If you want more information about this article or gallery, call the gallery phone number listed in the last line of the article, "For more info..." |
September Issue 2002
Mint Museum of Craft + Design in Charlotte, NC, Offers Exhibition on Collecting
Visitors to Charlotte, NC's Mint Museum of Craft + Design will have the opportunity to explore and contrast collecting philosophies between public and private collections through the exhibition Point of View I on view Sept. 21 through Feb. 23, 2003. Presented with the exhibition "Coming of Age, an overview of the formation of the craft museum's permanent collection, Point of View will feature the inspirations behind the formation of three Charlotte collections assembled by Loyd Dillon, Bob and Mindy Jones, and Sonia and Isaac Luski. Point of View II, from March 15 - July 27, 2003, will feature three additional collectors throughout North Carolina.
Traditionally, museums build collections in an effort to provide their audience with either a comprehensive art historical overview or an in-depth examination of a particular subject. For a museum, the selection of objects is a collective process over time in which many voices are heard prior to the acquisition of each object. Private collectors assemble art works based on their own desires, often as a personal expression of their own interests and curiosity. Ultimately, both private and public collections are guided by a unified vision or goal.
"Point of View demonstrates how materials, techniques and themes, among other subjects, guide collectors in their quest to shape meaningful collections," stated MMC+D Curator Melissa Post.
Sonia and Isaac Luski arrived in America from Cuba nearly 40 years ago, escaping the Castro regime with four suitcases and two paintings by Cuban artist Rene Portocarrero. Widely known throughout the Southeast as glass collectors and for their generous support of regional artists and museums, the Luskis also collect ceramics, fiber, jewelry, metalwork, wood, paintings, prints and sculpture. Superb artistry and craftsmanship, a profound understanding of material and personal relationships with artists link these works. Eclectic and ethnically diverse, the Luski collection exemplifies an all-encompassing approach to art collecting. Examples on display in Point of View include a poncho from Penland weaver Edwina Bringle, a Fertility God pendant from Latin American metal artist Wilfredo Lam, a cubist guitar from French-born artist Arman and a lidded basket by an unnamed Tutsi tribeswoman.
"Our favorite piece is the one we don't have yet," remarked Sonia Luski.
Bibliophile Loyd Dillon's pleasure comes in appreciating the legacies and workmanship of the illustrators, printers and authors he collects among his 4,000 piece book collection.
"I love my books both as objects and as intellectual constructs," stated Dillon. "Collecting has influenced my life in several meaningful ways - the rush of pleasure in finding a long-sought-after or desired volume, the gentler pleasure of contemplating the collection, handling the books, admiring them and reading them!"
Dillon's collection reflects his particular interests, including the British Arts & Crafts Movement, American Modern era, works on Abraham Lincoln and Thomas Jefferson and publications regarded as masterworks of illustration. For "Point of View, Dillon has selected books that trace the history of the illustrated book in America and their English precedents from 1838-1931. William Morris' Amis & Amile had a profound influence on American Elbert Hubbard and his Roycrofter Press, as well as his colleagues and successors. From the Art Nouveau to American Modern, the work of illustrators such as Alphonse Mucha's In Bohemia, Rockwell Kent's Moby Dick and John Vassos' Ultimo illuminate how the art of illustration paralleled artistic movements in the fine and decorative arts and became a powerful expression in the world of craft and design.
The relationship with the well designed and executed object is at the heart of Bob and Mindy Jones' glass collection. An art collector for 30 years, Bob Jones bought his first piece of glass in 1988. The medium is now the focus of their art collection.
"My collecting goal has always been to acquire pieces that speak to men" stated Bob Jones. "I find glass to be very powerful and dynamic."
His love for learning about the artists, their techniques and the medium shapes his collecting practice. "Collecting is just an extension of the traveling and discovering in my life," said Jones. "Collecting is a journey, not a destination. It is all about growth and discovery."
On display in Point of View from the Jones Collection will be provocative and technically spectacular works by Bertil Vallien and Jones' favorite glass artist, William Morris.
"Great collections are built with patience, love, dedication, a desire to learn and a guiding vision." stated Melissa Post. All of those are characteristics the collectors featured in "Point of View possess in abundance."
For more information check our NC Institutional
Gallery listings, call the museum at 704/337-2000, or check the
museum's web site at (www.mintmuseum.org).
Mailing Address: Carolina Arts, P.O. Drawer
427, Bonneau, SC 29431
Telephone, Answering Machine and FAX: 843/825-3408
E-Mail: info@carolinaarts.com
Subscriptions are available for $18 a year.
Carolina Arts
is published monthly by Shoestring
Publishing Company, a subsidiary of PSMG, Inc.
Copyright© 2002 by PSMG, Inc., which published Charleston
Arts from July 1987 - Dec. 1994 and South Carolina Arts
from Jan. 1995 - Dec. 1996. It also publishes Carolina Arts
Online, Copyright© 2002 by PSMG, Inc. All rights reserved
by PSMG, Inc. or by the authors of articles. Reproduction or use
without written permission is strictly prohibited. Carolina
Arts is available throughout North & South Carolina.