Archive for October, 2008

Don’t Mix Apples and Oranges in Politics

Sunday, October 26th, 2008

I got a call the other day from a woman in North Carolina who was very upset with my recent comments (Oct. 08) in Carolina Arts on how the arts do better under Democratic leadership compared to Republican leadership.

Her complaint was that she had just spent two days visiting art galleries in North Carolina and had never been so ignored in her life. She couldn’t understand how these galleries could complain about the government and economic conditions when they themselves treated people so badly.

The caller kept going back and forth between these two subjects and even for me – it was hard to get a word in the conversation. Once I found out which commentary she was taking exception to I found my feet.

She explained that although not being a person of means, she has purchased a lot of art in her day, but was just amazed that upon entering these galleries she couldn’t get the time of day – even after explaining that she was new to the area and would like to know something about the artists and the work on display. She also couldn’t see how I could blame the Republicans for any of these galleries’ woes – being an Independent herself, she voted for the person – not the party – wishing there were more choices.

I had a hard time arguing my point on my recent commentary, since she mingled the two subjects together. Every time I pointed out that the Republican leadership has broken our economy, she would point out that the galleries were ruining their own business by treating visitors so bad. I would agree that this is a problem that I have talked about in other commentary and that even our writer from Australia, Judith McGrath, has also brought up this subject – she just kept going back and forth.

One of the reasons I travel under the radar in galleries is to see how people are treated in galleries and I have to say that at times I’m amazed at how much time I can spend in a gallery and not be approached once on whether I had a question or was interested in anything. This is not just a problem in North Carolina – my caller had also been to art communities in South Carolina and gotten the same treatment – as I have. But I’ll also add that in my experience this is the exception – not the norm. I’ve had wonderful experiences in our galleries.

On the other hand, I’ve also been trapped in galleries that made me feel like I was being held captive in a car dealership – where I couldn’t leave until they made a deal that would make me happy. Sometimes too much attention can be just as bad as too little.

On the subject of how the art community fairs under one party or another I would not yield. On the subject of how the average person is treated in art galleries I had to agree there is a problem, but also told my caller to make a complaint. Many times people attending galleries are not the owners of the art galleries. But, my caller was only interested in first impressions and was too busy to change the art world, who in her opinion was just interested in blaming someone else for their problems. She also thanked me for my time and said she would continue to read my paper.

I know what city this caller was talking about – I even know the gallery where she picked up our paper, but this is a general art gallery problem. And, I’ve only heard her side of this complaint. So no use in naming names.

My caller was contacting me to give me another side to consider, which I appreciated. And, I’ve responded about her concerns and complaints. Only problem is – most likely the people who read my commentary are not the ones treating visitors so badly. They are usually people who are working in a gallery because it’s just a job or an owner of a gallery who is just in business to make money. They don’t care about the art community the way I do, my caller does, and readers of this blog and our paper do. Apparently they don’t care about much – even people who take time to come see the art in their galleries. That’s too bad.

On the subject as to how you should vote in this election, I’ll ask readers the same question Sen. Barack Obama asked a restaurant owner in Ohio who sold him a slice of pie. The owner was a long time Republican. Obama asked him how his business was doing? The owner said terrible – people don’t have money to come in and eat. Sen. Obama said he should give the Democrats a try for once – it can’t hurt and it might get better. Well, he said a lot more than that, but you get the drift of his point.

How has your business been doing?

The Power of Potters – In Saving the NC Pottery Center

Tuesday, October 21st, 2008

Don’t mess with a North Carolina potter! Or their Pottery Center. At least that’s the word I have for anyone doubting the importance of the NC Pottery Center located in the small community of Seagrove, NC. I have just received word that $100,000 + has been raised to save the NC Pottery Center.

It was just three months ago when I decided to stop by the Pottery Center to see an exhibition of pottery by Native American Indians in hopes of doing a review for my new blog on my way to Greensboro, NC. It was an excellent show and while I was there almost an hour –  no where did I see or hear any indication that the Center was in the middle of an area-wide controversy or financial trouble. It wasn’t until I arrived in Greensboro that a friend asked me about the troubles at the Pottery Center based on a newspaper article he read there in Greensboro.

I went online and found his concerns were true. There was big trouble in Seagrove. And, as I researched the issue I learned that all of the fuss was being caused by a few individuals who were more interested in a power grab than what was good for Seagrove, the Pottery Center and the potters in the area. Based on some of the outlandish claims being made by these individuals – which I knew to be untrue from my own experience in dealing with the Pottery Center I decided to stand on the side of local potters in Seagrove and the Pottery Center. It was just a ridiculous notion that we could loose this marvelous ten year old center because of the back-room dealings of a few.

And, I wasn’t the only person who couldn’t imagine losing this wonderful center of pottery history and resource center for contemporary pottery in not just Seagrove, but North Carolina, and the Carolinas. In three months, during what could be easily termed as the worst economic time in the US – hundreds, and perhaps even thousands of people put their money in the kitty to help save the NC Pottery Center.

Leading the charge was the Board of the NC Pottery Center and local potters networking with potters in North Carolina and eventually potters everywhere. And, the public responded by sending in checks, making electronic donations, purchasing pots that were donated to help benefit the Center, buying raffle tickets and making auction bids.

There is no doubt that a few individuals did more in this effort. Dr. Everette James and his wife Nancy Farmer donated part of their pottery collection to be auctioned off to benefit the Pottery Center. Leland Little Auction and Estate Sales, Ltd. in Hillsborough, NC, donated their services for that auction which raised $35,000. An anonymous NC couple offered a $10,000 challenge contribution to cap the Pottery Center’s fund drive once the Center raised $90,000 in honor of Drs. Everette James and Nancy Farmer. I’m sure there where others who deserve mention, but I just don’t have their names at this time. But everyone who made a contribution – no matter how small or even if it was in just spreading the word – they made a difference. They saved the NC Pottery Center – for now.

The ultimate goal is for the State of North Carolina to take over operation of the NC Pottery Center under the North Carolina Arts Council – a state arts agency. But, under the current economy – that might take some time yet, so the fight might not be over just yet. A fundraising goal has been met, but the long-term future is still unknown, but it does look brighter today.

Another contributing factor in the fundraising effort was blogging potters around the Carolinas. When the call when out for help – the word spread fast and far. I had a hard time keeping up with all the things that were going on and I eventually came to rely on Meredith Heywood of Whynot Pottery in Seagrove, who was blogging on her own blog (http://whynotpotteryblog.blogspot.com/) and eventually set up another blog – Potters for the NC Pottery Center  (http://pottersforncpc.blogspot.com/). She had lots of help from others who were feeding her info or helping with the blog. And, what’s really amazing is that during all this mess – she and her husband, also a potter, were dealing with rebuilding their studio which burned down in July.

Also let’s don’t forget that there were a few victims during this battle to save the Pottery Center. First and foremost was the loss of the Center’s director, Denny Mecham. The Center’s board in an effort cut expensive had to cut Mecham’s position to a part-time level and then all together. Mecham was unable to wait and see how the fundraising effort would go, and  took a position as the new executive director of the Ohr-O’Keefe Museum of Art in Biloxi, Mississippi. Talented people don’t have to wait too long for good job offers. The Potter Center’s exhibition schedule was also adjusted, putting major shows on the back burner. And, although some say all publicity is good – it’s not always good for everyone. The anxiety levels of area potters caught up in the controversy has taken its toll – causing some to take sides in a very small community.

What have I learned from all this? One – Potters have a strong network and sense of community. Two – If you work hard for something – a good cause – people will respond and help, even in tough times. Three – the power of the blog in spreading the word about issues. And, Four – just another reminder – the arts are important to people.

Although the $100,000 goal has been met – if you’re so inclined and have the funds – I would still advise anyone to make a contribution or participate in one of the still ongoing fundraisers. It won’t hurt and I’m sure it can be put to good use.

Now, go visit the Center you helped save. The doors are open.

Doing the Charleston with Judith McGrath

Sunday, October 19th, 2008

For any regular reader of Carolina Arts over the last eight years, commentary from Judith McGrath – all the way from Western Australia – has been a sort of sounding board as to what’s going on in the visual art community – around the world – or at least the other end of the world. Although Australia is 24 hours of flight travel away from us in the Carolinas, it seemed at times that McGrath was writing about the art community right here. I know there were times when I wondered if she had installed some kind of spyware in my computer to monitor my commentary. When her e-mail would arrive – out of the blue – it often mirrored what was on my mind. Believe me, it was spooky at times.

It all started when Scottie Hodge, owner of Tempo Gallery in Greenville, SC (now closed for some years) sent me an e-mail about an article she read that McGrath wrote for an online publication called, Art Thought Journal. After reading the piece I contacted the editor of that publication to see if I could run the article in our publication. He said I’d have to take that up with McGrath. I contacted McGrath and in our Nov. 2000 issue we offered a guest commentary entitled Visual Art vs Entertainment.

The reaction to that guest commentary was very favorable – mostly because of the article’s content and insight, and some as relief from my views. So, from that day on we have offered the occasional – View From Down Under. You can see that first article and all others she offered archived on our website at (http://www.carolinaarts.com/afewwordsfromdownunder.html).

Who was this voice from down under? We have posted this description after each installment: Judith McGrath lives in Kalamunda, Western Australia, 25 minutes east of Perth. She received a BA in Fine Art and History from the University of Western Australia. McGrath lectured in Art History and Visual Literacy at various colleges around the Perth area, and was an art reviewer for The Sunday Times and The Western Review both published in the Perth area. McGrath is currently a freelance writer and reviewer for various art magazines in Australia. She also co-ordinates the web site Art Seen in Western Australia found at (http://www.artseeninwa.com).

Well, as I mentioned in commentary in Carolina Arts a few months ago, McGrath was planning a trip to the east coast of these United States and was planning a trip to South Carolina. She was actually planning to visit Bonneau. When they asked about hotel info in Bonneau – when Linda (my better half) and I stopped laughing, we explained that we might have to direct them to another city close by.

Oh – how interesting that could be – Judith McGrath in SC – in Charleston! I didn’t get my hopes up as I know all the things that can happen to derail the best laid plans. Just look at John McCain. His “straight talk express” ran aground in Alaska – much like the Exxon Valdez did. They’re still cleaning up that mess.

But on Sunday, Oct. 5, 2008, I was driving Judith and her husband Owen from Summerville, SC, to downtown Charleston for a look at what the visual art community had to offer.

I had made some plans as to what and where we would go, but like I said before – the best laid plans sometimes have to be adapted. We had to deal with what would be open on Sunday and Monday, and unfortunately, that took some galleries off my list. And, we found that some galleries are not going by the hours posted in Carolina Arts‘s gallery listings. And, on the other hand, fortunately some galleries that should have been closed were open.

McGrath’s tour of South Carolina began in Spartanburg, SC, where her visit was front page news, but in Charleston we would be traveling under the radar – much like I do. If you have followed my commentary about the good Mayor of Charleston, I have to look twice – both ways – before I cross the streets in Charleston.

1008judithowenmcgrath-376x450

First off, the weather was great the two days they were in Charleston. It’s like we were actually having Fall weather in South Carolina. Our weather is the complete opposite of what they have at the same time in Australia – our summer is their winter.

After a short driving tour of Charleston, our first official stop was at the Gibbes Museum of Art. Although the couple was somewhat fatigued in visiting Art Museums up and down the east coast, McGrath did fall in love with Alice Huger Ravenel Smith’s watercolor landscapes – not her works with people, but the landscapes. But, what she really wanted to see was the commercial galleries. So we headed out to see who was open.

The great thing about Charleston’s commercial art community is that it is concentrated in a few areas of the city. You can park in one stop and visit dozens of galleries in just a few blocks of each other.

After leaving the Gibbes we first ran into the sidewalk display by a few members of the Charleston Artist Guild – a Charleston Fall tradition. We next headed “by request” to Charleston’s Market area. McGrath had spotted the area on our driving tour around the city. At first I couldn’t think of what area she was describing – the Market is not usually on my tour itinerary for visitors, but I soon realized the McGraths were also interested in the full view of Charleston – including the Market and antique shops on King Street. I’m a flexible tour guide so we adapted some more.

The Market helped add to the McGraths’ worldwide collection of snowglobes.

From the Market we headed into the heart of the French Quarter Gallery Association’s district, but found few open galleries there. It’s a good thing we still had Monday for our tour. We then headed to Broad Street where we found more open doors. The couple’s favorite gallery of our first day of touring was the Mary Martin Gallery. They were really taken by some sculpture there of wooden violins made by Philippe Guillerm.

After walking and driving around one end of Charleston to the other in search of open galleries, we left Charleston heading to the promise lands of Berkeley County for some barbecued ribs and corn-on-the -cob at the headquarters of Carolina Arts in Bonneau, SC, on the shores of Lake Moultrie. The McGraths live at the edge of Australia’s OutBack and I explained that Linda and I lived in what most Charlestonians think of as Charleston’s OutBack – Berkeley County.

As it always happens – when it rains it pours. We didn’t know exactly what day the McGraths would arrive, but at the same time Linda’s sister arrived for a visit as well as some good friends from North Carolina who have a house at the lake, so Linda didn’t get to do the Charleston with us.

On our second day of touring Charleston art galleries we found more open doors, but there were still a few galleries that were supposed to be open but were not when we arrived at their door. And, we missed a few that don’t open until Tuesdays, but we visited 80 percent of the galleries in downtown Charleston in our two-day adventure. And, my feet were feeling it too. I’m used to trekking the streets of Charleston and many other cities in the Carolinas, but I usually don’t take in the antique shops too. But I learned some things in our travels that was well worth the effort.

Some galleries don’t seem to be displaying the copies of Carolina Arts we drop off every month. I made a list and will be checking this out and when we find that someone is not displaying the paper, we will stop leaving them there and take out the free gallery listing we have been giving them. Most galleries had them well displayed, a few had them hidden, but we made a game out of seeing who could spot the Carolina Arts first.

Highlights this day included a visit to Rhett Thurman’s studio where we were lucky to catch the artist at work, a visit to Nina Lui and Friends (all three floors), Plum Elements for a peek at some Japanese prints and what was hailed by McGrath as her favorite gallery in Charleston – the Eva Carter Gallery. It was a special moment of pride when I got to brag that we owned a work by each of the artists represented by the gallery. It was there that the couple almost purchased a work by Karin Olah – not having seen any work like it before. Now, that’s saying something from this world traveling couple.

1008ecarter-kolah
Work by Karin Olah

But the joke of the two day tour was, “Owen, you’re gonna need another suitcase!” The McGraths were already going to have to purchase a very large suitcase to fit all their purchases made in the US while visiting. An extra suitcase on their 24 hour return flight home was going to be an expensive item. The thought of another one was an instant headache – for Owen.

The McGraths took lots of contact info from galleries we visited and they will let UPS do some deliveries for them once they get back home. After all, it is a small world these days.

After our second day of trekking we headed back to Summerville talking about some of the places we didn’t get to see, but I think Judith and Owen had an enjoyable tour and saw a lot of interesting art and got a small glimpse of Charleston. On the subject of the bad rap Charleston’s art scene often gets from some other areas of the Carolinas – the so called love Charleston artists have for painting the city and the surrounding environment – the two world travelers said that you see that everywhere you go around the world.

I don’t know if Judith McGrath will write anything about her visit to Charleston or what she will say. But, for me it was a great opportunity to have a give and take dialogue about what we were seeing, art in general, and various subjects covered in both our commentaries. It was also a great pleasure to meet the person who has contributed to Carolina Arts from afar for the last eight years and her husband. I hope the exchange will continue for many years.

Judith – Owen, thanks for coming to see us.

How Will the SC Arts Commission Cut Its Budget By 10 Percent?

Tuesday, October 14th, 2008

The State of South Carolina is in financial trouble due to a reduction in projected revenue. Who isn’t? The Governor of SC is calling for the heads of State agencies to come up with ideas to reduce their budgets by 10 percent – before the State Legislature has to do it. I’m wondering what Suzette Surkamer, Executive Director of the South Carolina Arts Commission will do.

Will Surkamer cut 10 percent of programs and services or 10 percent of administration overhead – like staff? My guess is cuts will be in programing, grants and services. But she will feel really bad about it.

I have a few suggestions. First Surkamer could retire. She’s been working for the Arts Commission for over 30 years. She could move on and others could move up the ladder and leave a vacancy at the bottom of the chain. Surkamer has been at the top long enough and that would put a big dent in that 10 percent figure.

Surkamer could cut the position of Visual Arts Coordinator. We’re not getting much out of that person anyway. I’m not sure too many would even notice the difference. A very few would, but not many.

Surkamer could cut the Arts Commission’s Regional Media Arts Center. The Center provides resource and network information for film/video exhibitions in ten southeastern states. Let a richer state handle this service. Our state has a separate film office anyway. She might argue that the center brings in revenue from those other states, but we are picking up the overhead.

Surkamer could also tell the SC Arts Foundation that they would have to get their own office, phone number and staff. But that wouldn’t really save much, since both organizations are one in the same. The Foundation is just a shadow organization which acts as a slush fund for the Arts Commission. If the Foundation is real – what a good time for them to get to work and bring in some money to make up for the loss of that 10 percent. The Foundation could cut the party surrounding the Verner Awards, but then without the party – why give awards?

Well it’s going to be a hard job. But she’ll probably just tell everyone to take a 10 percent cut across the board – as if that’s the fair thing to do – even though it’s not – staff salaries and benefits are probably protected by contracts, but programs, grants and services are not.

We’ll soon see what happens.

Photography Exhibitions Catching My Eye

Thursday, October 9th, 2008

On my recent delivery trip – what we now call – The Search For Gas In The Carolinas – I got to see two exhibitions by Columbia, SC, area photographers. One of the exhibits was in Columbia and the other was in North Charleston, SC. Both exhibits fell into what seems to be a developing trend in photography – as least in recent exhibits I’ve seen – a move toward abstraction or near abstraction in the imagery offered. Both artists demonstrated that the camera is but a tool in the creative process – not a machine that takes pictures. The artist using the camera is the creative force.

Don’t get me wrong, I love straight photography, whether it be nature photography, portrait photography, journalistic photography, architectural photography, etc. Good photography takes skill and creativity. Otherwise anyone could do it. And believe me – everyone can’t.

With the invention of digital cameras and computer programs like Photoshop – photographic imagery can be manipulated in numerous ways – even creatively in some people’s hands, but they are only tools.

You can put a paintbrush in my hands and it is the same tool an artist uses, but the results will never be the same.

1008toddoelze-overflow-355x450
“Overflow” by Todd Oelze

While delivering papers in Columbia on a Sunday, I ran into an unexpected – open door – at Gallery 80808 at Vista Studios, at 808 Lady Street in the Vista. The exhibition was, Strokes of Light, featuring abstract photography by Todd Oelze (Blythewood, SC), on view from Sept. 26 – 30, 2008.

It’s not that I don’t read my own paper – I process a lot of information and usually by the time I’m delivering one paper, I’ve been working on the next month’s calendar of exhibitions. It’s hard to keep it all straight. What’s not a problem for me, but still seems to be for a lot of people in Columbia, is the fact that I know that Gallery 80808 is open when exhibits are taking place – even on the weekends. Not many galleries are open on Sunday in Columbia.

It was not too long ago that I did a review of another photography exhibit at the Saul Alexander Foundation Gallery at the main branch of the Charleston County Public Library in downtown Charleston, SC, It was abstract photography too. So here was another very interesting exhibit of more abstract photography.

1008toddoelze-atomicsneeze-450x337“Cosmic Sneeze” by Todd Oelze

When I later checked the Vista Studios/Gallery 80808 web blog (http://www.gallery80808.blogspot.com/) I found this statement offered by Oelze. “Strokes of Light is a result of my recent endeavor to produce digital photographs that convey movement, while accentuating color and displaying the illusion of depth. I achieve this look by employing uncommon camera and lighting techniques, while keeping post-production effects to a minimum. My ultimate goal is to establish a recognizable style that I believe is extremely difficult to accomplish in photography. This collection of photographs is my first step in achieving this vision.”

I believe Oelze was very successful in pulling off his stated goal and look forward to seeing where his work goes in the future. I got him to send us a couple of images (another post exhibit review) and you can see more work on his website at (www.toddophotos.com).

My drive on Sunday started Saturday night and lasted well into the afternoon, but the short break in viewing Oelze’s works stayed with me a long time.

 

1008nchas-jamescheatham-450x345James Cheatum

On Monday, I was roaming from Calabash, NC, through Myrtle Beach and the Grand Strand, eventually making my way down the coast to Mt. Pleasant and Charleston, SC. Some of my last stops were in North Charleston where I ran into the exhibition, Lens Paintings, Flower Photography by Jim Cheatham, from Columbia, at the North Charleston City Gallery at the Charleston Area Convention Center Complex, 5001 Coliseum Drive. This exhibit started on Oct. 1 (put up just hours before I arrived there) and will be up through Oct. 31, 2008.

In this exhibit, the images were sort of straight photographs, but taken so close in that they were abstracts of the real thing. They are images of objects, in this case flowers, that can’t be seen by normal vision – well maybe if you get real close and squint your eyes.

In a handout offered at the exhibit, Cheatham offered the following statement about his work. “My photography of flowers attempts to give expression to what might be called the spiritual dimension present in all living things – to the reality ‘behind’ the reality. In doing so, I am not concerned with presenting images that are photographically ‘correct’, but images that are ‘painterly’ as well as beautiful from a textural standpoint. I also strive for a strong graphic quality. Particularly in the collage mosaics.”

The results is a presentation of “sort of” straight photographs of flowers with the abstraction being offered by the closeness to the subject. In the photography world this might be considered “macro” photography – using lenses which are designed to take crisp images – real close in on subjects, but focus in not a goal here by Cheatham – delivering that “painterly” look – which is soft and sensuous.

You can see more images of Cheatham’s at (www.lenspaintings.com), but the exhibit will still be up through Oct. – so you can go see this one.

Both results seen in both of these exhibitions are nothing new in photography, the techniques have been seen before, but these two artists are taking the techniques to different levels – using their cameras and subjects as just tools to achieve abstracted imagery which reach beyond traditional photography.

I know some people in the art community don’t respect photography too much – they think it’s easy. Photography is an evolving fine art medium. If you’re not threatened by it, you might be able to see the possibilities and recognize that in the hands of the right people it can be as creative as any art medium.

Keep an eye out for further exhibits by Todd Oelze and Jim Cheatham – I know I will.

NC Pottery Center Fundraising – Almost There!

Friday, October 3rd, 2008

It is sometimes hard to imagine the level of generosity that has been going on in the effort to keep the doors open to the North Carolina Pottery Center in Seagrove, NC. It moves so fast at times that it is hard to keep up with the figures, which is now over $80,000 – according to my last report $80,549. But, I’m sure that figure has been surpassed by now.

The latest infusion of funds arrived after last Sunday (Sept. 28, 2008) at Leland Little Auction and Estate Sales, Ltd. in Hillsborough, NC. The auction raised over $34,000 for the North Carolina Pottery Center. The auction featured 191 fine examples of NC pottery donated by several prominent collectors throughout the state. The sale centered on a substantial collection of Art Ware pottery generously given by Dr. Everette James. Leland Little also donated their services to the Pottery Center.

The fundraising campaign is now in the homestretch, raising the final $10,000 to reach the $90,000 mark where another generous donor will chip in $10,000 to cap off the campaign effort.

Many other fundraising efforts are still scheduled, check in with the blog, Potters For The North Carolina Pottery Center (http://pottersforncpc.blogspot.com/) for full details.

One such fundraiser will take place at the upcoming Spruce Pine Potters Market taking place on Oct. 11-12, 2008, from 10am to 5pm, at the historic Cross Street Building, 31 Cross Street, Spruce Pine, NC. For further info on this event visit (www.sprucepinepottersmarket.com).

Potters participating in this event include: Shane Mickey, Will Baker, Lisa Bruns, Stan Andersen, Nick Joerling, Gay Smith, Claudia Dunaway, Jim and Shirl Parmentier, Terry Gess, Becky Gray, Michael Kline, Jon Ellenbogen & Becky Plummer, Michael Hunt & Naomi Dalglish, Lindsay Rogers, Melisa Cadel, David Ross, Norm Schulman, Linda McFarling, Courtney Martin, Ken Sedberry, Jenny Lou Sherburne, Jane Peiser, Mark Peters, Ron Slagle, Cynthia Bringle, Mark Tomczak, Joy Tanner, Michael Rutkowsky, Tzadi Turrou, Liz Zlot Summerfield, Pam Brewer, and Peter Rose.

Many of these potters will have designated pieces in their spaces at the Market where the proceeds will be donated to the North Carolina Pottery Center. This is just another example of one of the many opportunities where you can buy a beautiful piece of pottery – for yourself – and at the same time help keep the doors of the NC Pottery Center open and help continue the story that the Center tells of the history of pottery and history of North Carolina and regional pottery and potters.

Linda and I just added a piece made by Courtney Martin to our pottery collection when we were at last year’s fall crafts fair of the Southern Highlands Craft Guild in Asheville, NC. It’s nice to know she is one of the potters who will offer work to benefit the Pottery Center. I guess what goes around does come back around.

How many opportunities will you have in your lifetime where a $25 electronic donation made on the Pottery Center’s website (http://ncpotterycenter.com) can make a difference? Where buying pottery you wanted can help keep a great facility open and continue to be a great asset in the greater Carolina art community. If everyone reading this does just a little on their part, the Center will be saved. There are many ways to participate, just make sure you do. And, I’ll thank you in advance.