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Feature Articles
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December Issue 2004

Waterworks Visual Arts Center in Salisbury, NC, Features Invitational Exhibition and Sale

The 2004 Artists' Invitational Exhibition and Sale at Waterworks Visual Arts Center in Salisbury, NC, will feature a wide array of works by fifteen local and regional artists. The exhibition will be on view in the Center's Young People's Gallery through Jan. 8, 2005. All work displayed in the exhibition is available for purchase and may be taken at the time of the purchase.

Artist Rebecca Clodfelter of Mooresville, NC, works with truly natural materials, creating artwork out of gourds she grows in her backyard garden. Although she has experience with other mediums, she has said she always felt "separated" from her art until she discovered the electricity of gourds. She states, "My life-long art journey has been a trip with no destination, no reliable vehicle, and no map... Gourds can be used as the canvas for interpreting ideas and emotions but they can also be simply a piece of decorative art. I have found that I need to do both for balance." Clodfelter has found her map, knows her destination, and has found the means of reaching that end. The artist is a graduate of Catawba College and has been a teacher for fourth and ninth grades, as well as a resource teacher for the learning disabled and an elementary art specialist for grades K-5.

Gastonia, NC, oil painter Rickard Cronland is a self-proclaimed self-taught artist. He has been a practicing artist for over 30 years and "considers his art therapeutic relaxation. His subject matter reflects his love for the outdoors... Rickard frequently travels to Vermont, New Mexico, and the Virgin Islands, as well as his native Carolina mountains and seashores, for inspirational subject matter" (from artist's statement). He has been exhibiting his work since 1995. Cronland earned a BA from East Carolina University, after which he joined his family's business.

Olivia D. Dowdy of Wagram, NC, once owned her own ladies' accessories boutique called Le Papillon Noir (The Black Butterfly), where she designed her own merchandise under the name Odd Designs, which was derived from her initials. Now she works on larger pieces of porcelain and clay pottery. Dowdy states that she fell in love with clay and pottery while in college and that working with this medium is "a spiritual journey" for her. Dowdy earned her Associate of Fine Art degree from Sandhills Community College in Pinehurst and her Bachelor of Art degree in Visual Art from the University of North Carolina at Pembroke. Currently she is studio artist and designer for her company Odd Designs, where she creates and markets original pottery and jewelry.

Hillsborough, NC, artist Zoie Holzknecht received her Bachelor of Science degree in Microbiology from the University of Minnesota. She believes "there are three necessary (and never completed) components to mature artistic expression: knowledge, practice, and thoughtfulness." Her current work has developed especially out of knowledge and thoughtfulness. She explains, "In the last few years I have become aware of a loss of custom in my life due to several relocations. It is a loss of ceremony, a loss of attention to the small changes in life in our world where everything can change overnight and patience is counted in minutes. Custom and ceremony bring attention. Attention leads to a feeling of connectedness to place (soil, plants, and wildlife) and to community (family, neighbors, and co-workers). In response to these losses, and my desire to find these things again, I am creating my current body of work that includes ceremonial bowls, eggshaped prolates, and cocoon forms."

Jack Homer of Richmond, VA, is a professional stock broker and certified financial planner with a talent for watercolor, oil, and pastel painting. He has very little formal art education aside from a few varied art classes. Homer credits his creative abilities to persistence and determination. Through these two methods of functionality he has found the capability to produce brilliantly colored landscapes and seascapes.

Salisbury artists Lorraine and Tom Ives specialize in the mediums of beeswax, fiber, and wood. Originally the couple had established careers in teaching and medical transcription, but in 1998 they started their own business, Cherry Valley Designs, with a retail shop in their New York home and a website. Through the shop and website, the two offered quality handcrafted 100% pure beeswax candles, woven textiles, and wood products. The Iveses moved to Salisbury from New York in 2003 and have re-established Cherry Valley Designs under which they created the products for sale in the 2004 Artists' Invitational Exhibition and Sale, although they have no intention of opening a retail shop in there home here.

Steel artist Fred Kessler of Mount Pleasant, NC, is a native of the Angola Bay Swamp area in eastern North Carolina. He has been around water all his life and his interests have adapted to that scene. Kessler's craft began at the age of 12 when he built his first wooden boat, a creation that led to his building steel tug boats years later. Alone he has built five ocean-going tugs, three small cruising tugs, and one barge. He now creates steel animals solely, an art which originated by his cutting out similar animals from the scrap metal left over from building boats. Kessler contends, "Water and the creatures in, on, and above it have always been important to me... Most of the ideas for the pieces I make come to me while on the water." The artist's shop is located in Mount Pleasant, and his craft work is now his full-time occupation.

Judy Gibson King of Lexington, NC, is a clay artist who focuses primarily on nativity scenes. She explains, "I work in the tradition of the santeros (saint makers), artists who create devotional images for homes and churches. I work primarily in polymer clay designing saints, angels, and nativities that are inspired by and reflective of sacred narratives." The artist is a native of Texas. She has studied at Lamar University in Beaumont, TX, the Dougherty Art Center in Austin, the initials. Now she works on larger pieces of porcelain and clay pottery. She states that she fell in love with clay and pottery while in college and that working with this medium is "a spiritual journey" for her.

Potter Michael Kline of Bakersville, NC, has been a studio potter since 1993 when he founded the Okra Pottery Studio. Kline taught pottery at the Westside YMCA in New York City prior to joining Mark Shapiro in Worthington, MA, to build a studio and kiln at Stonepool Pottery. He now works with both porcelain and stoneware and has "developed a body of larger scale stoneware pottery inspired by the traditional stoneware of the Catawba Valley and Seagrove areas of North Carolina". He explains regarding his work, "By some combination of optimism and risk, my collaboration with the natural properties of clay and wood fire continues to lead me through this potter's life, at times exasperating and at others exhilarating."

Judy Mallow of Carthage, NC, carries on her family tradition of pine needle basket making, a craft she learned as a young girl when she helped her grandmother collect pine needles to weave into baskets. She gently intertwines the pine needles, often incorporating slices of walnuts, to create intricately detailed baskets that are both functional and artistic. Judy has written and published two books on pine needle basketry and was included in the 2003-2004 edition of no's no in Executives and Professionals. She was also named "Woman of the Year" by the American Biographical Institute in 2004.

Potter June Miller of Shelby, NC, retired from a twenty-year career in counseling "to begin [her] own therapy - 'playing in the mud'." The artist has studied pottery and ceramics at Gaston College, Isothermal Community College, and Gardner-Webb University, and she continues to take classes and workshops, as she says, "to learn more techniques and be with other potters for the feedback, critique, and fun fellowship." She has found that she enjoys experimenting with different glazes, techniques, throwing, and hand-building as a means of developing her skill as a potter. The diversity of her work reveals how fruitful this experimentation has been to Miller as an artist. Miller has participated in over four dozen group art exhibits throughout North Carolina and in Ohio.

Molly Pasca of Durham, NC, became fascinated with pottery at the age of 5 when she first watched someone throw a pot on the potter's wheel. The medium and method of creating "seemed magical to me then and it continues to be magical for me today." Today she is both teacher of pottery through the Durham Arts Council and owner of a pottery shop, Pasca Pottery. The artist founded Pasca Pottery in 1992, where she creates unique decorative and functional pottery. Through Pasca Pottery she also established summer pottery camps for children ages 5-15.

Glassware artist Kenny Pieper of Burnsville, NC, specializes in the tradition of Italian glass. He is "intrigued with the use of color, patterns in cane work, and sensibility of form," the artist explains. His work "combine[s] historic glassware techniques with Pieper' s personal vision". The artist is a native of Birmingham, AL, and grew up in the North Carolina mountains.

Potter Ken Sedberry of Bakersville, NC, has lived, worked, and studied in several places in the United States, including Rhode Island, Montana, Washington DC, and Loafers Glory, NC. Through visits with his family to Central America his work has evolved from the influence of "the colors and imagery of the rainforests, the tropical flowers, and the coral reefs of the Caribbean" . Sedberry finishes the majority of his work in a wood burning kiln rather than electric or gas. This type of firing takes more than twenty hours and requires constant attention. Sedberry contends, "I love the process of stoking the furnace. There's a connection there. You stay right with it from beginning to end. Wood firing means allowing this process to take some part in the aesthetics of the work. The variables are infinite and one gives in to chance... It's continual risk... My goal... has been to achieve color in wood firing [because wood firing normally results in subdued earth-tones]". Even a brief look at his work shows the success of his attempts to do so. Each piece reveals brilliant blue, green, orange, and red hues.

Accredited by the American Association of Museums, the Waterworks Visual Arts Center is funded by individual memberships, corporations and businesses, foundations, the City of Salisbury, Rowan County, the North Carolina Arts Council, and the National Endowment for the Arts.

For further information check our NC Institutional Gallery listings, call the Center at 704/636-1882 or on the web at (www.waterworks.org).


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