Posts Tagged ‘Bob Chance’

Pickens County Museum of Art & History in Pickens, SC, Features Works by Ceramic Artists of the Upstate

Tuesday, December 8th, 2009

This press release came after the Dec. 09 deadline for Carolina Art and our website, Carolina Arts Online, but I wanted folks to know who might be traveling or visiting the Upstate area of SC or in parts of Western North Carolina that this exhibition is taking place – starting Dec. 12, 2009.

The Pickens County Museum of Art & History in Pickens, SC, is presenting the exhibit, The Up’State of Clay, featuring a collection of works by ceramic artists of the Upstate, on view through Feb. 11, 2010.

This collection of works from some of the Upstate’s most influential ceramic artists includes work by Alice Ballard, Sharon Campbell, Bob Chance, Gary Clontz, Jim Connell, Nathan Cox, Kyleigh Daigle, Roger Dalrymple, Rob Gentry, Diane Gilbert, Sue Grier, Amy Goldstein-Rice, Lynn Jenkins, Peter Lenzo, Cynthia Link, Jennifer Mecca, Johnny Nutt, Jay Owens, Renee Rouillier, Virginia Scotchie, Paula Smith, Chris Troy, Mike Vatalaro, Ashley Womack, Denise Woodward Detrich and David Zacharias.


Virginia Scotchie

The exhibition is guest curated by the Johnny Nutt who says about the show, “South Carolina has a long, rich tradition of ceramic production. Edgefield, South Carolina is recognized widely as the birthplace and earliest center of the alkaline-glazed stoneware tradition in the southern United States, and from there spread as far west as Texas and on up into the northeast. By the middle of the 20th century, however, there were virtually no traditional potters working anymore in South Carolina. Today however, a combination of thriving university-based ceramics programs, such as those at Clemson, the University of South Carolina, Winthrop, and Furman, along with the Professional Clay Program offered by Piedmont Tech in Edgefield, have revitalized ceramic production in South Carolina.


Nathan Cox

Graduates of these programs, along with newly-immigrated South Carolinians and self-taught outsider-artists have brought an incredible diversity of ceramic production to the Upstate area of South Carolina. It is the hope of the Pickens County Museum, through this exhibition, to highlight not just the work of the twenty-six participating artists but to provide a unique opportunity for folks to see, in a single stop, the wide array of ceramic art being produced in the Upstate of South Carolina in these early days of the 21st century.”

This exhibition is part of the museum’s 2009 – 2010 exhibition season sponsored by Pickens Savings & Loan and Upstate Oral & Maxillofacial Surgery & Dental Implant Center.

The Pickens County Museum of Art & History is funded in part by Pickens County, members and friends of the museum and a grant from the South Carolina Arts Commission, which receives support from the National Endowment for the Arts.

Also on view at the Museum through Feb. 11, 2010, are the exhibits, Story, Song, and Image: A Merging of Musical Heritage and Narrative Painting, features works by Glen Miller and John Fowler. Both artists have a passionate interest in the traditional music of South Carolina, and how it intertwines with its’ people and their lives. Also, the exhibit, April Harrison: Grateful. A native of Greenville, SC, Harrison paints images primarily in acrylic, powder, watercolor, pencil and collage.


April Harrison

For more information please contact the museum at 864/898-5963.

Home

Share this article

Greenville, SC’s Open Studio Tour is a BIG Event – Taking Place on Nov. 7 & 8, 2009

Friday, October 23rd, 2009

At times I find myself in a conflict when I’m promoting several events taking place at the same time. Such is the case with the Greenville Open Studios tour in Greenville, SC, and the Charleston Art Auction taking place on Nov. 7, 2009, in Charleston, SC, during the Charleston Fine Arts Annual weekend. Both the tour and the auction are big supporters of Carolina Arts. People could really attend both, but human nature for most is just to chose one. I just hope I’ll be finished delivering our Nov. issue and have that opportunity. But, then again – with every issue of Carolina Arts or Carolina Arts Online were promoting dozens of events that take place at the same time – even in the same city or town.


Carl R. Blair

In this posting I’m plugging the Greenville Open Studios tour – taking place Nov. 7 & 8, 2009, 10am-6pm Saturday and noon-6pm Sunday. The event is organized by the Metropolitan Arts Council in Greenville. This is the biggest or at least one of the biggest studio tours in the Carolinas. And, Alan M. Ethridge, executive director of MAC, would just love it if I would plug the events two major sponsors – Wachovia and SEW Eurodrive, so I guess I will.

Wachovia Bank, N.A. and SEW Eurodrive are proud to be the presenting sponsors of the eighth annual Greenville Open Studios and congratulate the 124 participating artists.

Hopefully some of you got a copy of the tour booklet I helped distribute during the delivery of our Oct. issue of Carolina Arts. It’s a great resource about the studio tour and the Greenville area visual art community. With 124 participants, it doesn’t represent the entire visual art community but it does feature a lot of the area’s heavy hitters – at least a lot of folks I like. Alice Ballard, Carl R Blair, Jane Todd Butcher, Bob Chance, Lynn Greer, Diane Hopkins-Hughs, Glen Miller, Susan Sorrell, Barbara Stitt, Enid Williams, are just a few I’ll mention. Of course there are just as many that I like who are not on the tour, but out of 124 – anyone should find plenty to like.


Barbara Stitt

The booklet offers one image by the artists, contact info, including website addresses to see more work, a short description – even info on wheelchair accessibility. If also offers maps that can be very helpful in figuring out your driving route from studio to studio. The booklet also offers info about other programs by the Metropolitan Arts Council and an arts calendar of other events taking place in the area during the months of Nov. and Dec. It also gives a complete list of sponsors – of which there are many. So even if you don’t go to the tour – the booklet is a great resource to have.

I took these booklets to a lot of places we don’t go to every month distributing Carolina Arts.

Why don’t we distribute Carolina Arts to every inch of South Carolina, much less every inch of the greater Carolinas? Come on – we’re a business, not a non-profit charity. Besides, anyone with access to the Internet can see every page of Carolina Arts every month. If you have a library in your community – you can most like get access to the Internet. The address is (www.carolinaarts.com).

I guess there are some who would make a game out of the tour by trying to go to all 124 studios in the two-day time frame, but that’s no way to look at art. The tour is a great opportunity to see the environment in which these talented artists create, talk with them, see their latest creations, and – wait for it – buy art. That’s right – they’re going to let you buy art during the tour. So don’t let this opportunity go by.

Now, if you think this is something you might be interested in and you’re making plans to go – here’s a tip. Plan to go to Greenville on Friday, Nov. 6, 2009, so you can also enjoy the First Fridays event (6-9pm) – a gallery crawl of many of Greenville’s art galleries and some of the folks on the tour will be open that evening too – giving you a few extra hours to see more of the 124. The booklet tells you who is doing the First Friday and who is not.

Man, this booklet reminds me of another great resource of the visual art community in the Carolinas. It’s on the tip of my tongue.

Well, anyway I’ve made my plug – it won’t be the last and you may just run into me there – you never know. It seems to be a surprise for anyone who does see me at an event as they are always saying – “What are you doing here?” which I hope refers to the distance the event is away from homebase Bonneau, SC – because I do actually show up at a lot of events. Not as many as we report on – but a lot. It seems such a funny question to ask – considering what I do.

Home

Share this article