I Took a Trip to West Ashley to See Some Art – It’s an Area of Charleston, SC, but It’s Like a Step-Child

July 23rd, 2017

Summers are not supposed to be this busy. Yet, I seem to be as busy as I ever have been. There’s this publication that expects to be finished by deadline every month. Then there is my new hobby of protesting the current Government, so scratch Tuesdays off the calendar, And, then there is the Grandboys who want – no, make that demand their Grandpa’s time (they don’t care about the arts or the government – yet). Not to mention a wife, who I see in passing, a yard that is out of control, and the dog – which I swore I wasn’t going to be taking care of but gives me that look of – you’re the only responsible person in the house that will give me snacks and take me out. And above all, I promised myself I was going to see the movie “Dunkirk” when it came out, but here I am writing this blog about an art exhibit I went to see last week.

Now, as busy as I have been, it should tell you something that I took time to drive to Charleston on a Saturday afternoon, when the heat index was 105 degrees to go see art on a wall. I’ve seen lots of art on a wall many times before and I’m sure to see more art on a wall in the future. But here I was headed to the reception for “The Quench Project and the mire of desire,” an exhibition of works by Robert Maniscalco, on view at Fabulon, a Center for Art and Education, located at 1017 Wappoo Road in the West Ashley area of Charleston, SC. The exhibit will be on view through Aug. 10, 2017.

I went for several reasons. First, I suggested to Maniscalco that Fabulon was perhaps a good match for the type of work he was doing to line up an exhibit of his works when we were working on his profile and it turned out they were a good match. And, second, because I wanted to support the artist and the gallery for producing and showing respectively, art with a message. Or art that supports a cause.

Don’t get me wrong, I like art that is just beautiful, art that is abstract, and art that makes me feel good when I look at it. I have plenty of it in my personal collection. But, as of late, I’ve been drawn to art that has a message for some reason. I wonder why that is? And, I’m not saying that all art doesn’t have a message of some sort. After all you can project a message into any art you look at.

When I look at one of John Moore’s abstract photographs of rust, I can see beauty in the colors of the rust, but I can also see man’s neglect of the things he has put on this earth. When I see a landscape by Betty Anglin Smith, I don’t see any marsh scene I have every seen, but I see the Lowcountry through rose colored glasses the way visitors do when they first come to the Lowcountry and fall in love with it. It’s not reality, but it’s the way we see it in our mind, and we want to live there in all those colors. It’s like pluff mud – it smells better than it is to be in it with the noseems biting away at you. Art can help you escape from reality but it can also bring you back to reality.

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“The Next Big Thing” by Robert Maniscalco

While some artists make their pilgrimages to Provence, France or Santa Fe, New Mexico, Maniscalco chose to go to Haiti (after the earthquake) and Flint, Michigan, when it was dangerous to drink the water.

Why do that? Well, the best way I can explain that is to say that Maniscalco is a Christian in the mold of a Jimmy Carter Christian, where deeds are more important than words. I’m not an overly religious guy, but I admire those who show their faith in deeds – not words. That’s all I’m going to say about that.

We offered a sort of profile on Robert Maniscalco in our May 2017 issue on pages 12 and 14 (http://www.carolinaarts.com/517/517carolinaarts-pg12.pdf) or (http://www.carolinaarts.com/517/517carolinaarts-pg14.pdf). Check that out for more info on him and what he’s been up to in the last couple of years.

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This portrait is of Louise Noel, mother of Pastor Medit, Maniscalco’s host at the Bread of Life Orphanage in Jacmel, Haiti.

So, getting back to the exhibit, it was nice to finally see some of the works, up close and personal that we promoted in our May 2017 issue of “Carolina Arts”. I always tell people if you like the images you see in our publication, you’ll love them in person, as they are always much more alive when you’re standing in front of them. Maniscalco agreed with that concept in thinking there is a spark in the originals that no copy could show. And, I also feel that every artists puts a little of their soul in many of their works. Although, some works seem lifeless, but not in this exhibit.

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Children at the Bread of Life Orphanage learning to read and teaching each other to read.

Most of Maniscalco’s works are portraits of individuals or groups of people. What I liked about most of them is that he captures the joy and hope in people who should be feeling pretty hopeless after what’s happened to them. And I’m sure there was plenty of hopelessness to go around, but he chose to capture something else – the spirit of people doing the best they can with the situation that was handed to them. Along side each painting is a fairly long description of what you’re looking at to give you plenty of background. Maniscalco has a story to tell and a message to deliver to the viewer – you might say a call to action.

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“Overcome” a portrait of Quinn Tyler of Flint Michigan

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Maniscaloc offered a choice of water – didn’t see anyone taking the water from Flint.

I have some images of Maniscalco’s works on view, a few I had on file and a few from his website (www.maniscalcogallery.com), not from the exhibit, as they were too hard to get a decent photo of with reflections, but I do have images from the reception.

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Maniscalo is explaining a work to one of the folks at the reception. That’s one of the benefits of going to receptions – you get to talk with the artist.

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Here, Maniscalco is talking with some folks about the courtroom sketches he did for the recent Dylan Roof Trial.

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There was a nice spread of food offered.

Now, as always, I don’t want you to just read this and think – well I have a good idea of what’s there and skip it. I want you to go see this exhibit and to check out Fabulon if you have never been there. It’s easy to get to and there is plenty of free parking – something that is in short supply in Charleston.

Now, like any time I’m at an exhibit reception or visiting a gallery – I look at everything and talk to people. And, not to take away from Maniscalco’s exhibit, but there were other works on view at the gallery and I just happen to take a few images of what caught my eye. Guess what? – they were abstract works. One by Michael C. Hayes that reminded me of work I’d seen before and I verified with gallery owner Susan Irish, that Hayes had work in the recent “Piccolo Spoleto Juried Show” at Charleston’s City Gallery at Waterfront Park. I mentioned his work in a blog I did about that show. Hey, if anything I’m consistent. And there were a couple of works by Vicki Hickman that I liked and I found out she was the Visual Arts Coordinator for the Berkeley County School System – from my own backyard. When are we going to have a gallery in Berkeley County to show the talents of Berkeley County artists?

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Work by Michael C. Hayes

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Work by Vicki Hickman

And, of course I did a bit of talking with Irish and Maniscalco, but like all conversations between me and folks in the arts – it stays between us. That way people can tell me how they really feel about things.

Unfortunately I didn’t get to stay too long at the reception as I had an errand I had to do before heading home. I always have to make the best use of gas and time on these trips. But, I’m sure I’ll be back to Fabulon sometime. They’re not your typical Charleston art gallery and they don’t present typical Charleston exhibits. So if you’re looking for something different – check them out.

Fabulon is open, Tue.-Sat., 10am-6pm. For further info about the exhibit call 843/566-3383 or visit (www.fabulonart.com).

The July 2017 Issue of “Carolina Arts” is Now Ready to Download

July 1st, 2017

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The July 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/717/717carolinaarts.html) – all 54 pages of it. I know – that’s a lot less than usual, but it’s Summer.

Our cover art features work by Kristi Ryba of Charleston, SC. We’re continuing to feature works that have a political slant to them. Ryba has provided us with an image that is as current as you can get. How many people can you recognize? We have more about this cover image in my commentary on Page 4.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.

If you want to get something in the August 2017 issue – send it now or as soon as you can. Don’t wait till the July 24th deadline.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com

A New Way To Greenwood, SC, To See Some Art

June 9th, 2017

Back in the day, when I had to spend a week delivering Carolina Arts all over North and South Carolina, I would spend 12 – 16 hours a day driving in big circles around the two states. One route in South Carolina took me up I-26 to Columbia, then to Newberry, then Clinton, then to Spartanburg, over to Greenville, up to Seneca, back down to Clemson, then over to Pendleton, across I-85 into Anderson, on to Belton, then a long stretch to Greenwood, then down to Edgefield, down further to Aiken, then to Denmark, finally to St. George over to I-26 and back home to Bonneau on the shores of Lake Moultrie where the headquarters of Shoestring Publishing is. On a real ambitious day I would include Abbeville, McCormick and Barnwell. I remember even going to Union a couple of times. That was when I was acting like I was a missionary for the arts. Eventually I just took the paper to places where we got support from, which meant almost the entire left side of SC was being left out. They didn’t support our efforts – why should they see the paper? Now that we’re an electronic publication – anyone anywhere can download a copy – no delivery by me. And we cover anywhere in the Carolinas, as long as they send us info before our deadline. We just never heard form folks on that left side of the state.

In 2016, out of the blue we started getting some support from Greenwood and then Anderson. So when I decided I wanted to make a trip to Greenwood I had to look on a map to see how to get there directly from Bonneau. Of course it was get on I-26, it’s always I-26 it seems. Head through Columbia, up to Newberry and then take Hwy. 34 over to Greenwood. I don’t think I have ever been on Hwy. 34 in SC before, which was amazing as I feel like I’ve been on every road at one time or another. I noticed I’d be going through Ninety Six (a Revolutionary War town) which might be interesting.

I’ve never understood why SC is so into the Civil War when it is the Revolutionary War it should be proud of – it was won mostly in South Carolina.

Hwy. 34 is just a two lane highway and it is an up and down road. Most of the traffic was logging trucks. I never did see where they were coming from or where they were going to, but both drives in and out of Greenwood was one logging truck after another.

I left Bonneau just before 7am (it was 61 degrees) and got to Greenwood about 10:30am (it was about 68 degrees). It was like a Fall day in October. Remember, this was the 8th of June – June.

First stop was the Arts Center of Greenwood, at the Federal Building, 120 Main Street, in downtown Greenwood to check out the “11th Annual South Carolina Festival of Flowers Juried Art Show”. The weekend of June 2-4 was the SC Festival of Flowers’ 50th Anniversary, which I had hoped to attend, but too many other things got in the way. Also on view at the Arts Center was the “South Carolina Festival of Flowers Juried Youth Art Show,” featuring works by regional youth artists (K-12).

I’ve tried over several years to get the folks at the Arts Center of Greenwood to send us press releases about their exhibits with no success. They have a nice exhibit space and put on some interesting exhibits – why they are not interested in publicizing them is a mystery to me, but I got a few insights on my visit yesterday.

When I walked into the Arts Center and began viewing the exhibit, I was soon greeted by someone who was manning a front desk. I asked if there was a handout sheet giving info about the exhibit. She replied no. A short time later I asked if she could tell me who the juror was. She could not. By the time I had a third question about the exhibit, she offered to takes some notes and get me some answers when a staff member arrived. No one on staff was on site that morning? This is why you produce an information sheet for volunteers to hand out.

As I looked around the exhibit, I recognized some names, but there were many that I did not and it was soon clear that this was mostly a regional show of artists from the left side of the state. I’m not sure if that was a restriction of the exhibit, but I didn’t see many artists from other parts of the state. We have never received a call for entries about this exhibit, so my guess is not many artists knew about it.

By the time I got home I had an e-mail from Catherine S. Gaither, Facilities Director at the Arts Center of Greenwood. Her short note offered that they had 182 entries, 64 of those were accepted and the judge for the exhibit was Erin Glaze Nathanson.

So I was wrong – the woman who couldn’t help me with much info about the exhibit was Ms. Gaither, who is on staff at the Arts Center. So the staff doesn’t talk to each other much about what goes on in the Arts Center. But she did get me the info I wanted and that was better than most communications I’ve had in the past trying to get them to send me info about their exhibits.

617Greenwood-Arts-Center0.1Centered view of the Countybank Gallery

617Greenwood-AC-gallery-view-right4887View of the right side of the Countybank Gallery

617Greenwood-AC-Hallway-viewView of the Gallery Hall/Greenwood Capital

Erin Glaze Nathanson is from Charleston, she used to work at the City Gallery at Waterfront Park, another exhibit facility that doesn’t see much value in promoting their exhibits. They do a much better job at it now.

I later requested info on the winners of the competition and once I received this I figured that it was a state-wide opportunity, as their were award winners from Rock Hill and Charleston. I’ll include that info at the end of this post.

Well there could have been more artists from around the state who were part of the 182 entries, but didn’t get selected to be in the exhibit.

I’ll give the Arts Center credit for not having a judge from the region – Charleston is a long way from the left side of the state. But it might have been better to have a judge from outside the state for a state-wide competition.

So what about the exhibit?

Not knowing what was entered and seeing the 64 works selected to be on view, one third of the entries, there were some very good works on view and I didn’t walk away thinking out of all the works on display – how did the judge give awards to these works and not others. I think it would have been a hard job for any judge. The quality of the works were all at a high level, which isn’t always true of a juried show. I’ve included some images of works that caught my eye and the show in general, showing the exhibit space. Keep in mind some works that I liked may have been impossible to get a good image of so they are not included.

617Greenwood-AC-Elizabeth-Snipes-Rochester“Grounded” by Elizabeth Snipes-Rochester of Greenwood

617Grenwood-AC-Carey-Morton“Myth” by Carey Morton of Pendleton

617Greenwood-AC-Katelyn-Chapman“A Good Plenty” by Katelyn Chapman of Athens, GA – I guess the show was open to artists in Georgia too or they could be a student at one of the state colleges or universities.

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“Vessel No. 357″ by Lee Sipe of Columbia

617Greenwood-AC-Elaine-Quave“Hominid Asclepias Sp3″ by Elaine Quave of Greenville

We included info from the SC Festival of Flowers that the show would be up through June 27, but I found that on the Art Center’s website they say it will be up through the end of the month June 30, 2017. I’d call to make sure if you plan a visit. And, I recommend that you do make a visit to Greenwood to see this show and other things still on view during the month of June.

I’m not sure why the folks at the Arts Center are not interested in sending us info about their exhibits, why they are not interested in helping Greenwood attract more visitors, but the local tourism folks are. I do know it’s discouraging for SC’s B and C size cities to do much PR beyond their own backyard as the media in SC only sees three cities in SC – Charleston, Columbia, and Greenville. All other areas can only be mentioned when something bad happens there. I hope at some point they change their mind, but I didn’t see any info about any other exhibits planned for the Summer.

617Greenwood-AC-Kendell-Lusk“Pause” by Kendall Lusk of Belton – this was a small work 7″ x 5″ but it was as strong as the biggest work in the exhibit

617Greenwood-AC-Al-Byers“Untitled” by Al Beyer of Aiken

617Greenwood-AC-Kymberly-Day“The Girls Who Hang with Cattle” by Kymberly Day of Pendleton – this was the Best of Show winner

617Greenwood-AC-Deighton-Abrams“Self-Created Bliss/Everything True” by Deighton Abrams of Seneca

617Greenwood-AC-Doug-McAbee“Fred” by Doug McAbee of Laurens

Hours for the Arts Center are: Mon.-Fri., 10am-5pm and Sat., 9:30am-1:30pm. You can contact them by calling 864/388-7800 or visit (www.emeraldtriangle.us/arts-center), but you won’t really find much info there.

617Greenwood-AC-youth-gallery-viewView of the Calhoun Mays Reception Hall

Now while at the Arts Center I also took a look at the “South Carolina Festival of Flowers Juried Youth Art Show,” on display, but it will come down before I can get this posted. I’m always amazed at youth art shows as there are always a few works that don’t look like they were done by a student. There were a couple of works that reminded me of work by Jim Arendt, the winner of the first top prize at ArtFields – paintings made with different colored strips of denim. But my favorite works were a series of ink drawings. I took a few images but the works were all covered with shrink wrap, which is very reflective and that made it impossible to get good photos of them. There is another part of the story of these ink drawings later.

617Greenwood-youth-denim-Rachel-Holder“Blue Skies” by Rachel Holder, 8th grade, Brewer ACTS School – painting with denim

617Greenwood-youth-ink-Faith-McMann“Elated Elephants” Faith McMann, 10th grade, Clinton High School

617Greenwood-youth-pig-Samantha-Phillips“Pigskin” by Samantha Phillips, 8th grade, Brewer ACTS Magnet School – I thing a woodcut

My next stop was at Main & Maxwell, 210 Main Street, at the intersection of Main Street and Maxwell Avenue in Greenwood – just a few buildings down from the Arts Center on the same side of Main Street.

Main & Maxwell art gallery is celebrating its one year anniversary during June. The gallery, which is a converted bank building, specializes in local South Carolina artists, offers handcrafted art, pottery, jewelry, fiber and gifts for all occasions. It’s the kind of gallery where there is wall to wall art and is almost filled from floor to ceiling. You could spend hours in there looking and I’m sure if you came back a few hours later you would notice something you swear you didn’t see before. My eyes were bouncing from one place to another. All the work in the gallery was work from artists I’ve never seen before with a few exceptions.

617Main&Maxwell-Sandy-SingletaryPottery works by Sandy Singletary

617Main&Maxwell-Jim-BrinsonPainting by Jim Brinson

The owner of Main & Maxwell is Laura Bachinski, who is a ceramic artist herself, so the gallery carries a lot of pottery – mostly by other artists. There is some works by her there, but you know how that goes when an artist opens a gallery – their own work tends to take a backseat to everyone else’s work. But I heard they are soon to open a basement space and a kiln is in the gallery’s future. So Bachinski might have more occasion to make work at work, but…we’ll see. This basement will also add on room for classes and maybe even studio space.

617Main&Maxwell-Laura-BachinskiWorks by Laura Bachinski

There seems to be more jewelry on hand than I’ve seen in most art galleries. I’m glad Linda couldn’t make the trip – we’d still be there looking. But at the same time the place seemed full of paintings and other fine art craft items of all sorts and mediums – all really good stuff too. I know what you’re thinking – what else is he going to say about an advertiser? Well, I didn’t have to go. I could have gone in, looked around and left, but I didn’t – I wanted to know who all these talented artists were and where had they been in my thirty years of doing an arts publication.

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617Main&Maxwell-Elizabeth-Nason2Jewelry by Elizabeth Nason

One of my discoveries was a batch of ink drawings that looked a lot like those works I enjoyed in the youth art show at the Arts Center. These note cards and framed drawings were by Art by Phyllis Anne which had to be connected to the works at the youth show. I asked if they knew if she was the teacher of student work in the show and Bachinski said she was a teacher.

617Main&Maxwell-Phyllis-AnneWork by Phyllis Anne

617Greenwood-youth-ink-Faith-McMannWork by her student Faith McMann

You see another thing missing at the Arts Center was that they did not include the teacher’s name of the student’s work in the show, Most youth art shows do that to give credit to the teacher. I mean these kids didn’t just one day start making art like that on their own. They gave me the artist’s business card at the gallery and I later e-mailed her and found out she did teach those students.

Unlike the Arts Center, Main & Maxwell is doing everything they can to get people to come to Greenwood and see the works by regional arts and in many cases take them home with them.

Here’s some views of the gallery:

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Main & Maxwell is open Mon.-Sat., 10am-6pm. For further information call 864/223-6229 or visit (www.mainandmaxwell.com).

Time was running out on me and I had one more mission for this day and that was to get some images I could use in the future to promote Greenwood. Here’s a few.

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617Festival-of-Flowers-flowers2Of course you can’t have a Festival of Flowers without flowers

And here’s a few of the Signature Topiaries placed around the downtown area

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And, one more thing – if you can’t make it there this month to see these exhibits, Main & maxwell is always going to be open and on July 6-8, 2017, Uptown Greenwood will be presenting the Festival of Discovery – BBQ & Blues, including a BBQ competition, live Blues music on a main stage, an arts & crafts fair, and Kids Zone. For further info visit (www.festivalofdiscovery.com).

Here’s the results of the Juried Arts Show at the Arts Center of Greenwood:

Honorable Mention – “Myth” by Carey Morton (Pendleton, SC)

Honorable Mention – “Image of a Nude” by Jack Rookard (Central, SC)

Honorable Mention – “After A While, You Learn” by Lindsey Bargar (Rock Hill, SC)

Merit Award ($100) – “Pause” by Kendell Lusk (Belton, SC)

Merit Award ($100) – “Diminishing Connections 3” by Mary Cooke (Inman, SC)

Merit Award ($100) – “Tender Love & Care” by Haley Floyd (Central, SC)

Best of 3-D ($400) – “Hominid Asclepias Sp3” by Elaine Quave (Greenville, SC)

Arts Center Merit Award (1) ($100) – “A Good Plenty” by Katelyn Chapman (Athens, GA)

Arts Center Merit Award (2) ($100) – “Evelyn” by Chuck Keppler (Charleston, SC)

3rd Place ($300) – “Coil Form 2” by Spencer Bautista (Greenwood, SC)

The June 2017 Issue of “Carolina Arts” is Now Ready to Download

June 1st, 2017

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The June 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/617/617carolinaarts.html) – all 68 pages of it. That’s a little less than last month.

Our cover art features work by Alex Powers of Myrtle Beach, SC. We’re featuring works that have a political slant to them. Powers has no problem making a statement with his art.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.

If you want to get something in the July 2017 issue – send it now or as soon as you can. Don’t wait till the June 24th deadline.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com

A Visit to a New Art Space in North Charleston, SC, to See an Exhibit by Fletcher Williams III

May 4th, 2017

Last Tuesday, I was engaged in my now “If it’s Tuesday” I’ll be at a protest rally with fellow members of Indivisible Charleston at one of two offices for SC Congressional representatives, Senators Lindsey Graham and Tim Scott, as well as Representative Mark Sanford. What am I protesting? Well generally the fact that we have the most unqualified person in the history of the United States as President and that a day doesn’t go by when he does something damaging to the American citizens, our world image and the environment – as if the actions of Congress are not damaging enough. And if you feel like politics has nothing to do with the visual arts in the Carolinas – you’re naive. What’s happening in Washington, DC, has everything to do with the arts and artists – including health care for artists, public funding for artists and art institutions, whether anyone but the rich will have money to buy art, and on and on. Artists are not exempt from what effects the rest of Americans.

So after the rally in Mt. Pleasant at Sen. Graham’s and Rep. Sanford’s office I planned on stopping by the Historic Reynolds Avenue Fire Station, located at 2006 Reynolds Avenue, in North Charleston, SC, on my way home. Local sculptor and painter Fletcher Williams III is presenting “City Block”, a series of new work inspired by the North Charleston cityscape, on view through June 3, 2017. With the use of reclaimed wood, automotive paints, and various building materials, Williams has created three-dimensional works that symbolize the deconstruction and transformation of local neighborhoods. The exhibit is part of the visual arts offerings of the 2017 North Charleston Arts Fest (May 3 – 7, 2017) organized and presented by the City of North Charleston Cultural Arts Department. Hours at this exhibit space are, Tue., Thur., Fri., & Sat., 11am-4pm and Wed., 11am-7pm.

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Fletcher Williams III exhibit statement

Fletcher Williams III (b. 1987) was born in North Charleston, SC. He attended Charleston County School of the Arts for much of his secondary education. Upon graduation in 2005, he enrolled in two local colleges, Trident Technical College and College of Charleston, where he focused on drawing, painting, and graphic design. He later transferred to The Cooper Union: For the Advancement in Science in Art (NYC) where he received his BFA in 2010. Since then his work has been shown in notable institutions such as MoCada Museum (2016), McKissick Museum (2015), Mann-Simon Center (2016), San Diego Museum of Contemporary Art (2015). In 2015, Williams was named an Art Matters Grantee and an Alternate Roots Visual Arts Scholar.

Now I know when most people in the greater Charleston area hear the words “Reynolds Avenue” they envision in the words of President Trump – an area worst than a battleground in Afghanistan. But it’s not! Reynolds Avenue was once one of the major gateways on to the old Charleston Naval Yard. Thousands of workers from all points in the Charleston area used to work at the Naval Yard. There are still businesses open there and I felt no concern in parking my car and visiting this exhibit. The fire station has a lot of free parking at the rear of the building. Hours the facility is open are all during daylight hours – not 2am. So don’t let your unfounded fears keep you away from seeing this exhibit. Go with a group if that makes you feel better.

I’ve been admiring Williams’ works from afar up until this day. He has had shows in downtown Charleston, but it’s harder for me to get to Charleston these days than Mt. Pleasant and North Charleston. I’ve seen a lot of his work on Facebook. And from what I was seeing, Williams was a rare item in Charleston’s visual art community – he wasn’t making art that was oriented towards Charleston’s tourist market. The only connection there might me to tourism is his incorporation of the “Palmetto Rose” in his artwork. A “Palmetto Rose” is a rose made from a fron (long leaf) from the official SC State tree, the Palmetto tree, which Black youth sell to tourists throughout downtown Charleston.

517Fletcher-Williams-III-Bless-Those-Sittin'-High
“Bless Those Sittin’ High and Ridin’ Clean” by Fletcher Williams III, wood, automotive paint, metal flake, steel lath, 72 x 36 x 13 inch

One work in this show has the “Palmetto Rose” incorporated in it – making a link from his previous works to this exhibit, but most of the works in “City Block” which are constructed from reclaimed wood, automotive paints, and various building materials show three trends – the use of the cross, the use of colored light, and wood assembled in different directions.

One thing that seems to be true in all of Williams’ works is that he is a gifted carpenter. His use of reclaimed wood is very creative. Not to mention keeping these materials out of landfills or being burned adding more carbon to our air. See, everything is political.

517Fletcher-Williams-III-Stacked
“Stacked” by Fletcher Williams III, discarded wood, plywood, 70 x 64 x 4 inches

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“Brace” by Fletcher Williams III, discarded wood, plywood, shingle, 77 x 52 x 21 inches

517Fletcher-Williams-III-Surveilance-Station
“Surveillance Station” by Fletcher Williams III, discarded wood, steel lath, LED, 63 x 48 x 4 inches

There are just thirteen works in this exhibit and I only want to show a few to give you a taste of what you’ll see, as I want you to go see this exhibit. Williams deserves the attention and support of the art community and those interested in art. Don’t let a trip to North Charleston get in the way of that.

To let you know how important Williams’ works are and will be in the future, there was one work that had a red dot on it, meaning it had sold. I asked him if an individual had purchased it or if the City of North Charleston had purchased it to add to their art collection. He told me an artist and his wife had purchased it – named Juan Logan. It seemed Williams was not totally informed about this artist.

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“Fresh Linen and Royalty” by Fletcher Williams III, discarded wood, automotive paint, metal flake, steel lath, LED, 30 x 30 x 4 inches – SOLD

I grabbed this from Logan’s website (www.juanlogan.com): Born in Nashville, TN, Juan Logan now lives and works in Belmont, NC. Logan’s artworks address subjects relevant to the American experience. At once abstract and representational, his paintings, drawings, sculptures, installations, and videos address the interconnections of race, place, and power. They make visible how hierarchical relations and social stereotypes shape individuals, institutions, and the material and mental landscapes of contemporary life. Logan has shown extensively nationally and internationally, has had numerous solo exhibitions, and executed many private and public commissions. He is married to curator Jonell Logan. Logan’s works can be found in private, corporate, and public collections, including the Whitney Museum of American Art, the Philadelphia Museum of Art, the Gibbes Museum of Art, the Baltimore Museum of Art, the Memphis Brooks Museum, the Zimmerli Museum of Art, and the Boulder Museum of Contemporary Art. Most recently, his piece “Some Clouds are Darker” became part of the Smithsonian’s National Museum of African American History and Culture.

Now I don’t want to make this all about Juan Logan, but when an artist of his reputation ends up at an exhibit at an old fire station in North Charleston and he purchases a work from an up and coming artist to add to his collection – that says something. I was impressed, but then I already liked the work Williams was producing, my pocketbook just doesn’t run as deep as this dynamic couple’s. But I felt good knowing we share the same opinion on the work we were seeing in this exhibit and of the artist’s future. Which leads me to the fact of asking – how long will Williams be able to stay in Charleston – a town not known for supporting creative and challenging artwork.

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Williams talking with some gallery visitors

William Halsey and his wife Corrie McCallum made the decision to stay in Charleston and there is no doubt it cost them in the long run. They supplemented their income by teaching art. Charleston loses creative artists all the time who don’t give into the lure of creating works tourist will buy. I don’t blame the artists – many who are super talented and skilled at their art but who made at some point in their lives the decision to stick to subjects tourists will buy.

Go give this young artist the support he deserves – even if it’s just to go see his works. It might help him stay in Charleston and help carve out a second art market in Charleston for more than pretty images of the city and its environment. And I’m not knocking it as there is plenty of that work in my collection.

I was hoping to add a short movie of one of Williams’ works but I’ve yet to figure that out.

If you want to see a lot more of Williams’ work, which is diverse, check out his website at (www.fletcher3.com). You’ll see he’s not an idle artist.

For more info about the North Charleston Arts Fest call 843/740-5854 or visit (www.northcharlestonartsfest.com).

The May 2017 Issue of “Carolina Arts” is Now Ready to Download

May 1st, 2017

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The May 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/517/517carolinaarts.html) – all 71 pages of it. That’s the same amount of pages as last month – that doesn’t happen that often.

Our cover art features work by Amy Goldstein-Rice of Inman, SC. She is part of the Southern Exposure group in the Upstate of SC. They will be having a show at the Upstate Gallery on Main in Spartanburg, SC. You can read about it on Page 18 of our May issue.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.

If you want to get something in the June 2017 issue – send it now or as soon as you can. Don’t wait till the May 24th deadline.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com

The April 2017 Issue of “Carolina Arts” is Now Ready to Download

March 31st, 2017

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The April 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/417/417carolinaarts.html) – all 71 pages of it. We’re launching a little early as we have a day away from our computers on Apr. 1st – no fooling.

Our cover art features works by four different abstract artists who will have works on view in exhibits around the Carolinas. William Halsey’s estate is presenting his exhibit in Charleston, SC. We never miss an opportunity to promote his work and we’re also presenting work by one of his former students – Eileen Blyth.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.

If you want to get something in the May 2017 issue – send it now or as soon as you can. Don’t wait till the Apr. 24th deadline.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com

A Visit to the Ever Changing Charleston, SC, 3/11/17

March 12th, 2017

I needed some postcards to send to someone in Washington, DC, that I hoped would be soon taking an extended vacation from politics, and what better place to get postcards but the tourist city of Charleston, SC. The city that seems to add a new construction crane every time I visit. So I figured to also make that trip a short business trip and visit a few galleries.

I’ve been wanting to visit Fabulon, A Center for Art and Education, located at 1017 Wappoo Road, in the West Ashley area of Charleston – between Hwy. 61 and Hwy. 17. They had just opened a new exhibit, “We The People”, an exhibit of artwork that makes you think, something not seen that often in Charleston. They had the opening a day before, but I don’t like seeing art in a crowd, so the day after was good for me.

This was a great show with art from local artists and many from outside the area. As usual I took a few images with my iPhone (I guess that’s less health insurance for me), but these works are best seen up close and personal. And as always works I include are not always the best or ones I want to talk about – they are the works I can get a decent image of. But I also like the ones I’m including.

First up is a photograph by Winston-Salem, NC, artist, Owens Daniels, who offered some images poking fun at the NC House Bill (HB2). This image titled “Citizen” was created in the style of American Gothic.

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Next is “Life is A OK” by local artist, Caroline Self, who was/is Artist-in-Residence for The City of North Charleston Cultural Arts Department. Loved this work for it’s color and texture. I just can’t pass by a well executed abstract work.

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Kelly Burke, from the Baltimore, MD, area offered a couple of works from her ‘Reimagined American Flags” series. This work is titled “Don’t Lives Matter?” highlighting lives lost due to gun violence.

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Susan Irish, owner and manager of Fabulon, also had an interesting work in the exhibit that made a statement about Charleston, that only an outsider would understand – which I got right away, but I couldn’t get a good shot of it without my shadow all over it.

There are lots of interesting works in this exhibit, which will give you lots of reasons to think, but don’t miss the artistic skill in thinking of the message offered.

This last work wasn’t part of the “We The People” exhibit, but it caught my attention and of course it’s an abstract. It’s a work by Laura McRae-Hitchcock , who has recently moved from Charlotte, NC, to our community. So, besides the works in the show, there are also good works to see – and buy, on view by resident artists.

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Fabulon may not be one of those high-end Charleston galleries, but it’s an example of all things good don’t always come in shiny packages, it’s also a working studio, classroom, and gathering center – there was a group of fiber artists on hand working away while I viewed the exhibit.

Well it was time to get my postcards which I found at Brittlebank Park on the Ashley River – not your usual place to get postcards, but I’m hoping you’ll be reading about and hearing about these special postcards on about March 16 or 17.

Next I stopped by Surface Craft Gallery, located at 49 John Street in downtown Charleston, my old stomping grounds when Linda (my better half) and I operated a custom photo processing lab on John Street and a short lived photography gallery – many years ago. I wanted to talk with Liv Antonecchia, owner, and get caught up on how the new group, Lowcountry Ceramic Artists, was coming along and see what new things they had in the shop.

Here are some works by Margaret K. Weinberg, who is part of the Cone 10 Studios in Charleston, which may be closing soon.

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Next are works by Batton Clayworks in Asheville, NC. They are the works with the carved texture. I love these unusual shapes.

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Here are a couple of fused glass works by Tanya Craig. These are incense holders, but I don’t remember seeing any that were so colorful – back in my days of burning incense. The last time I bought incense was about ten years ago just outside of Disney World in Florida, but when we got home – I couldn’t find them and to this day never have.

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This last shot is of a jar by Fred Prudhomme, another Cone 10 Studios artist. I shared a Facebook post that Surface Craft had made earlier in the week which attracted a lot of remarks about how beautiful the jar was but it would be much better if it was full of cookies and then milk got involved and than more comments about food were added, but when I saw this piece in person, it was much smaller than we all thought. It was about half the size of a cookie jar. I still like the jar, but man I was really disappointed that you wouldn’t be able to fit many cookies in it. Again – here was a case where art had effected my life once more – beauty and disappointment offered in the same object. Darn you artists.

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Surface Craft Gallery had become one of my favorite spots to see fine art crafts in Charleston. If you haven’t been there check it out.

Surface Craft Gallery will be opening a new exhibit, “Spring!”, a ceramics renewal show featuring local and national clay artisans in both functional and sculptural work, with an opening reception on Mar. 23, from 5-8pm. The show continues through Apr. 13, 2017. Work by Kelly Thiel will be featured in the show. She left us to live in Bend, OR, but now her work is returning to Charleston.

Well, it was time to head back home to Bonneau and as I drove out of Charleston down Meeting Street I just couldn’t believe how they are changing the skyline of Charleston – pretty soon you won’t be able to see the sky. So sad. I still love you Charleston, but now I know how the old timers felt and talked of their “lost” Charleston when I first got here in the mid 70s.

The March 2017 Issue of “Carolina Arts” is Now Ready to Download

March 1st, 2017

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The March 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/317/317carolinaarts.html) – all 70 pages of it – ten more than last month.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.

If you want to get something in the April 2017 issue – send it now or as soon as you can. Don’t wait till the Mar. 24th deadline. I warned people last month about the short month and that they should get their info in early as we would have to move at a break-neck speed to get the March issue done. Unfortunately a few didn’t listen or didn’t read my commentary and they got left behind on the – after deadline e-mail pile. Don’t ever wait for the last minute to participate. Time waits for no one.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com

The February 2017 Issue of “Carolina Arts” is Now Ready to Download

February 1st, 2017

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The February 2017 issue of Carolina Arts is up on our website at (http://www.carolinaarts.com/217/217carolinaarts.html) – all 60 pages of it – a few more than last month.

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending this link to your friends.

If you want to get something in the March 2017 issue – send it now or as soon as you can. Don’t wait till the Feb. 24th deadline. It’s a short month so our deadline is very important this month. Please get your info to us well before the deadline of Feb. 24 so we have time to get our March issue produced in time. We’ll be moving at break-neck speed so don’t be late or you’ll be left behind.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306
info@carolinaarts.com