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October Issue 2002
Mint Museum of Craft + Design Reviews 65 Year Collection
While the Mint Museum of Craft + Design is
a recent arrival within the museum world, having opened its doors
in Jan. of 1999, the origins of its collection took root in 1937.
The first craft object donated to the newly-opened Mint Museum
of Art 65 years ago, Ben Owen's Han Vase, proved a presage
to the evolution of craft in the mid and latter half of the 20th
century. That evolution serves as an underpinning for the exhibition
Coming of Age, on display Sept. 7 through Apr. 3, 2003
at Charlotte, NC's Mint Museum of Craft + Design.
Coming of Age is an overview of the 65 year growth of the
museum's permanent collection, ranging from the 19th century utilitarian
pottery and crafts of the Carolinas to today's art works created
by studio artists and designers throughout the world.
Owen's Han Vase is representative of the changes in craft
making brought on by America's Machine Age. By the 1930s, mass
production nearly obliterated the demand for the hand-made work
of fiber, clay and wood. The availability of glass and metal containers
at the turn of the century threatened North Carolina's pottery
lineage, the nation's oldest continuing ceramic tradition outside
of Native American production. The marketing talents of Jacque
and Julia Busbee, owners of Jugtown Pottery in Seagrove, NC, and
the exceptional skill of their master potter, Ben Owen, became
the model for traditional potters to adapt from producing crocks
and jugs to more colorful forms and glazes in creating tourist
wares vases, teapots, pitchers, tableware and specialty items.
Owen's talent at blending indigent pottery skills with the inspirations
of ancient Chinese ceramic forms to create his unique "Oriental
wares" proved popular with visitors to Carolina resorts and
with customers at the Busbees' crafts outlet in New York City.
Collectors soon found their way to the tiny town of Seagrove which
continues to flourish today with approximately 125 potteries and
an innovative culture that blends studio pottery alongside traditional
production methods.
Nearly three decades later, the Mint Museum of Art established
the Piedmont Purchase Awards as a way for the museum to build
its collection of noteworthy art. The museum's craft collection
began in earnest with the 1964 acquisition of John Acorn's brazed
steel sculpture Growth Form. That same year, the first
in a series of Piedmont Craft Exhibitions was held. This
annual and later bi-annual exhibition quickly became one of the
most important venues for craft artists in the Southeast to showcase
and sell contemporary craft.
Much like the kiln openings of popular Carolina potters, there
was great anticipation among craft collectors before the opening
of each exhibition. Artists from the juried exhibit were invited
afterwards to sell their craft at the Browse, Borrow & Buy
Gallery (later the 501 Gallery) operated by the museum. In later
years, the 501 Gallery operated out of the basement of Montaldo's,
Charlotte's most prestigious department store. Decades later,
through a magnanimous gift from Bank of America, Montaldo's was
transformed into the Mint Museum of Craft + Design. The Piedmont
Crafts Exhibitions ran for nearly 20 years. The works acquired
over that period became the foundation of the museum's craft collection.
By the 1980s, collectors began to provide significant depth and
scope to the museum's collection, beginning with the 1983 acquisition
of Dorothy and Walter Auman's nearly 2,000-piece collection of
historic North Carolina pottery. Allan Chasanoff's 1995 gift of
a 453-piece contemporary ceramic collection provided an important
link to the pioneers of the international ceramic movement and
served as a catalyst for the creation of the Mint Museum of Craft
+ Design. Arthur and Jane Mason's subsequent donation of 120 works
of turned wood document the seminal years of wood turning, and
how it emerged into an art form (1985-2000). Established in 1998,
The Founders' Circle, the museum's support group, enhanced the
museum's holdings of ceramics, fiber, glass, metalwork and wood.
Their contribution to the contemporary craft collection was instrumental
in addressing and fulfilling the overall needs of building a comprehensive
collection. Whereas gifts from several donors, throughout the
1980s and 1990s, provided a base holding of American studio glass,
more recent donations by Lisa and Dudley Anderson highlight the
work of Czech glass artists. In addition, the Baltimore album
quilts, log cabin, Amish and crazy quilts from the Fleur and Charles
Bresler Collection of historic quilts (1800-1955), provide an
interesting contrast to the museum's collection of contemporary
fiber art.
Since its inception in 1999, the Mint Museum of Craft + Design
has earned international recognition for the exceptional quality,
range and distinction of its growing collections. Experimentation
and innovation in technique, material and design abound in Coming
of Age, as seen in Harvey Littleton's White Flat &
90% Twisted blown glass, Bob Trotman's Polkadot Tornado
Chair and Tina Rath's Purple Mink Hanging Wrap Necklace.
Coming of Age traces the evolution of the museum's collection
by illustrating the innovative work of 20th and 21st century craftspeople
and designers, as well as the generous patrons who have helped
to shape this institution.
"The Mint Museum of Craft + Design continues to be an exciting
work in progress," stated curator Melissa Post. Coming
of Age illuminates the depth and breadth of the museum's craft
collection and the exciting frontier that awaits us in the field
of design. Though this is a long-term project, we have already
begun to compile a 'wish list' of 20th century design icons we
feel are crucial to this project. The recent acquisition of a
rare, silver-plate Tri-legged Sugar Bowl (ca.1875-1880)
by the "father of Modern Design", Dr. Christopher Dresser,
is perhaps the most significant acquisition in this area. There
has been an outpouring of generosity by patrons interested in
developing this area of the collection. In building our design
collection, we hope the Mint Museum of Craft + Design will also
become an important design resource, a leader in the field of
20th and 21st century design."
For more information check our NC Institutional Gallery listings,
call the museum at 704/337-2000 or check the museum web site at
(www.mintmuseum.org).
Mailing Address: Carolina Arts, P.O. Drawer
427, Bonneau, SC 29431
Telephone, Answering Machine and FAX: 843/825-3408
E-Mail: info@carolinaarts.com
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