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November Issue
2008
McKissick Museum in Columbia, SC, Offers
Exhibit on African-American Camp Meetings
A new photography exhibit detailing the cultural history of African-American camp meetings in the Carolinas has opened at the McKissick Museum at the University of South Carolina in Columbia, SC. The exhibit, This Far by Faith: Carolina Camp Meetings, an African American Tradition, boasts more than 42 large black-and-white photographs by Dr. Minuette Floyd, an associate professor of art at the university, and is accompanied by text panels and video footage of camp meetings held in seven locations in the Carolinas. The exhibit will remain on display through Mar. 14, 2009.
Floyd says the weeklong African-American camp meetings, held annually from the mid-1800s to the present in designated campgrounds during harvest time (July through Oct.), play an important role in maintaining a sense of cultural history and community identity and in strengthening family relationships.
"People travel many miles to the camps each year so that they can renew friendships and see family members and friends they haven't seen in a long time. Sometimes, there will be four or five generations of family members present," Floyd said. The camp meeting is an important part of the historical, cultural, social and religious heritage of African Americans. I especially want children to understand that importance because they will be the future campground leaders."
Floyd's photos range in size from 11-by-14 inches to 16-by-20 inches and capture different aspects of the camp meeting, including the tents, structure and arbor; the food, games and activities; the preaching and music; and the gathering and reminiscing of people.
Floyd's camp photography was funded by grants from the National Endowment of the Arts and the South Carolina Arts Commission. A grant by the South Carolina Humanities Council enabled McKissick staff to document camp meetings in South Carolina over the course of several years and to create the exhibit.
"McKissick has been working for several years with Floyd and other artists and scholars to document the unique setting of South Carolina camp meetings. With support from the South Carolina Humanities Council we were able to produce a film by Stan Woodward on five Lowcountry sites," said Saddler Taylor, chief curator of folklife and research. "What is so remarkable about Floyd's work is that it not only captures the traditions of these religious settings, but also relates them to a vibrant contemporary observance."
Southerners, black and white, in the antebellum South would travel great distances to attend religious gatherings held at campgrounds and led by "circuit" preachers.
"For African-American slaves, it was one of the few places they could meet and enjoy some sense of freedom," Floyd said. "They brought everything they needed to survive, from tents to chickens."
Floyd says the African-American camp meetings grew out of white camp meetings, where slaves worshipped with or whose camps were on the back side of the white campgrounds. The camp structure was similar, but the style of preaching and music was distinct. The land or grounds were either sold or given to African Africans by white land owners to use for the religious camp meetings. Owners of the campgrounds are called trustees.
Over time, canvas tents have been replaced by wooden ones that have porches and plank benches and that can be handed down to the next generation. The set-up of the tents has remained the same, placed in a circle around a tabernacle or brush arbor so that the religious nature of the camp meeting remains the focus.
Floyd, whose parents took her and her siblings to camp meetings each year, said she grew up thinking that attending a camp meeting was something everyone did. Her memories of her childhood experiences are as vivid as her photographs.
"I remember sitting under the arbor listening to the preachers preach, kicking the sawdust covered floors with my feet, walking around the grounds and eating candy apples and cotton candy," said Floyd. "I remember the countless hugs I received that were nearly always accompanied by a 'You sure have grown.' I remember my parents carrying on long conversations with people that they had not seen since the last camp meeting."
Attending camp meetings as an adult, Floyd became fascinated by the gatherings' simplicity, beauty and cultural richness.
Floyd is an associate professor and coordinator of the art education program at the University of South Carolina. She is director of the Young Artists Workshop, a community outreach program for children that is taught by students majoring in art education. Floyd's research focuses on multicultural art education, interdisciplinary art instruction and folk traditions and has been funded by grants from the SC Humanities Council, the SC Arts Commission and the National Endowment of the Arts. Her awards include the National Outstanding Performance in Higher Education Award (2003), the Mary J Rouse Award for Art Education (2002) and the SC Art Education Assn. Award for Art Education (2001). She is chairman of the Committee on Multiethnic Concerns, an affiliate of the National Art Education Assn.
For further info check our SC Institutional
Gallery listings, call the Museum at 803/777-7251 or visit (www.cas.sc.edu/MCKS/).
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