you will enjoy viewing each sculpture and have fun debating with your fellow citizens, your favorites and theirs.”


Windows of Time by Dale McEntire

The following works have been selected to receive awards for their participation in the 2010 Salisbury Sculpture Show by York.

The Norvell Best in Show award went to Gary Gresko of Oriental, NC for Tumbling Toward the Sun; the Second Place award went to Paris Alexander of  Raleigh, NC, for The Burning; the Third Place award was given to Bill Wood of Fairfax, VA, for Tilt; and an Honorable Mention award went to Dale McEntire of Saluda, NC, for Windows of Time.

Other artists selected for the show included: Ralph Berger of Rutherfordton, NC, for A Toy For Sisyphus; Jeannette Brossart of Durham, NC, for We Are The Problem, We Are The Solution; Samuel E. Burns of Chattanooga, TN, for Sundial; Stephen J. Chilingirian of Zirconia, NC, for Fibonacci’s Hidden Gold; Jim Collins of Signal Mountain, TN, for “Big Wheel”; Pattie Porter Firestone of Chevy Chase, MD, for Leaves of Grass; Jim Gallucci of Greensboro, NC, for Cattail Bridge; Don Green of Winston-Salem, NC, for Madonna ’01; Gretchen Lothrop of Pittsboro, NC, for A Subtle Miracle; Dough Makemson of Commerce, GA, for Bear; Rueven Fields Sadeh of Chapel Hill, NC; for Hanging in the Balance; Kenneth Thompson of Blissfield, MI, for Steel Inverted Arch; Wayne Trapp of Vilas, NC, for Up and Over; Jozef Vercauteren of Myrtle Beach, SC, for Le Car; Glenn Zweygardt of Alfred Station, NY, for Blue Storys.

I’m sorry I don’t have many photos of these sculptures, but I hope to go do the tour sometime and then I’ll feature them in another blog entry, but you can go see and take your own photos, Why not take in a 2nd Saturday Art Crawl and take a break from your computer and the internet. Go see some real North Carolina art.

For more information on the artists and locations, visit (www.salisburysculpture.com).

So if you haven’t been to Salisbury in a while or never have – go check it out and we’ll keep bringing you news of what’s going on there from time to time.

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5th National Outdoor Sculpture Competition & Exhibition on View in North Charleston, SC

Saturday, June 26th, 2010

I went into North Charleston, SC, to turn our July 2010 issue of Carolina Arts into the printer, so I decided to go over to the North Charleston Riverfront Park at The Navy Yard at Noisette (former Charleston Naval Base), even though the temps were in the mid-90’s. It was a little overcast so I figured it would be a good day to photograph the 11 sculptures that were part of the 5th National Outdoor Sculpture Competition & Exhibition, on view through Mar. 2011. The exhibit and competition is organized and presented by the City of North Charleston Cultural Arts Department. The competition was juried by Stuart Horodner, Artistic Director of the Atlanta Contemporary Art Center. The exhibit features eleven sculptures by eleven artists from seven states.


Two Headed Ass (steel) by George Long


Mass Murder Machine (steel, iron, and aluminum) by Doug Barton


Prism Arc SC (painted steel) by Carl Billingsly

When I arrived at the parking area it was almost full, which was a surprise considering the heat, but it was lunchtime so maybe folks were enjoying their lunch in the park, but as it turned out all the cars were there for either the aftermath or preparations for filming of the Lifetime drama, Army Wives. They do filming all over the former naval base and shipyard.


Cube (corten steel) by Dana Gingras


Fools Buoy (steel and concrete) by Roger Halligan

It’s been a year since I was in this park and a lot has changed. The landscaping is further developed giving the park a not so new feeling – which is a good thing. There are some new additions – a covered picnic area and a children’s playground next to it. There were also some new additions to the memorial to the Charleston Naval Yard – which I think is finally finished. It also looks like a new restaurant is in the works, which will be good – especially if you can get drinks there.


La Fleur da Vie (steel) by Teresa Howachyn


Boat Nest, Elevation of Divergence (steel) by Corrina Mensoff


End of Time (recycled metal) by Jim Shultz

There was a nice breeze at the park and it wasn’t until I finished and returned to my car that I felt hot – really hot without the breeze.

I hope you enjoy the photos. It seems that this year’s primary color is – rusted brown.


Between Hope and Despair (steel and stone) by Philip Smith


Ball Joint (cast iron and bronze) by Kristy Summers


Inside the Vee (steel and recycled materials) by Bob Turan

The results of the competition are as follows: Division I – Best in Show went to Two Headed Ass (steel) by George Long of Roswell, GA; and 2nd Place went to Mass Murder Machine (steel, iron, and aluminum) by Doug Barton of Athens, GA. Honorable Mention awards were given to: Prism Arc SC (painted steel) by Carl Billingsly of Ayden, NC; Fools Buoy (steel and concrete) by Roger Halligan of Chattanooga, TN; and Ball Joint (cast iron and bronze) by Kristy Summers of Carbondale, IL. Other works in this division include: Cube (corten steel) by Dana Gingras of Moorseville, NC; Boat Nest, Elevation of Divergence (steel) by Corrina Mensoff of Atlanta, GA; Between Hope and Despair (steel and stone) by Philip Smith of Columbia, MD; La Fleur da Vie (steel) by Teresa Howachyn (TEKLA) of Black Mountain, NC; and Inside the Vee (steel and recycled materials) by Bob Turan of Earlton, NY. Division II – End of Time (recycled metal) by Jim Shultz of North Charleston, SC.

I’ve also included some wide views of the park and a few images of the shipyard memorial, which includes a lot of art also.

You can see last year’s entry about this exhibit at this link.

For further information contact the City of North Charleston Cultural Arts Department at 843/740-5854 or visit (www.northcharleston.org).

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Friends of Berlin Committee & Sculpture in the South Unveil Sculpture of Mayor Berlin G. Myers in Summerville, SC

Friday, June 25th, 2010

We received this short press release at Carolina Arts.

The Friends of Berlin Committee & Sculpture in the South would like to invite the citizens of Summerville, SC, to the public unveiling of “Honorable Mayor Berlin G. Myers” Portrait Sculpture by Garland Weeks on Monday, June 28, 2010, at 7pm, at the Summerville Municipal Complex, 200 South Main Street in Summerville.

In honor of Mayor Berlin G. Myers lifetime of dedicated service to the Town of Summerville and it’s citizens.

We’d love to see you and your family there!

For more information contact Janet Meyer at by e-mail at (askus@sculptureinthesouth.com) or call 843/851-7800.

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