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July Issue 2007
Joie Lassiter Gallery in Charlotte, NC, Features Works by Andrew Moore and Caio Fonseca
The Joie Lassiter Gallery in Charlotte, NC, is presenting several solo exhibitions, on view from July 6 through Aug. 31, 2007, including: New Paintings, featuring a premier exhibition for Andrew Moore and a new body of works on paper by Caio Fonseca. Moore's large scale abstract paintings suggest expansive landscapes and reflective bodies of water. Fonseca's work is evocative: ambiguous, colored shapes "float" across the surfaces of his works on paper.
Andrew Moore
Andrew Moore is an abstract painter who describes himself as "both constructive and destructive" with his work. The three dimensional texture of Moore's paintings is the hallmark of a labor intensive process. He often works on more than one piece at a time so that he may paint a layer and give it enough time to dry before painting another one. This process of building up and taking away lends way to the rich surfaces of Moore's work.
Moore paints ideas. He works in an "abstract language based on a history that people have built on." Indeed, the surfaces of his work carry a depth and "history" of their own. Critics see his work as mystical and dreamlike, simultaneously soothing and dynamic to look at. Despite the mesmerizing abstraction of Moore's work, his paintings are noted to almost always carry a hint of narrative form, perhaps a quality directly relatable to his interest in abstraction as a language and history.
Caio Fonseca
Karen Wilkins explains Caio Fonseca's style best in her Art in America article, "[the shapes] resist identification, as if pulled directly from the unconscious. They also refuse to settle down spatially; unnameable, but richly associative, they pulse between figure and ground, now appearing nearly submerged by creamy expanses of paint, now breaking free to hover in fictive space."
Subtlety is one of Fonseca's gifts. The keen observer can see subtle changes in his work over the years, but there are no radical shifts. Sometimes the forms seem to be the protagonist, sometimes the space. Many viewers see something musical in his art. While Fonseca is an excellent pianist he resists too literal a connection with music. He does not intend for his forms to look like musical notes, or staves, or even grand pianos. But the secret life of music creeps into his paintings. Dissonance and harmony have a relationship to each other and inform the geography of his works. In music, what is not heard is akin to spatial emptiness. All elements in Fonseca's work, whether forms, lines, or spaces, are placed-or, in Fonseca's method of working, revealed-in relationship to each other . His art is about the balance of elemental forms.
Fonseca's works are held in numerous public and private collections in Europe and the United States. His work has been exhibited at the Paul Kasmin Gallery (New York), Ben Brown Fine Arts (London, UK), and the Instituto Valenciano de Arte Moderno (Valencia, Spain) to name a few.
For further information check our NC Commercial Gallery listings, call the gallery at 704/373-1464 or visit (www.lassitergallery.com).
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