Posts Tagged ‘Columbia SC’

Jamie Blackburn Lives in a Window at the Tapp’s Art Center Project in Columbia, SC

Saturday, January 22nd, 2011

I got a call the other day from Jamie Blackburn who is living in the window of the Tapp’s Art Center Project in Columbia, SC, at the corner of Main and Blanding. Central South Carolina Habitat for Humanity and their ReStore have collaborated with local artist, Jamie Blackburn, the City of Columbia, and the Tapp’s Art Center to present “Art4Habitat.” So from Jan. 6 through Feb. 4, the next First Thursday on Main, Blackburn will be working and living in his mixed, multi-media arts studio, in the Tapp’s building at 1644 Main Street.

During his stay in the window, Blackburn will also introduce “Processor” the Art Droid. “Processor” is the first of many “art characters” Blackburn will be performing. The Art Droid will do a painting under the black lights in a multi-media art show.

Working in a crazy mix of visual and media arts, drama and music, Blackburn will attract attention and raise awareness for Habitat for Humanity and The Tapp’s Art Center Project.

Blackburn hopes his “Art4Habitat” foundation will raise awareness and money. Proceeds from his art exhibition will benefit Habitat for Humanity and the Tapp’s Art Center Project.

The exhibit will run through Feb. 28, 2011.

You can download a youTube video of the Art Droid in action at this link (http://www.youtube.com/watch?v=oUURTn8EdvA).

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Big Art Events Taking Place in the Carolinas – Nov. 18 – 21, 2010

Monday, November 15th, 2010

Starting this Thursday evening with Columbia, SC’s 25th Annual Vista Lights celebration and ending with Seagrove, NC’s 3rd Annual Celebration of Seagrove Potters – this week offers some great visual art events – for both viewing and buying. Make your plans now.

Columbia, SC’s 25th Annual Vista Lights celebration, sponsored by the Vista Guild, will take place on Thursday, Nov. 18, 2010, from 5-10pm in Columbia’s Congaree Vista area along the Congaree River. Click on the name of the event to read an article from Carolina Arts newspaper).

Some of the highlights include:

Fabric artist Susan Lenz will be collecting socks for her art project called, Looking For a Mate, a community based art quilt. The public is invited to bring their “mate less” socks to River Runner, at 905 Gervais Street, as donations to the project. Lenz will be hand stitching these “found objects” onto recycled acrylic felt in order to create a unique art quilt. The felt was formerly packaging material for canoes and kayaks being shipped by distributors to retail shops like River Runner. If you bring a sock – children or adult; serious or comic – you may discover it in the final quilt, which will be unveiled at Artista Vista in Apr. 2011. Here’s a link to a blog entry I wrote about this project.


Poster image by Jeff Donovan

Vista Studios, one of the first art venues to locate in Columbia’s Vista area is celebrating its 20th anniversary this year with a special 20th Anniversary Show which will be on display from Nov. 16-30, 2010. The show will open on Nov. 18 in connection with this year’s Vista Lights celebration. At Vista Studios, more than 30 artists (current and past members) will be exhibiting paintings, drawings, mixed media, and sculpture in Gallery 80808. For further info call the gallery at 803/252-6143 or visit (www.vistastudios80808.com). Here’s a link to a blog entry I wrote about this exhibit.


Work by Bruce Nellsmith

Homeland, a collection of new paintings by Bruce Nellsmith, is another highlight of the Vista Lights celebration in the main gallery at City Art Gallery. This exhibition will be on view from Nov. 18 through Dec. 30, 2010. Various other types of art including textiles and jewelry will be featured at City Art Gallery during the celebration. For further info contact Wendyth Wells at 803/252-3613 or visit (www.cityartonline.com). Here’s a link to an article we presented in Carolina Arts. A collection of handmade jewelry by Cindy Saad will also be featured during the Vista Lights celebration.

And, no Vista event is complete without stopping by One Eared Cow Glass where Tommy Lockart, Mark Woodham, and their assistant, Ryan Crabtree will be doing the dance of glass blowing for everyone to see. They’ll have plenty of wonderful glass objects – just right for holiday gift giving and some pretty spectacular fine art objects for collectors. Here’s a link to a blog entry I’ve done in the past showing you just a peek at what you’ll be able to witness during Vista Lights.

To learn more about the Vista Guild, call 803/269-5946, e-mail to (staff@vistacolumbia.com) or visit (www.vistacolumbia.com).

The 3rd Annual Celebration of Seagrove Potters will open on Friday evening, Nov. 19, 2010, at 6pm with a Gala Preview Party at the historic Luck’s Cannery in Seagrove, NC. Meet the artists and enjoy the opening night festivities of this fabulous event as visitors have the first opportunity to browse and purchase from the thousands of pieces, sip a favorite beverage and enjoy hors d’oeuvres, while listening to the jazz band of Joe Robinson. In addition, attendees will have the opportunity to preview a select collection of unique collaborative pieces to be auctioned. This highly successful venture, teaming Seagrove artists, to produce highly collectable one-of-a-kind pieces was very popular in prior years. This artwork will be auctioned at 8pm on Friday evening.


Ben Owen III holds a pot created by himself and Will McCanless

Tickets are limited and must be purchased in advance. They may be purchased on-line at (www.CelebrationOfSeagrovePotters.com). Gala ticket price includes admission to the event on Saturday and Sunday as well. Here’s a link to an article we offered in Carolina Arts newspaper.

Saturday, Nov. 20, 2010, the show is open from 9am to 6pm and from 10am to 4pm on Sunday, Nov. 21, 2010. For further information visit their website at (www.celebrationofseagrovepotters.com).


Jug made by Sid & Matt Luck

But here’s a link to a blog entry we posted at Carolina Arts Unleashed.

And, finally, this is the last weekend to see the South Carolina Watermedia Society’s 33rd Annual Exhibition, on view at the Center for the Arts in Rock Hill, SC, through Nov. 21, 2010. Here’s an article we offered at Carolina Arts newspaper (http://www.carolinaarts.com/1110centerforthearts.html) and a link to a blog entry we posted on this exhibit, with more images.


Work by Steve Garner

The gallery at the Center for the Arts is open Fridays, 9am-5pm; Saturdays, 10am-2pm; and Sundays, 2-4pm. For further info call 803/328-2787 or visit (www.rockhillarts.org).

There, that’s three good possibilities to fill your weekend.

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Vista Studios/Gallery 80808 in Columbia, SC, Celebrates Its 20th Anniversary During This Year’s Vista Lights – Nov. 18, 2010

Saturday, November 6th, 2010

We offered an article about this anniversary in our Nov. 2010 issue of Carolina Arts, but as usual, we didn’t have space to give the event its proper notice. Vista Studios has been a longtime supporter of Carolina Arts and we surely want to give them all the support we can in return.

Surviving 20 years in any venture is an accomplishment, and in the art world it’s a major feat, but Vista Studios is doing much more than surviving – it is thriving. This wasn’t always the case but Gallery 80808 probably now hosts and presents more exhibitions than any other facility in South Carolina – about 25 each year.


Image by Jeff Donovan

Besides providing studio spaces Gallery 80808 has featured exhibits by many other regional artists, art groups, and even International shows like CYBER FYBER in Jan. 2009, featuring fiber works by artists from around the world, organized by Susan Lenz, one of the current studio residents.


Fiber postcards from CYBER FYBER


some of the fiber postcards

To celebrate this milestone a 20th Anniversary Exhibition, featuring works by current residents and former residents will be on view from Nov. 16 – 29, 2010. A reception is planned for Nov. 18, 2010, from 5-10pm during the annual Vista Lights celebration.

We’re also offering some images from past shows from the last couple of years.

Here’s a little history offered on their blog found at (http://gallery80808.blogspot.com/)

It was a hot, early fall afternoon in the late 1980s when a group of artists, arts administrators and city leaders stood in an overgrown lot next to the Confederate Printing Plant on Gervais and Huger in downtown Columbia. They were there to walk through the more than one hundred-year-old building to look at the possibility of turning it into a much needed facility – artists’ studios. Structural problems with the building and funding issues prevented plans for that space from maturing and the project languished. It would be 1990, almost two years later, before Vista Studios, a joint venture of Columbia Development Corporation and the South Carolina Arts Commission, would finally open at 808 Lady Street.


Work by Nikolai Oskolkov

The history of Vista Studios is closely tied to the redevelopment of the old warehouse district of Columbia, the Congaree Vista, and its rebirth as an arts district that began more than twenty-five years ago. Much has changed in the twenty years since the opening of Vista Studios and Gallery 80808. The Columbia art scene in the late 1980s and early 90s was very different. The Columbia Museum of Art was still on Senate Street in a space that severely limited its ability to feature significant contemporary art and there was no 701 Center for Contemporary Art. City Art was still Dutch Door and doing business in St. Andrews. The only commercial galleries downtown that regularly exhibited contemporary art were Carol Saunders, Lewis & Clark and Havens.

Like most urban areas across the United States, Main Street and the downtown area had been in a decline for at least ten years as many shoppers and merchants moved to the suburbs. Using the arts as an anchor for revitalization was a growing practice, and one that the late mayor, Kirkman Finlay, advocated in pushing for the designation of the Vista as an arts district. One of the keys to the growth of a thriving art community is affordable studio space. A vital step in the redevelopment of waning downtown areas has been the creation of publicly backed, multipurpose studio/exhibition spaces for artists. One of the most well known of these spaces developed across the country during the 1970s and early 80s is the Torpedo Factory outside of Washington, DC.


Work by Patrick Parise

There were already a few artists working in renovated warehouse spaces in the Vista area – Clark Ellefson, Eleanor Byrne, and Rosie and Mike Craig – as well as arts organizations like the Columbia Music Festival Association. Despite this, visual artists were still virtually invisible in the city due to a lack of professional workspace, exhibition space and the visible presence of a concentrated, critical mass.

Several different options were discussed and later abandoned in addition to the Confederate Printing Plant before the warehouse behind Molten/Lamar Architects on Lady Street was selected for the studios. Several factors (and people) were key to moving the project forward at this point. Kirkman Finlay, who as mayor and later board chair of the Columbia Development Corporation (CDC), was a driving force behind the project. He had the vision to see the advantages of including the arts in his plans for the city’s revitalization. After going without a director for almost a year the CDC hired Robbie McClam to lead this initiative. He quickly identified the studios project as one that would provide focus for the Vista as an arts district, and worked closely with David Houston and Harriett Green of the South Carolina Arts Commission to bring the necessary constituencies together. Richard Molten and Dick Lamar of Molten/Lamar Architects, both with a strong interest in the arts community, were particularly appropriate as developers and future landlords for the space.


Work by Tyrone Geter

Almost twenty artists gathered with Molten and McClam for the walk-through of the raw warehouse space in the summer of 1989. Several months later, thirteen studios, a gallery and common area had been carved out of the area behind Molten/Lamar’s offices. The architectural firm took on most of the renovation costs – around $100,000 to install heat and air, plumbing, and dividing walls – with the CDC contributing $30,000. The state arts commission supported the project for several years with a renewable $10,000 grant. Eventually Vista Studios became self-sustaining with funding being covered by the rents for the studios and community rental of the gallery space. The CDC with its current director, Fred Delk, continues to support the art space. The Cultural Council of Richland & Lexington Counties has also provided funding for specific projects throughout the years.


Work by Todd Oelze

Fourteen artists/pioneers moved in initially: Heidi Darr-Hope, Robert Kennedy, Tom Brewer, Barbara Bydalek, Lyn Bell Rose, Mark Bourlakas, Mike Williams, Frances Perkins, Judy Nankin, Arline Murphy, Deborah Sherer, Yvonne Ruff, Margerie Ross and Anne Bjork. The artists were selected by a panel that included USC art history professor Brad Collins, artist Eleanor Byrne along with McClam and several others. A similar internal jurying process for new resident artists continues today. The artists’ first group exhibit in the 1990 spring Artista Vista event was the symbolic culmination of the project.

Since that first exhibit, Vista Studios has continued to play an important role in the ongoing development of the arts community in Columbia. A number of other cooperative artists’ spaces have since been created, scattered across the central part of the city from Rosewood and Five Points to the most recent one in the old Arcade Building on Main Street. A thriving, active visual art community has grown out of what was a relatively small public investment twenty years ago.

Out of the original 14 studio residents, Heidi Darr-Hope and Robert Kennedy are still there. Throughout the 20 years, 28 other artists have come and gone including: Bob Allison, James C. Bassett, Carol Barks, Tyler Ann Blanton, Dana Shenkar, Paul Bright, Pat Callahan, Brent Davenport, Charles Dillingham, Reuben Gambrell, Cindy Giddings, Peggy Gordon, Jeannette Grassi, Tonya Gregg, Susan Hogue, Bill Jackson, Christina James, Robin Jones, Deanna Leamon,, Rob Lowe, Brooks Meyers, John D. Monteith, Richard Morgan, Gene Speer, Chris Thee, Brent Wahl, Amey Warder, and Don Zurlo.

The current 13 residents include: Ethel Brody, Stephen Chesley, Heidi Darr-Hope, Jeff Donovan, Pat Gilmartin, Robert Kennedy, Susan Lenz, Sharon Licata, Laurie McIntosh, Michel McNinch, Kirkland Smith, Laura Spong, and David H. Yaghjian.

For further info about Vista Studios or Gallery 80808 visit (http://www.vistastudios80808.com).

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Midlands Clay Arts Society Will Present Its Annual Christmas Show at Vista Studios in Columbia, SC – Dec. 2 – 4, 2010

Tuesday, November 2nd, 2010

Finally, here’s a clay event taking place in South Carolina.

The Midlands Clay Arts Society will have its annual Christmas show and sale at Gallery 80808 at Vista Studios in Columbia, SC. The event will run from Dec. 2 – 4, 2010. This will be a great opportunity to meet the artists who create the pieces and acquire one-of-a-kind work from local crafts people. We will showcase functional pottery, raku, sculpture and jewelry made out of clay.


Work by Tuula Ihamaki-Widdifield

Admission is free. The show and sale will be open: Thursday, Dec. 2, 2010, from noon – 8pm; Friday, Dec. 3, 2010, from noon – 8pm; and Saturday, Dec. 4, 2010, from noon – 5pm.

The Society was organized in 1987 in order to encourage fellowship, education and creativity among the artists. Its members consist of local potters and clay artists who promote the appreciation of all things made in clay.


Work by Tim Graham

Vista Studios is located at 808 Lady Street in Columbia.

For further information contact Tuula Ihamaki-Widdifield by calling 803/699-8354; by e-mail at (finnpottery@yahoo.com) or on FaceBook at (http://www.facebook.com/pages/Columbia-SC/Midlands-Clay-Arts-Society/122442236142).

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South Carolina Volunteer Lawyers for the Arts Forms to Help SC’s Artists

Monday, October 25th, 2010

It’s good to see that the SC Arts Commission is finally getting around to providing SC’s artists a service that has been in NC for over 20 years. North Carolina Volunteer Lawyers for the Arts is a network of lawyers in North Carolina with experience in art law issues. Find info at this link.

Although I had to get the info from a third party involved – not the SC Arts Commission, I don’t mind saying this is a good thing.

Better late than never, but pretty late compared to our neighbors – who they always say they try to work in conjunction with.

Here’s the info:

The University of South Carolina School of Law in Columbia, SC, has partnered with area arts organizations to give them and the low-income artists they represent a new resource for legal assistance.

The South Carolina Volunteer Lawyers for the Arts will offer an online service that provides pro-bono assistance to the arts community.

This new resource is available at (www.SCvolunteerlawyersforthearts.org).

The SCVLA is a project of the school’s Pro Bono Program and Nonprofit Organizations Clinic, as well as the SC Arts Commission and the SC Bar Pro Bono Program. It refers those needing legal assistance to lawyers who have agreed to donate their time.

“This collaboration has been in the works for many years,” said Ken May, executive director at the SC Arts Commission. “We’re proud to see that it has come to fruition and is now providing the South Carolina arts community with this valuable service.”

“This is a wonderful opportunity for the law school to expand its relationship with the communities surrounding it,” said Walter F. Pratt Jr., dean of the School of Law. “Building on our nationally known Pro Bono Program, this new venture will allow even more students to learn the value of service to their community while, at the same time, acquiring skills that will make them better lawyers in the future.”

The service uses an online application system to gather facts from artists and arts organizations to match them with appropriate legal representation. SCVLA, cannot assign an attorney to a specific client, nor can it assist all clients. Some clients may be referred to an attorney outside the program.

Artists and arts organizations seeking legal advice or lawyers interested in volunteering their service can visit (www.SCvolunteerlawyersforthearts.org) to complete an online application.

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You Can Participate in Looking For a Mate: A Public Art Project by Susan Lenz

Wednesday, October 13th, 2010

Who of us doesn’t have a “mate less” sock or two in their dresser drawers? I know I’ve got several, but they’re kind of plain socks. I mostly wear white socks with my tennis shoes, but I might have some more interesting socks I haven’t worn in years that are shoved way in the back of another drawer. How about you?

Susan Lenz, a Columbia, SC, based fiber artists is working on a public art project entitled, “Looking For a Mate”, which will be a community based art quilt made up of “mate less” socks. She’s asking people to donate their “mate less” socks to her project.

Here’s the details:

“Looking For a Mate”, a community based art quilt*, will take place during the 25th annual fall Vista Lights art crawl on the evening of Thursday, Nov. 18 and the afternoon of Saturday, Nov. 20, 2010, in the Congaree Vista arts district of Columbia, SC.  The public is invited to bring their “mate less” socks to River Runner, 905 Gervais Street, as donations to the project.

Fiber artist Susan Lenz will be hand stitching these “found objects” onto recycled acrylic felt in order to create a unique art quilt. The felt was formerly packaging material for canoes and kayaks being shipped by distributors to retail shops like River Runner. This humorous project was developed as a fun way to inform the public about art quilts. Participation in the construction and stitching will be encouraged.

Lenz created a “prototype” art quilt that will be on view as a finished example. It includes lots of simple straight stitches, cross stitches, and blanket stitches in bright, colorful threads. She will complete the public assisted “Looking for a Mate” art quilt over the winter. This new art quilt will be on display during Artista Vista, April 28 – 30, 2011, and will become the property of the Congaree Vista Guild, sponsors of the project.

Lenz will also accept any donated “mate less” socks in her studio at Gallery 80808/Vista Studios, 808 Lady Street in Columbia. Both Susan Lenz and River Runner owner Guy Jones encourage others to use post consumer materials in artistic ways.

*art quilt…must be predominantly fabric or fabric-like material and must be composed of at least two full and distinct layers – a face layer and a backing layer. The face and backing layers must be held together by hand- or machine-made functional quilting stitches or other elements that pierce all layers and are distributed throughout the surface of the work.

For further details visit Lenz’s blog, Art in Stitches, at this link (http://www.artbysusanlenz.blogspot.com/).

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A Return to Congaree National Park – SC’s Only National Park

Tuesday, October 5th, 2010

Earlier this year, my son Andrew and I went to have a Spring adventure at Congaree National Park, SC’s only National Park, on the Congaree River about 15 miles south of Columbia, SC, just off Hwy. 48. I had been there before many, many years ago, and I wanted to show Andrew some of the big trees found in the park. He had been thinking about become a National Park Ranger.

As it turned out, most of the park’s boardwalk was under water and we couldn’t get to see the really big trees, although we did see some pretty big ones. We did this first trip in early February on a day when it was about 65 degrees. A few weeks later on Feb. 13, 2010, we received 8 inches of snow. It was a very strange, but wet winter.

You can read about that last trip at this link.

When I heard on the radio that the Columbia area hadn’t had any rain in over 50 days, I figured it might be a good time to return, hoping the pathways to the big trees would be high and dry.

This time instead of traveling back roads to get to the park we drove to I-26 and went to Columbia where we picked up I-77 and then got off at the Bluff Road exit onto Hwy. 48 to travel the 15 miles south to the park.

When we got to the park there were a lot more cars in the parking lot than there were last February and there were already a good number of folks on the elevated boardwalks. We headed to the low boardwalk where we could not get to when it was under water. For some reason we were headed toward the River Trail which would go across Cedar Creek to Wise Lake and then on to the bank of the Congaree River – a five mile hike there and five miles back.

The park was dry as a bone, which was unusual since about ten times a year floodwaters from the Congaree River cover nearly 80 percent of the park. Everywhere we walked you could see low areas that normally would have been wet. Cedar Creek was still flowing, but not by much. So water wasn’t going to prevent us from going anywhere this time.

You might say our timing was perfect since within the few days after our trip the rain has come down like there will be no tomorrow and I bet the park is filling up with water again.

I think we were suffering from what former Reserve Board Chairman, Alan Greenspan called “irrational exuberance” in our ability to knock out 10 miles as if it was just a morning stroll. But we were both in much better shape than we were in February due to exercise and a change in diet, but by the time we reached within a mile of the river we knew it might have been a foolish goal. The sun was high in the sky and the tree canopy was thinning out, but we were determined to reach the river.


Andrew checking out Wise Lake


Another view of Wise Lake

Along the way we ran into a couple of wild pigs who ran when they heard us coming. We also heard some grunts off the trail which gave us thoughts of wild boars with huge tusks, but we never saw any – all we saw were places where the pigs or hogs had been rooting around, but those areas were pretty dry, so I figured it was some time ago when they were doing that. I’m sure they were looking for wetter areas – closer to Wise Lake and Cedar Creek.


A scene along the trail

The trouble when to get to the end of a trail or a hike is that you usually have just as far to go back to where you started and at the edge of the river it seemed a long way back. The only highlight was that we were seeing some pretty interesting sights along the way. We had discovered some seeds along the trail that looked like brown lima beans and then later found the dried pod from which they came, but with the diversity of trees it was hard determining which tree they came from. So we had to get back to the Visitors Center to find out exactly what they were and what tree they came from. It was good to have a mission to complete to drive us back on our return march.


This is proof that we did reach the river

About half way back on that return march I was beginning to have thoughts about the Batan Death March during WWII. Not that I’m comparing this little march to that horrible event, but I felt like I was lifting one foot after another just in the hopes that someday I was going to get to someplace I could rest. But I was being forced to march on just to show my 23 year-old son I could. I’m enjoying the last of my 50′s as my wife Linda put it, but still dumb enough to want to show the kid the old man can still do stuff. Maybe when you get to be 60 you stop all that stuff?


One of the regular sized trees along the River Trail

In fact, the vision I was having was of one of the benches placed along the main boardwalk. There was really no good place to sit along the trail after you left the main boardwalk, and somehow along the way I had picked up a small stone in one of my boots. How that happens I never know, but it always seems to happen.

As we started to see signs that we were getting closer to the main boardwalk our death march changed back to a hike again. But we still had more ground and boardwalk to cover as we wanted to still see the big Loblolly Pine, which meant traveling another trail, something we should have done first, but…

On this trip we didn’t hear many birds, a few woodpeckers knocking in the distance, but overall it was pretty quiet. Other than the pigs, we didn’t see much wildlife and it wasn’t until we were back within 20 feet from the Visitor Center when we saw our first snake – down under the elevated boardwalk. And, we wouldn’t have seen it if some other hikers hadn’t pointed it out to us. Go figure. Back on the trail toward the river the trail was getting overgrown and there was a lot of clutter on the trail – just where you would expect to see snakes or wild boars charging down the path. But I can tell you on the way back, I didn’t think of anything other than that next step and the one after that. I wasn’t doing much sight seeing anymore, I was in survival mode.

When we finally reached the main boardwalk and found that bench I was dreaming about and after I removed the boulder from my boot, we headed toward that big Loblolly Pine.

When we got there we found out that we were probably 50 yards away from it on our last trip, but the ground was covered by three feet of water, but it was one big tree – or so we thought. After we took a few photos we headed back to the Visitor Center.


Here I am next to this very big Loblolly Pine

Boy, walking into the air-conditioned Visitor Center was quite a climate change. The day had started out OK, but by mid-day it was 90 + degrees and the humidity was high.

We stumped the first two park attendants with our find on the trail, but we were in luck since a biologist had just finished doing a lecture and he identified what we had found as dried up fruit of the Paw Paw tree, which happens to be the largest edible fruit indigenous to our continent. I bet you didn’t know that. And, it turns out that Andrew had guessed which tree it was coming from by which trees were always near where we found the seeds on the trail.


What the Paw Paw fruit looks like normally

I later learned the answer to another question we developed while walking the trails while reading a handout I picked up at the Visitor Center as we were leaving about the purpose of the Bald Cypress knees – as to what function they serve and it turns out scientists don’t really know for sure. There are a lot of theories but no final answers. Mother Nature is a clever one.

Unfortunately while we were talking with these folks about the Paw Paw trees we also learned that the Loblolly Pine we saw was no longer the National Champion. It was replaced by a tree a mile and a half away down a different trail. Something to shoot for on the next trip.

The Congaree National Park’s National Champion is a Loblolly Pine, Pinus taeda, which has a circumference of 176 inches (that’s almost 15 ft.), a height of 167 feet, and a spread of 71 feet,

To search the list of the 2010 National Register of Big Trees check this link (http://www.americanforest.org/resources/bigtrees/).

But these are the National Champion trees in the Carolinas:
NC – European Buckthorn, Cinnamon Clethra, Devils-walkingstick, Rocky Mountain Douglas-fir, Clammy Locust, Paper-mulberry, Longleaf Pine, Table mountain Pine, Catawba Rhododendron, Rosebay Rhododendron (seems NC & SC are fighting over this one), and Red Spruce.
SC – Hercules-club, Sand Hickory, Florida Maple, Laurel Oak, Scarlet Oak, Loblolly Pine, Sand Pine, Possumhaw, Japanese Privet, Rosebay Rhododendron (I’m sure ours is bigger), Sweetgum, Florida Torreya, and Swamp Tupelo.

The Congaree National Park is open 24/7 and it’s free admission, no charge for parking and they have very nice rest rooms.

You can learn a lot more about the Park at (www.nps.gov/cong/). You can also become a member of the Friends of the Congaree Swamp by visiting (www.friendsofcongaree.org), and if you want to plan a trip there, you can call the Harry Hampton Visitor Center at 803/776-4396 to check on water levels or temporary closures and other visitor and safety info. They can also tell you what number the bug meter is set on.

There were very few bugs when we were there, probably due to the lack of rain, but we ran into plenty of spiders and spider webs on the trails off the main boardwalk.

The Congaree National Park is a good day trip opportunity. It took us four hours of travel there and back and we spent six hours in the park. We got gas and a late lunch in Columbia off I-77.

Check it out for yourself.

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Vista Studios in Columbia, SC, Features an Exhibit of Clay Sculptures

Thursday, August 26th, 2010

Just another posting about an exhibit proving this blog’s feet are firmly placed in clay or something like that. Of course we have plenty more like this at Carolina Arts Online.

Here it goes:

Vista Studios in Columbia, SC, will present the exhibit, Clay Works 2010, featuring clay sculptures by Sandra Carr, Rita Ruth Cockrell, and Richard Lund, on view in Gallery 80808 from Sept. 16 – 21, 2010.

The Carolinas have a long history and tradition of artists who work with clay. This exhibition features works by three contemporary artists who live and work in South Carolina.

Each of the artist use clay as a sculpting medium. Rather than make functional pieces, they use clay as a medium for personal expression. Each has a distinctive style. They create sculptures with conceptual meaning, taking the viewer past the decorative to a more emotional experience.

Sandra Carr has the following to say about her work, “Clay represents healing for me as an artist. It has been forgiving, stable and has the capacity to change when altered by outside influences. All characteristics I admire and strive for. Sculpting figurative pieces allows me to tell a story in my work or communicate a feeling. It speaks for me when I choose not to.”

Rita Ruth Cockrell offered this statement, “Born and raised in South Carolina, I love this place, every road side weed, every red clay road, leopard clay bank, shadow of white sand. After traumatic events with myself, my mother and authorities, I began working in any medium that came my way, always going toward the inside to go outside. Believing that if I can be good enough, some aspect of truth or beauty would help me understand that even if I can’t get there, the glimmering of the source comforts me”.

Richard Lund has this to say, “I moved to Columbia South Carolina two and a half years ago. Shortly after I arrived I joined the City of Columbia Arts Center studio which began my working with clay. I have been an artist many years creating paintings, photographs and sculptures but clay was a new exciting medium for me. Sculpting in clay offers me a seductive tactile experience that other mediums can not give. As I mold, move and pinch the clay with my hands it allows me to easily release my ever changing imagination and ideas realizing them in three dimensions.

For further information call the Studios at  803/252-6134 or visit (www.gallery80808vistastudios.com).

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SC Arts Commission Awards 221 Grants in 37 South Carolina Counties

Thursday, August 19th, 2010

Here we go – a look at where all the money is scheduled to go. I say scheduled, as many of these groups and individuals who have  been awarded a grant may never see the full amount of their grant. Why is that? I though the people of SC had saved the Arts Commission from cuts the governor planned. Yes, lawmakers passed the buck of responsibility to the Budget and Control Board which will later call for across the board budget cuts as projected revenue falls short – which everyone knew will happen, but it made the lawmakers look good in the eyes of the public – at least those crying about not getting their continued art welfare.

I’m all for government support of the arts, I just like them to spend my tax dollars wisely. That doesn’t always happen here in SC. The Kentucky Artisan Center (http://www.kentuckyartisancenter.ky.gov/) is a good example of taxpayer dollars spent wisely. Here’s a blog entry about that center.

Here’s the Arts Commission’s press release:

COLUMBIA, SC -  The South Carolina Arts Commission has awarded $1,278,726 to South Carolina communities, artists, arts organizations and schools for the 2011 fiscal year. Funding in the programs of Arts in Education, Folklife and Traditional Arts, General Operating Support and Subgranting will support 221 projects in 37 counties.

See the list of grant recipients by program (http://www.southcarolinaarts.com/awards/index.shtml).

“Our goal is to make the arts available to all South Carolinians, regardless of their location or circumstances,” said South Carolina Arts Commission Executive Director Ken May. “With support from these grants, schools, artists and arts organizations will administer more than 200 arts programs that benefit students and communities throughout the state. By providing funds for these grants, the SC General Assembly is investing in our state’s quality of life, the education of our young people and the vitality of our economy.”

Arts in Education grants help fund artist residencies, performances, curriculum planning and implementation and professional development for teaching. The Arts Commission awarded 65 AIE grants to schools, school districts and arts organizations for a total investment of $270,677.

Of this amount, $170,400 in ABC Advancement grants has been awarded to 31 schools and school districts that are participating in the Arts in Basic Curriculum Project, which works to ensure every child in South Carolina-from pre-school through college levels-access to a quality, comprehensive education in the arts. The ABC Project is cooperatively directed by the Arts Commission, the S.C. Department of Education and the College of Visual and Performing Arts at Winthrop University. This year’s AIE program is funded in part by the SC Arts Foundation.

Folklife and Traditional Arts grants support programs that promote a greater understanding and visibility of South Carolina’s many cultures through documentation and presentation of traditional art forms, their practitioners and their communities. The agency has awarded $11,750 in Folklife and Traditional Arts grants. Grants will fund two traditional arts projects, including a Native American documentation project in Lancaster and a traditional arts music camp in Pickens. Also funded is a Folklife and Traditional Arts Apprenticeship that will connect an apprentice with master artist to learn the traditional art form of basket making.

General Operating Support grants strengthen arts organizations that bring ongoing arts experiences and services to individuals, other organizations and communities throughout the state. A total of $940,719 in General Operating Support has been awarded to 144 organizations, nine of which provide statewide services.

Subgranting funds are allocated to local arts councils to distribute quarterly grants to organizations and artists in their regions. This program is funded in part by an award from the John and Susan Bennett Memorial Arts Fund of The Coastal Community Foundation of South Carolina. The Arts Commission has provided $55,577 in Subgranting dollars to nine arts councils from throughout the state to serve artists and citizens in 12 counties.

The Arts Commission awards other grants throughout the year, including Quarterly Project Support, Arts in Education grants and Individual Artist Fellowship Awards.

The South Carolina Arts Commission is the state agency charged with creating a thriving arts environment that benefits all South Carolinians, regardless of their location or circumstances. Created by the South Carolina General Assembly in 1967, the Arts Commission is celebrating 40 years of increasing public participation in the arts by providing services, grants and leadership initiatives in three areas: arts education, community arts development and artist development. Headquartered in Columbia, SC, the Arts Commission is funded by the state of South Carolina and by the federal government through the National Endowment for the Arts.

For more information, visit (www.SouthCarolinaArts.com) or call 803/734-8696.

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McKissick Museum at USC in Columbia, SC, Presents Annual Gala with Art from 60 Artists For Sale – Aug. 20, 2010

Sunday, August 15th, 2010

This is pretty straight forward – artists helping local museum by donating a portion of sales made during a gala party.

Here’s the press release:

The University of South Carolina’s McKissick Museum in Columbia, SC, will hold its 16th annual gala, Summertime… and the art is good lookin’, from 7:30 – 10pm on Friday, Aug. 20, 2010.

Tickets to the gala are $60 per person and may be purchased at the Museum office.

The gala features works by more than 60 artists who are native South Carolinians or have strong ties to the state and provides an opportunity for the public to meet local artists.


Example of work by Susan Lenz

Participating artists include: Ann Baker, Eileen Blyth, Ethel Brody, Clay Burnette, Jackie Eadon Chalfant, Stephen Chesley, Sam Compton, Craig Crawford, Heidi Darr-Hope, Colin Dodd, Joshua Drews, Phillip C. Dunn, Toni Elkins, Claire Farrell, Tyrone Geter, Mary Bentz Gilkerson, Pat Gilmartin, Bonnie Goldberg, Paul Grant, Walt Hanclosky, Mana Hewitt, Steven Hewitt, Ann Hubbard, Judy Hubbard, Tuula Ihamaki-Widdifield, Liisa Salosaari Jasinski, Susan Klein, Alicia Leeke, Deborah Lengel, Susan Lenz, Peter Lenzo, Robert Lyon, Paul Matheny, Fred McElveen, Laurie McIntosh, Gina Moore, Stephen Nevitt, Marcello Novo, Peggy Nunn, One Eared Cow Glass (Tommy Lockart & Mark Woodham), Nikolai Oskolkov, Patrick Parise, Rachel Parker, Carol Pittman, Eric Plaag, Joan Podd, Anna Redwine, Lynn Bell Rose, Renee Rouillier, David Russell, Georgette Sanders, Virginia Scotchie, Edward Shmunes, Kirill Simin, Laura Spong, Tom Stanley, Michael Story, Betsy Thorne, David Walker, Richard Wells, Mike Williams, Ellen Emerson Yaghjian, and Don Zurlo.


Example of work by Clay Burnette

Works by all of the artists will be available for purchase during the gala, with a portion of the proceeds benefiting the museum.

Coordinated by McKissick’s Advisory Council, the gala is one of two annual fundraisers held by the museum to support acquisitions and public programs.

McKissick is the only Columbia museum offering free regular admission. Located on the university’s historic Horseshoe, the museum features two permanent exhibitions, a number of rotating temporary exhibits and provides educational and cultural programming. Many of McKissick’s offerings are available through grants and private funding.


Example of work by One Eared Cow Glass

McKissick is open to the public from 8:30am to 5pm, Monday through Friday and 11am to 3pm Saturdays. It is closed on Sundays and holidays.

For more information about this event or McKissick Museum, call 803/777-7251 or visit (www.cas.sc.edu/MCKS/).

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