Archive for December, 2015

Some Info and Opinions About ArtFields© in Lake City, SC

Monday, December 28th, 2015

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I’m a supporter of ArtFields©, the art exhibition and competition that takes place in Lake City, SC, a small town in the Pee Dee area of South Carolina. As far as the media goes, I’m one of their biggest supporter, but that doesn’t keep me from throwing in my 2 cents about what I think they’re doing wrong or could do better.

Right about the time they extended their deadline for its call for entries – a bad habit I wish they would get over – ArtFields© released info about the people who will be helping them select entries and then select the winners of the $110,000 in cash prizes. I support their call for entries, but will not let our readers of Carolina Arts and its related social media, know when they have extended their deadline for entries. It’s an insult for all those who made the original deadline. Letting in a few slackers in after the deadline is wrong.

It’s time that the people running ArtFields© understand that they need to work all year long to make their event successful and stop taking such long breaks after the event ends each year. They need to keep their foot on the gas peddle – marketing the event and encouraging artists to enter the event by deadline. If there is a problem with the entry process they need to fix it and ask artists what the problem is.

I also don’t agree with their selection of people who will be selecting entries and then selecting the winners – as most of them are from the states eligible for entries. These people know the work – by sight – of many of the people who enter and some of them probably called some of their artist friends and told them they should enter. This is another sign that the folks running ArtFields© don’t know much about the visual art community in general. No panelists or juror should be from any of the 12 states artists can enter from or have any connections to those states and the artists who live and work there.

Bradford R. Collins and David Houston are two very good examples of people who should not be in a position to select artists or determine awards. Their ties to artists in SC alone should have disqualified them from these positions. The results will be shown once the 400 are announced.

These important positions should be filled with arts professionals from the North West, Mid-West and North East of the US – folks as far away as possible from the Southeastern states.

The people ArtFields© selected smell too much like the SC Arts Commission – a group in my opinion ArtFields© should stay far away from if they want their event to grow and prosper. ArtFields© already suffers from a poor retention rate of people who entered one year but do not enter again. That’s a bad pattern making it hard to attract new entries each year – resulting in extended deadlines.

Also – this list of people making entry selections and award selections should be identified before entry time lines begin, not as selections are closing. Another bad habit of the SC Arts Commission, who once told me they do it that way so artists don’t threaten jurors to pick them or else. Or else what? Is that really a problem when it comes to juried shows? And, if it is – it’s just another good reason for selecting people outside – far outside the area of artists who can enter.

So here’s the 2016 list of Panelists and Jury Members

ArtFields© 2016

Panelists:

Bradford R. Collins, PhD, Professor Art History, School of Visual and Design University of South Carolina in Columbia, SC

Stephanie Mayer Heydt, PhD, Margaret and Terry Stent Curator of American Art, High Museum of Art, Atlanta, GA

David Houston, Director, Bo Bartlett Center, College of the Arts, Columbus State University, Columbus, GA

Jury Members:

Graham Boettcher, chief curator and The William Cary Hulsey Curator of American Art at the Birmingham Museum of Art, Birmingham, AL. Boettcher was previously a curatorial fellow at the Yale University Art Gallery, and has held research fellowships at the Amon Carter Museum of American Art, and the Terra Foundation Summer Residency in Giverny, France.

Stephanie Cash, editor of BURNAWAY – The Voice of Art in the South magazine in Atlanta, GA. Cash contributes to such publications as Art in America, Photograph, and Modern Painters, and has also worked as a free-lance writer and editor for ArtsATL.com, Rizzoli, and Prestel publishers.

Kimberly Light, co-founder and partner of Connelly & Light Art Advising Firm, a full service art advisory, curatorial, collections management company based in LA and NYC.

Emily Smith, executive director of 1708 Gallery; a non-profit gallery committed to providing opportunities for artistic innovation for emerging and established artists and to expanding the understanding and appreciation of new art for the public. Smith, of Richmond, VA, was the Curatorial Fellow in Modern and Contemporary Art at the Virginia Museum of Fine Arts.

Leslie Umberger, a curator and art historian of American art, specializing in the work of folk, self-taught, and vernacular artists. In 2012 Umberger was appointed as inaugural Curator of Folk and Self-taught Art at the Smithsonian American Art Museum. She is currently organizing a major retrospective for the Alabama artist Bill Traylor (1843-1949), which will open in the spring of 2018 in Washington, DC.

The Annual Trip to One Eared Cow Glass in Columbia, SC, for Holiday Shopping

Friday, December 11th, 2015

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Linda and I made a quick trip to One Eared Cow Glass in Columbia, SC, to pick out some Christmas gifts and a few others that have backed up – house warming and birthday gifts included. Of course it felt more like being transported for Linda. She drove home after a 12 hour shift at 911 and I jumped in the car and drove us to Columbia. She seems to be on the wrong side of our traveling anywhere, She can sleep some in the car, but it’s not the best place to catch a few winks after 12 hours of emergency calls. I-26 is not the best place to chill after the nightly battle.

It’s a short two hours for me – compared to my past driving experience, but there’s not much in between except public radio or Christmas music. And these days only one SC Rest Stop due to construction in the Columbia area.

This was our first trip back to Columbia since the big flood. We didn’t see any signs of flood damage on the route we usually take, but the rivers were higher than normal. The thing to remember when you hear about a disaster somewhere – media reports show you the worse of things, big cities recover very quickly and businesses need customers to keep a disaster from becoming a real disaster. Don’t not go to Columbia as you think you’ll have a hard time getting around. Most major roads are all open. And businesses not damaged really need your business.

One Eared Cow Glass was full of great gifts for family and friends and yourself – if you’ve been good. Prices seem to start at $30 and go everywhere in between $5,000 or $6,000 for a big glass bug that was in a display at the SC State Fair a few years ago. But I saw a lot of $50-$70 pieces that would make a great one-of-a-kind gift – from Christmas balls, jewelry, small jars, drinking glasses, wine bottle stoppers, etc.

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I went and talked shop with the Cowboys, Tom Lockart and Mark Woodham, while they worked. That saved me from having to give opinions about things that Linda was checking out. I was in the work studio part of One Eared Cow Glass for about 45 minutes to an hour. We talked about a number of things, but one of the interesting subjects was funding of demos of the process of creating glass, something these two guys have been doing for several decades. In fact on most days you can go there and sit down and watch them work. It’s something I’ve done hundreds of times. They have chairs there just for that purpose.

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Recently another glass studio in SC received a couple of grants from the SC Arts Commission for putting on demos and something called “theatre”. This was funding for a commercial business – something the Arts Commission has said can’t be done for commercial businesses in the arts. I’ve never figured why it can’t be done – at least any logical reason, but that’s what they always have said, but here they were doing it. My experience is that for every rule the Arts Commission has for not doing something to help some people always finds an exception for people they want to help. There’s a longer story behind this discrepancy, but I’m not going into that now, but the point of mentioning it is that all kinds of people have been doing free art demos for years and now some folks are getting paid to do it – even folks who have regularly been doing it for free, but have now found a way to get paid. What’s their incentive to do them for free again?

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So I eventually went into the gallery and it took me five minutes to select several gifts including one for myself. It doesn’t take me long to make selections – I know what I like and I usually pick what I like for others.

I took about 150 photos while there, but I selected just 16 to give you a good idea of what you’ll find there. If you want to see more visit (www.oneearedcow.com).

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If you’re looking for an unusual gift – think art glass, but if you go to Columbia, there are a lot of other art galleries there – just check out our Commercial Gallery listings in the latest issue of Carolina Arts at (www.carolinaarts.com). And if you live in Columbia – these folks will be happy to see you come through their doors too. A gift of art is always the best gift for any occasion.

After All This Time – A Shopping Trip to Seagrove, NC, To The Celebration Of Seagrove Potters

Tuesday, December 8th, 2015

It’s been a long time since I first went to Seagrove, NC, and came home with pottery to add to our pottery collection, but on Nov. 20, 2015, Linda and I were headed to the Gala evening of the 8th Celebration of Seagrove Potters in Seagrove. It’s about a 4 1/2 – 5 hour trip north so Linda managed to get a little sleep after working a 12 hour shift Thursday night. By the time we got to the Gala, she was working on a lot of hours with little sleep. That’s how bad she wanted to go on this trip.

The other nice thing about this trip was that we planned an overnight stay in Asheboro, NC, about 12 miles north of Seagrove so we wouldn’t have to make the trip home another 4 1/2 – 5 hours after the Gala. This also gave us the opportunity to visit the Celebration on Saturday – with the masses – and then drive home during daylight hours.

We met up with Zelda Ravenel, our Super Blog Guru & Graphics person, who came down from Western Virginia to join us at the Gala and Celebration. She was just our Blog Guru, but after recovering our blog Carolina Arts Unleashed, which had been corrupted and then wiped out by our Internet server, I added Super to her title. This was her first trip into the world of Seagrove pottery. And, you wouldn’t be reading this blog I’ve written on for years without the recovery Zelda made happen

We arrived at Historic Luck’s Cannery in Seagrove, official home of the Celebration of the Seagrove Potters, just before the 6pm opening, after we passed the entrance – as did many other drivers in the dark (more lighting please). When we walked in the door there was a very long line of serious looking pottery collectors. I mean these people came to bid on the rare one-of-a-kind collaborative works created by Seagrove potters being auctioned and to have first chance to buy from over 75 local potters before the hordes arrived on Saturday and Sunday. And, I’m sure like me, they were also there to enjoy the food, drink and live music being offered by Bold Music. The food was fantastic as was the music, but I was the driver – so only one drink.

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The men calling the numbers. Frank Neef standing to the back. Photo by Zelda Ravenel

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A view of the bidding crowd.

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Another view of the bidding crowd.

When the auction was over, those folks, made up of highly competitive collectors, bid $8,150 on these collaborative works. Unlike some art auction fundraisers, these folks bid more than the normal value of similar works due to the fact that there wouldn’t be any other works like the ones offered. Most art auction fundraisers attract folks looking to pay under market prices for works donated. They don’t seem to grasp the intention of fundraisers. And Seagrove potters are asked to donate to a lot of fundraisers throughout the area and the state of North Carolina – all the time. It’s nice to see the public respond so well to a fundraiser which benefits their own community.

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One of the works being auctioned by Frank Neef and Paul Ray. Neef was also acting as emcee for the auction and he worked on several other collaborative works being auctioned.

The live auction itself is well worth the admission of the Gala as some of the items saw some heated bidding which resulted in final figures that were staggering, but great for the potters and for the audience to witness.

During breakfast Saturday morning at the hotel we stayed we realized that most of the other folks at the hotel were at the Gala and a few were still talking about their luck in being the winning bidder at the Gala auction. The auction was the buzz of the morning and most, like us, were headed back for more pottery buying.

But before we get to Saturday and leave the Gala it should be mentioned that the Gala was also the best time to meet or catch up with all the Seagrove potters as some keep their potteries open on Saturday for folks who also want to visit the potteries where they can see more works by their favorite potters. After all, they can only bring so much to their booths at the cannery. So Friday night was also a great time for me to catch up with potters who I may interact with on Facebook and by e-mail but haven’t seen face-to-face in awhile. And for me, that’s the main reason for returning to Seagrove. I love the pottery they make, but I care more about keeping the friendship of some of those potters in my collection.  That’s always been one of the main incentives for doing Carolina Arts – the artists, art administrators, gallery owners, and others working in the visual art community in the Carolinas. I’m not getting rich doing an arts publication, but I’ve been enriched by the people I have met and many I have yet to meet. As strange as it seems, some of the best people I’ve never met, are good friends and one day I might meet them. Of course maybe one of the reasons we’re friends is that we haven’t met yet. I have to think about that one.

And just to remind you that I’m not getting too mushy in my old age – some of the worst people I’ve met or know are also in this same art community. Not so much the Seagrove community, but the Carolina art community. Some would stab you in the back for a fistful of dollars in funding.

OK – let’s get back to Saturday morning, Oct. 21, 2015, the first day of the 8th Annual Celebration of Seagrove Potters.

We learned at the Friday night Gala that Mark Heywood would be at their gallery at Whynot Pottery, while Meredith Heywood would be working at the Celebration. They are just one of many pottery husband and wife teams in Seagrove. After Zelda had enjoyed the Friday night Gala I wanted her to see one of the actual potteries – where the magic happens. Once we got in the shop she started taking photos of works she knew would fit into some of her friends home decor, but the highlight of this visit came when we visited the studio and Mark gave us a real tour of the process involved. Linda and I have seen it before but there is always something new to see or learn and in this case find a gem along the way.

Mark was showing us some things about glazes and pointed to a small jar which had a blue glaze they used to do in the past but had to stop as it didn’t work well with the new firing technique they liked – it turned that blue glaze a muddy gray. As he went on about some other parts of the process I could see that Linda couldn’t keep her hands off that little jar. After about ten more minutes of Linda admiring that jar I told Mark he better sell her that jar so we could get on with the tour or we would be here all day. Zelda was just eating it all up. It is an amazing process of turning clay into fine art objects or beautiful functional ware. I promised her I’d take her to One Eared Cow Glass in Columbia, SC, one day, to see the Cowboys make amazing works out of molten sand.

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That sweet little jar from Whynot Pottery.

After Whynot, I figured it was time to get back to the cannery – by now the first shift of the crowd might be moving on and we might find a parking space. And just as we got there cars were coming out – heading to pottery festival number 2 or out to individual potteries around Seagrove. We found a not too far out of the way parking space and as we walked in we ran info folks carrying several plastic bags in each hand full of pottery, headed to their cars. The funniest scene I saw that day was a very small woman leading a very large young man carrying a very large pot – bigger than she was – probably to see if he was going to be able to fit it into her car.

Now this was my fourth trip to a Celebration of Seagrove Potters, and the last two were not great in one respect. Due to our financial situation during the last two visits I had to watch other happy folks carry those bags of pottery and I wasn’t going to be carrying any. I was on a Shoestring Publishing Company budget – which was gas and food money. This time I didn’t have to go home empty handed. I can tell you this – there is nothing more frustrating than looking at one fabulous work after another – all reasonably priced and not being able to make any of them yours. I also felt bad as many of the potters knew I had a pottery collection. All I could think was that they were thinking that I didn’t see anything I liked, when it was a case of my eyes were filled with – I want that, and that and that too. It’s not a great feeling.

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Here’s another work we purchased during the event from Keith Martindale Pottery.

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And this one from Potts pottery is now in our collection. For info call 336/873-9660. Looks like we had a thing for blue during this trip.

Once we got in it was the usual mob scene. Linda had seen it before, but Zelda was wide eyed – there were a lot of people moving like a river from booth to booth. We got there just in time for Eck McCanless’ (Eck McCanless Pottery) demo which Zelda wanted to see how he got all those different clays to blend together in what seemed like a controlled manner. She had seen the finished products the night before. The demos are really something to watch. The potters work their magic with such ease right before your eyes that it seems like a trick that must involve some sleight of hand – like putting a slab of clay on the wheel – distracting the crowd and then pulling a finished piece from under the table.

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Eck McCanless of Eck McCanless Pottery doing a demo on Saturday. Photo by Zelda Ravenel.

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One result from the Eck McCanless demo. Photo by Zelda Ravenel.

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A view of finished works – carved agateware from Eck McCanless Pottery. Photo from Eck McCanless Pottery.

At lunch time I got to have my all time favorite – a box of flavorful veggies and noodles from Pacific Rim Noodles from Asheboro, NC. I’ve had their lunch offering every time I’ve gone and hope to every time I go in the future. I always ask for extra veggies and I get them. My mouth is drooling right now.

After getting that warm feeling in my tummy, it was time to make one more round and see what more was going to go home with us. We found a couple to more works that we made ours, but I still had to hold off on a few things – mostly because I waited too long to get what I wanted. Next time I’ll know to do all my shopping at the Gala.

Soon it was time to head home. Zelda had a good time and I think she’d look forward to going again. Linda and I had a good time – we were tired – she was really tired from a couple of days without a lot of sleep. Zelda headed back to Western Virginia and we headed back to South Carolina. The ride home was good – we listened to Clemson win another football game and had a great dinner in Florence, SC.

I’ve got some images of pottery we saw, pottery we now own, and a few of the events, but none of them can come close to the experience of being there. I could have taken more, but… And, that’s what all this is about. I go to these events I write about because I enjoy them and hope others will too, once they learn about them. I’m not trying to share my experience through words and pictures – I’m not that good of a writer or photographer to even come close to doing that. Believe me, you’re being short changed if that’s what you’re trying to do by reading this. I want you to go yourself. They’re going to have another Celebration next year the weekend before Thanksgiving (that’s Nov. 18-20, 2016). Make plans now – especially if you’re going to stay in Asheboro – their hotels fill up fast with pottery lovers from all over the Carolinas and beyond. I’m not going to tell anyone when I’m going again. I want to make sure I’ll be getting all the pots I want at the Gala next time.

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Works from Frank Neef Pottery.

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Face mug from Luck’s Ware pottery. For info call 336/879-3261.

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Works from Ray Pottery. My next purchase from Seagrove will be from this pottery.

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Tile from Snowhill Pottery & Tileworks. For info call 336/301-6681.

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Works from Studio Touya.

Of course you don’t have to wait another year, some of the potteries will be having special Christmas events next weekend on Dec. 12, 2015 – visit (www.discoverSeagrove.com) for details. And, on Apr. 16-17, 2016, you can attend the 8th annual Celebration of Spring in Seagrove, for kiln openings and a studio tours of individual potteries. Did someone say road trip? And if you’re not one for crowds – you can plan your own trip anytime – just check the Discover Seagrove website to make sure folks will be open as some potteries kind of slow down or even shut down during the winter months.

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Tile from Whynot Pottery.

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This is a photo of tiles at the Whynot Pottery’s booth. The giraffe in the top row is a product of Acacia Art Tiles, a project of Meredith Heywood and her sister Lee Lewis who has passed away. Meredith is producing the giraffe tiles using an image her sister designed to keep a part of that partnership alive. There’s one there in row two and row three. What a great way to remember someone.

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A large pot from Ben Owen Pottery.

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Works from Bulldog Pottery.

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Works from JLK Jewelry at Jugtown.

The great thing about the Fall Celebration of Seagrove Potters is that it brings a lot of the area’s potters together in one place like a pottery mall. You don’t have to travel so far to see lots of different kinds of pottery, shop for the price that’s right for you, and meet the potters. If you’re looking for more of an adventure, the Spring Kiln Openings are for you. Traveling around the rolling lush hills of the Seagrove area is nice and you get the see the pottery operations. It’s your choice, but it’s a choice you should make. Don’t sit around reading about other people’s trips.

P.S. I was listening to Don Henley’s new CD, Cass County while writing most of this. It fit right in with my feelings about Seagrove – the center of pottery in the Carolinas. You know Henley – he’s one of those Eagles who has a sharp tongue about modern life, but is just an old Texas country boy.

Oh, and I’ve got one more thing to add. I’ve included a photo of what is NOT the North Carolina Pottery Center in Seagrove. This used to be called the Museum of North Carolina Traditional Pottery, which is not really much of a museum – it’s more like a store with pottery on metal shelves. I thought the pottery wars were over in Seagrove but I guess some are still fighting. They renamed this place trying to confuse people looking for the real Pottery Center. Here’s a photo of how it looks. I hope you notice the difference.

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This is NOT the NC Pottery Center in Seagrove, NC

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This IS the one and only NC Pottery Center in Seagrove, NC – don’t be fooled.

The December 2015 Issue of “Carolina Arts” is Now Ready to Download

Tuesday, December 1st, 2015

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The December 2015 issue of Carolina Arts is up on our website at (www.carolinaarts.com) – all 59 pages of it. You can tell that many in the art community are winding down for the Holidays when it’s hard to get people’s attention for the arts – although once schools are out for that Winter break – what better time to go visit art galleries and art museums.

For single page format use this link (http://www.carolinaarts.com/1215/1215carolinaarts-sp.pdf).

For side by side page format use this link (http://www.carolinaarts.com/1215/1215carolinaarts-dp.pdf).

So download that PDF and dig in – it makes for good reading and shows that you have lots of opportunities to enjoy the visual arts in the Carolinas this month. And, don’t forget to find a way to thank our advertisers – they make the paper possible.

And help us spread the paper around by sending these links to your friends.

If you want to get something in the January 2016 issue – send it now or as soon as you can. Don’t wait till the December 24 deadline (Christmas Eve). But, you do know that you don’t have to wait until the deadline comes up to send us stuff – you can be early. Some folks are already several months ahead of the deadline when their press release would be due.

Thanks – Tom and Linda Starland
Carolina Arts
843/693-1306 (a new number)
info@carolinaarts.com