The March 2015 Issue of “Carolina Arts” is Now Ready to Download

March 1st, 2015

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The March 2015 issue of Carolina Arts is up on our website at (www.carolinaarts.com) – all 65 pages of it. A lot of folks didn’t make our deadline this month. It’s hard to understand why when February has the same 24 days that every other month has. Linda and I are the ones working with the short end of the stick – only 4 days to put the paper together compared to 6 and 7 days most months.
Single page downloads are still adding up to more than double the amount for side by side format – which is good as many people desired one or the other. We’re here to please all we can so we’ll continue offering you the choice of two ways to download the paper:

For single page format use this link (http://www.carolinaarts.com/315/315carolinaarts-sp.pdf).

For side by side page format use this link (http://www.carolinaarts.com/315/315carolinaarts-dp.pdf).

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas this month. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending these links to your friends.

If you want to get something in the April 2015 issue – send it now or as soon as you can. Don’t wait till the Mar. 24 deadline. But, you do know that you don’t have to wait until the deadline comes up to send us stuff – you can be early. Some folks are already several months ahead of the deadline when their press release would be due.

Thanks – Tom and Linda Starland
Carolina Arts
843/825-3408
info@carolinaarts.com

A Drive Into Charleston, SC, On a Cold Day to See a New Craft Gallery and the Exhibition by Our Cover Artist for Our Feb. 2015 Issue of “Carolina Arts”, Tyrone Geter

February 21st, 2015

I was long overdue for a visit to downtown Charleston, SC, to see the new Surface Craft Gallery, located at 49 John Street, on the same street where Linda and I once operated IF Labs, at 39-A John Street and opened the Photogallery next door (with the help of a few friends), an exclusive fine art photography gallery. But this was in the mid 1980’s, long before the Charleston Visitor Center was built. Once construction started we were moved out fast.

This winter has brought me a new ailment that I have been adjusting to since before Thanksgiving until very recently. One that made it difficult to go out in public without somebody asking – do you need me to call 911. A bad cough that was keeping me from steady sleep – something I was very used to. Linda will tell you that I could set records in how fast I could be asleep by the time my head hit the pillow. Finally a combination of meds and adjusted habits has been found.

I also wanted to see the exhibition at the City Gallery at Waterfront Park before it was over. They are presenting an exhibition of works by Tyrone Geter of Columbia, SC, who we featured on the cover of our Feb. 2015 issue of Carolina Arts. From the few images I saw that were on the cover I really wanted to see this exhibit before it left Charleston.

I had planned to go sometime on the weekend of Feb. 13-15, but then I realized that was SEWE weekend and no one in their right mind would try to go to Charleston that weekend unless you were going to the Southeastern Wildlife Expo. So I finally set my sights on Wed., Feb. 18, 2015. Everything and everyone connected with SEWE would be gone by then or at least not taking up every parking space in the city.

It turned out to be a typical cold day in the Lowcounty. When I left the house I was bundled up for frozen tundra, once in the car the sun coming through the front windshield was baking me to death. It turned out not to be as cold as expected and I think by the afternoon the temps were in the 50’s making it pretty nice in downtown Charleston – as long as you stayed in the sun.

First stop was John Street next to the Visitor Center Complex. I was lucky, very lucky, to find a metered parking space on John Street at the intersection of Meeting Street, a short walk from the gallery.

When I opened the door and walked in I could see that look on Liv Antonecchia’s face that meant I finally made it. She is the artist/gallery owner of Surface Craft Gallery. Not that she expected me, but she knew I had been trying to get there. I’ve been supporting the gallery as much as I can on social media, but this was my first look inside the gallery. And, it looks much better when you’re seeing it as a whole and not just in the background of Facebook photos of specific items she carries in her shop. The one room gallery is laid out very nicely – nicer than some craft shops that have been open a few years. Eventually gallery owners seem to find a way to use every inch of a space to display one more work of art.

I first met Antonecchia during an arts festival art walk in North Charleston, SC, and at other crafts sales in the area. I remember us talking at one of the art sales taking place in the Earth Fare parking lot in the South Windermere Shopping Center in Charleston. We talked some about organizing potters in SC, a pet goal of mine and her desire to open a craft gallery in Charleston. And, last year she opened Surface Craft Gallery.

Just like you might have a hard time finding a gallery in Asheville, NC, that features paintings, a gallery featuring fine crafts in Charleston is a rare item. Charleston is a painter’s town.

Antonecchia was currently offering her first exhibition featuring sculptural works by Christine Kosiba, from Brevard, NC. This exhibit was an extra incentive to get to the gallery. Kosiba builds organically from coils of clay to create ravens, owls and horses to name a few. Some are free standing while others are perched as totems, wall hangings or on her clay built spheres. The exhibit will be on view through Mar. 1, 2015. You can read all about the exhibit on Page 20 of our Feb. 2015 issue of Carolina Arts found at (www.carolinaarts.com).

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Totem by Christine Kosiba

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Another work by Christine Kosiba

I took a few photos to kind of show the space, but you really have to be there a while to discover all that is on display. Items in ceramics, handblown & fused glass, book arts, paper, printmaking, jewelry and wood are offered. There’s more there than you would think at first glance. And, as usual I asked a lot of questions about how things are going, what kind of street traffic she got, what kind of items people were buying – all that shop talk stuff. It’s kind of boring if you’ve never run a gallery, but it’s the stuff gallery owners want to talk about. If you go there she’ll be more interested in telling you about her gifted artists.

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On this cold day after the big SEWE weekend there were not a lot of shoppers on the street coming in while I was there – except for a group of ladies who came in and wondered if the gallery owner might be willing to offers some items for an art auction fundraiser. They had a list of galleries they were going to hit up. Too bad they didn’t spend any time looking to see what the shop offered. This is a subject that would take many blog posts to cover and the right people who would need to read it would never see it. They are deaf, dumb, and blind to the needs of the visual art community.

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Here’s one close up of a couple of works by Luba Sharapan of Darn Pottery in Tennessee

If you are suffering due to the closure of Nina Liu & Friends, you might want to check out this relatively new craft gallery on John Street. The gallery offers some items that haven’t been seen in Charleston before – and that’s always a good thing.

My next goal was finding a parking space not too far from the City Gallery at Waterfront Park, located at 34 Prioleau Street, across from the Pineapple Fountain in Waterfront Park overlooking Charleston Harbor. My luck came in the small parking lot next to the Old Exchange Building & Provost Dungeon at the corner of East Bay and Broad Streets – which also was right next to another building which was the last location we had in downtown Charleston – 132 East Bay Street. The newspaper’s office was there, people could drop off film for processing there and pick it up, and we ran a gallery there too – years ago.

I’ll tell you this, I know Charleston pretty well, but it’s changing fast and parts of it are shocking to me on how it has been over-developed. I first stepped foot in downtown Charleston in 1974 and you wouldn’t believe how the “most preserved city in America” has changed. Back then, locals cried about how much the city had changed and now I kind of feel that way too. Those old locals must be rolling over in their graves turning their backs on the city it is becoming. I wouldn’t be surprised if some have had their graves moved for further development.

It was less than a half a block from my parking space to the City Gallery at Waterfront Park. I walked in and used the facilities right away. You’ll find one of the nicest, cleanest restrooms in the city there. That’s important info to know when visiting Charleston – where the public restrooms are.

Drawing from the Lifeline, featuring mixed media work by Tyrone Geter, is on exhibit here through Mar. 1, 2015. That’s not very long from now so hurry and make plans to see this exhibition. The exhibit assembles a selection of new and recent work by Tyrone Geter curated by Frank McCauley, Chief Curator at the Sumter County Gallery of Art, in Sumter, SC. So, I guess now the City of Charleston’s Office of Cultural Affairs is letting out of town curators organize exhibits for them. Well, that can’t be right – I don’t think anyone really knows how they select exhibits for this gallery space. I know I’ve never seen a public notice calling for proposals.

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I guess this might be the first work of the exhibit. You can read about Geter and the exhibit on the text panels

Geter has forged a unique artistic practice spanning multiple media platforms including drawing, painting, and sculpture. His ongoing series entitled “Purgatory Ain’t Nothin’ but the Blues” is most often executed with the most basic and humble of mediums, charcoal on paper. You can read all about the exhibit and Geter on Page 16 of our Feb. 2015 issue of Carolina Arts found at (www.carolinaarts.com).

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Two larger than life works.

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Many of the works are very large and they fill up a large wall very fast.

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I added this image to show that on either side of the cube wall the lights were not on and I mentioned it to one of the people running the gallery, but nothing was done to turn them on while I was there.

I’ve seen a lot of exhibits at this gallery and I think, in fact I’m sure, this is the best single person exhibition I’ve seen here. There have been some great group shows, but this has to be the best one I’ve seen. Maybe I missed something better – my loss, but I’m glad I got to see this one.

Geter is very skilled at drawing but the title of the exhibit might fool you, a lot of the works have much more to them in making the final piece, but it’s his abilities at drawing that pulls each piece together. Some works are down right 3-Dimentional and a few are almost mini installations. But it’s the strong drawing that will always be the main focus.

And the people who are Geter’s subjects are some of the strongest characters where you know there is a heck of a story behind each one – sometimes suggested by the title – some with stories a lot of us hope we never have to tell, stories of hard work and hardships – stories of going without for the sake of others. And, stories of injustice.

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“So Many Gone” from the series “Living in the Light of Hell’s Shadow”.
Grandmother speak to me of wisdom.
Talk to me of courage and struggle.
Tell me the tales of freedom
and the quest for emancipation.
Tell me the stories of my people.

As a white person, you might begin to feel a little guilty – in fact I hope you do. I know I was and when I came across the only image of a white person or at least not a black person in the exhibit titled, I Saw Nothing, Heard Nothing, and Said Even Less, I was hoping I wasn’t looking at a portrait of me. I didn’t take a photo of it so you could see if it looked like you when you saw it.

In fact, it was nearly impossible to take decent photos of the exhibit as a whole. Most of all the works are behind plexiglass or glass and the way the lights are positioned and the fact and one whole wall of the gallery is all windows and doors – it’s a photographic nightmare. But I did manage a few shots.

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This image shows the terrible glare from the gallery lights and light coming in from the windows.

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Mayor Riley asked for one whole wall of the gallery to be glass so people at receptions could gaze out over Charleston’s Harbor view. Who cares what it does to the art on view in the gallery.

Between the time I saw this exhibit and while I was writing this blog entry, Tyrone Geter posted one of the works in the exhibit on his Facebook page titled, Black Face White Face. It’s a charcoal/pastel on torn paper work he did in 2015 in response to events taking place in Ferguson, MO. It was one of the images that I wondered if he had taken any photos of before the works were put behind glass or plexiglas so I could show them here. There was no way I was going to get a good shot of them in the gallery. And, he did have good photos of the works I requested – as all the images were that he sent us. That’s another reason his works ended up on the cover of our Feb. 2015 issue – because he had good high res images to send – on request. But, I’m getting distracted. I shared the photo he had posted on Facebook and commented that it was nice to see work being done by a SC artist that related to a current topic and made a statement that couldn’t be missed by anyone.

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“Black Face White Face”

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Detail of “Black Face White Face”

Geter makes beautiful, intense images that speak volumes to some people, make others think, and unfortunately leave some at a loss for what it’s all about. I’m not saying I could relate to 10 percent of what some of these images were saying and I’m glad I never had to, but it also makes me wish they didn’t have to either. And, today that gap between the haves and have nots is bigger than ever. And I feel that my family and I are slipping further down that trickle down economic pole. We’re still better off than many who are way down that pole below us.

We’ve shown mostly black and white images, but there was an interesting group of works done in charcoal/pastel (color) on black paper. It was amazing how the color bounced off that black paper – subtle and powerful at the same time.

I did manage to get acceptable photos of two works that seemed like mini installations to me. The drawings were enhanced with torn strips of paper giving a real 3-D effect and the two works were placed in deep enclosures which had drawings on the outside of what I’ll refer to as boxes. At the bottom the boxes where collected items of all sorts and the boxes had what looked like feet to me. One interesting item at the bottom of one of the boxes was an empty plastic bottle with the word “Hungry” on it. I guess there is nothing like being served from a bottle of Hungry, but I wouldn’t know – I’ve never known hunger. How about you – would you know what that tastes like?

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Here are the two boxed works

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A view of the drawings on the sides and some of the items at the bottom.

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Check out the jug or bottle of “Hungry” and the feet holding up the work.

This was a hard exhibit to digest, but I’m oh, so glad I got to see it, and I hope a lot more folks go see it. I hope this exhibition will be shown in other places in South Carolina or North Carolina.

Time is running out on this Charleston exhibition. Unfortunately we didn’t receive details about it until several weeks after it started. Run and don’t stop until you see it.

Oh, before I left Charleston I stopped by the Corrigan Gallery, at 62 Queen Street and chatted a bit with Lese Corrigan about the changing face of Charleston’s visual art community. There was a lot of good works of art to look at there too.

She has an exhibit coming up next month entitled, Female Cuts, on view from Mar. 5 – 30, 2015, featuring a showcase of primarily woodcuts by artists from then and now. A reception will be held on Mar. 6, from 5-8pm. The then will be represented by Charleston Renaissance artists Elizabeth O’Neill Verner, Alice Ravenel Huger Smith, Anna Heyward Taylor and now – Mary Walker, Kristi Ryba, Lese Corrigan with Corrie McCallum whose work is the bridge between the two time periods.

That title comes from a remark a SC State Representative recently said about women – “They are a lesser cut of meat”. I’m sure our Governor liked that statement coming from a member of her own party, or, does she just care about serving her party’s need for diversity?

Traveling in the Pathways of Francis Marion Checking Out the Visual Arts in the Pee Dee Region of SC – Part II

February 14th, 2015

I left off in Part I talking about the Hotel Florence on West Evans Street in Florence, SC. If you want to read what I wrote in Part I visit this link.

On the other side of the street across from the Hotel Florence, a half a block toward Irby Street, you’ll find the Art Trail Gallery, at 185 West Evans Street. This is the gallery’s second location and I understand that they will soon be on the move to a third location. You can’t say the arts in Florence are not doing its part for urban renewal – especially when it comes to the Art Trail Gallery. Where the Art Trail Gallery goes – so go folks looking for the arts in Florence.

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On this day they were showing Photofabulous 2015, a show that is an annual display of photography from the region. This year’s offering was a juried show, selected by Julie Mixon, an Assistant Professor of Photography at Francis Marion University. At the old gallery’s location on South Dargan Street I’ve see a few Photofabulous shows that were “you bring it and hang it kind of shows” and the type and quality of photography on view ranged from children and adults taking snapshots, some really funky images using some form of photography, and very good traditional photography. These shows were all over the place. I’ve been an advocate for more focused or themed shows to be shown at the Art Trail Gallery and last year the Florence Regional Arts Alliance presented one that focused on works produced by teachers and students associated with Francis Marion University. But, after viewing this juried photography exhibit I kind of wished a return to the wild and woolly photography shows.

Now, some of my opinion could have been determined by the fact that the gallery was transformed into a banquet hall, with tables and chairs filling the space making it a real challenge to see the works hanging on the wall. The Art Trail Gallery is a multi-use space after all, and it was just unfortunate to catch it at this time in this form, but there was something else about the exhibit. All the works were well done and presented very professionally, but there was no pop – no – what is that? or how did they do that? I’ve seen a lot of photography in my life, after all my background in the arts was in photography before I became a pimp for the visual arts, so I like to see things that I haven’t seen a million times before. I’ll admit that it is a very high bar to get over and maybe a little unfair to expect.

I don’t know if some of those funky photographers from older open shows didn’t enter or didn’t make the cut of this juror or what. I know there is less space in this version of the Art Trail Gallery. On South Dargan Street they used to hang hundreds and hundreds of photographs. Maybe some photographers don’t like taking the risk of getting in a juried show – a lot of artists are like that at some point in their careers. The general worry by these folks is that they might not win or won’t even get an award.

I didn’t take any photos at this gallery as it would have been impossible and most works were behind glass, so I can’t show you any examples of work on view. I also didn’t bother taking any general view shots as it would just look like a big room full of tables and chairs – and by the next day all that stuff might be gone. So when you go see it you will see a show totally different than the one I viewed. Well, it’s the same show but different circumstances.

Now, that’s not to say I didn’t like anything I saw – I did. Here’s a list of a few images that stood out to me: Anne Baldwin’s “Keys to the Past”, Janet Leonard’s “First Bloom”, Suzanne Muldrow’s “Remnants of Spring”, Patricia Burkett’s “Stolen Moments” (who one first place at the exhibit with this work), and my personal favorite of the show, Susan Griggs’ “Maine Tidals” which showed a few totems of river stones against the backdrop of a rushing river.

I guess what I’m saying is that I found this show to be a little too tame after viewing The Pee Dee Regional Art Competition at the Waters Gallery of the Florence County Museum. If this was the only exhibit I viewed that day, I might have come away with a whole different feeling about it. But then again, none of us lives in a vacuum – we’re affected by what we ate for breakfast, the drive to where we were going, everything we saw along the way, not to mention the environment we grew up in. You’ll see a totally different show and that’s what this is all about – you going and seeing these exhibits yourself and making up your mind about what you saw. I’m just one person who goes and sees shows and gives his opinion.

While I was there, Uschi Jeffcoat, Director of the Florence Regional Arts Alliance, that now shares space with the Art Trail Gallery, introduced me to a couple of interns from Francis Marion University, who will be helping to expand the reach of the Alliance throughout the community. I know I said something to these two young men, but for the life of me all I can remember is “Yada, Yada, Yada” on my part. Jeffcoat has an exhibit of watercolors over at the The Clay Pot Coffee Shop, at 166 South Dargan Street, across from the Florence County Museum. Adolescence in Flight: Reflections Seen and Observed, which will be on view through Feb. 28, 2015.

While I was at the Art Trail Gallery I also ran into, or was spotted by Alex Palkovich, who seems to show up everywhere I go in the Pee Dee and he invited me over to his studio, just behind the Art Trail Gallery on Irby Street. His works also share the space at the Art Trail Gallery. It’s a major component of the gallery – worth the trip alone.

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Here’s an image of a small version of the statue by Palkovich which was on view at the first ArtFields© in Lake City, SC

Palkovich has a new project in mind for Charleston, SC’s Market area – a nine foot tall sculpture of a mid-century black woman with a basket of goods on her head – walking to the market. He’s been pretty successful getting his sculptures placed around the Pee Dee area, but Charleston is another world and one thing it is not known for is public sculptures.  But I’m not betting against Palkovich – he’s a real persuasive man.

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My next stop was the Doctors Bruce and Lee Foundation Library, located at 506 South Dargan Street. It’s a little further away from where the art district is but still very close. That’s where the FMU Artists Exhibit, is on view through Mar. 30, 2015. The exhibition features works from nine faculty and staff members from Francis Marion University’s Department of Fine Arts in the Dr. N. Lee Morris Gallery, located on the 2nd floor of the library. Mediums range from 3D art, ceramics, drawing, painting, photography, printmaking, and mixed media.

Featured in this exhibition are works by Colleen A Critcher (1st place winner of The Pee Dee Regional Art Competition), Dr. Eaujung Chang, Julie S. Mixon (juror of the Photofabulous 2015 show and in the Pee Dee show), Douglas E. Gray (who has his ceramic works on display in three of the spaces I visited this trip and in the Pee Dee show), Gregory G. Fry (in the Pee Dee show), Dr. Howard J. Frye (in the Pee Dee show), Steven F. Gately, Walter W. Sallenger (in the Pee Dee show), and Lawrence P. Anderson (in the Pee Dee show).

The Dr. N. Lee Morris Gallery is a challenge to take photos in but I took a few anyway. But the work here is like an extension of The Pee Dee Regional Art Competition. My favorite work here was “Anticipation” by Dr. Howard J. Frye, a pen and ink work made in 2010. I always like everything I’ve seen by Douglas E. Gray, but there is a lot of good work here. So I would say that if you go see The Pee Dee Regional Art Competition you should follow it up by visiting this library exhibit.

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“What If… by Julie Mixon, 2013, white marble fresco image transfer

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“Anticipation” by Dr. Howard J. Frye at far left and photos by Walter W. Sallenger

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View of works by Gregory G. Fry on left wall, works by Julie Mixon on the other wall, and glass case with works by Douglas E. Gray

I think it is great that at least four major branch libraries, that I know of in SC, have art galleries in them – that’s Charleston, Columbia, Spartanburg and Florence. These warehouses of knowledge also think it is important to offer their visitors art on a regular basis. I love libraries and hope the public always supports them as one of the most important parts of our communities.

At this point we move on to Lake City, SC, to the Jones-Carter Gallery of the Community Museum Society Inc, at 105 Henry Street, next to The Bean Market. They are presenting The Sum of Many Parts: Quiltmakers in Contemporary America, featuring selections from a larger exhibit curated by Teresa Hollingsworth and Katy Malone of South Arts, Atlanta, GA. The exhibit will be on view through Mar. 7, 2015.

A larger, original version of this exhibit was conceived and sponsored by the United States Embassy, Beijing, and developed and managed by Arts Midwest and South Arts with additional assistance from the Great Lakes Quilt Center at Michigan State University. Titled The Sum of Many Parts: 25 Quiltmakers in 21st-Century America, the exhibit toured throughout China in 2012 and 2013.

This is just another example of the quality of exhibits the Jones-Carter Gallery is bringing to South Carolina. Here we have a display of contemporary quilts from the best fiber artists from throughout the US. They are acting like a big city art museum, but the admission is free – lucky us.

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I took one photo of an interactive quilt board where people can make their own quilt by using patches of fabric and attaching then in any pattern they like to a background. It’s fun to spend a few minutes putting something together and then you look a one of the quilts on display and wonder how many days or months did it take for the artists to put them together. It’s mind blowing when you look at the details of some of these works. The other photos presented were provided by Hannah L. Davis, the Gallery Manager.

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Caryl Bryer Fallert, “Fibonacci Series #8″, 2012, cotton, polyester, and bamboo batting, 30 x 30 inches, courtesy the artist.

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Linda M. Roy, “Subtle Sixties”, 2004, cotton, 81 x 81 inches, courtesy the artist.

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Alicia Avila, “Chicken Quilt”, 2013, cotton, 51 x 53 inches, front view, courtesy the artist.

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Alicia Avila, “Chicken Quilt”, 2013, cotton, 51 x 53 inches, back view, courtesy the artist.

It should also be noted that the exhibit includes a work by artists representing both the Carolinas. Not too shabby since the original exhibit featured quilts by only 25 artists.

The next show up at the Jones-Carter Gallery will be ArtFields© 2015, on view from Apr. 24 – May 2, 2015. So make your plans now for a big art visit to the Pee Dee, but don’t wait that long – you should go see the exhibits that are on view now.

While were talking about ArtFields©, I received a copy of the Annual Report from the Community Museum Society who now manages ArtFields© and here are some interesting numbers offered in the report. Here’s a breakdown of submissions state by state for 2014 in order from most to least: SC – 674, NC – 138, GA – 76, TN – 42, AL – 34, FL – 34, VA – 19, LA – 14, MS – 10, KY – 8, WV – 8, and AR – 4. It’s plain to see that the farther you get from Lake City the numbers drop off and it’s clear that North Carolina is under represented. The 2015 numbers haven’t been released yet but I hope they have improved as far as submissions from NC.

Traveling in the Pathways of Francis Marion Checking Out the Visual Arts in the Pee Dee Region of SC – Part I

February 11th, 2015

On my most recent trip to the Pee Dee area in South Carolina, my list of exhibits and galleries to visit was larger than usual – so much was happening there in February. After I got back home I posted on Facebook that, “I pulled a Francis Marion today. I was in so many different places in the Pee Dee that if the British were chasing me they wouldn’t know if there was just one of me or hundreds of me roaming in and out of their lines.” And, this time I got all the words right. Making quick posts on Facebook can result in sloppy wording.

My travel list included two commercial galleries, two art spaces, a museum, and a library, but before I was finished I added a visit to an artist’s studio. Unlike other not-so-well planned trips to the Pee Dee, this time I made sure my first stop would be to the Lynda English Gallery-Studio. On two other occasions I had gotten there after they closed and ran out of time before I had to be somewhere else. But not this time.

The Lynda English Gallery-Studio, is located at 403 Second Loop Road in Florence, SC.  The gallery is known as “The Meeting Place for Art in Florence”. They have been there forever – long before Florence started developing an arts district in the downtown area. They feature works by local and regional artists in a variety of media, offer art supplies and teach art classes on a regular basis.

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A corner shot of the gallery, with painting of big flowers by Jackie Wukela.

When I arrived, Jackie Wukela, partner with Lynda English was talking with a possible future art student, English was not there. So I took a few pictures and looked around a bit. I couldn’t remember the last time I was in this space. It was back when I was delivering the printed paper, but we didn’t always include Florence in our deliveries as it was hard at times to get info out of the Florence area as to what was on exhibit there. It was kind of crazy as I was driving right past Florence to get to other areas that I delivered to every month, but in those days every extra stop added time to my already long trips. My feelings were if an area couldn’t bother to inform us about their exhibits – why take the paper there. So, the last time I was inside the gallery there was more gallery than classroom space, but there is still a lot of art on display.

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A selection of ceramic works by Douglas E. Gray, a Professor of Art at Francis Marion University.

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A selection of jewelry by Lynda English.

Once the prospective student was finished and left, Wukela and I dove into a number of subjects: the growth of the visual art community in Florence, ArtFields© in Lake City, and the new Florence County Museum. She knows a lot about what’s going on – her son is the Mayor of Florence. But, before long another customer arrived and I said I better move on – customers always come first. After 36 years in business I know that creed well.

My next stop was not too far away at The Purple House, home of The Earring Lady (Barbara Mellen), at 2717 Second Loop Road, where they were having a Valentine’s Day Colorific Event that weekend featuring works by The Earring Lady and Silks by Jane – Jane Madden that is.

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A selection of silk scarves by Jane Madden.

Madden was the person who called me, now many years ago, asking me to take another look at what was going on in Florence. Back then she was helping to develop the Art Trail Gallery, and eventually running it. Others have taken over but she is still involved in putting out the word on what is happening there. She is also one of our main helpers in getting the word out about Carolina Arts. Madden was also the first person to tip me off as to what was about to happen in Lake City, SC. She is a resource for a wealth of information.  She claims to have a job at Francis Marion University, but I can’t see how that could be true with all she does – don’t get me wrong, she’s putting in a full time work at FMU in a part time job. If the power grid ever goes down in SC – we just need to hook up to Jane.

Unfortunately, Madden had left The Purple House before I got there. I had seen the work of The Earring Lady and Madden’s scarves at various other shows so I didn’t stick around too long and I still had a long list of stops. Good thing Linda, my better half, wasn’t on this trip or we would still be there. If you like earrings and scarves – check this place out. The two artists seem to have a like mind when it comes to colors.

The Second Loop Road runs right into Palmetto Street that takes you right back into the heart of Florence’s developing arts district. My next stop was the Waters Gallery, which is not located in the main building of the Florence County Museum, but in the former location of the first Art Trail Gallery at 135 South Dargan Street. That’s were the 2015 Pee Dee Regional Art Competition exhibition was being presented. The exhibit is sponsored by Chick-fil-A and will be on view through Mar. 29, 2015. The 38 works on display were selected from a total of 172 submissions by Lese Corrigan, of Corrigan Gallery in Charleston, SC.

The space where the Art Trail Gallery used to be has been remodeled and the Waters Gallery pretty much takes up the space that used to be sculptor Alex Palkovich’s studio/gallery space. (I’ll have more on what Palkovich is up to these days in Part II). Corrigan selected what turned out to be an exhibit pretty much representing the college and university faculty of the Pee Dee including: Coker College in Hartsville, SC, Coastal Carolina Unversity in Conway, SC, and Francis Marion University in Florence. A few weeks earlier, after I received a press release about the artists who were selected for awards I called Corrigan to see if she knew what had happened and she asked me back who were the people I was talking about. She is not familiar with much of the Pee Dee visual art community – which made her a good judge for the exhibit.

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Here’s a bronze work by Townsend V. Holt of Florence titled “The Kiss”. I took this to also show a little of the gallery. But I wasn’t having too much luck so I’m showing some of the photos the Florence County Museum provided me.

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“December” by Yvette Cummings of Conway, SC, acrylic collage on canvas.

I would love to see all the works that were entered, but regardless, Corrigan selected a heck of an exhibition. The group selected represented a little over 20% of the group that entered the competition. Having seen a number of shows highlighting the works of the visual artists of the Pee Dee and not seeing a lot of names by some very good artists, just goes to show – the Pee Dee has a lot of talent. And, I agree with some of the people I talked with during this trip that it would have been nice to see a bigger show. The Florence County Museum has more space in that building. But like I always say about juried shows – you’re a winner by just making the cut, any awards after that is a bonus.

One thing I want to say about the exhibition is that Corrigan selected a painting, Sirens I, showing nudity by Jim Boden, who is an art professor at Coker College, for the second place award, and it is on view with all the rest of the works. My hat goes off to the folks at the Florence County Museum, Chick-fil-A,  and the overall Florence community for realizing that nudity in the arts in no big deal. Unfortunately it is in many other cities in SC and in some you wouldn’t think it would be so. I know a lot  of stories about what happens when a juror selects a work with nudity in it or an artist tries to enter a work with nudity in it. It’s a point that is essential for the development of any truly creative community – nudity is and always has been a big part of the arts. Another work in the show by Cat Taylor, who teaches art at Coastal Carolina University, titled The Genesis of Jihad, has religious connotations – a hot topic in today’s world.

Look folks, they’re serious about the arts in the Pee Dee – much more than folks who have had an abundance of it for a long time. I say that to let you know it is worth the trip to go see some of these exhibits. You might see some kinds of art you’re not going to see in your own area.

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“Sirens I” by Jim Boden of Hartsville, SC, oil on canvas.

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“The Genesis of Jihad” by Cat Taylor of Longs, SC, acrylic on canvas.

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“Obeast/GMO” by Mike & Patz Fowle of Hartsville, SC, mixed media encaustic.

Before I left the Museum complex, I went over to the Main building to check on one particular artwork hanging in the Museum’s lobby. And thankfully I found this sign.

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Sign identifying Manning Williams as the artist of the work hanging in the Florence County Museum lobby.

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“Bishop and the Egyptian Roach” by Manning Williams of Charleston, SC, acrylic (house paint) on canvas 12’ x 9’

This work of art has been hanging unidentified since the Museum opened back in Oct. 2014. I’ve complained about that twice in my blog and commentary and I’m very happy to report – as you can see – it is now identified. And, I’ve been told the other signs – or lack of signs identifying objects in the Museum and on its grounds are in the process of being made.

So, I’m happy to say that you should make a visit to the new Florence County Museum, located at 111 West Cheves Street, across the street from the Francis Marion University Performing Arts Center. They have two wonderful exhibits on view including: William H. Johnson: New Beginnings, on view through Oct. 5, 2015, which features twenty one works from the life of Florence native, William Henry Johnson (1901-1970) selected from the collections of the Smithsonian American Art Museum, the Florence Museum Board of Trustees, the Johnson Collection, and a private collector in Denmark and Selections-from-the-Wright-Collection-of-Southern-Art, on view through Jan. 1, 2016. This exhibition features thirty works from the Florence County Museum’s recently acquired Wright Collection of Southern Art. At its center is work by noted artists like Thomas Hart Benton, Alfred Hutty, Helen Hyde, Florence native artist, William Henry Johnson, Alice Huger Smith, Anna Heyward Taylor, Elizabeth O’Neill Verner, Palmer Schoppe, Mary Whyte, and Stephen Scott Young.

The Florence County Museum is a nice new facility – it still has that new car smell and admission is free. I always find plenty of free parking in the area and you can check out the show at the Waters Gallery, just around the corner.

And if you are there during the lunch or dinner time, there is a strip of restaurants on S. Dargan Street, right across from the Museum which offers a nice variety including: the Thia House, The Clay Pot Coffee Shop, 1031 American Grill, The Library, Dolce Vita, and Wholly Smokin BBQ. And if you want to make it an overnight stay, don’t forget that just around the corner on West Evans Street is Hotel Florence and Victor’s Bistro. I’ve stayed at Hotel Florence, thanks to the good folks at Florence Unlocked. It’s a great place to stay and there is plenty of art to see there. A new pizza shop is about to open across from the hotel. Things are opening up all the time in this new arts district.

OK I think this is a good place to stop. We have three more exhibits to talk about and a studio visit in Part II and I don’t want to wear anyone out.

The February 2015 Issue of “Carolina Arts” is Now Ready to Download

February 1st, 2015

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The February 2015 issue of Carolina Arts is up on our website at (www.carolinaarts.com) – all 68 pages of it. It you get this by 10am and download it you can read some before all the pre-game shows come on for the Super Bowl. Or maybe they started the night before?

Our cover features works by Tyrone Geter.

Single page downloads are still adding up to more than double the amount for side by side format – which is good as many people desired one or the other. We’re here to please all we can so we’ll continue offering you the choice of two ways to download the paper:

For single page format use this link (http://www.carolinaarts.com/215/215carolinaarts-sp.pdf).

For side by side page format use this link (http://www.carolinaarts.com/215/215carolinaarts-dp.pdf).

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas this month. And, don’t forget to find a way to thank our advertisers – they make the paper possible. And help us spread the paper around by sending these links to your friends.

If you want to get something in the March 2015 issue – send it now or as soon as you can. Don’t wait till the Feb. 24 deadline. Please don’t wait until the deadline this month as that only gives us four days to put it together. Warning - if you don’t make the deadline this next month there will be no grace period – you’ll be left out.

Thanks – Tom and Linda Starland
Carolina Arts
843/825-3408
info@carolinaarts.com

The January 2015 Issue of “Carolina Arts” is Now Ready to Download

January 1st, 2015

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The January 2015 issue of Carolina Arts is up on our website at (www.carolinaarts.com) – all 58 pages of it. That’s an easy read – even with a hangover – if you have one. It’s a new year – at least that’s what they say. If you’re like me it seems a lot like the old one, but you can make it what you want. It’s all up to you. We’re just trying to let you know where and when you can see what’s on display. And there is a lot of work on display as the visual arts in the Carolinas has no season – it’s 24/7 for us.

Single page downloads are still adding up to more than double the amount for side by side format – which is good as many people desired one or the other. We’re here to please all we can so we’ll continue offering you the choice of two ways to download the paper:
For single page format use this link (http://www.carolinaarts.com/115/115carolinaarts-sp.pdf).

For side by side page format use this link (http://www.carolinaarts.com/115/115carolinaarts-dp.pdf).
So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas this month. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending these links to your friends.

If you want to get something in the February 2015 issue – send it now or as soon as you can. Don’t wait till the Jan. 24 deadline – or you could be left out. It happens.

Thanks – Tom and Linda Starland
Carolina Arts
843/825-3408
info@carolinaarts.com

Bringing “Carolina Arts Unleashed” a Blog by Tom Starland, Editor/Publisher of “Carolina Arts Back” from the Dead

December 11th, 2014

The shock of losing my blog, Carolina Arts Unleashed, was about as much of a shock that it could be recovered and how soon it was back – thanks to our Super Blog Guru Zelda Ravenel. And, thanks to the Internet Archive Wayback Machine, which keeps track of 435 billion web pages – including Carolina Arts.

I’ve used the Wayback Machine in the past to check out how some people have tried to change their history or make people forget about it by “upgrading” their website. I just didn’t think about it when we lost Carolina Arts Unleashed. I guess I just wasn’t thinking clearly. It’s a good thing others, who know alot more about how the Internet works are around for folks like me who don’t have a clue about any of it – other than using it as a tool for communication. What hurt the most was that I had forgotten what was all there to be lost.

I haven’t been using Carolina Arts Unleashed that much in the last year or so as I’m posting more items at our blog Carolina Arts News. We post items people send me to pass on to our readers, where as posts at Carolina Arts Unleashed usually are generated by me – which takes more time – time I don’t seem to have much of these days. As is – Carolina Arts Unleashed has been up more than a week now and I’m just finding time to make my first posting post lost/return.

Unfortunately, while the blog went missing we lost our spot in the rankings of the Internet search engines. I’m not sure we’ll ever get back to where we were, I guess it all depends on how people discover what we have on the blog. Our Super Blog Guru tells me that all the links people made to different post we had there should all still be functional – I hope they are and I’m sorry for any that don’t work, but I guess the good thing is they can now be re-made.

Well that’s all for now. It’s good to be back.

Good News/Bad News We’re Working on it!

September 29th, 2014

We got access back to the blog, but in the process it made a new file, and the old information is no longer in it.  We hope to have everything back soon…

A Trip to See Several Exhibits in the Pee Dee Area of South Carolina in July 2014 – Part II

July 23rd, 2014

On a day when it was thundering and lightening around the lake here in Bonneau, SC, I decided to head over to the Pee Dee area of South Carolina, to see a few exhibits on view in Florence, SC, and Lake City, SC, just an hour’s drive north on Hwy. 52. If the computer had to be unplugged, why not go somewhere else where the weather is not so angry.

Part I, about my visit to the Jones-Carter Gallery in Lake City, SC, (home to the ArtFields event) can be seen at this link.

In Part II of this installment, I’m going to cover a subject I’ve talked about several times in the last few years, and that’s the growing arts district in downtown Florence, SC. It had been almost a year since my last trip to see an exhibit at the Art Trail Gallery and I was looking forward to seeing all the changes that had taken place during that time frame. I’ve also been waiting for almost six months to get a close look at the public art that was being installed in this district.

Downtown Florence, like many cities across America has a lot to work with as far as vacant buildings that can be rehabbed and buildings that will need to come down to make new open spaces and in the last 3-4 years I’ve been going there you could see signs of a makeover taking place.

So when I got to Florence after leaving Lake City, SC, I parked across from where the old Art Trail Gallery was on S. Dargan Street – where I knew Big Bleu Birdnanna, a towering sculpture by Mike and Patz Fowle was standing – the first piece of outdoor work to be placed in the new arts district by REdiscovering Downtown Florence, a division of the Florence Downtown Development Corporation.

I’ve seen photos of the big bird, but I wanted to see it myself before I reported about it. Once I got out of the car I could really see that a lot of work has been done since I was last in this area.

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Patz Fowle working on design of sculpture

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Installation

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Big Bleu Birdnanna today

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Another view

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Impressive sign for sculpture – any guess as to who made this?

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Many artists wish the sign for their sculpture ID sign was this good

After taking a few photos of Big Bleu Birdnanna, I followed a walkway to another open space that would lead me to the Art Trail Gallery on West Evans Street, but before I got there I discovered another open space which was totally changed since I was last in Florence. It was called the James Allen Plaza. I’m not sure who James Allen was but I’m sure he was someone important to downtown Florence or someone who gave them money to do this space. And, here I found the handiwork of Bob Doster, the man of metal, from Lancaster, SC. I’m telling you – his work is going to be everywhere someday.

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Sign for James Allen Plaza

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Here we see that Bob Doster has been here – it’s no surprise

Three of the pieces were influenced by students from local schools, including the Swallowtail Butterflies and Yellow Jasmine designed by Williams Middle School students. Doster works with a lot of school children all over the state helping them make sculptures.

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“Swallowtail Butterflies,” by Bob Doster with the help of Dredan Brown, Caroline Ham, Lyle Detalo, Marquise Brewer, Ryan Byrd, Hannah Culpeper, Rocye Anderson, and Haven Rector

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“Yellow Jasmine,” by Bob Doster with the help of Henry Frierson, Jazmyn Rowell, Caleb Farrell, Ciona Gray, Lilly Huiet, Hannah Rose Carter, and Ezra Smolen-Morton

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Unknown title, by Bob Doster, with the help of Lauren Bynum, Lelley Pierce, and Hannah Gandy, from unknown school

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Rendition of the City of Florence Seal, by Bob Doster

Here’s a little pitch for REdiscovering Downtown Florence:

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REdiscovering Downtown membership is similar to memberships other downtown groups have, but focuses just on public art rather than business promotion.

Arts and culture is a very important component of the downtown revitalization process and creating public art will make the area more inviting and encourage both locals and tourists to REdiscover the historic heart of our community.

With your support, public art will be purchased each year and be placed in downtown courtyards and all the streetscape of Evans and Dargan streets. The city of Florence is providing matching dollars for this project utilizing funds from the fees collected from Sundays alcohol sales. This means that every dollar you donate will leverage public funds to help grow art downtown.

For further info and to become a member visit (http://www.florencedowntown.com/arts-culture/rediscover/).

The rest of the time before the reception started for the exhibit at the Art Trail Gallery was spent walking around W. Evans Street and S. Dargan taking photos of some of the buildings which now hold new businesses and some that will soon hold new businesses – in Florence’s new arts district.

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Another open space on W. Evans Street

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Businesses on S. Dargan Street, near W. Evans Street

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More signs of change – building coming down near Irby and W. Evans Street

I understand the new Florence County Museum will be opening sometime in October of this year, and that will add another big cornerstone in that arts district.

Things are happening in South Carolina’s Pee Dee area.

A Trip to See Several Exhibits in the Pee Dee Area of South Carolina in July 2014 – Part I

July 15th, 2014

On a day when it was thundering and lightening around the lake here in Bonneau, SC, I decided to head over to the Pee Dee area of South Carolina, to see a few exhibits on view in Lake City, SC, and Florence, SC, just an hour’s drive north on Hwy. 52 (Lake City is one hour away). If the computer had to be unplugged, why not go somewhere else where the weather is not so angry.

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The Jones-Carter Gallery in Lake City, is presenting “Upcycled: The Art of Reclaimed Objects”, an exhibition on view through Aug. 23, 2014. The exhibit features works by Natalie Abrams (Charlotte, NC), Patz and Mike Fowle (Hartsville, SC), Randy Gachet (Birmingham, AL), Jordan Morris (West Columbia, SC), Greg Mueller (Spartanburg, SC), and Amelia Sherritt (Seattle, WA), the show explores the ways in which post consumer products can be upcycled into intriguing works of fine art.

I’m doing this blog post in parts to keep it from being so long. Part I is about the exhibit at the Jones-Carter Gallery and a few other notable items related to Lake City.

When you walk in the door you are confronted by a large work by Randy Gachet entitled, “Repercussions”, 2008, made of reclaimed rubber tire, steel wire, and acrylic mirror. Gachet explains that in the 1990′s he started noticing that the rubber tire remnants seen along the roads were beginning to take forms in his mind – crow wings, tortise shells, and alligator hides. I’ve seen a few of those alligator hides along the road in my travels. “Repercussions” reminds me of a group of turtles in a pond with the ripples of water emitting from their shells. I’m not sure what function the mirrors served as I couldn’t see any effect from them.

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In “Carbon Plume”, 2011, a work of reclaimed rubber tire, concrete, and steel, I first thought the work depicted some kind of tree, but once I read the ID card provided I easily could see the jet black plumes rising from burning oil fields in Iraq, first seen on CNN. Gachet offers the following statement about this piece, “The rubber tire fragments in the piece were all collected along interstate highways in the Birmingham, AL, area where I live. The perpetual whir and rush of semi-trucks and automobiles implicate the voracious engines of production and consumption that hurtle them as I scavenge the highways for the detritus left behind. The resulting form is both graceful and sinister.” After reading that I kind of wished it was some kind of tree, but then I couldn’t think of any happy story lines involving trees and rubber tires.

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Up close look

After reading that statement it was hard to think of this exhibition as representing the ever amazing imagination of artists to make works out of junk and stuff we throw away or consume in our daily lives in America. After all we are the great consumers of the world. It’s a good thing the next works I zeroed in on were by Patz and Mike Fowle. Although their works are more whimsical – they are no less a statements on the great mountains of discarded objects we create in America.

Although this is a group show, it is clear when you get there that Mike and Patz Fowle seized the opportunity to provide many examples of how they use repurposed consumer goods – mostly, in this exhibit, discarded children’s toys. They provide 11 of the 20 works in this exhibition.

The largest piece in the show is “Post-Consumer Aquarium”, 2014, made of repurposed children’s toys, plastic and metal wire. Many of the fish-like creatures are made from plastic toys and toy parts – part of the millions of pounds of plastic produced each year in America which will last longer in boxes stacked in closets and attics or in our landfills for decades longer than they were enjoyed by a child. But now a few of those toys make up parts of artworks.

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I have to say that the toys we bought our son are getting a lot of reuse by his children. We kept them all, but they won’t last another generation. His boys are rough on toys.

In another work by the Fowles, “Recycled Red Bird”, 1994, made of found bed springs, steel, sheet metal, and a glass insulator, shows that the couple also makes repurposed works from more industrial and consumer waste. They found the bed springs while exploring the Sand Hills area of South Carolina in a pile of construction debris – not in a landfill, but thrown or dumped out in the open.

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These three characters produced out of the Fowle’s imagination represent colorful members of a contemporary community of cast-offs including: “Blow Hard”, 2010 (L); “Fast Food”, 2010 (C); and “Tough Love”, 2010, all made of found post-consumer products.

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“Fu-Man Shoe, Jr.”, 2012, made of a found shoe, rusted metal, and doll parts, was created by Patz Fowle. She offered this statement about the piece, “When I held this little canvas shoe in my hand it made me think of the journey it had taken prior to me finding it. So, I felt compelled to give it a face that had experienced many journeys with facial features of rusted metal and the eyeballs of a forgotten doll who had seen it all.”

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I first saw one of Patz and Mike Fowle’s plastic planets at an exhibit at Francis Marion University in Florence, SC. It was an amazing piece of plastic toys, toy characters, and toy parts inside a vary large ball in plastic wrap. As you examine this “planet” up close you can recognize toys from your time frame and toys from every generation there after. “Plastic Planet Redux”, 2014, by the Fowles, also includes repurposed plastic and electronic children’s toys, tape, and wheels. I took a couple of detailed images of toy characters that have been popular in our household – throughout several generations.

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One more of the cast-off characters offered by the Fowles is “The Walk”, 2010, made of found post-consumer products. It represents a scene many of us are used to – walking a pet. The character walking the pet has that look of – “Come-on, we don’t have all day”.

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Jordan Morris of West Columbia, SC, offered one work entitled. “The State of Things Series”, 2014, including four works: “Origins”, 2014, made of wood and glass; “Destruction”, 2014, made of sawdust, wood and glass; “Information”, 2014, made of newspaper, wood and glass; and “Creation”, 2014, made of paperback books, wood and glass. Most of the wood and glass represented the shadowbox cases holding the materials contained inside.

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Morris offered this sentence in his statement on this work: “Each shadowbox contains what was once a living thing in four different forms, inviting one to consider the drastic changes that our world has been through since the advent of computers”. I didn’t get that and what was said in the rest of the statement confused me even further.

What I saw looking at these four boxes was a box of cut wooden logs, a box of sawdust, a box of shredded paper, and a box of designed objects made out of paper. Each representing the progression from trees to paper and then an interesting looking design made of paper. As someone who has taken a printed publication to an online publication, I see a lot of trees being saved by computers and the Internet. But that’s my point of view. Morris also says he pines for a return to simpler times when we were not bombarded by “waves of information” in the age of electronic media. I felt the same way when I walked into a library -way before computers came along. There has always been more information than most of us could digest – there’s nothing new there.

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“Origins”

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“Destruction”

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“Information”

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“Creation”

I thought it was interesting that Morris was the only artist in this exhibit who did not provide information about himself for the press release sent out to promote this exhibition. He could have sent a letter by snail mail, but he didn’t. Perhaps it is his own problems with today’s digital media that he describes in his statement, but I didn’t see how the works he presented would lead anyone looking at the work and reading his statement to come to the conclusion he provided.

Of course there have been times when an artist has provided a statement – several pages long describing a work of art, yet I never saw what they described when looking at the work. And, I wasn’t alone in my feelings. All I can do is apologize for not getting his point. I’m sure it’s me and my lack of higher arts education.

Amelia Sherritt, of Seattle, WA, offers works made of the foil covering the corks of wine bottles. The work “Autumn Gold”, 2013, contains hundreds, if not thousands of wine foils. Sherritt states, “By re-purposing these foils, I am able to make what would normally be thrown away into something long lasting and beautiful”. And, I bet it’s a lot of fun emptying those bottles of wine, although I’m sure she has an army of wine drinkers saving those foils for her.

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Sherritt also offers, “Moss Study”, 2012. It got me wondering how many different colors are offered on all the different makes of wine out there and whether she would have to reach out to other countries for certain colors – adding travel into the process of making art. I think this artist has found the perfect materials to make her art.

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Well that’s enough – you need to go see this exhibit yourself and see if these works bum you out over America’s wasteful habits or amazes you in the endless imagination of artists – or both.

The next exhibition at the Jones-Carter Gallery will be “Francisco de Goya: Los Caprichos”, on view from Sept. 20, 2014, through Jan. 3, 2015. How many small towns can host a major exhibit of works by Goya? This gallery is a place worth visiting.

It should be noted that several of these artists had participated in the two ArtFields competitions that took place in Lake City. The folks at the Jones-Carter Gallery not only keep an eye out for potential exhibitors, but they also curate some parts of the display – so they get a good look at what’s out there. Some names from those competitions are recycled when organizing exhibitions. That’s another intangible result of getting into ArtFields, much like our selection of cover art for our June 2014 issue of “Carolina Arts”, which turned out to be one of our most popular covers – if not the most popular. I first saw that artist’s work at ArtFields. So, just making the cut at ArtFields can lead to many unknown opportunities. Exposure is “King” in the visual arts. And, it’s something to think about when artists are thinking about re-entering this competition or thinking about entering it for the first time. There is more at stake than winning one of the top prizes.

I also want to warn artists who might think that Darla Moore just might buy their over priced artwork – she’s loaded right. She didn’t get that money by overpaying for things. More work was sold the first year before artists learned she bought work that first year and jacked up their prices the second year. One artist just out of college put $100,000 on their work. I hope they were embarrassed. Moore is not the only person looking to buy works at ArtFields – so don’t price yourself out of a sale. You might also scare off a gallery owner who was thinking of representing your work in their gallery, but your price was out of reason.

It also should be noted that on this trip I learned that ArtFields will be under new management in 2015. The Community Museum Society which operates the Jones-Carter Gallery will now manage ArtFields. ArtFields will be in the good hands of Ray McBride and his team of capable folks in 2015 and I think you’ll notice many changes in how the event is handled and promoted. We’ll have more about that later.

You can read a press release about this exhibit on Page 29 and 30 of our July 2014 issue of “Carolina Arts” found at (www.carolinaarts.com).

The Jones-Carter Gallery is located at 105 Henry Street in Lake City, SC, next to The Bean Market. Admission is free at the Jones-Carter Gallery and large groups are encouraged to call ahead. The gallery is open Tue.-Fri., 10am-6pm and Sat., 11am-5pm. For further information contact Hannah L. Davis, Gallery and Exhibitions Manager, by calling 843/374-1505 or visit (www.jonescartergallery.com).