Posts Tagged ‘Alice Ballard’

Some Articles About Exhibits Taking Place in the Carolinas Which Came In After Our February Deadline

Monday, February 7th, 2011

Some of these came in late – after our Jan. 24 deadline and a few came from folks just discovering us. Some think we should just add them to the paper – after all it’s not printed – it’s electronic, but I say no. That’s what deadlines are for and I don’t want several editions of the paper out there and people hearing about items they missed after they first viewed the paper. And, we might not always give these late articles a second life at Carolina Arts Unleashed. So people need to make that deadline.

If you haven’t seen our Feb. 2011 edition of Carolina Arts, you can find it at this link (Warning – this download can take several minutes) (http://www.carolinaarts.com/211/211carolinaarts.pdf).

Coker College in Hartsville, SC, Features Works by Koichi Yamamoto

An exhibition of prints by Koichi Yamamoto, an assistant professor at the University of Tennessee School of Art, is on view through Feb. 25, 2011, in the Cecelia Coker Bell Gallery located in the Gladys C. Fort Art Building in Hartsville, SC.


Tochika Ni, by Koichi Yamamoto, a 12″ x 24″ intaglio print

Yamamoto’s show, 00 To 10, includes a selection of intaglio prints (a printing process wherein an image is engraved or acid etched into a metal plate, inked then printed) and prints made with a monotype process, a procedure that yields only a single impression from each plate.

Merging traditional and contemporary approaches to printmaking, Yamamoto has worked with meticulous metal engravings, large-scale relief and intaglio prints. His current work is in large-scale monotypes and exemplifies a contemporary, international aesthetic developed from his upbringing in Japan and his education in Europe and North America. His prints explore issues of the sublime, memory, atmosphere, light and history through various representations of landscape.

“Surface only provides a record from recent events,” Yamamoto said. “Making critical judgments requires an understanding of what lies underneath. Addressing the landscape as subject, my work attempts to describe cross sections of history. I seek to slow down and take time for a deep level of investigation.”

Yamamoto is a graduate of the University of Alberta and Pacific Northwest College of Art. He has also studied at the Bratislava Academy of Art and the Poznan Academy of Art. His work has been included in a number of recent juried print competitions including the Boston Printmakers, the 7th Bharat Bhavan International Biennial Print Art in India and the Lujubljana International Printmaking Exhibition in Slovania. Yamamoto’s prints are in the collections of University of Hawaii at Hilo, the Vivian and Gordon Gilkey Graphic Center in the Portland Art Museum and the University of Alberta Museum and Collection.

The Cecelia Coker Bell Gallery is located in the Gladys C. Fort Art Building on the Coker College campus. Gallery hours are from 10am to 4pm, Monday through Friday, while classes are in session.

Coker College upholds and defends the intellectual and artistic freedom of its faculty and students as they study and create art through which they explore the full spectrum of human experience. The college considers such pursuits central to the spirit of inquiry and thoughtful discussion, which are at the heart of a liberal arts education.

For more information, contact Barb Steadman by calling 843/857-4199.

UNC Asheville in Asheville, NC, Features Laura Hope-Gill’s Poetry and Photographs by John Fletcher Jr.

UNC Asheville’s Ramsey Library will present the collaborative work of poet Laura Hope-Gill and photographer John Fletcher Jr., on view in Ramsey Library’s Blowers Gallery from Feb.  1- 28, 2011. Hope-Gill and Fletcher will also present a slideshow and poetry reading at 12:30pm, Tuesday, Feb. 8, 2011, in the library’s Whitman Room.

Hope-Gill and Fletcher’s book, The Soul Tree, features photographs of uniquely beautiful southern Appalachian landscapes accompanied by lyric poems, which illuminate themes of vision, faith, healing and the sacredness of nature. The Blowers Gallery exhibit will feature some of the images and poems from the book as well as more recent work inspired by The Soul Tree.

The exhibit and the slideshow/poetry reading are free and open to the public.

Hope-Gill is the Poet Laureate of the Blue Ridge Parkway and a recipient of a North Carolina Arts Council fellowship. She is also the founder and director of WordFest Poetry Festival in Asheville, and an instructor in UNC Asheville’s Great Smokies Writing Program. Fletcher is a photographer for the Asheville Citizen-Times. His 20-year career has included clients such as USA Today, The Associated Press, The Washington Post, and The New York Times.

The gallery is free and open to the public daily and most evenings.

For more information, call 828/251-6336 or visit (http://bullpup.lib.unca.edu/library/exhibits/blowers/exhibits.html).

Greenville Technical College in Taylors, SC, Features Works by Faculty of SC Governor’s School

The Department of Visual and Performing Arts at the Greer campus of Greenville Technical College in Taylors, SC, is presenting an exhibit of works by members of the South Carolina Governor’s School of the Arts and Humanities, on view through Feb. 18, 2011.

Impressive for its scope, the show includes works by photographer Carlyn Tucker, sculptor Joseph Thompson, painter Paul Yanko, ceramists Alice Ballard and Sharon Campbell, printer Katya Cohen, metals artist Ben Gilliam, and graphic designer Neil Summerour. We are pleased to showcase the creative excellence that exemplifies the commitment of arts faculty at this unique Upstate program.

For further information check our SC Institutional Gallery listings call Lisa Smith at 864/848-2044 or e-mail to (lisa.smith@gvltec.edu).

Mesh Gallery in Morganton, NC, Features An Exhibit of Iron Works

Mesh Gallery in Morganton, NC, will present an exhibition showcasing the work of Oak Hill Iron that includes both fine art and utilitarian wares titled Ironology. The exhibit will be on view from Feb. 14 through Apr. 8, 2011, with a reception taking place on Friday, Feb. 18, 2011, from 6-9pm.

Oak Hill Iron was born out of necessity and driven by true talent and sheer determination to create beautiful products. Founded over a decade ago by Dean Curfman, Oak Hill Iron produces custom ironwork that meets the needs of countless utilitarian applications as well producing works of fine art that are at home in a gallery space. Both high art and craft are integral parts of a healthy arts community and with this exhibition Oak Hill Iron will demonstrate it’s ability to wear both those hats.

Oak Hill Iron is staffed by a team of highly trained artistic craftsmen and offers a wide selection of ironwork for both residential and commercial projects. There is no job that is considered too big or too small.

As always events at MESH Gallery are free and open to the public. Appetizers (hors d’oeuvres) for this event will be provided by Mountain Burrito of Morganton. Wine will be served by Sour Grapes Wine Distribution.

There will be a free concert starting at 8pm on Feb. 18, during the reception with a performance from Pimalia recording artists Moolah Temple $tringband hailing from Jackson County, NC. The duo of Johnny Favorite & Eden Moor co-pilot their goat-drawn deathcart, trailing the detritus of Old Time, Musique Concrète, Honky Tonk, IDM, Minstrelsy, songs of wounded affection, cautionary tales for our age, and the aesthetics of the Fraternal, Temperance, and Evangelical Movements. Moolah Temple $tringband rarely makes public appearances, but the duo is pleased to be invited by MESH. One clown is merely a clown, but two clowns make a circus.

Mesh Gallery is located at 114-B West Union Street, Morganton, NC.

For further information call 828/437-1957 or e-mail to (eliot@meshgallery.com).

Charleston County Public Library in Charleston, SC, Features Works by Cheryl Baskins Butler

The Charleston County Public Library in Charleston, SC, will present the exhibit, A Day at the Zoo: Impressions of Riverbanks, featuring works by Cheryl Baskins Butler, on view in the Saul Alexander Foundation Gallery, located in the Main Branch of the CCPL system in downtown Charleston, SC, from Feb. 1 – 28, 2011.

Butler began her sketch “safaris” at the Riverbanks Zoo in Columbia, SC, when it first opened in the mid 70’s. Throughout the ensuing years, she has returned regularly to observe, sketch, paint and spend personal time with the Riverbanks residents. A Day at the Zoo: Impressions of Riverbanks is a compilation of paintings, collages and site sketches from her visits.
The Main Library is located at 68 Calhoun Street in downtown Charleston.

For further information call Frances Richardson at 843/805-6803 or visit (www.ccpl.org).

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Pickens County Museum of Art & History in Pickens, SC, Features Works by Ceramic Artists of the Upstate

Tuesday, December 8th, 2009

This press release came after the Dec. 09 deadline for Carolina Art and our website, Carolina Arts Online, but I wanted folks to know who might be traveling or visiting the Upstate area of SC or in parts of Western North Carolina that this exhibition is taking place – starting Dec. 12, 2009.

The Pickens County Museum of Art & History in Pickens, SC, is presenting the exhibit, The Up’State of Clay, featuring a collection of works by ceramic artists of the Upstate, on view through Feb. 11, 2010.

This collection of works from some of the Upstate’s most influential ceramic artists includes work by Alice Ballard, Sharon Campbell, Bob Chance, Gary Clontz, Jim Connell, Nathan Cox, Kyleigh Daigle, Roger Dalrymple, Rob Gentry, Diane Gilbert, Sue Grier, Amy Goldstein-Rice, Lynn Jenkins, Peter Lenzo, Cynthia Link, Jennifer Mecca, Johnny Nutt, Jay Owens, Renee Rouillier, Virginia Scotchie, Paula Smith, Chris Troy, Mike Vatalaro, Ashley Womack, Denise Woodward Detrich and David Zacharias.


Virginia Scotchie

The exhibition is guest curated by the Johnny Nutt who says about the show, “South Carolina has a long, rich tradition of ceramic production. Edgefield, South Carolina is recognized widely as the birthplace and earliest center of the alkaline-glazed stoneware tradition in the southern United States, and from there spread as far west as Texas and on up into the northeast. By the middle of the 20th century, however, there were virtually no traditional potters working anymore in South Carolina. Today however, a combination of thriving university-based ceramics programs, such as those at Clemson, the University of South Carolina, Winthrop, and Furman, along with the Professional Clay Program offered by Piedmont Tech in Edgefield, have revitalized ceramic production in South Carolina.


Nathan Cox

Graduates of these programs, along with newly-immigrated South Carolinians and self-taught outsider-artists have brought an incredible diversity of ceramic production to the Upstate area of South Carolina. It is the hope of the Pickens County Museum, through this exhibition, to highlight not just the work of the twenty-six participating artists but to provide a unique opportunity for folks to see, in a single stop, the wide array of ceramic art being produced in the Upstate of South Carolina in these early days of the 21st century.”

This exhibition is part of the museum’s 2009 – 2010 exhibition season sponsored by Pickens Savings & Loan and Upstate Oral & Maxillofacial Surgery & Dental Implant Center.

The Pickens County Museum of Art & History is funded in part by Pickens County, members and friends of the museum and a grant from the South Carolina Arts Commission, which receives support from the National Endowment for the Arts.

Also on view at the Museum through Feb. 11, 2010, are the exhibits, Story, Song, and Image: A Merging of Musical Heritage and Narrative Painting, features works by Glen Miller and John Fowler. Both artists have a passionate interest in the traditional music of South Carolina, and how it intertwines with its’ people and their lives. Also, the exhibit, April Harrison: Grateful. A native of Greenville, SC, Harrison paints images primarily in acrylic, powder, watercolor, pencil and collage.


April Harrison

For more information please contact the museum at 864/898-5963.

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Greenville, SC’s Open Studio Tour is a BIG Event – Taking Place on Nov. 7 & 8, 2009

Friday, October 23rd, 2009

At times I find myself in a conflict when I’m promoting several events taking place at the same time. Such is the case with the Greenville Open Studios tour in Greenville, SC, and the Charleston Art Auction taking place on Nov. 7, 2009, in Charleston, SC, during the Charleston Fine Arts Annual weekend. Both the tour and the auction are big supporters of Carolina Arts. People could really attend both, but human nature for most is just to chose one. I just hope I’ll be finished delivering our Nov. issue and have that opportunity. But, then again – with every issue of Carolina Arts or Carolina Arts Online were promoting dozens of events that take place at the same time – even in the same city or town.


Carl R. Blair

In this posting I’m plugging the Greenville Open Studios tour – taking place Nov. 7 & 8, 2009, 10am-6pm Saturday and noon-6pm Sunday. The event is organized by the Metropolitan Arts Council in Greenville. This is the biggest or at least one of the biggest studio tours in the Carolinas. And, Alan M. Ethridge, executive director of MAC, would just love it if I would plug the events two major sponsors – Wachovia and SEW Eurodrive, so I guess I will.

Wachovia Bank, N.A. and SEW Eurodrive are proud to be the presenting sponsors of the eighth annual Greenville Open Studios and congratulate the 124 participating artists.

Hopefully some of you got a copy of the tour booklet I helped distribute during the delivery of our Oct. issue of Carolina Arts. It’s a great resource about the studio tour and the Greenville area visual art community. With 124 participants, it doesn’t represent the entire visual art community but it does feature a lot of the area’s heavy hitters – at least a lot of folks I like. Alice Ballard, Carl R Blair, Jane Todd Butcher, Bob Chance, Lynn Greer, Diane Hopkins-Hughs, Glen Miller, Susan Sorrell, Barbara Stitt, Enid Williams, are just a few I’ll mention. Of course there are just as many that I like who are not on the tour, but out of 124 – anyone should find plenty to like.


Barbara Stitt

The booklet offers one image by the artists, contact info, including website addresses to see more work, a short description – even info on wheelchair accessibility. If also offers maps that can be very helpful in figuring out your driving route from studio to studio. The booklet also offers info about other programs by the Metropolitan Arts Council and an arts calendar of other events taking place in the area during the months of Nov. and Dec. It also gives a complete list of sponsors – of which there are many. So even if you don’t go to the tour – the booklet is a great resource to have.

I took these booklets to a lot of places we don’t go to every month distributing Carolina Arts.

Why don’t we distribute Carolina Arts to every inch of South Carolina, much less every inch of the greater Carolinas? Come on – we’re a business, not a non-profit charity. Besides, anyone with access to the Internet can see every page of Carolina Arts every month. If you have a library in your community – you can most like get access to the Internet. The address is (www.carolinaarts.com).

I guess there are some who would make a game out of the tour by trying to go to all 124 studios in the two-day time frame, but that’s no way to look at art. The tour is a great opportunity to see the environment in which these talented artists create, talk with them, see their latest creations, and – wait for it – buy art. That’s right – they’re going to let you buy art during the tour. So don’t let this opportunity go by.

Now, if you think this is something you might be interested in and you’re making plans to go – here’s a tip. Plan to go to Greenville on Friday, Nov. 6, 2009, so you can also enjoy the First Fridays event (6-9pm) – a gallery crawl of many of Greenville’s art galleries and some of the folks on the tour will be open that evening too – giving you a few extra hours to see more of the 124. The booklet tells you who is doing the First Friday and who is not.

Man, this booklet reminds me of another great resource of the visual art community in the Carolinas. It’s on the tip of my tongue.

Well, anyway I’ve made my plug – it won’t be the last and you may just run into me there – you never know. It seems to be a surprise for anyone who does see me at an event as they are always saying – “What are you doing here?” which I hope refers to the distance the event is away from homebase Bonneau, SC – because I do actually show up at a lot of events. Not as many as we report on – but a lot. It seems such a funny question to ask – considering what I do.

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Info About Carolina Potters Showing at USC in Columbia, SC

Sunday, September 27th, 2009

Well this press release was a little late for consideration for inclusion in the printed version of Carolina Arts but it has an interesting collection of Carolina potters, so we wanted to let our blog readers know about and it will be on our web version of the paper at Carolina Arts Online on Oct. 1, 2009. Two of the potters are Bruce Gholson and Samantha Henneke of Bulldog Pottery in Seagrove, NC. They are also fellow bloggers – now with two blogs: Around and About with Bulldog Pottery and Three Corners Clay.


“Fish Platter” by Bruce Gholson

“Why all the attention for Seagrove potters?,” the new reader to Carolina Arts Unleashed asked. Well, it’s a personal project, plus I’m getting people ready for a big event coming in November.

Here’s the article:

University of South Carolina in Columbia, SC, Presents Ceramics Exhibition

The University of South Carolina in Columbia, SC, will present the exhibit, Ceramics : Southeast, in the McMaster Gallery, on view from Oct. 12 through Nov. 19, 2009.

The exhibition brings together the creative talent of thirteen individual artists from Alabama, Georgia, North Carolina, South Carolina and Tennessee. Each has taken their own unique path that celebrates contemporary ceramics from traditional pottery to non-traditional sculptural forms. Chosen to represent multiple approaches to clay and backgrounds the artist represent both full time studio potters to practicing academics.

Artists included in this exhibit are: Alice Ballard (SC), Russell Biles (SC), Jim Connell (SC), Don Davis (TN), Lauren Gallaspy (GA), Bruce Gholson (NC), Samantha Henneke (NC), Frank Martin (TN), Scott Meyer (AL), Gay Smith (NC), Paula Smith (SC), Mike Vatalaro (SC), and Jerilyn Virden (NC).

Alice Ballard’s pods are a reflection of her relationship with natural forms, while Russell Biles’ figurative works provide artist as social critic.


“Wall Podds” by Alice Ballard

Jim Connell serves up elegance with senuous curving vessels. Don Davis combines the figure with function. Lauren Gallaspy’s porcelain explores the mixed media of sculptures and drawing.

Bruce Gholson and Samantha Henneke are a couple that founded Bulldog Pottery and are exhibiting functional works with a painterly flair.

Frank Martin’s slip cast functional ware focuses on a painterly use of color. Scott Meyer’s interest turns to the sculptural – combining wood with clay. Gay Smith throws and sculpts geometric porcelain forms.

Paula Smith’s sculptural ceramics challenge us with the role of women. Mike Vatalaro deals with architectural thrown forms and Jerilyn Virden’s interest are in the notion of containment.

In conjunction with Ceramics : Southeast there will be a panel discussion and a workshop with Gay Smith as well. The public is invited. Call for further details.

For further information check our SC Institutional Gallery listings, contact Mana Hewitt, Gallery Director at 803/777-7480 or visit (http://web.mac.com/mcmastergallery/McMaster_Gallery/Ceramics_Southeast.html).

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