Posts Tagged ‘Mark Woodham’

The Annual Trip to One Eared Cow Glass in Columbia, SC, for Holiday Shopping

Friday, December 11th, 2015


Linda and I made a quick trip to One Eared Cow Glass in Columbia, SC, to pick out some Christmas gifts and a few others that have backed up – house warming and birthday gifts included. Of course it felt more like being transported for Linda. She drove home after a 12 hour shift at 911 and I jumped in the car and drove us to Columbia. She seems to be on the wrong side of our traveling anywhere, She can sleep some in the car, but it’s not the best place to catch a few winks after 12 hours of emergency calls. I-26 is not the best place to chill after the nightly battle.

It’s a short two hours for me – compared to my past driving experience, but there’s not much in between except public radio or Christmas music. And these days only one SC Rest Stop due to construction in the Columbia area.

This was our first trip back to Columbia since the big flood. We didn’t see any signs of flood damage on the route we usually take, but the rivers were higher than normal. The thing to remember when you hear about a disaster somewhere – media reports show you the worse of things, big cities recover very quickly and businesses need customers to keep a disaster from becoming a real disaster. Don’t not go to Columbia as you think you’ll have a hard time getting around. Most major roads are all open. And businesses not damaged really need your business.

One Eared Cow Glass was full of great gifts for family and friends and yourself – if you’ve been good. Prices seem to start at $30 and go everywhere in between $5,000 or $6,000 for a big glass bug that was in a display at the SC State Fair a few years ago. But I saw a lot of $50-$70 pieces that would make a great one-of-a-kind gift – from Christmas balls, jewelry, small jars, drinking glasses, wine bottle stoppers, etc.





I went and talked shop with the Cowboys, Tom Lockart and Mark Woodham, while they worked. That saved me from having to give opinions about things that Linda was checking out. I was in the work studio part of One Eared Cow Glass for about 45 minutes to an hour. We talked about a number of things, but one of the interesting subjects was funding of demos of the process of creating glass, something these two guys have been doing for several decades. In fact on most days you can go there and sit down and watch them work. It’s something I’ve done hundreds of times. They have chairs there just for that purpose.





Recently another glass studio in SC received a couple of grants from the SC Arts Commission for putting on demos and something called “theatre”. This was funding for a commercial business – something the Arts Commission has said can’t be done for commercial businesses in the arts. I’ve never figured why it can’t be done – at least any logical reason, but that’s what they always have said, but here they were doing it. My experience is that for every rule the Arts Commission has for not doing something to help some people always finds an exception for people they want to help. There’s a longer story behind this discrepancy, but I’m not going into that now, but the point of mentioning it is that all kinds of people have been doing free art demos for years and now some folks are getting paid to do it – even folks who have regularly been doing it for free, but have now found a way to get paid. What’s their incentive to do them for free again?





So I eventually went into the gallery and it took me five minutes to select several gifts including one for myself. It doesn’t take me long to make selections – I know what I like and I usually pick what I like for others.

I took about 150 photos while there, but I selected just 16 to give you a good idea of what you’ll find there. If you want to see more visit (





If you’re looking for an unusual gift – think art glass, but if you go to Columbia, there are a lot of other art galleries there – just check out our Commercial Gallery listings in the latest issue of Carolina Arts at ( And if you live in Columbia – these folks will be happy to see you come through their doors too. A gift of art is always the best gift for any occasion.

Photos of One Eared Cow Glass Sculpture at Columbia Museum of Art Celebration of Chihuly Chandelier

Thursday, April 22nd, 2010

We now have photos of the finished piece by One Eared Cow Glass installed outside the Columbia Museum of Art during the Museum’s Red Hot…Cool! 60 Years of Color gala on the evening of Apr. 17, 2010.

Here’s a link to my earlier comments on that.






I have to say, it looks pretty spectacular!

Like I said – give Tommy Lockart, Mark Woodham, and their assistant, Ryan Crabtree, $360,000 and see what you get – considering they made this work on speculation just for this one event – for one evening.

Now we’ll see if someone is smart enough to purchase this work. I wish I could.

A Trip to Columbia, SC, for One Special Gift and to See the Ansel Adams Exhibit

Monday, December 14th, 2009

On Friday, Dec. 11, 2009, the family made the two hour journey to Columbia, SC, to select a gift from One Eared Cow Glass. We have a trade agreement and we wanted to get something special, but at a reasonable price, for one Christmas gift. Of course we could have gotten a special gift of art just about anywhere in the Carolinas, but the word “trade” is key in this instance.

A trip to One Eared Cow Glass is always a delight, but getting three people to agree on a gift is always a challenge – and with so much to choose from – it can take awhile. I tend to spend more time watching the glass makers at work as I have a fast eye and it only takes me one trip around the gallery.



On this day, Mark Woodham, Tom Lockart, Ryan Crabtree, and a  fourth person, whose name I forgot to get, were working on making 50 ornamental balls – during this time of year – Christmas ornaments. What a dance of movement – dipping in the vat of 2300 degrees F molten glass, spinning the rod, adding color crystals, remelting, blowing out the ball shape, spinning and more spinning, more blowing and bingo – another Christmas ornament – at least after it cools down.



Who in Columbia won’t wake up to a handmade glass ornament from One Eared Cow Glass on Christmas morning? Maybe a few naughty folks. And, the really good folks will get maybe a glass bowl, a glass vase, or a colorful glass garden ornament.



If you haven’t gotten your glass gifts there yet – don’t worry – they’re making more everyday, right up to Christmas. That is when they’re not making more videos for YouTube. The latest video is about the making of a lighted glass and copper sculpture commissioned by the Riverbanks Zoo’s Botanical Gardens in Columbia in memory of Margot Rochester. The new video can be found at this link.

After viewing the new video check out This Is How We Roll on the same page if you haven’t already seen it, but do not pay any attention to the one made by someone associated with the Columbia Museum of Art. There is nothing wrong with the video – it’s the soundtrack from Appalachia that kills me – as if this studio in the heart of Columbia’s Upscale Vista area (our Capital City) was in some hollow, back around the bend – up over that there hill. The Museum, or who ever put that thing up on YouTube needs to take it down – for the Museum’s image alone and for the guys at One Eared Cow Glass. I’m not saying I want to hear ballet music instead, but listen to the music on the videos One Eared Cow has made and that’s more like it. Maybe someone thought they were doing these folks a favor in producing this video, but they’d be doing a bigger favor by taking it down and hiding it somewhere.

Check out the metal sculpture of a deer by Greg Fitzpatrick. I’m told he is an artist who is working under the radar in Columbia, yet so busy with commissions that he doesn’t have to worry about people knowing who he is and about the wonderful works he creates. That’s a nice problem to have, but being in the media – I’m telling. Find out what you can about this guy – he’s a wizard with metal.

metal sculpture by Greg Fitzpatrick

After all three of us finally made a decision on the gift, we were off to the Columbia Museum of Art to see the best Ansel Adams photographs – at least his favorites in the exhibit, Ansel Adams: Masterworks From the Collection of the Turtle Bay Exploration Center, Redding, CA, on view through Jan. 17, 2009.


This collection of 47 gelatin silver prints by Ansel Adams (1902 -1984) represents a selection Adams made late in his life to serve as a representation of his life’s work and what he felt were his best images. Called “The Museum Set,” the full selection of 75 images reveals the importance Adams placed on the drama and splendor of natural environments. Included in Ansel Adams: Masterworks are many of Adams’ most famous and best-loved photographs that encompass the full scope of his work: elegant details of nature, architectural studies, portraits, and the breathtaking landscapes for which he is revered.

You can read an article about the exhibit at Carolina Arts Online at this link.

At one time in my life I wanted to be a photographer. At the time I couldn’t think of anything better to do than travel to some of our country’s most exotic natural landscapes and spend time trying to capture them in photographic images that would move folks to want to go see these places up close and personal – like Ansel Adams did. Adams was the man and he still is in many ways in my view.


I’ve been lucky enough to have traveled to many of our western National Parks – pre-arts newspaper and its monthly deadlines. Nothing can replace the act of being there, but Adams’ photographs come darn close – even in black and white.

There is no use trying to describe the images presented. If I could write that well, I wouldn’t be doing this blog. You just have to go see the exhibit for yourself. And, this exhibit is an excellent opportunity to drag a friend with you who might not normally go to an art museum – as no one would not enjoy seeing these photographs.

The Museum Shop also has an excellent selection of Ansel Adams related items – great for holiday giving or for giving yourself – so you can have a little bit of Ansel Adams’ imagery with you on a daily basis.

We had a late lunch and headed back home arriving in time to still have some daylight left – although that Friday was one of the most wintery days in South Carolina – as was the whole weekend – wet, cold and gray. It was a perfect day for looking at glass and Ansel Adams photographs.

Oh yeah – what happened to my career as a nature photographer? Well, I came to Charleston and ran into a group of nature photographers who changed my mind – Tom Blagden, Jr., T.R. Richardson, John M. Moore, and Luke Platt. After hanging with them a few years and seeing the work they were producing made me think my future was in photo processing. But, that’s another story of a time long gone.

Roll with One Eared Cow Glass at Artista Vista 2009

Thursday, April 16th, 2009

Here is something to get you ready for this year’s Artista Vista 2009 – Columbia’s premier gallery crawl, held in the Congaree Vista area of Columbia, SC, on April 23 – 25, 2009. Take a look at the boys at One Eared Cow Glass doing their thing.

Unlike art districts that offer art walks, art crawls, or art strolls – every month – this is the one “galleries only” art event in Columbia. So it’s a once a year offering, and its usually a big bash. This year Artista Vistafeatures some new galleries in the lineup and of course the Congaree Arts Festival held at the SC State Museum on Saturday, April 25, from 10am-4pm.

This will be the 18th annual Artista Vista – no kidding. Unlike some art walks who just had to celebrate their 20th anniversary – four years early – this is the real deal.

I’m going to try and make it this year. You should too.

One Eared Cow Glass Turns Sand Into Art

Monday, August 4th, 2008

One of my favorite stops on my monthly delivery run is at One Eared Cow Glass Gallery & Studio, located at 1001 Huger Street in Columbia, SC, in the Congaree Vista district. Columbia is one of the few stops on my runs where I’m there during regular gallery hours – at least some of the time. When that happens you can be sure I’ll stop in and watch Tommy Lockart and Mark Woodham make works of glass art – from molten sand.



From the first time I watched the two work I’ve been amazed at the transformation of a glob of molten glass into – well whatever you can imagine. And, even after all these years of watching them create, I still can’t tell you what they are making when they start – as it always seems to take some turn in the middle and ends up being something the farthest from my first guess. If I think it’s going to be a bowl or vase – it can end up that those pieces would be the stand for a more elaborate sculpture or lighting fixture. If I’m lucky, I might figure it out three-quarters of the way after all this time.



Another thing that puzzles me is when I see other people watching them work – most of the time they just watch. From the very start I was asking questions every step of the way. How hot are those ovens? How can you work all day in this heat? Where does the color come from? Why do some colors cost more? What happens to the pieces you break – can they be recycled? Why do you have to put finished works in a cooling oven? What’s a cooling oven anyway?



I don’t see how you can watch them work and not have a thousand questions. I even asked them if they minded people asking questions. They don’t – at least good questions. So, I can understand how dumbstruck someone can be when they first see the two work, but you have to have questions about what you’re seeing. How are you going to learn something without asking questions? They move so fast you might miss half the things they are doing to the glass.



One Eared Cow Glass is a gallery of finished works and a working studio. Many times when I’m out front in the gallery looking at new works – there are always new works, new designs, different color combinations, or different shapes – I have to go back into the studio to ask – How did you get this color and design to work? After they explain, it all seems logical, but I would have never figured it out on my own. They have often admitted that many things work out by trial and error. Over the years I’ve learned somethings about how the colors and designs work, but sometimes I’m stumped.



A few years back, I got to see the progress of a large commission piece over a few months time that Lockart and Woodham created for the Columbia Metropolitan Convention Center ( on Lincoln Street in the Vista. The piece is called Intermingling Convergence a.k.a. Flo. The work is a 20′ long x 10′ wide x 3′ deep creation of blown glass and stainless steel suspended from the ceiling of the two story lobby of the convention center. We have a photo essay of the installation of the work and finished images at the link for the Convention Center.



One of the first Special Features we added on our website – way back when we first launched it in 1999 – is a photo essay of Lockart and Woodham doing their thing ( Since that time these pages on our site have ranked in the top 30 pages visited – month after month after month. And we have thousands of pages on our site.


If you go visit One Eared Cow Glass, go see Flo at the convention center too – it’s just down the street and there are a lot of other good works of art there to see. With gas prices what they are you want to make the most of every trip you make. You’re in the Vista area, so you’re close to other commercial galleries and the SC State Museum and not too far from the Columbia Museum of Art.


Now plan ahead. They do not work in the studio on Wednesdays and Saturdays, but the gallery is open, and on the days they are working – they work from 9 to 11:30am in the morning, stop for lunch, and then work again between 1:30 and 4pm. But, call ahead to make sure the day you are going – they will be working to make sure. Something can always happen and the experience just isn’t the same if you don’t get to see them work.


One more thing. After you’ve watched them for a few hours and asked all those questions – buy something. They have works that fit anyone’s price range from $30 to $2,000. And, they’d be happy to make a special commission piece for you too (another shameless plug).