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December Issue 2006

Artspace in Raleigh, NC, Offers Three New Exhibits to End 2006

Artspace in Raleigh, NC, will present three new exhibitions including: Reveal/Conceal, featuring works by Seth Rouser, R. Sawan White, and Michael Wille in Gallery 2, from Dec. 1 - 30, 2006; Fair View: My Garden Abstract, featuring paintings by Marriott Procter Little, in the Artspace Lobby Gallery, on view from Dec. 1 - 30, 2006; and Digital Shibori: Pattern & Stitch, featuring works in fiber by Tricia McKellar, on view in the Upfront Gallery from Dec. 1 - 30, 2006.

Using abstraction as the basis of their work, all three artists presented in Reveal/Conceal use layering and the actual painting process as a means for both veiling and exposing certain truths or ideas. The element of discovery is important for all of the artists ­ both in the actual art making and in the viewer's experience of the final work of art. Perhaps this is just inherent in Rouser, White, and Wille, as all three serve as educators in some capacity.
 
For Seth Rouser, artmaking can be paralleled with the process of divination, as he strives to bring meaning and significance to what he refers to as an all too often "confusing and uncontrollable world." To convey the variety and complexity inherent in the physical and spiritual world, Rouser incorporates expressive splashes of color, mark-making, and non-objective design juxtaposed with realistically rendered objects. Despite the complexity of life, Rouser notes that there is a certain underlying harmony and uniformity that exists in life. He believes that the relationship between dissonance and harmony is what keeps life interesting thus he tries to construct a certain visual order in all of his work.

Rouser earned a BFA in Painting from Winthrop University, Rock Hill, SC and an MFA in painting from East Carolina University, Greenville, NC. He currently resides in Rock Hill, SC where he is a practicing artist and lecturer at Winthrop University.  His work explores an array of media and approaches to image-making-creating works in drawing, painting, printmaking and mixed media. Rouser has exhibited in both group and solo exhibitions in the Southeast.
 
R. Sawan White creates artwork in an attempt to seek identity, truth, and balance. Even the very nature of her process - layering oil paints and waxes, rubbing intaglio line drawings in and out between the layers, and hiding entire narratives beneath the layers - is all part of her search. Her paintings serve as small, intimate thoughts - moments that she steals out of conversations. The final results reveal what White has discovered to be true - about herself and her relationships with others. She often uses a misspoken word or a jumbled metaphor as a starting point for her work. White notes that, "So much of who we are is determined by what comes out of us. My paintings take over for me when the convention of words has failed. They speak much better than I ever have."

White began her formal studies as a Provost Scholar at Virginia Commonwealth University, Richmond, VA. She earned her First Degree in Fine Art Printmaking from Loughborough University, England. She has received numerous awards including the Yeo Tree Award at the Derby City Open, Derby, England, in 1999. She has held many positions in the arts including master printer for several British artists, guest artist and lecturer at several art centers and colleges, and a charter member of art6 Gallery. Currently White works from her Richmond studio, teaches, and serves as an artist and lecturer for the Virginia Museum of Fine Arts. She is represented by the Blue Gallery, Kansas City, MO, and Eric Schindler Gallery, Richmond, VA.  
 
The imagery in Michael Wille's paintings is drawn from interpretations of his surroundings. He aims to call attention to the mundane things in his life, re-contextualizing these objects and locations, thus creating a new existence for them. Commonplace objects take on an almost iconic status. Whether taking the negative space of highway overpass structure, a seating area in the grandstands at a major league baseball stadium, or the terra cotta shingles of a Roman roof, Wille uses the painting process to transform the objects or locales, "using paint as a material fact and as a device to illustrate something outside itself." While the image remains unrecognizable within the context of abstract painting, Wille hopes the imagery can also be read as an illustration in some way. He hopes for "each image to move slowly towards association, yet have the potential to pull back at next glance."
 
Wille earned his BFA from Milliken University and his MFA in Painting from Bowling Green State University. His work has been included in numerous group and solo exhibitions around the country including at the Toledo Art Museum, Toledo, OH, Oklahoma City Arts Center, Oklahoma City, OK, and Thomas McCormick Gallery, Chicago, IL. His paintings have been featured in the Midwest Edition of New American Paintings and his work is part of the corporate collection of the Four Seasons Hotel, Boston, MA, and the Renaissance Suites Hotel, Chicago, IL. Wille is currently an Assistant Professor of Art at Illinois State University, Normal, IL.

Marriott Procter Little

In Fair View: My Garden Abstract, Marriott Procter Little presents an exhibition of expressionistic acrylic paintings on the canvas depicting abstracted images of her yard and garden as seen through her mind's eye. Little aims to evoke an emotional and pleasurable response connecting the viewed to her art, heart, and spirit.
 
Little is a Raleigh native who attended Smith College and graduated from Duke University with a degree in Art History. She has studied at NC State University, Meredith College, and with Joe Cox and Ben Williams as well as many other well-known artists. Her works are in numerous corporate collections including Bank of America, Wachovia Bank, Duke Children's Hospital, SAS Institute, BellSouth, Glaxo-Smith Kline, the State of North Carolina, and the News & Observer. Little has maintained a studio at Artspace since 1990.

Tricia McKellar

In the exhibit, Digital Shibori: Pattern & Stitch, Tricia McKellar presents a series of fiber works that explore pattern and stitch. McKellar hand-dyes shibori fabric. Her shibori is a modern adaptation of traditional Japanese hand-dye methods. Shibori techniques produce patterned fabric with subtle variations; the patterns are natural and organic, and complex and simple at the same time. McKellar photographs her shibori works, digitally alters the images and prints the digital collages on silk. The works aim to question how the natural and the man-made - the organic and the digital - feed off of each other. Each work is an exploration of another permutation.

McKellar is a self-taught artist. She lives with her husband, daughter, and pets in Fuquay-Varina, NC.

For further information check our NC Commercial Gallery listings, call the center at 919/821-2787 or visit (www.artspacenc.org).

 

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