Informed Opinions

Gesture
Charles Ailstock, Student Gallery, College of Charleston
A Review
by Lese Corrigan
 
Rivers, Land, Trees + Aesthetics, Ethics, Art = Conservation: The Rivers of South Carolina
A Book Review
by Lese Corrigan
 
Essence of Beaufort & The Lowcountry compiled by Caryl Sweet
A Book Review
by Lese Corrigan
 
Reflections of South Carolina - A Photo Essay on The Palmetto State
A Book Review
by Lese Corrigan
 
Abstract Ideas of the Soul: William Halsey,
A Book Review
by Lese Corrigan
 
A Feast For the Eyes is Food For the Soul - "In Pursuit of Refinement, Charlestonians Abroad, 1740-1860"
A Book Review
by Lese Corrigan
 
The Organic, Abstract Printmaking of Terry Winters
Southeastern Center for Contemporary Art, Winston-Salem, NC
A Review --
November Issue 1999
by Amy Funderburk
 
Looking Forward, Looking Black: a Potent Examination
Weatherspoon Art Gallery, Greensboro, NC
A Review --
October Issue 1999
by Amy Funderburk
 
Seeing Charleston Through the Eyes of Artists: The Charleston Renaissance by Martha Severens
A Review --
August Issue 1999
by Lese Corrigan
 
Take Time to Discover the Subtleties Within the Charlotte Halpert Biennial
Catherine Smith Gallery, Appalachian State University, Boone, NC
A Review --
August Issue 1999
by Amy Funderburk
 
Wolf Kahn: Southern Landscapes and Stephen Scott Young: Etchings
Jerald Melberg Gallery - Charleston, May 8 - July 3, 1999
Forrest Moses: New Monotypes
Art Thomas Gallery - Charleston, May 7 - June 13, 1999
A Review --June Issue 1999
by Kristina Montvidas Kutkus
 
Harvey K. Littleton Reflections 1946 - 1994
Mint Museum of Craft + Design - Charlotte, Through July 4, 1999
A Review--June Issue 1999
by Michael W. Haga
 
Phil Garrett & Bob Chance: New Work
Morris Gallery - Columbia
A Review--June Issue 1999
by Mary Bentz Gilkerson
 
Perceptions of Reality: Sliding Scale
Southeastern Center for Contemporary Art, Winston-Salem, NC
A Review --April Issue 1999
by Amy Funderburk
 
True Printmaking A Rich Offering
Southern Graphics Council Traveling Exhibition at the Theatre Art Galleries, Highpoint, NC
A Review -- February Issue 1999
by Amy Funderburk
 
Silent Voice of the Ancient Herb Jackson at Jerald Melberg Gallery in Charleston
A Review -- January Issue 1999
by Lese Corrigan
 
Art On Paper at the Weatherspoon: Variety Within the Parameter Greensboro, NC
A Review -- December Issue 1998
by Amy Funderburk
 
Vista Lights, Columbia, SC, November 19, 1998
A Review -- December Issue 1998
by Mary Bentz Gilkerson
 
Collective Visual Memory: Tiebena Dagnogo: Memory Speaks and Images from the Ivory Coast: Selections from the Merton D. Simpson Collection at the Halsey Gallery, College of Charleston's October Show
A Review -- November Issue 1998
by Lese Corrigan
 
 
Rediscovering an Era: The J. Donald Nichols Collection: American Abstract Art of the 1930/'s and 1940's
A Review --
October Issue 1998
by Amy Funderburk
 
NOW MADE VISIBLE: Art and Landscape in Charleston and the Low Country
A Book Review --September Issue 1998
by Lese Corrigan
 
Laura Loe at Hampton III Gallery
A Review -- July Issue 1998
by Lese Corrigan
 
Three Metal Shows in Asheville, NC
A Review -- July Issue 1998
by Bill Alexander
 
Orchestrating Watercolor: A Review of Mary Whyte's Watercolor for the Serious Beginner -- June Issue 1998
by Lese Corrigan

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is published monthly by Shoestring Publishing Company, a subsidiary of PSMG, Inc. Copyright© 2010 by PSMG, Inc., which published Charleston Arts from July 1987 - Dec. 1994 and South Carolina Arts from Jan. 1995 - Dec. 1996. It also publishes Carolina Arts Online, Copyright© 2010 by PSMG, Inc. All rights reserved by PSMG, Inc. or by the authors of articles. Reproduction or use without written permission is strictly prohibited. Carolina Arts is available throughout North & South Carolina.