Archive for July, 2014

A Trip to See Several Exhibits in the Pee Dee Area of South Carolina in July 2014 – Part II

Wednesday, July 23rd, 2014

On a day when it was thundering and lightening around the lake here in Bonneau, SC, I decided to head over to the Pee Dee area of South Carolina, to see a few exhibits on view in Florence, SC, and Lake City, SC, just an hour’s drive north on Hwy. 52. If the computer had to be unplugged, why not go somewhere else where the weather is not so angry.

Part I, about my visit to the Jones-Carter Gallery in Lake City, SC, (home to the ArtFields event) can be seen at this link.

In Part II of this installment, I’m going to cover a subject I’ve talked about several times in the last few years, and that’s the growing arts district in downtown Florence, SC. It had been almost a year since my last trip to see an exhibit at the Art Trail Gallery and I was looking forward to seeing all the changes that had taken place during that time frame. I’ve also been waiting for almost six months to get a close look at the public art that was being installed in this district.

Downtown Florence, like many cities across America has a lot to work with as far as vacant buildings that can be rehabbed and buildings that will need to come down to make new open spaces and in the last 3-4 years I’ve been going there you could see signs of a makeover taking place.

So when I got to Florence after leaving Lake City, SC, I parked across from where the old Art Trail Gallery was on S. Dargan Street – where I knew Big Bleu Birdnanna, a towering sculpture by Mike and Patz Fowle was standing – the first piece of outdoor work to be placed in the new arts district by REdiscovering Downtown Florence, a division of the Florence Downtown Development Corporation.

I’ve seen photos of the big bird, but I wanted to see it myself before I reported about it. Once I got out of the car I could really see that a lot of work has been done since I was last in this area.

714florence-bird-sketch-370x450
Patz Fowle working on design of sculpture

714florence-bird-install-450x337
Installation

714florence-bird1-338x450
Big Bleu Birdnanna today

714florence-bird2-338x450
Another view

714florence-bird-sign-doster-338x450
Impressive sign for sculpture – any guess as to who made this?

714florence-bird-id-sign-450x353
Many artists wish the sign for their sculpture ID sign was this good

After taking a few photos of Big Bleu Birdnanna, I followed a walkway to another open space that would lead me to the Art Trail Gallery on West Evans Street, but before I got there I discovered another open space which was totally changed since I was last in Florence. It was called the James Allen Plaza. I’m not sure who James Allen was but I’m sure he was someone important to downtown Florence or someone who gave them money to do this space. And, here I found the handiwork of Bob Doster, the man of metal, from Lancaster, SC. I’m telling you – his work is going to be everywhere someday.

714florence-plaza1-338x450
Sign for James Allen Plaza

714florence-plaza2-450x337
Here we see that Bob Doster has been here – it’s no surprise

Three of the pieces were influenced by students from local schools, including the Swallowtail Butterflies and Yellow Jasmine designed by Williams Middle School students. Doster works with a lot of school children all over the state helping them make sculptures.

714florence-plaza-butterfly-450x337
“Swallowtail Butterflies,” by Bob Doster with the help of Dredan Brown, Caroline Ham, Lyle Detalo, Marquise Brewer, Ryan Byrd, Hannah Culpeper, Rocye Anderson, and Haven Rector

714florence-plaze-jasmine-450x337
“Yellow Jasmine,” by Bob Doster with the help of Henry Frierson, Jazmyn Rowell, Caleb Farrell, Ciona Gray, Lilly Huiet, Hannah Rose Carter, and Ezra Smolen-Morton

714florence-plaza-horses-450x368
Unknown title, by Bob Doster, with the help of Lauren Bynum, Lelley Pierce, and Hannah Gandy, from unknown school

714florence-plaza-logo-450x380
Rendition of the City of Florence Seal, by Bob Doster

Here’s a little pitch for REdiscovering Downtown Florence:

Rediscovering-downtown-florence-logo

REdiscovering Downtown membership is similar to memberships other downtown groups have, but focuses just on public art rather than business promotion.

Arts and culture is a very important component of the downtown revitalization process and creating public art will make the area more inviting and encourage both locals and tourists to REdiscover the historic heart of our community.

With your support, public art will be purchased each year and be placed in downtown courtyards and all the streetscape of Evans and Dargan streets. The city of Florence is providing matching dollars for this project utilizing funds from the fees collected from Sundays alcohol sales. This means that every dollar you donate will leverage public funds to help grow art downtown.

For further info and to become a member visit (http://www.florencedowntown.com/arts-culture/rediscover/).

The rest of the time before the reception started for the exhibit at the Art Trail Gallery was spent walking around W. Evans Street and S. Dargan taking photos of some of the buildings which now hold new businesses and some that will soon hold new businesses – in Florence’s new arts district.

714florence-buildings1-450x337

714florence-buildings2-450x337

714florence-buildings3-450x337

714florence-buildings4-450x337
Another open space on W. Evans Street

714florence-buildings5-450x337

714florence-buildings6-450x337
Businesses on S. Dargan Street, near W. Evans Street

714florence-buildings7-450x337

714florence-buildings8-338x450

714florence-buildings9-338x450
More signs of change – building coming down near Irby and W. Evans Street

I understand the new Florence County Museum will be opening sometime in October of this year, and that will add another big cornerstone in that arts district.

Things are happening in South Carolina’s Pee Dee area.

A Trip to See Several Exhibits in the Pee Dee Area of South Carolina in July 2014 – Part I

Tuesday, July 15th, 2014

On a day when it was thundering and lightening around the lake here in Bonneau, SC, I decided to head over to the Pee Dee area of South Carolina, to see a few exhibits on view in Lake City, SC, and Florence, SC, just an hour’s drive north on Hwy. 52 (Lake City is one hour away). If the computer had to be unplugged, why not go somewhere else where the weather is not so angry.

jones-carter-gallery-logo

The Jones-Carter Gallery in Lake City, is presenting “Upcycled: The Art of Reclaimed Objects”, an exhibition on view through Aug. 23, 2014. The exhibit features works by Natalie Abrams (Charlotte, NC), Patz and Mike Fowle (Hartsville, SC), Randy Gachet (Birmingham, AL), Jordan Morris (West Columbia, SC), Greg Mueller (Spartanburg, SC), and Amelia Sherritt (Seattle, WA), the show explores the ways in which post consumer products can be upcycled into intriguing works of fine art.

I’m doing this blog post in parts to keep it from being so long. Part I is about the exhibit at the Jones-Carter Gallery and a few other notable items related to Lake City.

When you walk in the door you are confronted by a large work by Randy Gachet entitled, “Repercussions”, 2008, made of reclaimed rubber tire, steel wire, and acrylic mirror. Gachet explains that in the 1990′s he started noticing that the rubber tire remnants seen along the roads were beginning to take forms in his mind – crow wings, tortise shells, and alligator hides. I’ve seen a few of those alligator hides along the road in my travels. “Repercussions” reminds me of a group of turtles in a pond with the ripples of water emitting from their shells. I’m not sure what function the mirrors served as I couldn’t see any effect from them.

714jones-carter-Randy-Gachet-turtles-351x450

In “Carbon Plume”, 2011, a work of reclaimed rubber tire, concrete, and steel, I first thought the work depicted some kind of tree, but once I read the ID card provided I easily could see the jet black plumes rising from burning oil fields in Iraq, first seen on CNN. Gachet offers the following statement about this piece, “The rubber tire fragments in the piece were all collected along interstate highways in the Birmingham, AL, area where I live. The perpetual whir and rush of semi-trucks and automobiles implicate the voracious engines of production and consumption that hurtle them as I scavenge the highways for the detritus left behind. The resulting form is both graceful and sinister.” After reading that I kind of wished it was some kind of tree, but then I couldn’t think of any happy story lines involving trees and rubber tires.

714jones-carter-Randy-Gachet-plume1-337x450

714jones-carter-Randy-Gachet-plume-detail-337x450
Up close look

After reading that statement it was hard to think of this exhibition as representing the ever amazing imagination of artists to make works out of junk and stuff we throw away or consume in our daily lives in America. After all we are the great consumers of the world. It’s a good thing the next works I zeroed in on were by Patz and Mike Fowle. Although their works are more whimsical – they are no less a statements on the great mountains of discarded objects we create in America.

Although this is a group show, it is clear when you get there that Mike and Patz Fowle seized the opportunity to provide many examples of how they use repurposed consumer goods – mostly, in this exhibit, discarded children’s toys. They provide 11 of the 20 works in this exhibition.

The largest piece in the show is “Post-Consumer Aquarium”, 2014, made of repurposed children’s toys, plastic and metal wire. Many of the fish-like creatures are made from plastic toys and toy parts – part of the millions of pounds of plastic produced each year in America which will last longer in boxes stacked in closets and attics or in our landfills for decades longer than they were enjoyed by a child. But now a few of those toys make up parts of artworks.

714jones-carter-PM-fowle-aquarium3-450x337

714jones-carter-PM-fowle-aguarium11-450x337

714jones-carter-PM-fowle-aquarium2-338x450

714jones-carter-PM-fowle-aquarium4-450x412

I have to say that the toys we bought our son are getting a lot of reuse by his children. We kept them all, but they won’t last another generation. His boys are rough on toys.

In another work by the Fowles, “Recycled Red Bird”, 1994, made of found bed springs, steel, sheet metal, and a glass insulator, shows that the couple also makes repurposed works from more industrial and consumer waste. They found the bed springs while exploring the Sand Hills area of South Carolina in a pile of construction debris – not in a landfill, but thrown or dumped out in the open.

714jones-carter-PM-fowle-red-bird-409x450

These three characters produced out of the Fowle’s imagination represent colorful members of a contemporary community of cast-offs including: “Blow Hard”, 2010 (L); “Fast Food”, 2010 (C); and “Tough Love”, 2010, all made of found post-consumer products.

714jones-carter-PM-fowle-three-guys-450x337

“Fu-Man Shoe, Jr.”, 2012, made of a found shoe, rusted metal, and doll parts, was created by Patz Fowle. She offered this statement about the piece, “When I held this little canvas shoe in my hand it made me think of the journey it had taken prior to me finding it. So, I felt compelled to give it a face that had experienced many journeys with facial features of rusted metal and the eyeballs of a forgotten doll who had seen it all.”

714jones-carter-patz-fowle-shoe-338x450

I first saw one of Patz and Mike Fowle’s plastic planets at an exhibit at Francis Marion University in Florence, SC. It was an amazing piece of plastic toys, toy characters, and toy parts inside a vary large ball in plastic wrap. As you examine this “planet” up close you can recognize toys from your time frame and toys from every generation there after. “Plastic Planet Redux”, 2014, by the Fowles, also includes repurposed plastic and electronic children’s toys, tape, and wheels. I took a couple of detailed images of toy characters that have been popular in our household – throughout several generations.

714jones-carter-PM-fowle-planet1-450x432

714jones-carter-PM-fowle-planet2-450x337

714jones-carter-PM-fowle-planet3-338x450

One more of the cast-off characters offered by the Fowles is “The Walk”, 2010, made of found post-consumer products. It represents a scene many of us are used to – walking a pet. The character walking the pet has that look of – “Come-on, we don’t have all day”.

714jones-carter-PM-fowle-the-walk-338x450

Jordan Morris of West Columbia, SC, offered one work entitled. “The State of Things Series”, 2014, including four works: “Origins”, 2014, made of wood and glass; “Destruction”, 2014, made of sawdust, wood and glass; “Information”, 2014, made of newspaper, wood and glass; and “Creation”, 2014, made of paperback books, wood and glass. Most of the wood and glass represented the shadowbox cases holding the materials contained inside.

714jones-carter-Jordan-Morris-boxes1-450x337

Morris offered this sentence in his statement on this work: “Each shadowbox contains what was once a living thing in four different forms, inviting one to consider the drastic changes that our world has been through since the advent of computers”. I didn’t get that and what was said in the rest of the statement confused me even further.

What I saw looking at these four boxes was a box of cut wooden logs, a box of sawdust, a box of shredded paper, and a box of designed objects made out of paper. Each representing the progression from trees to paper and then an interesting looking design made of paper. As someone who has taken a printed publication to an online publication, I see a lot of trees being saved by computers and the Internet. But that’s my point of view. Morris also says he pines for a return to simpler times when we were not bombarded by “waves of information” in the age of electronic media. I felt the same way when I walked into a library -way before computers came along. There has always been more information than most of us could digest – there’s nothing new there.

714jones-carter-Jordan-Morris-boxes2-450x337
“Origins”

714jones-carter-Jordan-Morris-boxes3-450x337
“Destruction”

714jones-carter-Jordan-Morris-boxes4-450x337
“Information”

714jones-carter-Jordan-Morris-boxes5-450x337
“Creation”

I thought it was interesting that Morris was the only artist in this exhibit who did not provide information about himself for the press release sent out to promote this exhibition. He could have sent a letter by snail mail, but he didn’t. Perhaps it is his own problems with today’s digital media that he describes in his statement, but I didn’t see how the works he presented would lead anyone looking at the work and reading his statement to come to the conclusion he provided.

Of course there have been times when an artist has provided a statement – several pages long describing a work of art, yet I never saw what they described when looking at the work. And, I wasn’t alone in my feelings. All I can do is apologize for not getting his point. I’m sure it’s me and my lack of higher arts education.

Amelia Sherritt, of Seattle, WA, offers works made of the foil covering the corks of wine bottles. The work “Autumn Gold”, 2013, contains hundreds, if not thousands of wine foils. Sherritt states, “By re-purposing these foils, I am able to make what would normally be thrown away into something long lasting and beautiful”. And, I bet it’s a lot of fun emptying those bottles of wine, although I’m sure she has an army of wine drinkers saving those foils for her.

714jones-carter-Amelia-Sherritt-gold-450x441

Sherritt also offers, “Moss Study”, 2012. It got me wondering how many different colors are offered on all the different makes of wine out there and whether she would have to reach out to other countries for certain colors – adding travel into the process of making art. I think this artist has found the perfect materials to make her art.

714jones-carter-Amelia-Sherritt-moss-350x450

Well that’s enough – you need to go see this exhibit yourself and see if these works bum you out over America’s wasteful habits or amazes you in the endless imagination of artists – or both.

The next exhibition at the Jones-Carter Gallery will be “Francisco de Goya: Los Caprichos”, on view from Sept. 20, 2014, through Jan. 3, 2015. How many small towns can host a major exhibit of works by Goya? This gallery is a place worth visiting.

It should be noted that several of these artists had participated in the two ArtFields competitions that took place in Lake City. The folks at the Jones-Carter Gallery not only keep an eye out for potential exhibitors, but they also curate some parts of the display – so they get a good look at what’s out there. Some names from those competitions are recycled when organizing exhibitions. That’s another intangible result of getting into ArtFields, much like our selection of cover art for our June 2014 issue of “Carolina Arts”, which turned out to be one of our most popular covers – if not the most popular. I first saw that artist’s work at ArtFields. So, just making the cut at ArtFields can lead to many unknown opportunities. Exposure is “King” in the visual arts. And, it’s something to think about when artists are thinking about re-entering this competition or thinking about entering it for the first time. There is more at stake than winning one of the top prizes.

I also want to warn artists who might think that Darla Moore just might buy their over priced artwork – she’s loaded right. She didn’t get that money by overpaying for things. More work was sold the first year before artists learned she bought work that first year and jacked up their prices the second year. One artist just out of college put $100,000 on their work. I hope they were embarrassed. Moore is not the only person looking to buy works at ArtFields – so don’t price yourself out of a sale. You might also scare off a gallery owner who was thinking of representing your work in their gallery, but your price was out of reason.

It also should be noted that on this trip I learned that ArtFields will be under new management in 2015. The Community Museum Society which operates the Jones-Carter Gallery will now manage ArtFields. ArtFields will be in the good hands of Ray McBride and his team of capable folks in 2015 and I think you’ll notice many changes in how the event is handled and promoted. We’ll have more about that later.

You can read a press release about this exhibit on Page 29 and 30 of our July 2014 issue of “Carolina Arts” found at (www.carolinaarts.com).

The Jones-Carter Gallery is located at 105 Henry Street in Lake City, SC, next to The Bean Market. Admission is free at the Jones-Carter Gallery and large groups are encouraged to call ahead. The gallery is open Tue.-Fri., 10am-6pm and Sat., 11am-5pm. For further information contact Hannah L. Davis, Gallery and Exhibitions Manager, by calling 843/374-1505 or visit (www.jonescartergallery.com).

Upstate Heritage Quilt Trail Folks Have Been Busy Installing New Quilt Blocks Throughout Upstate SC

Monday, July 7th, 2014

upstate-heritage-quilt-trail

The “Summer Winds” quilt block is located at the Pendleton Branch Library of the Anderson County Library System, 650 South Mechanic, Pendleton, SC. “Summer Winds” is a quilt block sponsored by Greeta G. Peden who has made the cloth quilt pattern numerous times as gifts for family and friends. She keeps using this creative block because of the different ways it is perceived. Some see fish, some see flowers, while others just notice the geometry involved. She loves it because she sees something different every time she makes it. Barbara Brackman’s “Encyclopedia of Pieced Quilt Patterns” attributes the block to Nancy Page, a syndicated column written by Florence LaGanke for mail order patterns that ran in numerous periodicals c.a. 1925 to 1940.

614UHQT-Pendleton-Branch-Library-450x337

Peden currently resides in Pendleton, SC, and has a truly unique relationship with the Pendleton Public Library itself. She has been meeting on Mondays and Thursdays with her Sit and Sew Group of fellow quilters for several years there. Peden learned to sew on a machine in her home economics class taught by Sister Antonio Marie in the 1950s. She didn’t begin quilting until age 67 and is a self-proclaimed “late” bloomer.

Pendleton’s first library was founded in 1811 as the Pendleton Circulating Library. Its building and collection were incorporated into the Pendleton Male Academy in 1825. The Academy was located on Queen Street, where the Anderson County School District Four offices are today.

In 1860, a Guard House was erected on Pendleton’s Village Green on the site of the former jail house. In 1911, a one-story annex was added. In 1916, Miss Sallie Trescott established a public library on the ground level. Upstairs housed the town’s police department. Trescott served as librarian until her death in 1944. Her personal book collection was transferred to the Clemson College Library.

The small library continued to serve Pendleton and residents in Pickens, Oconee and Anderson counties, with Helen George serving as librarian for over 22 years. In 1978, the Anderson County Library System built a 1,500 square foot library on Micasa Drive. This had remained the branch library’s site until construction of the new 12,000 sq. ft. building at 650 South Mechanic Street.

The new library is able to house 75,000 volumes and other materials. There’s expanded space for up to 30 computers, tutoring areas, and a 75-seat meeting room. The building was designed by the Greenville architectural firm of Craig, Gaulden and Davis, which designed the Anderson County Library System’s Main Library. Estimated cost of construction was $3 million.

The property on which the new Pendleton Branch Library stands was the site of a private residence as early as the 1830’s. In 1860, John Baylis Earle Sloan and his wife, Mollie Seaborne Sloan, established a home that became known as Tanglewood. The columns and ruins seen today are all that remain of the site, which was first destroyed by fire in 1908. It was a Piedmont plantation-style house, resting on tall piers and having large rooms.

The family re-built the home as a classical colonial revival mansion in 1910, reusing the columns in the new portico. Tanglewood stayed in the Sloan family for many years, until it was sold in the 1950’s to EB (Buckley) Hancock, who hoped it or the property could be used for a town library. The building again burned to the ground in 1970, though, leaving only the columns and chimneys and the property was eventually sold to John and Suzanne Morse.

In 2004, funds were allocated by Anderson County Council for the construction of a new Pendleton branch library of the Anderson County Library System. The Tanglewood property was purchased after negotiations with the Morses.

Groundbreaking for the library took place on Dec. 17, 2004. The grand opening was held January 14, 2007.

Westminster, SC, Adds to Upstate Heritage Quilt Trail

The old family home of Kenneth and Lynda King on Toccoa Highway is the display site for a “Butterfly” quilt block made originally by his mother, Marie Hardy King (1926 – 2010), the daughter of Tom and Myrtie Hardy. Marie was married to Vinton King and they had three children – Dorothy K. Dyar, Kenneth V. King, and David L. King; six grandchildren and eight great-grandchildren. In addition to taking care of a family, King worked at TGY until she retired.

614UHQT-Westminster-Butterfly--403x450

Growing up in Oconee County, it was King’s mother and grandmother who taught her how to quilt. She also loved to work in her garden, raising her favorite flowers, roses, and enjoyed putting up all the produce that she grew, feeding her family wonderful meals.

King created the “Butterfly” quilt pattern, making one for each of her children and grandchildren. She also helped her granddaughter make a “Dutch Doll” quilt. She was a member of Hopewell United Methodist Church.

Tamassee-Salem Middle High School Adds Third Quilt Panel to Quilt Trail

Tamassee-Salem Middle High School has added a third quilt panel to the Upstate Heritage Quilt Trail. The quilt, called “Grandmother’s Choice”, was chosen by the faculty and staff to honor one of their students, Alayna Cobb as well as staff member James Poland for their bravery and perseverance in the midst of medical struggles. Cobb was diagnosed with cancer in November 2012, and Poland who had completed treatments for cancer was a real inspiration to her and to the students at Tamassee-Salem Middle High School (TSMHS).

714quilts-Tamassee-Salem-Middle-High-School-450x278

714quilts-Tamassee-Salem-Middle-High-School-alayna-Cobb-338x450
Alayna Cobb (c) with her parents

It was Cobb’s grandmother, Ruth Porter of Salem, SC, who with her sister Joyce Poore, made quilts for their six siblings as Christmas gifts. Porter quilted off and on for many years but she purchased this original quilt from the Tamassee DAR Thrift Store and then gave it to Cobb’s family. Since they don’t know the official name of the quilt pattern, they chose the name “Grandmother’s Choice”. As A Cobb told us, “I have always been a sentimental person. However, since my cancer diagnosis, I hold even little things sentimental. Before I completed my chemo treatments, I had some photos taken of me with my brother and cousins with Nana’s quilt. This quilt is very special to me.”

Marianne Jackson, the art teacher at TSMHS, used her Artist in Residence funds to sponsor this addition to the trail. As she told us, “Alayna was in the 7th grade when this quilt was chosen to be on the trail. She took the lead in choosing colors and working with her fellow students to replicate the design perfectly. She missed the first half of the 2013-14 school year due to her treatments, but when she returned, it was as if she’d never missed a day. She was one of the most hardworking and dedicated art students, putting her heart and soul into her work – something not all students do.

Cobb has been through a trauma most children could never dream of, but art helped her get through. She told me that if her wish for the Make A Wish Foundation was chosen, it would be to have an art studio built in her yard with all the fixings, materials and tools she would need to create, design and make art however she wished. “I have loved having Alayna as my student this year and look forward to having her in my classes in the years to come. It has been an honor to be a part of the Upstate Heritage Quilt Trail and to watch my 7th and 8th graders participate to create a beautiful piece of history.”

This pattern is known as a patchwork, joining four squares of material to form a larger square. In its simplest form, the block is constructed for four plain squares of fabric. The four patch lends itself easily to endless variation because each of the squares may also be made up of numerous smaller pieces pieced together. “Grandmother Choice” is a fine example of a pattern variation.

Mountain Rest Baptist Church Adds to the Upstate Heritage Quilt Trail

Mountain Rest Baptist Church is the site of a new addition to the Upstate Heritage Quilt Trail. The Church activities building, located at 9915 Highlands Highway, Mountain Rest, SC, will soon bear a quilt block called “Bible Blocks”. The original quilt was made by Myrtle Childers of Heath Springs, Lancaster County, SC, for Pastor Randy Koon and his wife, Suzanne, in 1994. She was a member of Pleasant Hill Baptist Church which he pastored at that time.

714quilts-131-Bible-Blocks--443x450

Childers was a self-taught quilter. She was 73, a widow with two sons and a retired nurse when she made the quilt as a love gift for the Koons. The pattern was chosen from “Biblical Blocks: Inspired Designs for Quilters” by Rosemary Makhan, because each element in the quilt has a Bible theme. Childers was nearly blind and had to sew the quilt using a large magnifying glass. The quilt was entirely hand stitched in squares on large embroidery hoops and pieced together over a period of three months. She traveled to a cloth store in Charlotte, NC, to find cloth that matched the picture in the pattern book she used to make the quilt.

Reverend Koon told us, “It is one of our most prized possessions and is kept on an antique sleigh bed in our guestroom which was also a gift from Mrs. Childers.” He has pastored four churches in North Carolina and South Carolina and became the pastor of Mountain Rest Baptist Church in September of 2002. He has two children – a son, Daniel, who is a pastor in Murfreesboro, TN, and a daughter, Elizabeth Sturkie, who is a pastor’s wife in Donalds, SC. The Koons have six grandchildren.

The quilt block is being sponsored by the SASSY Ladies Mission organization of Mountain Rest Baptist Church.  The church had its early beginnings as the Double Springs Union Church and meetings were held in an old school building. Ten acres of land were given in the cause of religion for the consideration of $3. Although the land was given in 1858, it was not recorded until 1868. Originally, the church was a union of Methodists and Baptists with itinerant preachers conducting the services, alternating the material used for Sunday school between the two denominational publishing houses. In 1942, the membership nearly doubled from 16 members to 30 members with 12 baptisms and two additions by letter.

The Deacons, with support from the membership, realized the need for a separate place of worship that they might assemble in complete freedom according to the dictates of their conscience. The Baptists appointed a committee to build a separate place of worship, and a building plot was donated on the same highway a short distance away on Chattooga Ridge Road in August 1947. Most of the materials and work to build the church were donated by the members. The church was completed and dedicated on May 27, 1951. It was renamed the Mountain Rest Baptist Church in 1975 in order to tie the church more closely to the community it serves.

The Church relocated to its present site on Highlands Highway in1982, and completed their activities building in 2010. The old Union Church continues to operate as Double Springs Methodist Church.

For more information and pictures, click on (www.uhqt.org) or e-mail to (info@uhqt.org).

The July 2014 Issue of “Carolina Arts” is Now Ready to Download

Tuesday, July 1st, 2014

714carolinaarts-cover-284x450

The July 2014 issue of Carolina Arts is up on our website at (www.carolinaarts.com) – all 63 pages of it.

Last month Linda presented the paper with an option to download the paper in a side by side spread or single page format. Single page dowloads were about double the amount for side by side format – which was good as a good amount of people desired one or the other. We’re here to please all we can so we’ll continue offering you the choice of two ways to download the paper:

For single page format use this link (http://www.carolinaarts.com/714/714carolinaarts-sp.pdf).

For side by side page format use this link (http://www.carolinaarts.com/714/714carolinaarts-dp.pdf).

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas this month. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending these links to your friends.

If you want to get something in the August issue – send it now or as soon as you can. Don’t wait till the July 24 deadline – or you could be left out. It happens.

Thanks – Tom and Linda Starland
Carolina Arts
843/825-3408
info@carolinaarts.com