Posts Tagged ‘North Charleston SC’

5th National Outdoor Sculpture Competition & Exhibition on View in North Charleston, SC

Saturday, June 26th, 2010

I went into North Charleston, SC, to turn our July 2010 issue of Carolina Arts into the printer, so I decided to go over to the North Charleston Riverfront Park at The Navy Yard at Noisette (former Charleston Naval Base), even though the temps were in the mid-90’s. It was a little overcast so I figured it would be a good day to photograph the 11 sculptures that were part of the 5th National Outdoor Sculpture Competition & Exhibition, on view through Mar. 2011. The exhibit and competition is organized and presented by the City of North Charleston Cultural Arts Department. The competition was juried by Stuart Horodner, Artistic Director of the Atlanta Contemporary Art Center. The exhibit features eleven sculptures by eleven artists from seven states.


Two Headed Ass (steel) by George Long


Mass Murder Machine (steel, iron, and aluminum) by Doug Barton


Prism Arc SC (painted steel) by Carl Billingsly

When I arrived at the parking area it was almost full, which was a surprise considering the heat, but it was lunchtime so maybe folks were enjoying their lunch in the park, but as it turned out all the cars were there for either the aftermath or preparations for filming of the Lifetime drama, Army Wives. They do filming all over the former naval base and shipyard.


Cube (corten steel) by Dana Gingras


Fools Buoy (steel and concrete) by Roger Halligan

It’s been a year since I was in this park and a lot has changed. The landscaping is further developed giving the park a not so new feeling – which is a good thing. There are some new additions – a covered picnic area and a children’s playground next to it. There were also some new additions to the memorial to the Charleston Naval Yard – which I think is finally finished. It also looks like a new restaurant is in the works, which will be good – especially if you can get drinks there.


La Fleur da Vie (steel) by Teresa Howachyn


Boat Nest, Elevation of Divergence (steel) by Corrina Mensoff


End of Time (recycled metal) by Jim Shultz

There was a nice breeze at the park and it wasn’t until I finished and returned to my car that I felt hot – really hot without the breeze.

I hope you enjoy the photos. It seems that this year’s primary color is – rusted brown.


Between Hope and Despair (steel and stone) by Philip Smith


Ball Joint (cast iron and bronze) by Kristy Summers


Inside the Vee (steel and recycled materials) by Bob Turan

The results of the competition are as follows: Division I – Best in Show went to Two Headed Ass (steel) by George Long of Roswell, GA; and 2nd Place went to Mass Murder Machine (steel, iron, and aluminum) by Doug Barton of Athens, GA. Honorable Mention awards were given to: Prism Arc SC (painted steel) by Carl Billingsly of Ayden, NC; Fools Buoy (steel and concrete) by Roger Halligan of Chattanooga, TN; and Ball Joint (cast iron and bronze) by Kristy Summers of Carbondale, IL. Other works in this division include: Cube (corten steel) by Dana Gingras of Moorseville, NC; Boat Nest, Elevation of Divergence (steel) by Corrina Mensoff of Atlanta, GA; Between Hope and Despair (steel and stone) by Philip Smith of Columbia, MD; La Fleur da Vie (steel) by Teresa Howachyn (TEKLA) of Black Mountain, NC; and Inside the Vee (steel and recycled materials) by Bob Turan of Earlton, NY. Division II – End of Time (recycled metal) by Jim Shultz of North Charleston, SC.

I’ve also included some wide views of the park and a few images of the shipyard memorial, which includes a lot of art also.

You can see last year’s entry about this exhibit at this link.

For further information contact the City of North Charleston Cultural Arts Department at 843/740-5854 or visit (www.northcharleston.org).

North Charleston Arts Festival Offers Many Visual Art Offerings and More in North Charleston, SC

Thursday, April 29th, 2010

This info is in our May issue of Carolina Arts, but we wanted readers to have a jump – as distribution of the paper does take time and some of these events are time sensitive.

The North Charleston Arts Festival in North Charleston, SC, starting on Apr. 30 and continuing through May 8, 2010, is organized and presented by the City of North Charleston Cultural Arts Department and numerous volunteers. The festival was launched as a one day community celebration at Park Circle in 1982 and has evolved with the addition of new facilities throughout the City. The festival moved to the North Charleston Coliseum in 1995 and expanded to two days. In 2000, the opening of the Charleston Area Convention Center, North Charleston Performing Arts Center, and other new venues, provided the springboard for the festival to expand to nine full days of performances and activities for residents and visitors throughout the City. In 2008, the Arts Festival was recognized by the Southeast Tourism Society as a Top 20 Event.

Today, the festival maintains the spirit of a community celebration with the mission of presenting a comprehensive, multidiscipline event schedule that provides an array of performing, visual, media, and literary arts events for people of all ages and backgrounds. The festival is accessible to all with numerous free and moderately priced events.

The Festival’s Main Event, takes place May 1 (10am-4pm) & 2 (2pm-5pm), 2010, at the North Charleston Performing Arts Center & Charleston Area Convention Center. Bring the whole family to enjoy over 40 stage performances on 4 separate stages and many of the following exhibits. Check out the details at this link. The event is free with free parking.

The North Charleston Arts Festival offers many visual art exhibits and installations including:

The annual North Charleston Arts Festival Fine Art and Photography Exhibits will take place at the Charleston Area Convention Center, located at 5001 Coliseum Drive in North Charleston, from May 1–2, 9am–6pm; May 3–7, 9am–5pm & May 8, 9am–noon. View entries in Fine Art and Professional & Amateur Photography.

The annual SC Palmetto Hands Fine Craft Competition & Exhibition takes place at the Charleston Area Convention Center, located at 5001 Coliseum Drive, from May 1-2, 9am-6pm; May 3-7, 9am-5pm & May 8, 2010, 9am-noon. The state’s only juried fine craft competition and exhibition includes works in clay, fiber, glass, metal, wood, and 3-D mixed media. The competition was juried by Brian Lang, Associate Curator of Decorative Arts at the Columbia Museum of Art.


Colors of the Wind by Muriel Lanciault

An exhibit of works by Muriel Lanciault will be on view at the North Charleston City Gallery, at the Charleston Area Convention Center, located at 5001 Coliseum Drive, from May 1-2, 9am-6pm and May 3-26, 2010, Mon.-Sat., 9am-5pm. Muriel Lanciault, winner of the 2010 North Charleston Arts Festival Design Competition, will display a variety of subjects in watercolors and oils, including the winning design, Colors of the Wind. Meet the artist at the gallery during the Main Event, May 1 & 2.

The 5th National Outdoor Sculpture Competition & Exhibition takes place at the North Charleston Riverfront Park, located at 1001 Everglades Avenue (on the former Charleston Naval Base) from May 2010 through March 2011. The public park is open daily. Selected pieces from this annual juried competition are installed throughout the picturesque grounds of Riverfront Park. The competition was juried by Stuart Horodner, Artistic Director of the Atlanta Contemporary Art Center.

The Art & Fine Craft Co-op Gallery & Sale will take place at The Meeting Place, located at 1077 East Montague Avenue through May 29, 2010, Fri.–Sat., 11am–7pm. This venue presents paintings, prints, sculpture, fine crafts, and jewelry by local artists – all available for sale.

The exhibit, Honoring Zora: Stitching Wise Words, Art Quotes and Art Quilts, will take place at 10 Storehouse Row (Noisette Blvd), at the Navy Yard at Noisette (former Chas, Naval Base) through June 13, 2010, Mon.–Fri., 8am–8pm and Sat., 10am–7pm. The quilts and fiber art works in this unique exhibition explore and depict themes and images of the Harlem Renaissance, garnering inspiration from quotes by Zora Neale Hurston, considered one of the pre-eminent writers of twentieth-century African-American literature. A short film about local African-American quilters will be presented during the exhibition. Co-presented with the City of Charleston Office of Cultural Affairs & the Piccolo Spoleto Festival.

Works by Robert Maniscalco will be on view on the 2nd floor of the North Charleston City Hall, located at 2500 City Hall Lane in North Charleston, through May 8, 2010, from 8am-8pm. The City’s 2010 Artist-In-Residence and nationally known portrait artist, Robert Maniscalco, will display classical portraiture in the tradition of Rembrandt, Velazquez, and Sargent.

An exhibit of collage works by Sriharsha and Siddhartha Sukla will be on view on the 2nd floor at the North Charleston City Hall, located at 2500 City Hall Lane through May 8, 2010, from 8am-8pm. Sriharsha and Siddhartha Sukla, are hearing impaired artists from Orissa, India. They will display intricate portraits and landscapes in paper collage.

The Festival will also be presenting a number of art installations including:

Family Tree, an indoor installation presented in the lobby at the North Charleston City Hall, 2500 City Hall Lane, through May 8, from 8am-8pm. Artist Julie Klapper, owner of Artistic Spirit Gallery, located at 10 Storehouse Row, at the Navy Yard at Noisette, explores the parallels of her feelings on family and nature in this installation of photographs and fabric wrapped tree branches.

Confluence: Mary Edna & Rocket, an indoor installation will be presented on the 3rd floor at the North Charleston City Hall, 2500 City Hall Lane, through May 17, 2010, 8am-8pm. Mary Edna Fraser’s large scale batiks on silk and Rebecca Rocket’s fabric and found-object jellyfish transform North Charleston City Hall. This installation features Fraser’s 21′ x 9′ adaptation of Buckminster Fuller’s 1930s Dymaxion Map, as well as aerial and underwater batiks. Fraser’s dreamy monotypes surround Rocket’s floating jellies. Viewed from above and below, the combination is a confluent dance of surface design.

Ant, an outdoor installation by Lauren Rackley will be presented on the grounds of the North Charleston & American Lafrance Fire Museum and Education Center, located at 2975 Centre Pointe Drive, in North Charleston, through May 8, 2010, on view daily. This interactive installation is a whimsical interpretation of an often overlooked creature. Created by College of Charleston sculpture student, Lauren Rackley.

An untitled outdoor installation by Hudson Hamrick will be presented inside the traffic circle at Wescott & Oak Forest Boulevards in North Charleston, through May 8, 2010, on view daily. The four metal figures in this piece represent the stages of life, from childhood to wizened old age, with the tallest figure reaching 10 feet high. Created by College of Charleston sculpture student, Hudson Hamrick.

The Luminous Forest, an outdoor installation by Corey Anna Moore will be presented at Palmetto Gardens Park, located on East Montague Avenue in North Charleston, through May 8, 2010, on view daily. Constructed of 7 foot tall pipe “stems” topped with acrylic orbs, this forest glows with solar lighting at dusk. Created by College of Charleston sculpture student, Corey Anna Moore.

What is a Garden?, is an outdoor installation by JR Kramer, located at the intersection of East Montague & Spruill Avenues, in North Charleston, on view daily through May 8, 2010. This plant-based installation will explore our perception of ‘Greenwashing’ in a culture where buzzwords trump reality. Created by landscape architect JR Kramer, with assistance from Southern Lumber & Mill Work Corp., Green Acres Landscaping, Todd Brazell Painting, Fieldstone Center, Fisher Recycling, Cottage Garden, and Stone Casting.

Check the Festival’s weekly schedule for related events offered in conjunction with these exhibits and installations.

For further information contact the North Charleston Cultural Arts Department at 843/745-1087 or at (www.northcharleston.org).

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Another Canvas of the People Event – This Time in North Charleston, SC – March 29, 2010

Thursday, April 1st, 2010

I was extremely disappointed that less than 30 people showed up for this Canvas process in the greater Charleston area. Most of the crowd was from the North Charleston area and north of there – including some folks from Dorchester and Berkeley Counties, but very few from Charleston – the great arts city of South Carolina. Such are the politics of the area. If art doesn’t happen in downtown Charleston – it’s not art – in some people’s minds.

But those who didn’t come missed a great opportunity to see the new North Charleston City Hall and I got a fast tour of the new offices of the North Charleston Cultural Arts Department – which were first class. I know some folks in Charleston can only dream of ever having facilities like this, but that’s another story.

And again, the folks who did show up to this Canvas of the People had a nice discussion of what’s good, what’s a challenge and what opportunities might be out there, but again I saw no plan for future solutions – as if talking about these things once is all people need to get them energized or inspired. Of course all that happens after the final report is made by the SC Arts Commission. Right!

It’s too bad someone from the Palmetto Project wasn’t there to give us all stickers to wear to show we participated – like when we vote in SC.

Of course, perhaps most people are participating by doing the online Canvas survey. Here’s the link.

I don’t think I have anything relevant to say about the meeting – most of it is a blur now anyway, but I did want to say something about the first 15 minutes of every one of the Canvas gatherings where Ken May, acting director of the SC Arts Commission talks about some questions the Arts Commission paid to be included in the South Carolina State Survey taken in 2009.

If anyone cares, you can download the final survey report at this link. I found it highly amusing, sad, contradictive, and detached from reality – at least the reality that we at Carolina Arts have been going through – and I think most artists, art businesses and arts organizations.

May starts off his speech about the survey with this good news: “Almost 67% of adult South Carolinians participated in the arts at least once during the last year.” That’s slightly down from 2007, but we all can understand that considering…

This is what participation in the arts was defined as in the survey. This statement was read to give people an idea of what participation could mean before they gave their answer:

“Participation in the arts may include a wide variety of activities including attending music concerts and live performances of dance or theatre; attending a performance or play at a child’s school; visiting museums and galleries; reading literature or attending a book club; singing in church choir or acting in community theatre; creating art yourself, such as painting, writing poetry, or playing a musical instrument; or serving as a volunteer or board member for an arts organization or arts events. During the last twelve months, approximately how many times have you participated in the arts in any way?”

Under this broad definition you could assume that going to the movies, listening to public radio, humming in the shower, doodling on a piece of paper while you’re on hold when calling your cable company or watching cheerleaders at a USC football game could be considered participating in the arts. And, with that broad definition – “Almost 67% of adult South Carolinians participated in the arts at least once during the last year.”

Oh happy day! The arts have a bright future in South Carolina.

“The average frequency of participation was 14 times during the year.”

Here’s the reality of being in the arts in South Carolina. The results of this survey show how many people in various category breakdowns had no participation in the arts – even under such a broad definition:

Total (2007) – 38.2%
Total (2009) – 33.2%

Sex
Male – 36.1%
Female – 30.6%

Age
18 – 29 – 35.9%
30 – 44 – 17.9%
45 – 64 – 33.2%
65 and over – 55.6%

Education
Less than High School – 59.7%
High School Diploma – 43.8%
Some College – 31.6%
College Degree – 16.5%

Income
Under $25,000 – 48.6%
$25,000 – $49,999 – 31.5%
$50,000 – $74,999 – 15.9%
$75,000 – and over – 16.9%

Type of Area
Urban – 30%
Suburban – 27.3%
Rural – 39.5%

Region
Upstate – 33.7%
Midlands – 36.2%
Lowcountry – 29%

These numbers are staggering to think that under such a broad definition – these folks had no participation in the arts – none! What sad lives they must live. Under this broad view I can imagine some days when I have 14 different contacts with the arts and surely every week I go way beyond that level. It also shows how ignorant people are as to how much the arts or artistic expression touches their lives – every day.

We in the arts are doing a poor job of pointing that out. Do you think kids would like to go back to the days of Pong or stay with the high level of art presented in today’s video games? I’d give more examples but I’m sure my readers are at my level or higher. I don’t need to preach to the choir.

For those in the visual arts, they might be interested in one part of the survey where respondents were asked if they had purchased original art in the last 12 months. No definition was offered as to what original art was – which was a surprise after the participation definition was offered.

If I had a nickel for everyone who claims to have an original Steve Jordan, Jim Harrison or Bob Timberlake hanging on their wall at home – I’d be a rich man. But, nonetheless we have to take these survey results for what they are worth (not much in my book). For all I know it could include framed images of dogs sitting around a table playing poker.

These are the results for those who responded “Yes” to having purchased original art in the last 12 months:

Totals (2007) – 15.1%
Totals (2009) – 13.3%

Say, all you artists and art gallery owners out there in South Carolina – do you believe that your sales are just down 2% from 2007? Of course this could be the Wal Mart factor – more people might be getting their original art there these days.

Sex
Male – 11.8%
Female – 14.8%

Race
Black – 10.4%
White – 14.3%

Age
18 – 29 – 10.6%
20 – 44 – 15.3%
45 – 64 – 15.6%
65 and over – 9.7%

Education
Less than High School – 3.1%
High School Diploma – 7.9%
Some College – 10.8%
College Degree – 24.2%

Income
Under $25,000 – 6.2%
$25,000 – $49,999 – 13.8%
$50,000 – $74,999 – 18.5%
$75,000 and over – 20.4%

Only 20% of people making over $75,000 are purchasing an original piece of art in a year. Folks, this is the group we have to work on. What are they spending their money on? Oh that’s right – these are the folks who are probably supporting the performing arts in South Carolina.

Type of Area
Urban – 14.1%
Suburban – 14.7%
Rural 12%

I guess this shows that people living in rural areas have figured out that they can drive to an art gallery or flea market in the urban areas to buy art.

Region
Upstate – 8.8%
Midlands – 14.8%
Lowcountry – 17.6%

And are we to believe that folks in the Lowcountry buy twice as much original art as folks in the Upstate? I guess this proves that availability is the answer here. The more art offered in an area – the more chances are that people will buy it.

OK – here’s the real kicker for me – showing how much people in South Carolina are interested in the arts or in taking a survey about the arts:

“The response rate for the landline component (people with a phone connected to a wire in their home) was 40.5% and for the cell phone component it was 27.5%. The overall response rate was 37.2%.”

The survey report does not state how many calls were made, it only states that 828 people completed or partially completed the survey, but the response rate was only 37.2%. I guess if you do the math to come up with a 37.2% rate – 2,200 calls would have to have been made to get that percentage. We don’t know if no one answered the phone during the survey period (one month) or refused to take the survey – making up the other 62.8% who did not participate in this survey. We don’t know if return calls were made. We don’t know a lot about surveys in general.

Some people just won’t take time out of their busy lives to do a survey. And, the cell calls could have been made to those folks who never have their cell phone anywhere but up to their ear. Who they are talking to constantly – I don’t have a clue.

So, 67% of those adults in SC who completed the survey (only 37.2%) participated in the arts – at least on the average of 14 times in a year. That’s a lot less than the first statement implies.

It’s sad – very sad – if true. And the speech about the survey was a wasted 15 minutes of the hour and 15 minutes allotted to each Canvas of the People gathering.

I can’t wait for the final report and to read the goals for the next ten years. Of course I’m being sarcastic. It’s a good thing no one is keeping score on how well we did over the last ten years, but my guess is – not very well. Like they say – those who ignore history are doomed to repeat their mistakes.

We need a better process for dealing with our challenges and opportunities, we need better leadership for this process, and we need to do something for the next year or two – or most of us won’t be here at all – much less the next ten years.

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Thinking of Judith McGrath Down in Western Australia

Tuesday, June 30th, 2009

Yesterday, after another sweltering trip to Charleston, SC, I returned home to check my e-mail. While sorting through the days’ list of junk, outlandish offers, jokes about our Governor (no name offered) and even a few directed for Carolina Arts – I found myself gazing at a few e-mails I leave on my incoming list as a reminder of things – things to do, people to get back with, e-mails that I shouldn’t forget about, and e-mails kept for legal reasons. That’s right, I have to occasionally deal with some people who are down right nuts, so I keep their e-mails.

Among those e-mails was the last one I received from Judith McGrath down in Kalamunda, Western Australia, near Perth. This one is saved as a good reminder and as I looked at it I wondered about what it would be like to be there right now. You see, while we’ve been going through 90+ temps for several weeks, thunder storms, and near 90 percent humidity, Australia is going through its winter season. I know – the grass is always greener…

McGrath was a contributor to Carolina Arts for almost ten years, until the economy hit the fan and we had to cut back on expenses (even small ones) and space in the paper, but I miss her words about the visual art community in her corner of the world and most of the time about the visual art community in general. Through her writing we learned that it is a small world and things are not that different – no matter where you are.

So, I sent her an e-mail and woke up this morning and found the following response about what has been going on with her. She’s been teaching an Art Appreciation class at the local Learning Centre in her area.

Here’s part of her e-mail:

Talk about great minds thinking alike! I was just on your site the other day and enjoyed reading your blog about the National Outdoor Sculpture Competition and Exhibition in North Charleston. Also appreciated viewing the excellent pictures and deciding which ones I’d like to have in my own garden – when I’m rich and famous! I particularly liked the gentle flow of Pattie Firestone’s Thoughts Running Like a River, the contemplative aspect of Corrina Sephora Mensoff’s, Where I have come from, what will I leave behind?, and James Burnes’ Rich Sis which had me thinking of a retired race horse, worn out but still majestic. However, all were excellent presentations.

We have two similar sculptural exhibitions Down Under, both presented on the white sands of the beach, albeit each with a different ocean as a backdrop. One is on Bondi Beach along the Pacific Ocean near Sydney on the Eastern side of the continent, the other is held on Cottesloe Beach by the Indian Ocean near Perth in Western Australia. I always enjoy attending the latter and seeing families lounging on the sand, under the sun and in the company of monumental works of art in all manner of material. It reminds me that art should always be for the general public, not just the literati.

You may have noticed that I’ve been slack about posting reviews on my own site. My only excuse is that I’m finding precious little to write about when meandering through commercial galleries and local public venues. What I have found is how the rhetorical “there’s nothing new in art” has become the reality of “seen it all before”? As such I fear for the future of the visual arts due to the lack of inspirational and/or practical artistic education.

In my capacity as an art reviewer I have no problem with giving polite “corrective” criticism to aspiring artists who are happy to take it on board as they may benefit from it. However, I am not in the habit of writing “negative” reviews because, as an ex-art history lecturer, I am aware that anything written, be it positive or negative, is archived and available to future generations. My logic runs along the lines that if I name a practitioner in an article, whether I condemn or praise their work, it is proof that at one time, he or she existed as an “artist” therefore according them a place in future art history. With that in mind, I have banned myself from writing “bad” reviews, as there is already sufficient “equine manure” in print validating the artistic underachiever.

The ban became a real hurdle for me when viewing the latest exhibition of works by newly graduated art students. While walking through the exhibition the thought that if this is the “best” the schools have to offer had me fighting an urge to sit down and cry. The craft work was excellent while only a few sculptors considered their 3D constructions from all points of view. But it was the painting that brought tears to my eyes as they lacked an understanding of color usage and underlying compositional structure. It was so depressing I was sorely tempted to break my long held “ban on the bad” as I felt something had to be said publicly. And I would have overcome the temptation and ignore the show until I spotted one exhibit that was very familiar. I had seen something very much like it twenty-odd years ago in a different gallery. I knew who the artist was then, and I knew he was now a lecturer in the art school being represented by this student. As I stood in front of the work, I asked the gallery manager if teachers were exhibiting too. He knew what I saw, smiled enigmatically and shook his head.

There’s a saying in the art world in my town that goes; “Them that can, do. Them that can’t, teach.” It’s no wonder there is nothing new for me to say about art in my town. I do hope in your town, each year brings new and exciting aspects in the wonderful world of the visual arts.

Cheers

I’m hoping as the economy recovers and we get through this long summer, I’ll be able to offer McGrath’s writings again in Carolina Arts. You can still find the articles McGrath sent us archived on our website here, dating back to 2000.

Judith McGrath lives in Kalamunda, Western Australia, 25 minutes east of Perth. She received a BA in Fine Art and History from the University of Western Australia. McGrath lectured in Art History and Visual Literacy at various colleges around the Perth area, and was an art reviewer for The Sunday Times and The Western Review both published in the Perth area. McGrath is currently a freelance writer, reviewer for various art magazines in Australia and teaching. She also co-ordinates the web site Art Seen in Western Australia.

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Photos of Outdoor Sculpture Exhibit in North Charleston, SC, – Hot Off the Press

Tuesday, June 23rd, 2009

As I mentioned before on June 20, 2009, the weathermen were calling for 100+ degree temps in the Charleston, SC, area so I headed out to take digital images of this year’s crop of sculptures at the Riverfront Park, located at The Navy Yard at Noisette (former Charleston Naval Base) in North Charleston, on the Cooper River. The 4th Annual National Outdoor Sculpture Competition and Exhibition will be on view through Mar. 25 – 2010, but no better time than the present to check it out. Really?

I guess by the way some of us talk every year we tend to forget that it gets hot here in South Carolina during the summer and projections of 100+ degrees the day before summer starts is no big deal – life goes on – you just wear less clothes. Besides I was at least smart enough to go in the morning when the temp was just 85 degrees.

Here’s a commercial announcement from the City of North Charleston: Organized and presented by the City of North Charleston Cultural Arts Department, this unique exhibition offers established and emerging artists the opportunity to display their thought provoking, extraordinary sculptures throughout the stunning, picturesque Riverfront Park. Set on the banks of the gorgeous Cooper River, visitors enjoy ten acres of walking paths, a fishing pier, an oversized sandbox and children’s play fountain and the new Naval Base Memorial. A magnificent contemporary Performance Pavilion and expansive lawn provide a wonderful outdoor setting for small and large-scale events. Future park additions include a pedestrian bridge across Noisette Creek to the Hunley Submarine Museum. The historic site is centered in the Noisette District, the largest urban redevelopment project ever undertaken in the United States.

The 2009 National Outdoor Sculpture Competition and Exhibition juror was David Furchgott, President and Founder of International Arts and Artists, a non-profit organization dedicated to increasing cross-cultural understanding and exposure to the arts internationally through exhibitions, programs and services to artists, arts institutions, and the public. For over 16 years, he was the Executive Director of the International Sculpture Center, which he developed to become the largest organization for sculpture with 15,000 members in over 70 countries. It was there that he began and published Sculpture magazine. Previously, he was with the South Carolina Arts Commission, the Gibbes Museum of Art and a consultant to the Spoleto Festival USA.

So here are the sculptures in this year’s exhibition:


Big Water Bottle Basket, steel, enamel by Jonathan Brilliant of Charleston, SC


Rich Sis, steel, wood by James Burnes of Santa Fe, NM


Boxes in a Box, aluminum by Samuel Burns of Chattanooga, TN


Orion’s Pyramid, steel by Stephen Chilingirian or Zirconia, NC


Cathedral Arch, steel by Bob Doster of Lancaster, SC


Thoughts Running Like a River, aluminum by Pattie Firestone of Chevy Chase, MD


Suffering Passes, Having Suffered Never Passes; In Living, Loss and Rebirth Enfold One Another, oak by James Fuhrman of Glenmoore, PA


Wave Form #5, reclaimed dock boards by Gary Gresko of Oriental, NC


Ollie’s Buoy, steel and concrete by Roger Halligan of Chattanooga, TN


Personal Space, steel by Hanna Jubran of Grimesland, NC


Where I have come from, what will I leave behind?, steel and cast iron by Corrina Sephora Mensoff of Atlanta, GA


Triangle Tango, steel by Bob Turan of Earlton, NY


Ker-Plunk, steel by Adam Walls of Red Springs, NC

The results of the competition for the 2009 National Outdoor Sculpture Competition and Exhibition are as follows:
Best in Show went to James Fuhrman for Suffering Passes, Having Suffered Never Passes; In Living, Loss and Rebirth Enfold One Another; 2nd Place was given to Roger Halligan for Ollie’s Buoy; 3 Honorable Mentions went to Jonathan Brilliant for Water Bottle Basket, Corrina Sephora Mensoff for Where I have come from, What will I leave behind?, and Bob Turan for Triangle Tango.

See images from the 2008 exhibit and 2007 exhibit. There are also a few sculptures still in the park from previous exhibits.

We don’t have many contemporary public sculptures on display in the greater Charleston area, in fact there are next to none on display in the City of Charleston, which is amazing for such an arts city. So, besides this exhibit in North Charleston and the 19 works on display in Azalea Park in Summerville, SC, part of the permanent outdoor collection donated by the Sculpture in the South organization, you won’t find many sculptures here.

This display in Riverfront Park seems a little thin in that it is a large park and most of the sculptures in this year’s exhibit are small or it might be better to say – they are not monumental. I’m not complaining, in fact I’m amazed that the City of North Charleston has mounted their fourth sculpture exhibit. It’s a major effort for the artists, the City, and the Cultural Arts Department. After all, this park is to be used by people – it’s not a museum. And, there were a good number of people using the park the morning I went there – some also taking photos of the sculptures. But, always wanting more of a good thing – I’d like to see bigger sculptures, more of them, and more sculptures by different artists (there is a group of artists who seemed to have had works in all four exhibits).

But here’s the catch – I don’t have any money to give North Charleston to expand their efforts, and arts money is in short supply these days. So, it’s hard to expect more – even when you want it.

In conclusion – the City of North Charleston is doing a great job with this program – better than their so-called artsy cousin Charleston. Hopefully more sculpture lovers from Charleston and elsewhere will go visit this exhibit and park. And, hopefully these  summer temps won’t last forever. But you can take it if I can – I’m a transplanted Yankee.

For further info or details about the next sculpture competition contact the City of North Charleston Cultural Arts Department at 843/745-1087 or at (www.northcharleston.org).

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Piccolo Spoleto Festival Exhibitions Slip Away Again

Tuesday, June 23rd, 2009

Even with the best of intentions on my part, once again many of the Piccolo Spoleto Festival visual art offerings have slipped away before I could get by to see them. Even some of the exhibits I did get to see are over before I could post a blog about them. I have always said that the Spoleto and Piccolo Festivals were not designed to fit my schedule. I have to have my June issue turned into the printer before the festivals even start and then once they have started I’m delivering papers and then preparing for the July issue. It’s just not a good time for me to get out and see all that is being offered. This blog helps some, but not enough. But, I did get to see some and a few will still be on display for some time to come.

This year I did not get to visit the Piccolo Spoleto Outdoor Art Exhibit 2009 but once and that was not a long visit at that. I got reports about what was going on from various sources, but that’s not the same as being there and getting a first hand impression from artists and visitors. Sixteen days sounds like a lot of time, but it’s not. I have always said that this show is the marathon of all visual art events and that the artists who go through it in South Carolina’s “what next?” weather challenges are the toughest folks around. Not to mention putting up with the viewing public’s repetitive questions. It can also be a roller-coaster ride of emotions – watching your neighboring artist make sales while you don’t; making sales while others don’t and not being able to feel good about it or at least brag about it; wondering what else you could have done with these 16 days; and promising yourself this is the last year you’ll do this. But, in the end it all turns out all right and most return – year after year. And, they end up meeting some wonderful new customers and a lot of old customers who are now friends – that return year after year.

If you want a little taste of what it’s like being one of the 100 + artists down in Marion Square Park in Charleston, SC, during this exhibition visit Amelia “Mimi” Whaley’s blog. You can review her 16-day journal of being there.

While delivering the June issue I did get by to see the exhibit, From Quilts in the Attic to Quilts on the Wall: Exploring Textile Art by African Americans, on view at 10 Storehouse Row at The Navy Yard at Noisette (on the former Charleston Naval Base) in North Charleston, SC. This exhibit ended on June 7, 2009, like many of the Piccolo Spoleto exhibits. This exhibit was also part of North Charleston Arts Festival which took place early in May. The artists in this exhibit explore and depict their African heritage through quilting – some traditional, some non-traditional. Here’s a few images of some of the quilts.


Sophia Rising by Torreah Washington


Sacred Letters by Dorothy Montgomery

Here’s a little commentary for the folks developing The Navy Yard at Noisette. If they don’t do something about the main roads there – people will never come there and I’m going to stop coming and tell people not to go there. Paving over those roads is long overdue.

I also got to see the exhibit, BREAKING OUT, a Piccolo Spoleto art exhibition for adults with intellectual disabilities, sponsored by the Hulsey Law Group and presented at Charleston City Hall at 80 Broad Street in downtown Charleston. At the four corners of the law to be exact. This show also ended June 7, 2009.

The exhibit was coordinated by: Special Olympics of South Carolina, City of Charleston Office of Cultural Affairs, VSA Arts of South Carolina and SC Arts Commission. It provided an opportunity for artists with intellectual disabilities to speak using the vocabulary of art. The artists communicate through their paintings and pottery and in so doing break down the walls raised by their disabilities. But the location of this exhibit wasn’t going to break down the walls of competition for viewing exhibits during these busy Festivals. The lobby at City Hall is not made for exhibitions and people don’t expect to find exhibits there and other than the Spoleto Festival’s opening ceremony – nothing else happens in that part of the city – as far as Festival events go. This show could have been placed at the Charleston Visitor Center.

Without knowing the particulars of this exhibition most viewers might not know these people were not your average artist guild novice, folk artists or visionary artists, but considering their disabilities, the works can take on an exceptional quality.

Although there were people (I don’t want to use the word artist) here from Beaufort, SC, and Spartanburg, SC, it would be nice if this was an exhibit which was the result of a statewide competition among adults creating works with intellectual disabilities. That would add an extra level of accomplishment for the participants.

Some might ask why is this work being presented at these major art festivals? Well, creating something is a powerful action. The arts are used by many, other than artists, for expression, therapy (physical and mental), and for relaxation. Why shouldn’t that side of the arts be seen at an arts festival?

It also should be noted that beyond the exhibit’s main sponsor many contributions were made by some of Charleston’s commercial art businesses and commercial art galleries. These people contribute to a lot of non-profit efforts, but when it comes time to think about who should receive public funding or public help in tough times, these same folks are left out of the picture. It’s not all about making money for these folks – it’s about being part of the greater art community and community in general. It’s time they should get some credit for that.

And, Mayor Joseph Riley (Charleston’s Mayor), you better do something about your streets too. Stop saying it’s the SC Highway Department’s duty to keep your city’s streets decent.

Well, although I couldn’t draw any visitors to these exhibits, by reviewing them before they were over, beyond our pre-coverage of these events in Carolina Arts and on our website Carolina Arts Online, we have given them a little recognition and life in cyber space. That’s the best we could do this year.

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