Posts Tagged ‘Charlotte NC’

The Deadline to Enter the 2010 Carolina’s Got Art! in Charlotte, NC, is August 15, 2010

Saturday, July 17th, 2010

It’s a month away, but I know some of you artists out there will have to hustle to make the deadline. Almost 500 artists from throughout the Carolinas entered last year. It’s an electronic entry process so you won’t have to haul your work to someplace just to find out if you made the cut. You won’t have do that until you know you’re in! But you have to enter first.

But, first – here’s a press release we received at Carolina Arts about last year’s event you need to read.

Unexpected things can sometimes change a life – just ask recent Winthrop University graduate, Jon Wald, who was awarded the top prize in the 2009 inaugural Carolina’s Got Art! competition.

When asked about winning the $2,500 Best-in-Show award and subsequently selling his artwork during the show, Wald said, “First, I paid off my debts, which is a huge relief in itself. Then, I bought new supplies. One item was an Arduino (an easy-to-use microprocessor). I used the prize money to justify leaving work early every day to teach myself how to program the chip. Ultimately, I think it has helped lead me toward an entirely new method for making art.”

Wald was one of seven other artists from North and South Carolina who walked away with a portion of over $9,000 in prizes awarded by Carolina’s Got Art! that premiered in October, 2009. The initial success of the exhibition has motivated Carolina’s Got Art! founder and owner of Elder Art Gallery, Larry Elder, to launch the second annual competition, slated to open October 1, 2010, with an awards presentation to this year’s winners. The exhibition will continue through October 30, 2010, at Atherton Mill in Charlotte, NC’s Historic SouthEnd District.

“We had no idea that Carolina’s Got Art! would generate such excitement for the local visual arts community,” says Elder. “We accepted over 1100 entries and our juror selected 135 original pieces to comprise the exhibition.” During the month of October, 2009, the exhibition attracted over 2000 visitors.

Columbia, SC-based Edens & Avant, owners of Atherton Mill, is once again demonstrating its commitment to the visual arts in the two Carolinas by offering their historic property for the host location. Artists are encouraged to visit (www.carolinasgotart.com) for complete details. Carolina’s Got Art! is accepting online entries for the 2010 exhibition until August 15, 2010.

This year’s juror will be Mario Naves, an artist, writer and teacher who lives and works in New York City. He is renowned for his torn and cut abstract collages, works of art that have been described by The New York Times as being “delicate and gorgeous” and by Art in America as “joyous, sophisticated, charming, and goofy”.

The Elizabeth Harris Gallery in Chelsea represents Naves’ art. His collages are included in private and corporate collections across the world. Naves has been the recipient of awards from The National Endowment for The Arts, The George Sugarman Foundation, the E.D. Foundation and The National Academy Museum. He was recently named a Distinguished Alumni by the College of Fine Arts at the University of Utah.

A critic as well as practicing artist, Naves has written on the visual arts for over twenty years. He has contributed to The Wall Street Journal, The New Criterion, Smithsonian, New Art Examiner, Slate and, from 1999-2009, The New York Observer, where his sometimes prickly opinions earned him the reputation of being a “maverick dissenter”. He is currently a gallery critic for City Arts, a bi-weekly journal devoted to culture in New York.

Naves has taught and lectured at The Cooper Union, The New York Studio School, Montclair State University, Rutgers University, The National Academy and The Ringling College of Art and Design. He currently teaches at Pratt Institute and Brooklyn College.

For further information contact Elder Art Gallery (www.elderart.com) by calling 704/370-6337 or visit (www.carolinasgotart.com) or (www.facebook.com/carolinasgotart).

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Hodges Taylor Gallery in Charlotte, NC, Partners with American Institute of Architects to Feature Works by Area Architects

Monday, May 31st, 2010

I’ve stated this a few times before in this blog – as deadlines go by, something interesting always comes in too late to do anything about. We received a press release about this exhibit – which will be included in our expanded online version of the June 2010 issue of Carolina Arts, and perhaps in our July printed paper, but I wanted to post it here ahead of time. Frankly the image sent with the press release did it for me.

Here’s the press release:

Hodges Taylor Gallery in Charlotte, NC, Features Works by Area Architects


Work by Murray Whisnant

The Hodges Taylor Gallery in Charlotte, NC, will present the exhibit, Art by Architects, co-sponsored by the American Institute of Architects, on view from June 4 through July 31, 2010.

The American Institute of Architects (AIA) and Hodges Taylor Gallery are co-sponsoring an exhibition of art by architects, providing an opportunity for Charlotte area architects to showcase their other creative talents – painting, printmaking, sculpture, and photography.

Thirty architects submitted a variety of works that reflected their artistic interests and activities beyond their architectural careers. The works were then curated by members and staff of AIA Charlotte and Hodges Taylor Gallery with the selected works comprising the exhibition.

In business since 1981, Hodges Taylor is uptown Charlotte’s oldest gallery, committed to supporting art and artists of the Southeast, including painters, printmakers, photographers and sculptors. The gallery offers a public venue uptown for viewing artwork and, having established itself as a knowledgeable and experienced resource for contemporary art, serves as art consultants for collectors and businesses.

The gallery is located at 401 North Tryon and is open Tue. – Sat., from 11am to 3pm or by appointment. For further information call Christie Taylor at 704/334-3799, e-mail to (ctaylor@hodgestaylor.com) or visit (www.hodgestaylor.com).

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Bechtler Museum of Modern Art in Charlotte, NC, Reaches Out to NASCAR Visitors

Monday, May 3rd, 2010

Here’s some more news about the ever-expanding Center City Charlotte project. It’s nice to see a museum of modern art reaching out to NASCAR fans. Not all art lovers are one dimensional. I love art – I also love NFL Football. Go Panthers! Hope that youth building project works out.

Here’s the press release we received at Carolina Arts:

The Bechtler Museum of Modern Art, located at the Levine Center for the Arts in Center City, Charlotte, NC, will host a BMW Art Car May 10 through May 21, 2010. The first Art Car in the BMW’s special collection, painted by Alexander Calder in 1975, will be on display inside the museum’s lobby to coincide with the opening of the NASCAR Hall of Fame on May 11, 2010. The Hall of Fame is just two blocks away from the Bechtler and opening day ticket holders will be offered a $2 discount off regular museum admission prices.

The Art Car will be displayed for a limited time before heading to France where it will join in the debut of the recently announced 17th BMW Art Car. The newest Art Car addition will be designed by prominent contemporary artist Jeff Koons. Accompanying the exhibit at the Bechtler will be rare, behind-the-scenes video footage of Calder signing his Art Car.

It’s fitting that the Bechtler Museum of Modern Art will be the temporary home to the Calder BMW Art Car. The Bechtler collection contains works by Calder, an American artist best known for his colorful mobile sculptures. Currently on display in the museum’s fourth floor gallery is a Calder watercolor, tapestry and artist book.

The Bechtler Museum of Modern Art opened in January 2010, as the only museum dedicated to the exhibition of mid-20th-century modern art in the southeastern United States. The museum is named after the family of Andreas Bechtler, a Charlotte resident and native of Switzerland who inherited and assembled a collection of more than 1,400 artworks created by major figures of 20th-century modernism. The Bechtler collection comprises art in various media by European and American artists, including seminal figures such as Giacometti, Miró, Ernst, Warhol, LeWitt, Hepworth and Picasso. The museum building was designed by renowned architect Mario Botta.

A 35-year tradition of turning cars into canvases was initiated by one man’s intertwined love of racing and art. In 1975, French race car driver Hervé Poulain commissioned American artist Alexander Calder (1898-1976) to paint the BMW 3.0 CSL Poulain was to drive in the Le Mans 24-hour endurance race. Inspired by the car’s impact on race fans, BMW championed the continuation of the project. The collection now includes 16 works from other renowned artists including Andy Warhol, Roy Lichtenstein and Robert Rauschenberg. Each car bears the art of a notable artist from its respective decade. BMW recently announced that Jeff Koons will create the 17th Art Car in the collection. For further info visit (www.bmwusanews.com/artsandculture).

American artist Alexander Calder (1898-1976) is one of the 20th century’s most celebrated artists. He is best known for his colorful mobiles and sculptures. Calder was the first in a line of renowned artists to help marry the world of art with the world of motorsports through the BMW Art Car collection. The BMW creation was one of Calder’s last works before he died. The Bechtler Museum of Modern Art has three works by Calder currently on view.

Opening May 11, 2010, in Charlotte, the 150,000-square-foot NASCAR Hall of Fame is an interactive, entertainment attraction honoring the history and heritage of NASCAR. The high-tech venue, designed to educate and entertain race fans and non-fans alike, includes artifacts, interactive exhibits, a 275-person state-of-the-art theater, Hall of Honor, Buffalo Wild Wings restaurant, NASCAR Hall of Fame gear shop and the NASCAR Media Group-operated broadcast studio. For further info visit (www.NASCARHall.com).

Visitors to the Bechtler can view the Calder BMW Art Car during normal museum hours with the purchase of an admission ticket. The museum will open specially on a Tuesday (the day it is normally closed) to celebrate the May 11 Hall of Fame kickoff.

Museum Hours: Weekdays and Saturdays 10 a.m. – 5 p.m. Closed Tuesdays. Open Sunday 12 p.m. – 5 p.m. (Open until 9 p.m. the first and third Fridays of the month).

Admission: $8 for adults, $6 seniors, students and educators, free for members and children 10 and under, $4 youth 11-18 years old.

For further information call the Museum at 704/353-9200 or visit (www.bechtler.org).

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Let’s Hope the Musical Chairs Name Game is Over in Charlotte, NC

Monday, April 26th, 2010

We’ve been reporting on the new complex of art facilities in Uptown Charlotte, NC, ever since we started this blog – almost two years ago. The complex which includes the new Harvey B. Gantt Center for African American Arts + Culture (formerly the Afro-American Cultural Center); the new Bechtler Museum of Modern Art; and the new Mint Museum Uptown (scheduled to open this October) was first called the Wachovia Cultural Campus. But then Wachovia was purchased by Wells Fargo, the name changed to the Wells Fargo Cultural Campus. From now on, the complex will be known as the Levine Center for the Arts – and for good reason.

In an article offered by the Charlotte Observer on April 21, 2010, we learned that a contribution of $15 million from the Leon Levine Foundation and a second $5 million contribution from Duke Energy, topped off an $83 million arts-endowment drive launched by the Arts & Science Council in November 2006.

Of course in the future – down the road – once the $85 million endowment isn’t producing enough money to keep the complex going – if someone wanted to contribute $200 million in our name, I’m sure they would change it to the Carolina Arts Unleashed Cultural Outlet Mall.

Like I’ve always said – money is the Mother’s milk of the arts and money talks.

You go girl – Charlotte! $85 million for an endowment for the arts. Who else can do that in the Carolinas? Who?

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New Duke Energy Tower Hijacks Charlotte, NC’s Night Skyline

Thursday, April 8th, 2010

During the last delivery of the April 2010 issue of Carolina Arts in Charlotte, NC, as I was cruising down Central Avenue – there was something new in the late night sky. The top of a tall building looked like it had a large white collar draped with a medal hung on a blue and red stripped ribbon. As I got closer to the Center City area I soon realized that it was the new Duke Energy tower across from the new Harvey B. Gantt Center for African-American Arts & Culture on S. Tryon Street – one of my delivery stops.

My first thought was that if I owned one of the other high-rise buildings in Charlotte I wouldn’t be so happy about this new arrival. I liked the way all the tall buildings twinkled in the night sky, but now, this new building’s top was stealing the show. Of course there was always the flashing neon display on one of the buildings, but you had to be in a certain area of the city to see it. But, there is no way you won’t see the top of the new Duke Energy tower.

I don’t know what the folks in Charlotte think of this new development, but it may start a night sky war – where every owner of a tall building tries to come up with something new to steal the show. And, before you know it Charlotte’s night sky looks like Las Vegas, and I don’t think anyone would be for that. And, I think the general public should have a say as to how the night sky is used in their community.

My vote would be for Duke to turn the lights out, but then I don’t get my energy from Duke Energy – so they can’t turn my lights out for saying I don’t like it.

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Come See Dale Chihuly Chandelier Disassembled at Mint Museum of Craft + Design – April 6, 2010

Monday, April 5th, 2010

We received this press release at Carolina Arts while I was out delivering papers. I’m sorry for the late notice.

On April 6, 2010, workers from Seattle-based Chihuly Studios will disassemble Dale Chihuly’s renowned Royal Blue Mint Chandelier, which hangs in the lobby of the Mint Museum of Craft + Design in downtown Charlotte, NC. Weighing 2,200 pounds, the Chihuly chandelier is made up of hundreds of delicate, asymmetrical glass pieces that fuse craft, art, ornament and design. Chihuly’s chandeliers have become icons of architecture throughout the world, and Royal Blue Mint Chandelier will be reinstalled in the entry gallery of the new Mint Museum Uptown, opening October 1, 2010, at the Wells Fargo Cultural Campus.

For more info on that move visit this link.

The Mint Museum of Craft + Design lobby will be open from 10am to 5pm, so that the public can observe Chihuly Studios at work. The museum’s galleries are currently closed to pack the collections for their move down Tryon Street to the Mint Museum Uptown. The Mint Museum Shop on Hearst Plaza remains open until June.

For further info visit (www.mintmuseum.org).

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Mint Museum in Charlotte, NC, Offers Special Hours to View Fiber Artist at Work

Friday, March 19th, 2010

We received this press release at Carolina Arts and it’s not often you get to watch a world-class artist at work, but here’s an opportunity. It’s just part of the built up to the exciting opening of the new Mint Museum Uptown, the third visual art component of the Wells Fargo Cultural Campus, joining the new Harvey B. Gantt Center for African American Arts + Culture (formerly the Afro-American Cultural Center) and the new Bechtler Museum of Modern Art. Both of these facilities are open now.

Here’s that press release:

The Mint Museum in Charlotte, NC, is offering special viewing hours this month to allow the public to observe the artistic process behind a commissioned work that will be installed in the new Mint Museum Uptown this fall. On Mar. 26-27 and Mar. 29-30, 2010 (from 2-6pm each day), the public is invited to observe Icelandic fiber artist Hildur Bjarnadóttir working in the lobby of the former Mint Museum of Craft + Design location (220 North Tryon Street), which will be transformed into a temporary studio during the artist’s visit.

During her visit to Charlotte, Bjarnadóttir will be creating a fiber art work for Project Ten Ten Ten, a series of commissions created especially for the new Mint Museum Uptown galleries by 10 of the world’s most innovative craft and design artists. Visitors to the craft museum will be able to observe Bjarnadóttir making natural dye from local plants and ask questions about the artistic process. The dye will be incorporated into the commissioned work, which will be unveiled at the new facility’s grand opening.

“Project Ten Ten Ten will catapult the Mint Museum of Craft + Design to the highest level of artistic excellence by commissioning 10 of the most important craft and design artists from around the world for site-specific work,” said Annie Carlano, Director of Craft + Design. When the doors open on Oct. 1, 2010, visitors will see spectacular works by glass artist/designer Danny Lane (United Kingdom), conceptual jewelry artist Ted Noten (The Netherlands), and furniture maker/designer Joseph Walsh (Ireland), in addition to the fiber work by Hildur Bjarnadóttir. Equally striking commissions by Kawana Tetsunori, Kate Malone, Tom Joyce, Cristina Córdova, Susan Point and Ayala Serfaty are also being planned for the new facility.

Bjarnadóttir learned crocheting, knitting and embroidery as a child from her mother, and came of age during the flowering of fiber art in Europe. In her native Iceland she saw museum exhibitions of contemporary textiles and assumed the medium was exalted in the art world. She later learned that this is not the predominant view, and creates work that is a reaction to the commonplace negative comparison of textiles to “fine art.” Whether affixed to a wall or placed upon a pedestal, her needlework creations tell stories of traditional women’s work with a cutting-edge, even macabre, twist.

Accommodations for Bjarnadóttir are being generously provided by Catalyst Condominiums (www.catalystcharlotte.com). Her fiber art commission is being funded by Mr. Wesley Mancini and the International Textile Market Association.

For further information check our NC Institutional Gallery listings, call the Mint Museum at 704-337-2009 or visit (www.mintmuseum.org).

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Some Update News on the Mint Museums in Charlotte, NC

Friday, January 22nd, 2010

We have received some updated info on what’s going to be happening this year with the Mint Museums – Mint Museum of Craft + Design and Mint Museum Randolph. We have been talking about the newly opened Harvey B. Gantt Center for African-American Arts + Culture and the Bechtler Museum of Modern Art – mentioning that the new Mint Museum Uptown will be coming later this year.

Pay close attention to the part about the Mint Museum of Craft + Design Shop staying open a few more months. That’s where you can pick up a copy of Carolina Arts in the heart of Uptown Charlotte – as well as some pretty nifty artworks, art objects and art books.

So here’s some news about the Mint Museums.

The Mint Museum of Craft + Design in Charlotte, NC, will close to the public on Feb. 7, 2010, to prepare to move its collections to the new Mint Museum Uptown. Opening in October 2010, the Mint Museum Uptown will house the Mint Museum of Craft + Design collections, as well as significant collections of American Art, Contemporary Art and a selection of European Art in a new five-story, 145,000-square-foot facility located in the heart of Charlotte’s business district.

The Mint Museum of Craft + Design Shop will remain open for several more months, with a firm closing date to be announced later this spring.

To celebrate the grand opening of the Mint Museum Uptown, the Mint Museum of Craft + Design has launched Project Ten Ten Ten, a series of commissions created especially for the new Mint Uptown galleries by 10 of the world’s most innovative craft and design artists. When the doors open in October, visitors will see spectacular works by glass artist/designer Danny Lane (United Kingdom), conceptual jewelry artist Ted Noten (The Netherlands), furniture maker/designer Joseph Walsh (Ireland) and fiber artist Hildur Bjarnadttir (Iceland). Equally striking commissions by Kawana Tetsunori, Kate Malone, Tom Joyce, Cristina Córdova, Susan Point and Ayala Serfaty are also being planned for the new facility.

The Mint Museum expansion includes the construction of a new building in uptown Charlotte and the reinstallation of the historic US Mint facility on Randolph Road in Charlotte. When the expansion is complete, The Mint Museum’s total combined square footage will grow by more than 60 percent, allowing opportunities to showcase more works from the permanent collection and better accommodate significant traveling exhibitions.


A postcard of the original Mint Museum – former US Mint facility.

You can see photos of the building progress of the new Mint facility at this link.

The Mint Museum Uptown will be part of the new Wells Fargo Cultural Campus. In addition to the Mint, the completed campus will include the Bechtler Museum of Modern Art, the Harvey B. Gantt Center for African-American Arts + Culture, the Knight Theater (housing the North Carolina Dance Theatre) and the Duke Energy Center. Following the grand opening of the Mint Museum Uptown, collections at the Mint Museum Randolph will be reinstalled with a fresh new vision. Galleries there will feature the Mint’s superb Ceramics, Art of the Ancient Americas, and Historic Costume and Fashionable Dress collections.

The Mint Museum Uptown is scheduled to open just one year prior to the Mint’s 75th anniversary. Designed by Machado and Silvetti Associates of Boston (design architect), Clark Patterson Lee Design Professionals of Charlotte (architect of record), and George Sexton Associates of Washington, D.C. (museum consultant), the new facility will combine inspiring architecture with groundbreaking exhibitions to provide unparalleled art experiences for its visitors. The Museum expansion will provide larger and more flexible space to showcase the permanent collections and Mint-organized special exhibitions, as well as major touring exhibitions organized by other venues. The new facility will also house a Family Gallery to reinforce the Museum’s dual priorities of art and education.

For more information, visit (www.mintmuseum.org).

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Bechtler Museum of Modern Art Unveils Charlotte, NC’s Newest Public Art Piece

Sunday, November 22nd, 2009

Over the next two years, Center City Charlotte will be transformed by the development of the Wells Fargo Cultural Campus (formerly the Wachovia Cultural Campus), which will include an expanded Mint Museum of Art, the new Harvey B. Gantt Center for African American Arts + Culture (formerly the Afro-American Cultural Center) and the new Bechtler Museum of Modern Art. What a boon this is for the visual arts in the Charlotte area and the Carolinas.

The new Harvey B. Gantt Center for African American Arts + Culture opened in Oct. 2009 and now we have another announcement about the Cultural Campus. Stay tuned to Carolina Arts Unleashed for all the latest updates on the Cultural Campus.

The new Bechtler Museum of Modern Art has unveiled The Firebird, a playful, monumental outdoor sculpture that will greet visitors on their way to the museum when it opens on Jan. 2, 2010.

The Firebird is Charlotte’s newest work of privately-owned public art and is a permanent fixture in the Bechtler Museum of Modern Art collection. Standing 17-feet 5-inches tall, the sculpture is a whimsical, bird-like creature covered from top to bottom in pieces of mirrored and colored glass. The Firebird was installed on the plaza of the Bechtler Museum of Modern Art facing South Tryon Street and overlooking the new Wells Fargo Cultural Campus where the museum is located.

Created in 1991 by French-American artist Niki de Saint Phalle (1930-2002), the sculpture was purchased by museum patron Andreas Bechtler specifically for placement in front of the Bechtler Museum of Modern Art. Bechtler, a Charlotte resident and native of Switzerland, was looking for a sculpture to serve as a counterpoint to the geometric lines of the museum’s architecture, designed by renowned Swiss architect Mario Botta.

“When I saw The Firebird, I knew it was outstanding. I knew it would be great for the museum,” Andreas Bechtler said. “The Firebird is joyful, uplifting and engaging. It makes you feel that life is good.”

The unveiling ceremony included remarks from Cyndee Patterson, Board Chair of the Bechtler Museum of Modern Art; Heinz Roth, Honorary Consul of Switzerland; Urs Ziswiler, Swiss Ambassador to the United States; Andreas Bechtler and John Boyer, President and CEO of the Bechtler Museum of Modern Art. Also in attendance was Laura Gabriela Duke, the daughter of The Firebird artist Niki de Saint Phalle.

“The Bechtler is excited to celebrate the great legacy of Niki de Saint Phalle with the placement of The Firebird – a piece that we trust will serve as an exciting and welcoming gesture to Charlotte visitors and everyone who comes to the Wells Fargo Cultural Campus,” said museum President and CEO John Boyer.

The Bechtler Museum of Modern Art is named after the family of Andreas Bechtler. Bechtler assembled and inherited a collection of more than 1,400 artworks created by major figures of 20th-century modernism and committed it to the city of Charlotte.

The Bechtler collection comprises artworks by seminal figures such as Alberto Giacometti, Joan Miro, Max Ernst, Andy Warhol, Le Corbusier, Sol LeWitt, Edgar Degas, Nicolas de Stael, Barbara Hepworth and Picasso. Books, photographs and letters illustrating personal connections to the Bechtler family accompany some of the works in the collection. Only a handful of the artworks have been on public view in the United States.

The Bechtler Museum of Modern Art is located at 420 South Tryon Street in uptown Charlotte. The museum opens to the public on Jan. 2, 2010. For museum details visit (www.bechtler.org).

To read an entry we posted about the Bechtler Museum of Modern Art, just click this link.

To read an entry we posted about the Harvey B. Gantt Center for African American Arts + Culture, just click this link.

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Don’t Miss Brian Rutenberg’s Lecture & Book Signing at the Gibbes Museum of Art in Charleston, SC – Oct. 21, 2009

Friday, October 9th, 2009

It should be no secret to any follower of Carolina Arts that I’m a big fan of Brian Rutenberg – we have featured his work on our cover twice – in full color and I have tried to make sure people always know when he has an exhibit in the Carolinas. I’m also a big fan of abstract art and Rutenberg’s work sings to my soul.


Blue Point

A few months ago on one of my daily trips to the post office to get the mail a large package was there and I wasn’t expecting a thing that large in the mail. When I opened it – it was an amazing book of Rutenberg’s work – I was blown away by it, but the big news came a few days later when I attended a gathering of folks involved in the visual arts at the Gibbes Museum of Art in downtown Charleston. Someone from the Gibbes was handing out a little flyer of upcoming exhibits planned for the Gibbes – interesting news as they don’t seem to release much info about upcoming exhibits – at least to me. As I scanned down the list I saw that Rutenberg was having an exhibit there in Oct. 09. It was hard to concentrate on the meeting after that.


Fading #6

So why all the excitement for Rutenberg? Well, first I think he is very good and second, he is a SC native who has made it big and it’s my opinion that he will get even bigger as time goes by. I said in my editorial commentary in the Oct. 09 issue of Carolina Arts – he could be SC’s next Jasper Johns. The other thing I like about Rutenberg is that although he has made it big in bigger places – he still brings his work home to SC and the Carolinas.


Fading #2

So I hope – if you can – you’ll go hear the lecture, buy the book and later visit the exhibition. See if I have good taste.

Here’s a press release about the event:

The Gibbes Museum of Art in Charleston, SC, will offer an artist talk and book signing by Brian Rutenberg on Oct. 21, 2009, at 6pm. Abstract artist Brian Rutenberg will host a discussion about his upcoming solo exhibition Brian Rutenberg: Tidesong on view from Oct. 23, 2009 through Jan. 10, 2010. Rutenberg will talk about his process and inspiration and will welcome questions from the audience.

A book signing of Brian Rutenberg, the first ever major monograph on the artist’s paintings and drawings, will be held immediately following the lecture. The artist talk and book signing is free for museum members and $10 for non-members. Tickets can be purchased at the door or online at (www.gibbesmuseum.org/events).

The exhibition was organized by the Jerald Melberg Gallery in Charlotte, NC. Inspired by the landscape and waterways of his home state, Rutenberg’s work combines brilliant color with expressive brushwork to create visually stunning abstract paintings. Tidesong includes recent paintings on canvas and works on paper that explore the artist’s fascination with the landscape and quality of light along the South Carolina coast.


Fading #3

Reflecting on his work, Rutenberg has said, “My imagination was in large part formed by my childhood experience growing up in the Lowcountry of South Carolina from Myrtle Beach down to Charleston and to this day I still use that sense of light and that geography as kind of a springboard, as a starting point for the work even though the work does not end up being about the Lowcountry or anything down there. There’s a certain kind of light down there when you’re around a lot of water. It’s like a silvery, blue light that permeates everything. It can be melancholic. It can be joyful. It can be many, many different facets, and I try to get that feeling of light.”

A South Carolina native, Rutenberg received a BFA from the College of Charleston and an MFA from the School of Visual Arts in New York City. Since 1985, Rutenberg has been honored with over 100 gallery and museum exhibitions across the United States, including a retrospective in 2006 at the South Carolina State Museum in Columbia, SC. The artist lives in New York City with his wife and two children.

Established as the Carolina Art Association in 1858, the Gibbes Museum of Art opened its doors to the public in 1905. Located in Charleston’s historic district, the Gibbes houses a premier collection of over 10,000 works, principally American with a Charleston or Southern connection, and presents special exhibitions throughout the year. In addition, the museum offers an extensive complement of public programming and educational outreach initiatives that serve the community by stimulating creative expression and improving the region’s superb quality of life.

For further info call the Museum at 843/722-2706 or visit (www.gibbesmuseum.org).

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