Posts Tagged ‘NC Pottery Center’

NC Pottery Center in Seagrove, NC, Educates Area Teachers About NC Pottery History

Wednesday, July 27th, 2011

For three days in late June, 2011, a group of 25 local teachers took a break from their summer vacation to participate in a special workshop hosted by the North Carolina Pottery Center in Seagrove, North Carolina, and funded by an educational grant from the National Endowment for the Arts, and the Goodnight Educational Fund. The purpose of this special workshop was to introduce these teachers to the history of pottery making in North Carolina, from the earliest American Indian potters to contemporary potters of today, highlighting old traditions and new traditions. The teachers were selected by random, five from each of the surrounding counties of Chatham, Lee, Moore, Montgomery and Randolph. Each teacher received a packet of publications, posters, and educational materials to share with their students next fall.


Teachers get an orientation at the NCPC on the first day of the workshop from Dr. Linda Carnes-McNaughton

Day one of the workshop featured guest lectures by Dr. Charles Zug, noted folklorist and North Carolina pottery expert who provided a history of pottery making overview, Dr. Linda Carnes-McNaughton, archaeologist and ceramic scholar who taught them how to identify different ceramics and glazes, plus demonstrations by Caroleen Sanders, Catawba Indian potter who spoke about her heritage and training, and finally Chris Espenshade, an archaeologist who demonstrated hand-building techniques for the teacher’s hands-on experience.


Catawba potter, Caroleen Sanders gives teachers an overview of  her pottery tradition.


Teachers in the NCPC Education Building learning how to make coiled pottery from Chris Espenshade.

The second and third days involved field trips to various regional pottery shops to showcase different pottery styles, kilns, glazes, and vessels. The group visited Westmoore Pottery (Mary Farrell) to learn about North Carolina’s early redware industry and use of a chamber kiln. They then moved on to Jugtown Pottery to learn about groundhog kilns, salt-glazed stonewares and the “revitalization” of the craft which took place in the 1920s from generational potters, Vernon and Pam Owens. The afternoon was filled with a visit to Ben Owen Pottery to see new art forms and changes in this family’s wares over the past three generations, plus two functioning groundhog kilns. Last on the second day was a trip to the King’s Pottery to meet Terry, Anna and Crystal King, a family of local potters known for their whimsical face jugs and sculptural figurines of animals.


Mary Farrrell of Westmoore Pottery greets the teachers in front of her shop before showing them her decorative techniques.

The third day the teachers’ group traveled to Pittsboro, NC, to meet potter Mark Hewitt and learn more about the apprenticeship system of craft-transfer, along with his own version of traditional pottery, use of a catenary arch kiln and other decorative elements revised from North Carolina’s 19th century traditions. The group concluded the field trip day with a visit to Seagrove pottery family, the McCanlesses, where Millie (Dover Pottery), Eck (Eck McCanless Pottery) and Zeke demonstrated elaborate decorative techniques on porcelain-type ceramics.


Pittsboro, NC, potter, Mark Hewitt talks about his craft and appreciation of North Carolina pottery.

At the end of the workshop, the teachers received their diplomas and stood patiently for a final group photograph.  Overall comments from teachers were very rewarding and positive, “this is the best workshop I’ve attended in my 17 years of teaching”, “loved the literature and the presentations”, “learning firsthand history from NC potters”, “now I have more knowledge to spread with kids and families in the area”,  and “NCPC + Hospitality = Wonderful!”


Group of 25 Teachers from Chatham, Lee, Moore, Montgomery, and Randolph Counties who participated in the NCPC’s 3-day Teachers Workshop on Pottery making in North Carolina.

The workshop organizers, Dr. Linda Carnes-McNaughton, Mrs. Cindy Edwards, and Mrs. Ann Busick, along with the NCPC staff, hope to do another teachers workshop in the future, offering access to potters, history overview and hands-on demonstrations to teachers from throughout the state an opportunity to transmit this learning to their students….helping to preserve and promote the significance of pottery in North Carolina’s heritage.

Upcoming Fundraiser for the NC Pottery Center

The North Carolina Pottery Center, in Seagrove, partnering with Leland Little Auction & Estate Sales, Ltd (LLAES), is pleased to announce, the 12th annual Going, Going, Gone to Pots fundraising auction on Aug. 11, 2011. This auction, the Center’s main fund raising event of the year, will feature an outstanding selection of contemporary and vintage North Carolina pottery donated by top NC potters and collectors, as well as other exciting participatory and pottery related items. The lots are available for viewing now at (www.ncpotterycenter.com) and (www.llauctions.com).

NC Pottery Center’s Upcoming Exhibitions

The North Carolina Pottery Center will present two new exhibits including: Wild Fire: Alamance County Stoneware – Past and Present and Remember Me as You Pass By… North Carolina Ceramic Grave Markers, both on view from Aug. 19 through Oct. 29, 2011. A reception will be held on Aug. 19, from 5:30-7:30pm.

Exhibitions are made possible through the generosity of our membership, the Mary and Elliott Wood Foundation and the Goodnight Educational Foundation. This project was supported by the NC Arts Council, a division of the NC Department of Cultural Resources, with funding from the National Endowment for the Arts.

The mission of the North Carolina Pottery Center is to promote public awareness of and appreciation for the history, heritage, and ongoing tradition of pottery making in North Carolina. The Center is located at 233 East Avenue in Seagrove. Hours of operation are Tue. – Sat., 10am – 4pm.

For more information, please call 336/873-8430 or visit (www.ncpotterycenter.org)

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Close Call in Seagrove, NC, While Attending Celebration of Seagrove Potters’ 3rd Annual Spring Kiln Openings

Monday, April 18th, 2011

Being close only counts in a game of horseshoes. I was in Seagrove, NC, yesterday, April 16, 2011, for the 3rd Annual Celebration of Seagrove Potter’s Spring Kiln Openings, but besides a little rain, wind and thunder – at times, you wouldn’t have known that the deadliest storm system of the year was passing overhead and all around. A system that killed nearly 50 people and left millions of dollars in damage from Oklahoma to North Carolina – including an area just 10 miles from the headquarters of Carolina Arts in Bonneau, SC, where a tornado destroyed a church.

Such is life. It reminds me of a time when some high school friends and I decided to make a trip to Montreal, Canada for a weekend visit in 1969. When we got home we learned that the Woodstock Festival had taken place just 100 miles to the south in New York. Timing is everything, and I guess I had good timing yesterday as I traveled 200 miles to Seagrove and 200 miles back home and saw very little of what I would call nasty weather.

My day started at 4am. It almost felt like the old days when I delivered Carolina Arts. I had prepared food and drink, I had my pack of CD’s of the greatest music every made from the 1960′s and a full tank of gas. It’s a good thing the Honda is getting 42.5 mpg these days.

Linda, my better half, had been hoping to make this trip with me, but she still had a bad cold that had her confined to the house.

Within 45 minutes of leaving the homestead I was on I-95 heading towards Florence, SC, where I would pick up Hwy. 52 to head north to Rockingham, NC, where I would pick up Hwy. 220, the future I-74, I-73, which would take me right to Seagrove. I can’t wait for the day I don’t have to use the word “future” when I’m saying I-74 or I-73.

The first thing I noticed was that there was a steady stream of traffic on I-95 heading South. What was that all about? Then it hit me. It’s been awhile since our boy – who is now a man (with a job) was in school – this was the Disney World migration – Easter break for schools. I was glad I was heading North. For a few seconds I wondered if the forecast of the storm had turned for the worst overnight and folks were evacuating from NC.

And, where was that storm anyway? It had rained for a few moments when I was shaving, around 4:15am, but it didn’t even sprinkle again until I reached the NC border on US 1, between Cheraw, SC, and Rockingham, the worst part of my travels this day – a narrow single lane road. But 5 minutes out of Seagrove on Hwy. 220, it seemed that the skies had opened up, but again for less than a few minutes. So, a little rain for a few minutes every hour wasn’t too bad.

The trip to Seagrove took 3 1/2 hours including two stops along the way. And, I don’t ever speed.

My first stop, after a visit to one of the new Rest Areas outside of Seagrove on Hwy 220, was Bulldog Pottery. I was the first visitor of the day, just after 9am.


Works inside Bulldog Pottery

I was first greeted by Bruce Gholson at the shop and then we walked back down to the house where I was soon greeted by Samantha Henneke and of course Mighty Max, their bulldog. Max always looks smaller in pictures. In about a half hour he finally settled down.

I always enjoy my early morning visits to Bulldog Pottery, as it means conversations about marketing, social media, and what’s going on in Seagrove. The only disappointment on this day was that Ed and Gloria Henneke, Samantha’s parents were gone on a trip to Florida. They always add some good insights into any conversation. But, before long the electronic warning system was going off telling them someone was driving up to the shop. The day was beginning.

Bruce went up to the shop to deal with the visitors and Samantha and I talked a bit more about Facebook, blogging, and Twitter. She’s trying to sell me on Twitter and I’m being a hard sell. During the conversation a few more warning signals went off and before long there was a knock at the door and it was a couple who were collectors of Bulldog Pottery’s wares. They wanted to say hello to Samantha and let her know they had purchased one of her wall hangings – which apparently someone else had expressed an interest in.

This brought up a conversation about putting off the purchase of something you fall in love with at first sight and sometimes losing out when you finally decide you can’t live without it – but then have to learn to do just that as someone else decided it had to be their’s sooner than later.

About 30 minutes later at the shop, Samantha and I watched a visitor from the New England area do just that, but this guy was going to be in bigger trouble as I think it was his wife who really wanted to buy a piece and he wanted to wait and see what the day would bring. He’ll probably be hearing about that decision all the way back to New England.

That’s right, Seagrove has much more pull than regionally in NC, my 200 mile trip was nothing compared to how far some people travel to get their fix of Seagrove pottery. They draw people from all over the world. It’s not like having an art gallery in Charleston, SC, where you can see walk ins from around the world – people visiting Charleston. The city of Seagrove, with all it’s charms – is no Charleston. Most people you find there are there for the pottery. And, I think the folks who live in Seagrove like it that way.

Speaking of downtown Seagrove, my next stop was the newly opened Co-op of Seagrove Potters, at 128 East Main, at the corner of North Street. A group of ten or so of the local potters have joined together to open this new shop. You might call it a visitor’s center for their potteries.

The participating potteries include: Bulldog Pottery, Dover Pottery, Latham’s Pottery, Lufkin Pottery, Michelle Hastings & Jeff Brown Pottery, Nelda French Pottery, Old Gap Pottery, Ole Fish House Pottery, Seagrove Stoneware, and Tom Gray Pottery. Nelda French, who was maintaining the shop this day told me she was the only potter of the group who didn’t have another pottery shop – yet. All the others can be found throughout the Seagrove area – one was just a block away.

The Co-op will be open seven days a week so it will serve as a good ambassador to all the member potteries. There’s not a website yet, but you can reach them at 336/873-7713. The shop is centrally located in the heart of downtown Seagrove – you can’t miss them.

A few blocks away was the NC Pottery Center (www.ncpotterycenter.org), always a must stop when visiting Seagrove. They have a great display of works from all the potteries, along with maps to help you find the potteries. They always have an interesting exhibit of pottery from some area of NC or an interesting theme, they have a great display dealing with the history of pottery in NC, and they have rest rooms. The two dollar donation is well worth any of those factors and after you’re finished taking in all it has to offer you’ll feel like you would have paid much more to get in the door – guess what – they’ll accept any other amount of donation you feel like making. In these days of reduced public funding – they’ll need it.

The exhibit I wanted to see was Tea Time: Series I (Teapots and Tea cups), on view through Apr. 30, 2011, so you better hurry if you want to see it. This exhibit features functional teapots and tea cups, handmade by over 70 potters from across NC – some from the Seagrove area. And, what a show it is. Unfortunately, some of the works were presented under Plexiglas, but I got a few good photos of some of the works that were not covered.


Searching Heart Teapot by Richard Montgomery


Works by John Garland (L) and works by Marty Paul (R)

I was familiar with a good number of the potters represented, like Samantha Henneke and Bruce Gholson (Bulldog Pottery), Mark and Meredith Heywood (Whynot Pottery), Susan Filley (who was in Charleston, SC, for a while but is now in Durham, NC, at Claymakers Gallery), Ronan Kyle Peterson (Nine Toes Pottery in Chapel Hill, NC), and Michael Kline (in Bakersville, NC).


Works by Stanley Mace Anderson


Works by Molly Lithgo

Two potters I wish I could have gotten photos of their work were Betsy Vaden, who had a wonderful set called, Possum Tea Party, and a group of a teapot, cups with saucers by Jenny Lou Sherburn. But it’s impossible to get a decent photo through Plexiglas. I wish I could be showing them to you as no words I could say will do justice in describing them.

I know I would drink a lot more tea if I owned a teapot and cups like any of these creations, but then I’d also be afraid to use them on any regular basis. They all may be functional, but they were really fine works of art to me. But I might bring them out every once in a while to show off or if the Queen stopped by one day to discuss one of my commentaries.


Work by Susan Farrar Parrish

On the drive to Whynot pottery, beside thinking of cookies, I was wondering where this big storm was. It really wasn’t showing signs of any impending doom. I was passing potteries that had cars parked outside and was passing cars going here and there, but no rain, no big wind, no thunder. I wasn’t the only one who didn’t let a weather forecast spoil my plans.

As I drove into the parking area at Whynot I was greeted by Meredith Heywood – her cookie alarm must have gone off. I was soon escorted to their studio where they had set up this year’s Mud and Suds offerings, inside due to the forecasted storm. That’s also where the cookies were.


Tile by Laura Weant Johnson

Inside I found Laurie Abela from Abela Soaps, Laura Weant Johnson from Snow Hill Tileworks, Anne Raven Jorgensen from Raven Pottery and platters of cookies. Not just one kind of cookie, but about six to eight different kinds of cookies – all homemade. I can tell you this. I made a respectable tour of all the art offerings before one cookie touched my lips.


Handmade soap by Laurie Abela

You can read an earlier blog posting about Mud and Suds at this link. I took a few photos, but then what was that? It started raining and there was a few claps of thunder, was this finally the storm? But again, nothing lasted very long and  people were still driving up to take a look.


Some works by Anne Raven Jorgensen


A detail of a work by Anne Raven Jorgensen


I shot this one for Linda, but you can see my focus is on the pottery

At one point I went with Mark Heywood out to their shop when another group of folks drove up. While we were inside the shop a burst of wind came up, a little rain and then a few big claps of thunder (which shook the building) and we were wondering if this was it – the storm had arrived. But, in a few minutes, it was all gone. We talked a while about work he’s been doing with Wet Dog Glass, LLC, over at Starworks in Star, NC, just down the road. They make equipment for hot glass studios, but that’s another story.

It was getting late, so we headed back to the studio once the visitors cleared out and it seemed that the storm had also cleared out – for good this time. I got a few cookies for the road and said my good-byes. As I was getting in the car, a few more people drove up and I grabbed my camera for a parting shot – it looked great outside – there were even patches of blue sky coming through the gray. Little did we know – about this same time tornadoes were touching down just East of Seagrove, beginning their paths of destruction toward Raleigh, NC, and beyond.


Does this look like stormy weather?

Next I headed to Jugtown Pottery, I was hoping to run into Jennie Lorette Keatts at JLK Jewelry at Jugtown. As it turned out, she wasn’t there when I arrived. But I got to check out the goods at Jugtown and when some ladies finally surrendered the case of jewelry, I took my turn and made a few ladies wait on me. I’m sure they were wondering why I was taking it all in – for so long, but it’s always nice to see works up close that you have only seen in photos. Linda was really missing out.  Of course if she had come along, we might still be there.

Soon I was back on Hwy. 220 heading back South and the weather was improving, more sun, more blue skies. About 20 minutes into the drive Linda called telling me a tornado had hit Raleigh and was wondering if I was OK. No sign of storms or tornadoes on my radar. About an hour later she called again and said there was a report of a church being hit by a tornado in St. Stephen, SC, a town about 10 miles from Bonneau where we live on Hwy. 52. I said I guess I’ll see – as I had to drive past that area on the way home. Our power was also out at home.

By the time I got back to Florence – back to I-95, it was just another spring day in SC – clear blue skies on one side of the Interstate and a bank of clouds far off near the coast on the other side. When I got to St. Stephen I could tell they had a big downpour, as the streets we littered with leaves and pinecones, but as I made the big turn in the middle of town, I could see down the road a line of cars, and many vehicles with flashing lights. The closer I got, it looked as if every emergency vehicle in the county was there and half of St. Stephen was there looking at what used to be a building used as a church.

The building was demolished. The path of destruction was about as wide as a football field and not as long as one. It was as if a giant had put his foot down and smashed everything. Across the four lanes of the highway there was no damage at all. This was a very specific hit – very weird. Luckily, no one was killed.

All day Sunday we received e-mails and calls from friends who had seen the news stories on the major networks and The Weather Channel who wondered if we were OK. It was about ten miles away. Here I had driven 400 miles through an area that was in the watch and warning area – seeing nothing and ten miles from our home gets hit. It just goes to show that Mother Nature is unpredictable – she’s gonna do what she’s gonna do.

I was happy to see reports on Facebook and in a few pottery blogs that many more people showed up in Seagrove on Sunday. I guess you could say – they and I were lucky.

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News About the Seagrove, NC, Pottery Area

Wednesday, January 19th, 2011

From the NC Pottery Center

Dr. Everette James has once again donated an important collection of North Carolina pottery to the NC Pottery Center (http://www.ncpotterycenter.com/) in Seagrove, NC. Several years ago he gave several hundred pots that served as the core of a highly successful fund-raising auction held by Leland Little Auctions in Hillsborough, NC. This time he has given over 100 items for our permanent collection.

James’ newest gift includes a great variety of forms, including early lead glazes and signed utilitarian wares from J.D. Craven, J.F. Brower, George Donkel, and O. Henry Pottery. James of course is the author of North Carolina Art Pottery, 1900-1960 (Collector Books, 2003), and so it is not surprising that his gift features major 20th century artists such as A.R. Cole, J.B. Cole, Ben Owen, Joe Owen, M.L. Owen, and numerous others. Among the rarities are a Glenn Art Pottery vase with the original sticker, a buzzard vase by J.B. Cole, a pale blue dinner set from A. R. Cole, and an earthenware vase with cobalt flows from the Auman Pottery.

James’ donation is now nestled in the storage cupboards upstairs, but a future exhibition is being planned to show off this new acquisition. The NC Pottery Center ask all its supporters to thanks Dr, James whenever you see him. No one has been more generous to the Center.

Ben Owen Pottery Gallery Opens at The Ritz-Carlton, Charlotte

The Ritz-Carlton, Charlotte (NC) has opened its exclusive new Ben Owen Pottery Gallery, presenting custom pottery pieces from renowned Seagrove, NC, artist Ben Owen III (http://www.benowenpottery.com/). The new retail setting will be open to the public daily and has been created to feature the work of an acclaimed contemporary potter whose pieces already highlight the hotel’s extensive contemporary art collection.

The gallery will offer 75-100 one-of-a-kind pieces of Ben Owen III pottery, with prices beginning at $45. Works will range from pots, vases, jars, bowls and platters to major showpieces and spectacular larger works of art. All items are hand-created by Ben Owen, who also will make special appearances at The Ritz-Carlton, Charlotte for 2011 art weekends and art demonstrations.

The Ritz-Carlton, Charlotte is located at 201 East Trade Street, in Uptown Charlotte, NC. The Ben Owen Pottery Gallery will be open daily from 9am to 6pm.

Valentine’s Day Shopping on Busbee Road

Valentine’s Day is about celebrating those you love. What better gift than something handmade by an artist. The Seagrove Potters of Historic Busbee Road are planning a weekend shopping experience designed to fit your Valentine’s Day shopping needs,  on Friday, Feb. 11 and Saturday, Feb. 12, 2011.

Ten shops, including three museums, a jeweler, a blacksmith and a wide variety of other crafts, all in less than a three mile scenic drive, where pottery has been made continuously for over 100 years will offer their creative talents. There is something for everyone on your list in the shops starting on Busbee Road at Pottery Highway 705 and ending at Jugtown Road.

Participents in the event include: Ben Owen Pottery, Chris Luther Pottery, Westmoore Pottery, Hickory Hill Pottery, Mill Creek Forge, O’Quinn Pottery, Cady Clay Works, Original Owens Pottery, Moore Pots Pottery, Jugtown Pottery, and JLK Jewelry at Jugtown.

Visit  (www.potteryofbusbeeroad.com) for direct  links to the individual pottery websites. You can pick up the brochure for the Busbee Road section of the Seagrove pottery area at the NC Pottery Center, all NC Welcome Centers and at any of the shops along Busbee Road.

Just Another Day at the Pottery at From the Ground Up

Follow Michael Mahan and the crew at From the Ground Up pottery as they make 500 award pots for the 2011 Uwharrie Mountain Run on his blog found at (http://fromthegrounduppots.blogspot.com/). If you think potters slow down during the winter months – think again.

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NC Pottery Center in Seagrove, NC, Features New Exhibit of Works by NC Pottery Collectors

Friday, November 19th, 2010

The North Carolina Pottery Center in Seagrove, NC, will present the exhibition, Collector’s Eye, Series I: Seven Perspectives, on view from Nov. 23, 2010 through Feb. 12, 2011. An opening reception will be held on Saturday, Dec. 4, 2010, from 3:30-5:30pm and is being sponsored by The North Carolina Pottery Collectors’ Guild, based in Raleigh, NC. The Reception is free and open to the public.

This exhibit will explore North Carolina pottery through pieces selected by seven North Carolina collectors. The collectors in this series are Monty Busick, Steve Compton, Bragg Cox, Leon Danielson, Joe Foster, George Hoffman and Joe Wilkinson. This exhibit presents an interesting perspective on North Carolina pottery. This is the first of the Collector’s Eye series that will begin the visual journey around the state through the collector’s eyes.

Monty Busick, an educator for 37 years and currently a consultant for Wake County Schools, is the current president of the NC Pottery Collectors’ Guild. His collection is from the Seagrove and Pittsboro areas, focusing on Mark Hewitt’s apprentice’s work.

Leon Danielson, an Economics Educator at NC State in Raleigh, and wife Sue moved to NC in 1972. They collect NC art and utilitarian pottery generally with emphasis on Hilton Pottery from the Catawba Valley. Their collection of Tobacco Road Pottery is remarkable; they established this business with a partner in 1979 utilizing the turning skills of C.B. Craven and the artistic talents of Ernestine Hilton Sigmon.

Joe Wilkinson, an Antique and Fine Arts dealer from Spring Hope, worked summers in the early 1970’s with Dot and Walter Auman at Seagrove Pottery, developing a concentrated interest in pottery. Wilkinson collects Transition Period Pottery 1916-1930 and utilitarian pottery being transformed by Arts and Crafts influences.

Steve Compton was first introduced to North Carolina’s pottery traditions in the mid 1970’s while on assignment as a photographer for the Mebane Enterprise-Journal. Compton collects 18th to 19th century earthenware, utilitarian salt-glazed and alkaline-glazed stoneware, and early to mid-20th century art pottery. He is currently District Superintendent for the North Carolina Conference of The United Methodist Church.

Bragg Cox, a North Carolina native, has collected NC Pottery for twelve years; he collects early utilitarian, transitional, art and figurals from North Carolina and focuses on pieces with exceptional glazes, decoration and form. He also collects Southern decorative arts including folk art.

Joe Foster is a self taught potter, having begun as a pottery collector. He began working for Archie Teague around his shop in the 1990’s where he learned a great deal. When Archie died suddenly in 1998 Foster found himself with the increased responsibility for the day to day operations of the shop.

George Hoffman, originally from Delaware, OH, has been collecting pottery for twenty five years. He began collecting North Carolina pots when he was traveling down Hwy 220 from Ohio and stopped in Seagrove at Seagrove Pottery on his way to Seven Lakes. He collects early Jugtown, early Ben Owen III, Billy Ray Hussey, and candlesticks.

Exhibitions are made possible through the generosity of our membership, the Mary and Elliott Wood Foundation and the Goodnight Educational Foundation. This project was supported by the NC Arts Council, a division of the Department of Cultural Resources, with funding from the National Endowment for the Arts.

The mission of the North Carolina Pottery Center is to promote public awareness of and appreciation for the history, heritage, and ongoing tradition of pottery making in North Carolina.

The North Carolina Pottery Collectors’ Guild is organized for the purpose of fostering and supporting the folk pottery heritage of North Carolina and the interest of those with affinity for the rich traditions and wares of this industry. The Guild’s efforts advance this purpose in numerous ways including: collecting, organizing, and sharing information related to North Carolina potteries, potters, and their wares; identifying knowledgeable persons; documenting collections and research materials associated with North Carolina pottery; encouraging new North Carolina pottery collectors, and expanding the market for North Carolina pottery.

The Center is located at 233 East Avenue in Seagrove, NC. Hours of operation are Tue. – Sat., 10am – 4pm.

For more information call 336/873-8430 or visit (www.ncpotterycenter.org).

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NC Pottery Center Raffles Off Mark Hewitt Pot at 3rd Annual Celebration of Seagrove Potters in Seagrove, NC – This Weekend

Friday, November 19th, 2010

If you plan to visit the 3rd Annual Celebration of Seagrove Potter this weekend at the historic Luck’s Cannery in Seagrove, NC, you want to be sure to stop by the North Carolina Pottery Center booth for your chance to win this beautiful Mark Hewitt pot. Raffle tickets are only $5.00 each or 3 for $10.00.  We hope to see you there!

Raffle to benefit the North Carolina Pottery Center

Purchase your tickets at the NCPC booth located at the entrance to the potters exhibit hall.


Two Gallon Jar, Wood-fired salt glazed stoneware, with medallions and blue glass runs, 16″ H x 11″ D, retail Value: $250

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NC Pottery Center in Seagrove, NC, is Awarded $32,497 from the NC Arts Council

Thursday, August 19th, 2010

Here’s the press release we received at Carolina Arts:

Seagrove, NC – The NC Pottery Center (NCPC) in Randolph County has been awarded $32,497 from the NC Arts Council for State Arts Resources and the Traditional Arts Programs in Schools (TAPS).

The funds will be used to support several major exhibitions curated by guest artists during the grant cycle, and the Traditional Arts Programs in the local elementary school.

Linda Carnes-McNaughton, president of the NCPC board of directors said, “State funds allow Randolph County to provide quality arts programming for students and adults, while sustaining our local economy.  Last year, the NC Pottery Center provided programming for more than 11,500 citizens, including adults, youth, and children from all over North Carolina as many were day-travelers to the area. Visitors from all 50 states were represented, and visitors came from 27 foreign countries”.

A highlight of our programming is the Traditional Arts Programs in the local Seagrove Elementary School (TAPS), for fifth grade students. The two sessions taught by fifth generation potter Sid Luck of Luck’s Ware, are scheduled for fall 2010 and spring 2011. The ten-week pottery program is so popular with students, it requires registration and a random drawing for participation.

“The support of our grants program by the General Assembly during these economically challenging times demonstrates the role the arts play in our economy and our quality of life,” said Mary B. Regan, executive director of the NC Arts Council.  “Nonprofit arts organizations employ workers, stimulate commerce, generate tax revenues and help communities retain their vibrancy.”

More than 13.6 million people participated in NC Arts Council-funded projects last year in schools, senior centers, concert halls and community centers. Nearly 4.3 million of these were children and youth.

The NC Arts Council awards grant money each year to provide diverse arts experiences for citizens in all 100 counties of North Carolina. In fiscal year 2010-11, the Arts Council is expected to distribute $7,4 million in state and federal grant funds to arts organizations, schools and other nonprofit organizations that sponsor arts programs.

Exhibitions at the NC Pottery Center are made possible through the generosity of our membership, the Mary and Elliott Wood Foundation and the Goodnight Educational Foundation. These projects are supported by the NC Arts Council, a division of the Department of Cultural Resources, with funding from the National Endowment for the Arts.

The mission of the North Carolina Pottery Center is to promote public awareness of and appreciation for the history, heritage, and ongoing tradition of pottery making in North Carolina.

The current exhibit is, Pottery from the Coastal Carolina Clay Guild, on view through Nov. 13, 2010. The Coastal Carolina Clay Guild was founded in 2007 by a group of Wilmington, NC, potters with the purpose of sharing ideas and promoting the art and craft of pottery in our community. The Guild has grown to 100 members who reside in the eastern regions of North and South Carolina and are a diverse group consisting of full time, part time, and student potters.

The Center is located at 233 East Avenue in Seagrove, NC. Hours of operation are Tue. – Sat., 10am – 4pm.

For more information, please call 336/873-8430 or go to (www.ncpotterycenter.org).

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A Trip Through Kentucky Adds Another Item to the List that SC has Never Done

Monday, August 9th, 2010

In July, Linda and I made a mad dash to Michigan to spend some time with a few of my high school friends, some being cousins of mine and others – just good old friends from the class of ’69 at Buena Vista High School in Michigan. And, I mean old in the literal since – as Linda often reminds me that as of this May I have entered my last days as a 50 year old. It’s back to the 60′s or bring on the 60′s – I’m not sure which.

I also wanted to visit a state that was worse off than South Carolina and California was too far.

Thanks to the generosity of our friends we were put up in some of the best (unadvertised) bed, breakfast, lunch and dinner establishments in Michigan. Without their kindness we couldn’t have made the trip. So one evening we packed up the car and made the 19 hour trip – except for one unscheduled stop. Remember, I’m in my late – very late 50′s, so we made many scheduled stops along the way. After a while it seemed like we were stopping at every other rest stop.

My friends thought it was crazy for us to drive straight through, but I explained that I do a lot of driving. In fact, I noticed that when delivering our August issue of Carolina Arts on what I call the Up the Mountain trip to Hendersonville, NC, and many stops in-between to Columbia, SC, Tryon, NC, Spartanburg, SC, Greenville, SC, Seneca, SC, Clemson, SC, Laurens, SC, back to Columbia, SC, and back home – it took 19 hours. I did three more trips that week. So, yes I could be considered a travelin’ man, but most of the time I end up back here at home base.

Traveling at night is the norm for me and since Linda has problems with thinking I’ll drive our car over the edge off the mountains – night was good for that too.

So what was that one unscheduled stop?

Since 1974, when I traveled down I-75 to South Carolina from Michigan there were signs in Kentucky that pointed out that Berea, KY, was a stop offering folk arts. Throughout the years of going back and forth to make visits, I always wondered about those signs and what may be there to see. On this recent trip up to Michigan I noticed that a new sign was also directing people to stop in Berea – it was asking people to stop at the Kentucky Artisan Center. Now that caught my attention right away. If this was a state artisan center I wondered how it would compare to the SC Artisan Center in Walterboro, SC, the Folk Art Center in Asheville, NC, or the NC Pottery Center, in Seagrove, NC.

Making comparisons is what we do. We’re always referencing things by how they compare to other things like it or other experiences. Over the years this has been a source of frustration since my early years in observing the art community in SC. Asking some people why things were done the way they are I often heard the phrase – “We do it this way because this is the way our neighboring states do things – it makes what we do relevant and consistent.” So, when I started coverage of the visual arts in NC in 1997, I started to notice that SC wasn’t doing things exactly the way our neighbors were doing things. Over the years I’ve learned more and more about those differences.

So I was curious about this Artisan Center, but when the signs also said it was a travel information center and the fact that it was about the time they may be open, I headed there. Travel centers have to open early for travelers who get early starts or for folks like me who like to travel overnight.

As I turned off the interstate at the designated exit, the first thing I saw was a large complex of buildings that looked pretty interesting and there was a sign in the sky – like the golden arches which said – Kentucky Artisan Center. Interesting! Could this be the place? Driving into the complex I could tell this was going to be an experience. And, from the moment of driving up to the complex’s parking area, which was expansive – I was not disappointed that we pulled off the highway and in fact, was impressed at every step.

This was the ultimate travel rest stop. Information, rest rooms, a restaurant, and wall to wall visual stimulation in the form of some of the best art I’ve seen collected in one place, in one of the best facilities to show off art I’ve seen in a long time. My overall impression was that someone of vision in Kentucky was able to sell that state on building an art facility that would be so impressive that anyone who stopped there would walk away with the impression that artists in Kentucky are creating excellent art and that they are supported to the max by their state. And, I got it. The center offers works by over 700 artists from throughout the state. Artists have the opportunity to jury in three times a year, and everything is for sale. And, everything is everything, including fine arts, crafts, music, literature, clothing, and specialty foods.


Stone buildings with slate roofs and fully landscaped.

It was agonizingly torturous – what a time not to be rich. And since I wasn’t, it was just a window shopping event. Plus, we had decided some time ago that any new art we buy will come from North and South Carolina, so it made the experience of not being able to buy anything a little better, but not much. And, we didn’t have one extra dime for anything but our trip. All I can hope is that some of these artists may some day move to North or South Carolina, but with support like this from the State of Kentucky – why would they?


The welcome center part – we were the first or second visitors of this day.


The exhibit area presents rotating shows.

I hope the photos I took and offer here can just begin to show how wonderful this facility was, but it can’t. You’d have to walk through this massive complex to get that feeling. And, I walked away with the feeling that once again the art community, in at least South Carolina, has been shortchanged – by the SC Arts Commission? SC Legislature? Governor? All three? But, then I’ve known that for some time now.


This is the cafe area.

Here’s what I later learned on the Center’s website: The Kentucky Artisan Center at Berea, KY, is a state authority, administratively attached to the Tourism, Arts & Heritage Cabinet of the Commonwealth of Kentucky. (Another state like NC that has it’s arts agency tied to tourism – what a novel idea.) Established to celebrate Kentucky’s artisan heritage and to encourage Kentuckians and those traveling in Kentucky to enjoy artisan products and activities.

The funds for construction of the site were appropriated by the Kentucky legislature in 1998 and 2000. The development of the Center and oversight of its activity is provided by a 13-member board, the Kentucky Artisan Center at Berea Authority Board, and assisted by numerous partnerships among cabinets of state government, with city and county government, with colleges, with other organizations and agencies, and with individuals interested in the Center’s mission and goals.

The Kentucky Artisan Center at Berea is conveniently located at 975 Walnut Meadow Road, Berea, KY. They are situated alongside Interstate 75 at exit 77, just 40 miles south of Lexington, KY, and only 2.5 miles from downtown Berea, the “Folk Arts and Craft Capital of Kentucky.”

In this 25,000 sq. foot facility (no, that’s not a typo – it’s 25,000 sq. ft.) you can shop for Kentucky products; experience Kentucky hospitality; explore Kentucky crafts & history; enjoy Kentucky cuisine; learn about other must-see places; and enjoy full rest stop services, and an ATM. There is plenty of on-site parking, including pull through spaces for buses and RVs. WIFI service is also now available throughout the Center, and the first 15 minutes are free!

The Kentucky Artisan Center at Berea is open to the public seven days a week, from 8am-8pm, with its cafe serving from 8:30am-5:00pm. Please note that during hours the Center is closed, the public restrooms are also closed.

The Center is closed all day to observe these holidays: Thanksgiving Day, Christmas Day, and New Year’s Day. The Center also closes early on Christmas Eve.

Hours are subject to change; be sure to call or check this site (http://www.kentuckyartisancenter.ky.gov/) before finalizing your plans!

There is no admission charge for visiting this Center featuring all Kentucky-made products!

OK – back to me.

So, if the state of Kentucky can have such a center – why not in SC or NC?

It is really hard to make any comparison to the centers I mentioned earlier.

The SC Artisan Center in Walterboro, SC, is a retail outlet featuring works by some of SC’s artists, but that’s where any comparison ends. The SC Artisan Center could fit into the Kentucky Artisan’s front welcome center. Although it is located off I-95 in Walterboro, it is far from the highway and it’s my bet many people turn around before finding the Center.

The Folk Art Center in Asheville, NC, is part of the National Parks Service and the home of the Southern Highland Craft Guild, featuring works by artists from many southern states. It has an excellent retail shop, but tiny compared to the Kentucky facility.

The NC Pottery Center, in Seagrove, NC, is a first class showplace for pottery made by NC’s potters, but it is not a retail center. And although it is located not too far off what will someday be I-74, I-73 – it’s not just off I-75.

The Kentucky Artisan Center has it all and the art community of Berea, KY, too. Throw in Berea College and you have quite an artist colony.

Look, I’m not going to rub this in any longer, but officials from both NC and SC should make a trip to see what’s there. I don’t mean folks from the SC Arts Commission or the NC Arts Council  – I’m sure they already know what’s there and have sleepless nights about it. I’m talking about the movers and shakers in the Carolinas. Sure they can’t do anything now with the economy the way it is, but this is a look at what could be in the Carolinas.

I’ve always felt the perfect place for SC’s center would be the intersection of I-95 and I-26. There is nothing there now and it would be a great place for travelers to stop.

If you find yourself traveling on I-75 – north or south – stop in Berea, KY. You’ll be glad you did.

There will be more about our adventures in Michigan as time goes by.

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Upcoming Events in Seagrove, NC, for Those Who Plan Ahead

Sunday, July 4th, 2010

Believe it or not – there are a few folks who don’t know about Seagrove, NC – the center of North Carolina pottery. I mean – most around the world who know anything about clay – know about Seagrove, but some folks still don’t and a few others appreciate a heads up on events taking place there.

When I want to know what going on there I just check out a few of the blog links we have listed to the right including: Around and About with Bulldog Pottery; Whynot Pottery Blog; or Three Corners Clay. You can usually find info there or at any number of the blog links offered by these blogs.

Then I go to the website of the Seagrove Area Potters Association where they have an events section which is pretty informative.

And, of course you can always check us out – we usually have posted something about Seagrove – just click the Category – About Seagrove Pottery on the right side of the page.

So, what’s up or what’s coming up?

Well a good first stop in any visit to Seagrove is the NC Pottery Center. They are currently offering the exhibit, The Pottery of Buncombe County, A Historical and Contemporary Overview, on view through July 31, 2010.


Work by Kyle Carpenter

Plus, you can always find out what’s going on at the NC Pottery Center. They are an important resource for info about North Carolina pottery and pottery activities all over the region.


Works from Caldwell-Hohl Artworks

On July 17, 2010, there is the Caldwell-Hohl Artworks Garden Party. This is a fun day of music, pottery, garden art and light refreshments. the event is held at their studio in Seagrove from 10am – 5pm. Enjoy tours of the studio and log cabin. For more information call 336/879-9090 or e-mail to (caldellhohl@rtmc.net).

It seems like there is not much going on in July, but we learned during our coverage of the 2nd Annual Cousins in Clay event, that a lot more may be in the planning – we just don’t know about them yet and some folks seems to be shy about getting the word out. So, it’s always good to beat the bushes for last minute updates as to what’s going on.

Now, getting back to what we do know. The NC Pottery Center will be opening a new exhibit entitled, Pottery from the Coastal Carolina Clay Guild, on view from Aug. 13 through Nov. 13, 2010. So if you’ve visited the Pottery Center recently you’ll have a reason to return – as if you need one.

You can get a two for one by visiting Seagrove on Aug. 14, 2010, for the second Seagrove Potters for Peace event. This event was first inspired by Greg Mortenson’s book Three Cups of Tea and his Central Asia Institute (CAI) which builds schools in remote, impoverished areas of Pakistan and Afghanistan. Some of the potters of Seagrove wanted to help build schools too. This year’s event, Turning Stoneware into Schools, will be held on Saturday, Aug. 14, 2010 from 9am to 5pm.


Young girls from Pakistan

Twenty-four potteries, a jeweler and a soap-maker are part of the Seagrove Potters for Peace this year. (Please note this group could grow with time.) A variety of vessels, including mugs, tea bowls and tumblers will be for sale, as well as miniature vases, jewelry and handmade soap. Proceeds will be donated to CAI. Copies of Mortenson’s books will also be available at some potteries.

Each pottery will produce a unique item, specially signed for this event. The pottery will be for sale at the individual shops on Saturday. There will be no early sales, but any remaining items can be ordered by e-mail or telephone on Monday, Aug. 16, 2010 from participating potteries.

To learn more about Greg Mortenson, his books, or the Central Asia Institute  – click on this link.

Related Event: The Randolph Friends of the Library will hold a community discussion about Afghanistan and Mortenson’s work on Tuesday, Aug. 17, 2010, at 7pm, at the Randolph Arts Guild, 123 Sunset Ave in downtown Asheboro, NC (just 12 miles from Seagrove). The discussion will be led by Dr. Jeff Jones, associate professor of Russian and world history at UNC-Greensboro. All ages are welcome. Copies of Mortenson’s books and a variety of pottery vessels will be for sale. Change will be collected for “Pennies for Peace”. Refreshments will be served.


Sid Luck

The next event in August will take place at Luck’s Ware Pottery Shop on Aug. 28, 2010 – Luck Legacy 12th Annual Kiln Opening, featuring Sid Luck, his past and present apprentices, and a groundhog kiln opening. The event starts at 9am and continues until 3pm with the Kiln opening taking place at 10am. Join them for BBQ, cold drinks, and bluegrass music by Steel Magnolia. For further info call 336/879-3261 or e-mail to (lucksware@rtmc.net).


Image from 2008 kiln opening

I’m going to skip September for now, only because I don’t know of anything going on in Seagrove in that month, but I’d bet my paper that something – several events will be taking place during that month.

So, at this point I’m jumping to October, 2010, and to Southern Pines, NC – not far from Seagrove, to an event which is the brain-child of Meredith Heywood of Whynot Pottery in Seagrove. Clay and Blogs: Telling a Story is an exhibit which will be presented at The Campbell House Galleries, from Oct. 1 – 29, 2010. This is the home of the Moore County Arts Council in Southern Pines. (That’s right, you’re thinking golf.)


Work by Jennifer Mecca of York, SC

This exhibition will give viewers a glimpse into a unique community of 50 working potters (some from Seagrove) who are separated by distance, but brought together through the common language of clay and the written word in a digital world. These potters share their lives, skills, thoughts, triumphs and defeats through an on-line medium called a blog or web log.

So here’s a chance to see some international pottery. Oh, and did I mention Carolina Arts is a media sponsor of this exhibit? Well, we are.

For more information and a list of participating blogging potters visit
(http://whynotpotteryblog.blogspot.com) and click the link at the top of the page.

Make your plans now.

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North Carolina Pottery Center in Seagrove, NC, Announces 11th Annual Benefit Auction Results!

Wednesday, June 16th, 2010

I received this info at Carolina Arts about the fundraiser which took place at the NC Pottery Center in April. As you read this and start thinking – I should have been there, you can still be there by sending in a nice check to support the NC Pottery Center. They can even take your money online at this link.

Here’s the press release:

The North Carolina Pottery Center in partnership with Leland Little Auction and Estate Sales, Ltd. is pleased to announce that we have raised $24,800 at the 11th Annual Benefit Auction “Going, Going, Gone To Pots!” held Sunday afternoon, April 25, 2010, at the North Carolina Pottery Center in Seagrove, NC. The auction featured over one hundred fifty pieces of fine contemporary and historical North Carolina pottery.

The evening was made possible through the generosity of North Carolina potters and collectors, Signature Sponsors included: Community One Bank, First Bank, and Leland Little Auction and Estate Sales, Ltd., along with Gold Sponsors included: Progress Energy, Insurance Associates of the Triad, Total Communications, the Umstead Hotel and Spa, Sodexho, and Pugh Funeral Home.

Our Silver Sponsors included: Cabot Cheese, Seagrove Stoneware Inn, Eco Ornaments, Duck Smith House, Village Printing, Rock Ola Cafe, Klaussner Foundation, Kirk McNaughton and Linda Carnes-McNaughton, Energizer Battery, Asheboro, and the NC Zoological Society. Our volunteers were many and they made this a wonderful event. The Auction Committee comprised of the NCPC Board members, the NCPC staff and Bonnie Burns and Dick and Joanne Peterson put in many hours planning and fund raising.

During the Auction Preview hour Bluegrass music was featured by Matthew Nance and friends and attendees enjoyed a light buffet.

Exhibitions are made possible through the generosity of our membership, the North Carolina Arts Council, the National Endowment for the Arts, Institute of Museum and Library Services, the Mary and Elliott Wood Foundation, and the Goodnight Educational Foundation. Thank you!

Back to me.

If you’re going through that area or are interested in learning about NC pottery, visit the Center. They are currently presenting the exhibition, The Pottery of Buncombe County, A Historical and Contemporary Overview, featuring two separate, but related exhibitions, on view through July 31, 2010. You can read about the exhibits and see some images at this link.

The mission of the North Carolina Pottery Center is to promote public awareness of and appreciation for the history, heritage, and ongoing tradition of pottery making in North Carolina. The Center is located at 233 East Avenue in Seagrove, NC. Hours of operation are Tue – Sat 10 am – 4 pm.

For more information, please call 336/873-8430 or visit (www.ncpotterycenter.org).

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North Carolina Pottery Center in Seagrove, NC, Features Pottery of Buncombe County

Sunday, May 9th, 2010

I’m jumping the gun again on our June issue of Carolina Arts, but I wanted readers to know about this exhibit as soon as possible – especially since works by the contemporary artists being featured are for sale. The exhibit started May 7, but if you didn’t read about it until after our June issue hits the streets – you would be way behind other collectors. Now we can’t have that for our loyal readers.

BTW – the true meaning of the phrase “contemporary artists” in this case is artists who are still alive. The word “contemporary” doesn’t always mean – cutting edge, funky or even avant-garde. But many of the contemporary artists in this exhibit may be producing non-traditional pottery. Now, if I only had a description for non-traditional. Well, you could always go see for yourself.

Here’s the press release:

The North Carolina Pottery Center in Seagrove, NC, is presenting The Pottery of Buncombe County, A Historical and Contemporary Overview, featuring two separate, but related exhibitions, on view through July 31, 2010.

The Contemporary Pottery Overview of Buncombe County, curated by Brian McCarthy of Asheville, NC, a  longtime major supporter of the NC Pottery Center is featured in Galleries I and II.  Contemporary wares by thirty-nine potters from the Buncome County, Asheville area includes works by: Troy Amastar, Maria Andrate-Troya, Kristen Benyo-Schoonover, Eileen Black, Charlie Brown, Kyle Carpenter, Chiwa Clark, Josh Copus, Julie Covington, Lee Davis, Holly deSaillan, Steven Forbes-deSoule, Paul Frehe, Diana Gillispie, Hank Goodman, Michael Hoffman, Jennifer Hoolihan, Freeman Jones, Matthew Jones, Maggie Jones, Gabriel Kline, Eric Knoche, Tyrone Larson, Julie Larson, Cynthia Lee, Rodney Leftwich, Leah Leitson, Rob Mangum, Beth Moring, Karen Newgard, Les Powell, John Ransmeier, Emily Reason, Cassie Ryalls, Akira Satake, Joey Sheehan, Heather Tinnero, Kathy Triplett, and Fran Welch.


Work by Kyle Carpenter


Work by Steven Forbes deSoule

The works by these contemporary artists are available for sale during the exhibition.

The Historical Pottery Overview of Buncombe County, curated by Steve Lott of the Buncombe County area is showcased in Gallery III. This exhibit features historical Buncombe County forms from early masters like Oscar Bachelder, Davis Brown, Javan Brown, Thomas Case, David Donkel, George Donkel, Albert Fulbright, Jeter Lankford, Cash Penland, William Marion Penland, Joseph Sylvester Penland, Lee Smith Pottery, Walter B. Stephen, Edward Stone, John Henry Stone, Mr. & Mrs. Thomas Throckmorton, and Benjamin Trull.


Historical work from Pisgah Forest


Historical work from Pisgah Forest

These exhibitions are being sponsored by Harriett Herring.

Exhibitions at the North Carolina Pottery Center are also made possible through the generosity of our membership, the North Carolina Arts Council, the National Endowment for the Arts, the Mary and Elliott Wood Foundation and the Goodnight Educational Foundation.

The Center is located in Seagrove, in the heart of the state. Its mission is to interpret the history and on-going tradition of North Carolina pottery making. Beginning with American Indian pottery and followed by the work of European settlers, production has continued uninterrupted for centuries. Interpretive exhibits and programs are featured, and the Center provides information to visitors about the nearly 100 potteries located in the Seagrove area.

For further information check our NC Institutional Gallery listings, call the Center at 336/873-8430 or visit (www.ncpotterycenter.org).

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